Results for: 2000 contemporary works i
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Illustrated quotes by visual artist Eugene J. Martin, Part I http://www.artnet.com/awc/eugene-j-martin.html
This is Part I of a 4-part series "Quotes and (More) http://www.artnet.com/awc/eugene-j-martin.html
This is Part I of a 4-part series "Quotes and Graphite Drawings" by visual artist Eugene James Martin. The drawings date from 1977 and 1978; the quotes from the mid-1970's. Many of the quotes and all of the original drawings that accompanied the quotes Eugene Martin organized in a special volume were accidentally lost in Washington D.C. in the early 1980's when someone borrowed the chapbook and misplaced it. Works of art created in Washington D.C., filmed in Lafayette, Louisiana (LA). Video clip montage by S. Fredericq.
Music by J. S. Bach, "The Coffee Cantata", "Heute noch", Ann Monoyios (soprano), Edward Brewer (harpsichord, baroque organ), Ruth Waterman (solo violin), Daniel Waltzman (solo flute), NY, Anniversary Edition 1750-2000, 250 years since the death of Johann Sebastian Bach.
Heute noch
Heute noch, lieber Vater, tut es doch. Ach, ein Mann!
Dieser steht mir trefflich an! Wenn es sich
Doch balde fügte dass ich endlich vor Kaffee
Das ich einen Liebsten kriegte, eh' ich noch
Zu Bett geh' einen wackern Liebsten kriegte!
Oh, make it happen today, daddy. Ah, a husband!
One must be out there waiting for me. Soon it will
happen that in exchange for forsaking my coffee, I'll
have a boyfriend. Maybe even before bedtime I will
get a gallant new suitor! (Less)
I AM HERE I AM HERE by João Fiadeiro
Premiere_ Centre Georges Pompidou, Paris, 29th, 30th and 31st (More) I AM HERE by João Fiadeiro
Premiere_ Centre Georges Pompidou, Paris, 29th, 30th and 31st October 2003.
Conception, choreography and interpretation João Fiadeiro
Lights design and Video Daniel Demont
Set design Walter Lauterer
Music Helena Almeida (extracts of "Vê-me..." (Look at me...), 1979)
Sound design noid aka Arnold Haberl
Dramaturgy João Fiadeiro and Marie Mignot
Rehearsal assistants João Galante and Ana Borralho
Production RE.AL
Coproduction Centre National de la Danse, Centre Georges Pompidou/Les Spectacles Vivants, Fundação Calouste Gulbenkian / Délégation en France,
Centro Cultural de Belém / Centro de Exposições, RE.AL
RE.AL, structure financed by DGArtes (General Direction of the Arts)/ MC (Portuguese Ministry of Culture)
With the support of the Centre Chorégraphique National de Montpellier Languedoc-Roussillon and the Centro Coreográfico de Montemor-o-Novo / Espaço do Tempo,
Lusitânia Companhia, Lisantigo
Thanks Tiago Guedes, Luis Araújo, Delfim Sardo, Mathilde Monnier [and the team of the Centre Chorégraphique de Montpellier], Jean-Michel Olivares, Manuel Coursin,
Annie Tolleter, Nicolas Castagnier, Marta Wengorovius, João Garcia Miguel [and the team of Especial Nada], Rui Horta, Luís Bombico, Dona Maria do Castelo, Rui Catalão
Duration 60 minutes
Classification all age
Target audience general
------------------------
JOÃO FIADEIRO
Paris, 1965.
Lives and works in Lisbon.
His early dance training occurred between 1983 and 1988, which was in the techniques of classical dance and modern dance, which he developed at the Ballet Gulbenkian (Lisbon) and at the Peridance Center (New York). In 1988, through a scholarship from the Jacob's Pillow Festival, in Massachussets, USA, he made contact with the American postmodern movement, which radically changed his references and practices. He then focused on the improvisation and composition techniques born with that movement, which he examined thoroughly in numerous workshops both in Berlin and Lisbon. Between 1986 and 1989, Fiadeiro worked as a dancer with the Companhia de Dança de Lisboa (Lisbon Dance Company) and the Ballet Gulbenkian, where he started his choreographic work.
In 1990, he created the RE.AL Company, an organisation that has been working in the area of the creation and circulation of contemporary dance performances, organisation of laboratorial-like events and the development of initiatives related to artistic research.
In 1995, he began the systematisation of the Real Time Composition method, which supports, sustains and determines his entire activity as an artist, teacher and researcher. In the year 2000, in the midst of RE.AL, he promoted the constitution of a group of performers, theorists and artistic collaborators who have decisively contributed to the method's outline and range, in addition to applying the method in the making of their own projects. By their influence and contribution, the following people are readily acknowledged: the performers -- creators Cláudia Dias, Márçia Lança, Helga Guszner and Tiago Guedes, the plastic artists Gustavo Sumpta and Walter Lauterer, the composer Arnold Haberl, the researcher Paula Caspão, the dramatist Joris Lacoste, the journalist Rui Catalão and the collaborators David- Alexandre Guéniot and Marie Mignot. This work has been developed at the Atelier RE.AL, head-office of the Company, or, at the invitation of international entities, through research ateliers, workshops dedicated to the application of the method and creation projects. Of these, Fiadeiro highlights "Plano para identificar o centro" (1989), "Retrato da Memória enquanto peso Morto" (1990), "Branco Sujo" (1993), "Self(ish)-Portrait" (1995), "O desejo ardente deve ser acompanhado por uma vontade firme" (1995), "I am sitting in a room different from the one you are in now" (1997), "O que eu sou não fui sozinho" (2000), "Existência" (2002) and "I Am Here"(2003), which were performed all over Europe, the United States of America, Canada and Brazil. He also acknowledges the plays "Waiting for Godot" by Samuel Beckett, in the year 2000, "4:48 Psychosis" by Sarah Kane, in 2001 and "Night Songs" by Jon Fosse in 2004. João Fiadeiro staged these plays at the invitation of the theatre company Artistas Unidos.
Throughout the course of his work, he has established a close collaboration with various artists and contemporary thinkers, namely Jorge Silva Melo, Marta Wengorovius, Pedro Costa, Vítor Rua, Nuno Rebelo, Miguel Azguime, André Lepecki and Mark Tompkins, who have had great influence on his work. (Less)
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