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TISQ- 2007 A Love Supreme

2009-08-01 - extension: rar - size: 95 MB

TISQ- 2007 A Love Supreme

Turtle Island Quartet - A love Supreme (The Legacy of John Coltrane)

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A Love Supreme

2009-07-04 - extension: rar - size: 48 MB

A Love Supreme

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| Source: http://sharedmp3.blog.com/music/john-coltrane-a-love-supreme-1965.html

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John Coltrane A Love Supreme

2009-10-13 - extension: zip - size: 74 MB

John Coltrane A Love Supreme

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| Source: http://progmundo.blogspot.com/2009/10/john-coltrane-love-supreme-1964.html

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John Coltrane Jazz Sketch by Atlanta Artist Corey Barksdale
John Coltrane sketch by Atlanta Georgia Artist Corey Barksdale. "Coltrane is at the top of my (More) John Coltrane sketch by Atlanta Georgia Artist Corey Barksdale. "Coltrane is at the top of my list when it comes to jazz musicians," says Barksdale. A Coltrane recording he particularly enjoys is Africa. "Coltrane is improvisational in the piece, but he has structure in his sound. I like the freedom that he has when he's playing Africa. It's rhythmic and free." Barksdale admires Miles Davis with equal measure for his rawness. "Davis was into experimenting and trying different things with his sound. He was a catalyst for other musicians and he was a pioneer in his time, all without commercializing the music." So what is it about jazz that inspires Barksdale's creativity as a painter? "I love the improvisation of jazz musicians from the '50s and '60s. There was a lot of experimentation going on. In much the same way, I want to create something totally new with my paintings each time - to be different in the way I portray certain subjects." Barksdale clearly appreciates traditional jazz artists - the Jazz Crusaders and Sonny Rollins included - but he also gets a certain amount of inspiration from legendary contemporaries like Joe Sample and David Sanborn. John Coltrane was born on September 23, 1926. Coltrane grew up in High Point NC, moving to Philadelphia PA in June 1943. He was inducted into the Navy in 1945, returning to civilian life in 1946. Coltrane worked a variety of jobs through the late forties until (still an alto saxophonist) he joined Dizzy Gillespie's big band in 1949. He stayed with Gillespie through the band's breakup in May 1950 and (now on tenor saxophone) worked with Gillespie's small group until April 1951, when he returned to Philadelphia to go to school. In early 1952 he joined Earl Bostic's band, and in 1953 he joined Johnny Hodges's small group (during that saxophonist's short sabbatical from Duke Ellington's orchestra), staying until mid 1954. Coltrane was freelancing in Philadelphia in the summer of 1955 when he received a call from trumpeter Miles Davis. Davis, whose success during the late forties had been followed by several years of decline, was again active, and was about to form a quintet. Coltrane was with this first edition of the Davis group from October 1955 through April 1957 (with a few absences), a period which saw influential recordings from Davis and the first signs of Coltrane's ability. This classic First Quintet, best represented by two marathon recording sessions for Prestige in 1956, disbanded in mid-April. During the latter part of 1957 Coltrane worked with Thelonious Monk at New York's Five Spot, a legendary gig. He rejoined Miles in January 1958, staying until April 1960, during which time he participated in such seminal Davis sessions as Milestones and Kind Of Blue, and recorded his own influential sessions (notably Giant Steps). Contemporary correspondence shows that Coltrane was already known as "Trane" by this point, and that the music from the 1946 sessions had been played for Miles Davis — possibly impressing him. Coltrane returned to civilian life in 1946; at this time, he had a few brief encounters with Parker, who was already a dominant influence on his playing. Throughout the 1950s addiction to drugs and then alcoholism disrupted his career. Shortly after leaving Davis, however, he overcame these problems; his album A Love Supreme celebrated this victory and the profound religious experience associated with it. Coltrane next played in Thelonious Monk's quartet (July-December 1957), but owing to contractual conflicts took part in only one early recording session of this legendary group. He rejoined Davis and worked in various quintets and sextets with Cannonball Adderley, Bill Evans, Chambers, Jones, and others (1958-60). While with Davis he discovered the soprano saxophone, purchasing his own instrument in February 1960. In early 1952, Coltrane joined Earl Bostic's band. In 1953, after a stint with Eddie Vinson, he joined Johnny Hodges's small group. (Less)