80 s Long 1 
2009-12-17 - extension: rar - parts: 3 - size: 138 MB
80 s Long 1
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Manfred Mann's Earth Band Manfred Mann's Earth Band are a rock group formed by Manfred Mann, in 1971, following the (More) Manfred Mann's Earth Band are a rock group formed by Manfred Mann, in 1971, following the demise of Mann's former group Manfred Mann.-----------------------------History [edit] Formation The Earth Band's direction was very different from that of Manfred Mann. Mann made a conscious decision to move away from the pop-oriented three-minute format of his former group. The Earth Band was, from a pop perspective, almost deliberately contrary, but combined the stylistic approach of progressive rock with Mann's keen ear for melody. Mann's interest in English 20th century classical music saw him plunder Gustav Holst's Planets Suite, garnering an unlikely UK hit with a version of the "Jupiter" movement, with lyrics added, entitled "Joybringer". 1973's The Good Earth album tapped into ecological concerns, a recurring theme in Mann's music in later years, giving away a free gift of a piece of land in Wales with each album sold. Manfred Mann's Earth Band, 1972 (debut album) The membership of the Earth Band was relatively informal; Mick Rogers originally performed lead guitar and lead vocal duties before being replaced by Chris Thompson on vocals and Dave Flett on guitar. Drumming duties were fulfilled by Chris Slade, who was later to be a member of AC/DC and Asia in a long and varied career which perhaps can be summed up by his being released by AC/DC despite being, according to the rest of the band, the best musician in the band. Similarly, the technically skilled bass player Colin Pattenden, after leaving the Earth Band, became a sound consultant, running his own company designing and installing sound systems. There was much about the Earth Band that was potentially successful, but the contrariness of the band's approach and Mann's perfectionism meant that albums frequently came out with different track listings in different territories, or in alternative versions.-------------------------------------Breakthrough The breakthrough for the band in the US came when they had a No. 1 pop charts hit in early 1977 with Bruce Springsteen's "Blinded by the Light". While the Springsteen original from 1973's Greetings from Asbury Park, N.J. album has a folky, acoustic sound, the Manfred Mann's Earth Band version is driving rock, combining Mann's Moog synthesizer and organ work with Flett's guitar. Manfred can be heard singing at the end of "Blinded by the Light", in the round, with Thompson - it was this feature of the song that initially attracted him. The band took advantage of the publicity and re-released another Springsteen song, "Spirits in the Night", which had been recorded the previous year on Nightingales and Bombers, originally with Rogers on vocals although for some territories it was re-recorded with a vocal from Thompson.------------------------------------Highlights Nightingales and Bombers, The Roaring Silence, and Watch are considered the highlight of the Earth Band's achievement. Watch produced another hit single in "Davy's On The Road Again", and the albums were innovative and original despite the dependence on covers of other artists' songs. Nightingales and Bombers took its title from a World War II naturalist's recording of a nightingale singing in a garden as warplanes flew overhead; the recording appears in a track on the album. Roaring Silence featured a guest appearance by jazz saxophonist Barbara Thompson, and Watch included two stand-out recordings from the band's live performances of "Davy's On The Road Again" and "Mighty Quinn". There is an equal argument to be made for the inclusion of Angel Station in the roll call of the band's peaks. Dylan cover versions have been a second string mainstay of the band's success (after Springsteen) and Angel Station's "You Angel You" blends the power of Dylan's song-writing with Mann's extraordinary talent as an arranger and orchestrator. Unremarked by most critics at the time, Angel Station is unique in featuring a six-note descending theme in most of the songs on the album, woven skillfully into the context of each song in a different way. Another conceptual first on the album was the pair of songs "Hollywood Town" and "You Are, I Am" which shared a common tune and basic arrangement but worked as mirror images of each other. Some of the impact of the pairing is lost on CD editions of the album; on vinyl, they occupied almost identical positions on either side of the LP. The entire album has the air of an emotional and musical crossword puzzle, or has affinities with the work of M. C. Escher, whose art is alluded to on the cover illustration.------------------------------------The 1980s Flett left before 1979's Angel Station to be replaced by Steve Waller, sharing the vocal duties with Thompson who was also intent on pursuing a solo career. 1980's Chance showed a move towards a more electronic approach, and produced several cuts that were hits in the UK and/or saw significant airplay in both the US and UK. The songs "Lies (All Through The 80's)," "Stranded," and "For You" (another Springsteen song) still receive significant airplay over 25 years since their release. By the late 70's and early 80's Mann had become very active in the international anti-apartheid movement and was subsequently banned from entering South Africa, the country in which he had been born. Undeterred, members of the band made journeys to South Africa to record African musicians for the album Somewhere in Afrika, pre-figuring Paul Simon's Graceland. The album included a cover of The Police's "Demolition Man" and a well-received version of Bob Marley's "Redemption Song," which remains in the band's set today. American versions of the album also included Ian Thomas' "The Runner," whose music video had images of the Munich and Montreal Olympic Games, and which enjoyed much airtime in the lead-up to the Los Angeles Olympics.------------------------------Recent years Manfred Mann's Earth Band has continued recording to the present day, covering tracks by artists as varied as Paul Weller, Robert Cray, Del Amitri, and The Lovin' Spoonful. Mann has also released a solo project, Plains Music, based on Native American music, and his latest album 2006 includes collaborations with the German rapper Thomas D and tracks featuring the music of, amongst others, the Super Furry Animals. The Earth Band remain active in live performances in Europe, with a line up that includes both Manfred Mann and Mick Rogers. Most of the band's albums have been re-released in recent years and a 4-CD set (Odds & Sods - Mis-takes & Out-takes) featuring many previously unissued versions of tracks was released in August 2005. This includes material from the unreleased (and thought to be lost) Manfred Mann Chapter III Volume 3 album and the first Earth Band album, Stepping Sideways. The fourth CD in the package includes both unreleased studio material and live performances. December 2006 saw the release of the best-of DVD Unearthed 1973-2005 The Best of Manfred Mann's Earth Band. This features twenty tracks ranging from three recorded in Sweden in 1973 ("Father of Day," "Captain Bobby Stout," and "Black & Blue"), to a 2005 performance of "Mighty Quinn." Also included are animations used during the band's live performances of the late 1970s and early 1980s and promo films including two tracks from the Plains Music album. In 2007, 2 separate dance remixes of Bruce Springsteen songs as performed by Manfred Mann's Earth Band entered the Austrian Charts. The first was a remix of "Blinded by the Light", which was credited to Michael Mind featuring Manfred Mann's Earth Band. The second was a remix of "For You", credited to The Disco Boys featuring Manfred Mann's Earth Band. (Less)
Eric Martin: Sons of Angels - Full Version (Daytona USA CCE) I own nothing! And keep asshole/flaming comments non-existent, m'kay? There's a difference (More) I own nothing! And keep asshole/flaming comments non-existent, m'kay? There's a difference between "It's not my kind of music" and "this sucks". Not needed and will be removed.
