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Alien Skin Nature 5.zip

2008-06-14 - extension: zip - size: 6 MB

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Alien Skin Eye Candy v5 1 Nature Retail for Adobe Photoshop Incl KeyGen-SCOTCH

2009-12-03 - extension: rar - size: 8 MB

Alien Skin Eye Candy v5 1 Nature Retail for Adobe Photoshop Incl KeyGen-SCOTCH

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Alien Skin Eye Candy Nature v5 1

2009-10-17 - extension: rar - size: 6 MB

Alien Skin Eye Candy Nature v5 1

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WINDMAKER (2007)
A woman struggles to find her place in the relationship to the infinite nature. direction and (More) A woman struggles to find her place in the relationship to the infinite nature. direction and editing_KIKA NICOLELA performer_LUCIANA CANTON director of photography_CHING C. WANG music_THIERRY GAUTHIER & DELPHINE MEASROCH selected screenings & exhibitions: KIKA NICOLELA | Atrium Gallery, Western Michigan University, Kalamazoo, USA BERLIN INTERNATIONAL DIRECTORS LOUNGE | Berlin, Germany KIKA NICOLELA - SELECTED VIDEOS | Arnot Art Museum, Elmira - NY, USA ALUCINE TORONTO MEDIA FESTIVAL | Toronto, Canada AZA FILM FESTIVAL | Thessaloniki, Greece VAD FESTIVAL | Girona, Spain VIDEO SMACK | Washington, USA RE:PLAY KIKA NICOLELA | São Paulo, Brazil RETROSPECTIVA KIKA NICOLELA | São Paulo, Brazil ESSAY: The Ghosts of the Place, by Alessandra Ribeiro The blue light, from the alien night, the light that turns everything into blue melancholy, melancholic alien blue light on a dark and sad night, during which the dancing woman wanders, the ghost of the place. Each place where there was life stores its ghosts, life traces of that place that is gone, traces of who passed by it, traces of past stories. The places die like people, loose their life when people’s lives are gone and start to disintegrate. The places die, decay, like the colonial houses of a certain Rio de Janeiro that Nature reclaims, the mosses spreading over the walls made weeds, the green that reabsorbs what man created, leaving only ruins behind, an empty pool home to a sculpture by Iole de Freitas that places a giant Dora Maar squeezed in a tight space, the nature swallowing the pool, Dora Maar, the sculptures of the Açude Museum. There, only the ghosts are left, the noisy silence of the place, the silence filled with glasses, forks and knifes, parties and steps of people who no longer exist, of a time that no longer is. Life died there. Nature lives and reclaims what had been stolen from it. Like in Kika Nicolela’s WINDMAKER, the wind maker that stirs the ghost of that gloomy, blue, timeless and surreal place. The fleeing woman, who takes shape and dissolves in movement and tissues. Dance that is almost despair. She struggles. The woman is a vision, she haunts the place that haunts her, fearless, no expression other than the despair of her dance movements. The woman is the ghost of the place. The wind is made by the tissues of her long sleeved dress. The body that twists itself makes the wind blows. The wind brings the sound, the smells, the taste of that cold place, a humid taste, sad, heavy, but also light and subtle. The taste almost escapes when it touches the mouth along with the wind. It carries a sweet painful memory, of which the ghost escapes unable to forget. It’s the agony of the ghost of the place, of what never dies and survives the life that once was there, of what lies there unable to die, desperate memory of the absence. When the sun rises in WINDMAKER, the woman, the ghost of the place, walks like a shadow in front of a lake and mountains, frozen lifeless scenery, petrified life on an infinite sunrise that she walks in front of. She walks and watches the sunrise, the mountains, the pink and yellow sky. Which sunrise doesn’t calm the nightmares, the moonlight, the alien blue? Which sunrise doesn’t save a person from the nightmares, awakening that doesn’t relieve the dream, a ghost that doesn’t disappear when the light is on? The woman, the ghost of the place, is in the water, she dissolves herself in water, she moves in the water and the water is now her movement, her dance no longer in despair, now soft. Icy, the dance freezes the bones, makes the day as blue and melancholic as the night, of a soft sadness, fluid like water. Only the face is off the water, of an Ofelia that drowns as slowly as her agony lingers, an stretched thread in slow motion that waits for the breaking moment, the thread/string of the cello that stretches the pain to the limit, leaving a cry inside, that always returns with that music from WINDMAKER. I cry with the soundtrack, a pain that aches inside, breaking into pieces all that exists, letting only the ghosts wandering everywhere. The ghosts of the place. (Less)

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Most Genuine Aliens Photos (1950s-2000s)
This is the account of the repeated encounter between a humanoid being and a 23 years old Italian (More) This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. (Less)

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