The full version of the opening song to Daytona USA: Champion Circuit Edition, featuring Mr. Big's one and only Eric Martin on vocals and Jun Senoue on guitar, a name that should be all too familiar with Sega music fans.
History lesson time!
The Sega Saturn port of the arcade game Daytona USA, the highest grossing arcade game of all time, wasn't exactly well received when it launched, mainly due to the fact it was rushed for the Saturn's launch date. Weak frame rate, massive clipping. But for audiences outside Japan, there was something else that irked many so-called gamers.
The soundtrack; vocal tunes sung one of Sega's most popular musicians and singers, Takenobu Mitsuyoshi, with lyrics like "Blue, Blue Skies!" and "Daytona! Let's Go Away!". For some, there was something irresistibly catchy and unique about it. Now while Mitsuyoshi is seen as a star in Japan, I couldn't tell you the soundtrack was well-received in the West. For the most part, everyone I knew hated it and magazine publications mocked it. Seemed only hardcore Sega junkies like me loved it.
Sega would later release an enhanced port, Daytona USA: Champion Circuit Edition and fix the graphics issues in the earlier version, but the soundtrack was also replaced with instrumental remixes, possibly in response to the criticism the original soundtrack had in the US and Europe.
But one of the first things you noticed when booting up this game was someone screaming into the microphone, similar to that of an 80's rock band. Nostalgic! It's none other than Eric Martin of Mr. Big fame, but hey, he's a hit over there in Japan, too.
Sega of Japan would include the original soundtrack with Mitsuyoshi's vocals in the Japanese release of Circuit Edition along with the new tracks, and like many game soundtracks in that country, this game would have an official soundtrack release, featuring the full uncut versions of the songs featuring Eric Martin, "Sons of Angels" and "The American Dream". Non-vocal versions of those songs would also appear on the CD.
Although some gamers and critics were happy the "cheesy" vocals of the original were gone, some diehard Daytona nuts weren't too pleased with the new songs featuring Eric Martin. You've got those who think 80's rock sucks, then you've got those who much prefer the original vocal songs, even though you were never actually playing when these songs were heard. Sons of Angels was played only in the opening demo, and The American Dream was played only when you were watching a replay after a race.
I've always seen Circuit Edition as a remix, so the game and soundtrack never really bothered me. So when I first heard this song, I actually didn't mind. I thought it was fitting and pretty awesome.
Sega would use a similar rock style for the soundtrack of the true Daytona sequel, Daytona USA 2: Battle on the Edge, in which the musical talents of the band Winger were used. Contrary to popular belief, they didn't create the game's soundtrack, but lent their talent to the songs in that game.
Believe it or not I was among the first people to grab this song off of Napster when it first hit way, way way back then. Ancient history. Everyone else had the minute-long demo ripped from the game, then I stumbled what I hoped was the full version of Sons of Angels at 4:28. Sure enough. The person I grabbed it from was very secretive about it and I don't think was too happy I stalked his account for these tracks (including the Daytona USA Medley). So once I renamed it, the traffic was through the roof and I had all kinds of people asking me how I even found the song. Daytona fans who liked the songs, and a ton of Mr. Big fanatics who didn't even know a full version was made. Those were good times.
History lesson over. Dismissed!
Since this is the game's opening song, I included clips of all the opening demos from the game to accompany it. And I featured the original Hornet car because as far as I'm concerned, there is only one true Hornet High Class Since 1992.
That last line always cracks me up, though. "How does it feel to be a winner? Descendant from heaven!" (Less)
VA-80s Long Versions-4CD-2009 2009-12-06 - extension: rar - size: 12 MB
VA-80s Long Versions-4CD-2009
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VA-80LVcd3 2009-12-06 - extension: rar - parts: 2 - size: 35 MB
VA-80LVcd3
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VA-80LVcd4 2009-12-06 - extension: rar - parts: 2 - size: 62 MB
VA-80LVcd4
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VA-80LVcd1 2009-12-06 - extension: rar - parts: 2 - size: 42 MB
VA-80LVcd1
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