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2009-08-05 - extension: zip - size: 85 MB
smith & mighty-bass is maternal
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Cheshire Cat - Bite The Dust - Jungle mix - 1997 - Buzz fm
From the year of 1997 - Cheshire Cat - BITE THE DUST - Jungle mix. There was no video for this (More) From the year of 1997 - Cheshire Cat - BITE THE DUST - Jungle mix. There was no video for this version, so ive had to make my own. Thanks to Adeva, M16 Productions and the trusty camcorder for the footage. Bowler's crew Manchester hold tite! Cheshire Cat is a white M.C. and vocalist from Birmingham UK, although if you have never seen his face you could be easly mistaken for thinking he was a true native of jamaica with his tone of voice and reggae sound, not to mention his dredlocks too. Growing up in inner city Birmingham in the 1980's, he took his influence from the music he heard on local pirate radio stations and sound systems. He has appearred as the m.c. and vocalist on many tracks over the years, most memorably on Leftfield's 1995/6 - RELEASE THE PRESSURE. For this track, BITE THE DUST, he came with his own sound and name. This is the jungle remix by SMITH AND MIGHTY. The story of SMITH & MIGHTY is closely bound up with the musical history of Bristol, their hometown. For a good 20 years plus, Rob Smith and Ray Mighty (joined nowadays by third member Peter D. Rose) have featured among sound pioneers like Massive Attack, Tricky, Portishead and Roni Size who have enjoyed worldwide success. However, despite their huge influence on the 'Sound of Bristol', whereas the aforementioned have been able to celebrate their well-deserved successes, SMITH & MIGHTY have always had to take a back seat due to unfavourable circumstances. In spite of some excellent 12" releases and their totally cool debut album 'Bass Is Maternal', an international breakthrough was not foreseeable for the time being. This only changed in 1998, with their self-compiled release for the DJ Kicks series, which firmly put them back on the map and earned them much respect internationally. But let's start at the beginning: In the mid-eighties a scene arose in the St. Paul's district, based around DJs like Nellee Hooper (later founder of Soul II Soul), Miles Johnson, Grant and Mushroom, who soon dubbed themselves the Wild Bunch, going on to father the 'Sound of Bristol' by blasting a bassy melt-in-your-mouth mix of fusion, dub, reggae, soul and hip hop out of their soundsystems on to the streets of St. Paul's. What was initially played through traditional soundsystems progressed into the production of their own tracks, and the 'Wild Bunch's first recording 'Look of Love' clinched them quite a local hit. Co-producing was a second Bristol team, namely Rob Smith & Ray Mighty, who had established their own soundsystem called '3 Stripe'. In 1988 SMITH & MIGHTY released a cover version of Burt Bacharch's 'Anyone (Who Had A Heart)', shortly followed by 'Walk On By' on their label, also dubbed '3 Stripe'. (I bought them at while at school, how old am i!!!) With this brace of tracks and their mellow basslines, soulful vocals and deep arrangements SMITH & MIGHTY had set the precedent for successive releases in the British port. (Such as a certain Massive Attack's debut single 'Any Love', which they produced.) They were also producers of 'Wishing On A Star' by Fresh Four (a one hit wonder featuring the then 17 year old DJ Krust) at the end of 1989, marking the beginning of a five year odyssey through the lowlands of the (major) music industry. After the huge success of 'Wishing On A Star', record companies began to take an interest in the boys from Bristol. In 1990 they remix'd Norman Cook's - Beats International - DUB BE GOOD TO ME, a massive uk No.1 in that year. They refused a lucrative offer from Virgin's Richard Branson, commenting 'We just don't like his style, and the way Margaret Thatcher portrayed him as the ideal business mogul.But the deal signed with London Records proved to be disastrous. After their deal with the major company had expired, the first album on their own label More Rockers was released in 1995 (a dub version of an LP originally recorded for London Records). Due to woeful distribution, this album only managed to make its way to hard core fans, yet rave reviews in the press consoled SMITH & MIGHTY. The next stage was to concentrate on the project and label More Rockers, run with third member Peter D. Rose. They started laying down tracks with groundbreaking breakbeat and Drum 'n' Bass again, which were picked up and reworked by producers like Roni Size and DJ Krust. Hence the arrival of 'Bristol Jump-Up'. Hip hop, reggae, soul and mainly a great love of dub make the songs on the new album somewhat of one of the most exciting records to appear out of Bristol. The album was recorded over a period of two years, with vocals by the likes of Tammy Payne, Alice Perera and Rudy Lee, who all also hail from Bristol, and SMITH & MIGHTY's deeply-embedded roots in the city make the whole thing into rather a family affair. Also in my PLAYLISTS, is the SMITH AND MIGHTY cover of ANYONE. Enjoy! Please comment and rate tunes/videos. For more tunes/videos, click on my USERNAME in blue, then click PLAYLISTS. (Less)
Smith and Mighty - Anyone - 1988 - Buzz fm Manchester
From the year of 1988, the classic from Bristol massive producers Rob SMITH and Ray MIGHTY feat. (More) From the year of 1988, the classic from Bristol massive producers Rob SMITH and Ray MIGHTY feat. Jackie Jackson on vocals -ANYONE. The story of SMITH & MIGHTY is closely bound up with the musical history of Bristol, their hometown. For a good 20 years plus, Rob Smith and Ray Mighty (joined nowadays by third member Peter D. Rose) have featured among sound pioneers like Massive Attack, Tricky, Portishead and Roni Size who have enjoyed worldwide success. However, despite their huge influence on the 'Sound of Bristol', whereas the aforementioned have been able to celebrate their well-deserved successes, SMITH & MIGHTY have always had to take a back seat due to unfavourable circumstances. In spite of some excellent 12" releases and their totally cool debut album 'Bass Is Maternal', an international breakthrough was not foreseeable for the time being. This only changed in 1998, with their self-compiled release for the DJ Kicks series, which firmly put them back on the map and earned them much respect internationally. But let's start at the beginning: In the mid-eighties a scene arose in the St. Paul's district, based around DJs like Nellee Hooper (later founder of Soul II Soul), Miles Johnson, Grant and Mushroom, who soon dubbed themselves the Wild Bunch, going on to father the 'Sound of Bristol' by blasting a bassy melt-in-your-mouth mix of fusion, dub, reggae, soul and hip hop out of their soundsystems on to the streets of St. Paul's. What was initially played through traditional soundsystems progressed into the production of their own tracks, and the 'Wild Bunch's first recording 'Look of Love' clinched them quite a local hit. Co-producing was a second Bristol team, namely Rob Smith & Ray Mighty, who had established their own soundsystem called '3 Stripe'. In 1988, SMITH & MIGHTY released this cover version of Burt Bacharch's 'Anyone (Who Had A Heart)', shortly followed by 'Walk On By' on their label, also dubbed '3 Stripe'. (I bought them at while at school, how old am i!!!) With this brace of tracks and their mellow basslines, soulful vocals and deep arrangements SMITH & MIGHTY had set the precedent for successive releases in the British port. (Such as a certain Massive Attack's debut single 'Any Love', which they produced.) They were also producers of 'Wishing On A Star' by Fresh Four (a one hit wonder featuring the then 17 year old DJ Krust) at the end of 1989, marking the beginning of a five year odyssey through the lowlands of the (major) music industry. After the huge success of 'Wishing On A Star', record companies began to take an interest in the boys from Bristol. In 1990 they remix'd Norman Cook's - Beats International - DUB BE GOOD TO ME, a massive uk No.1 in that year. They refused a lucrative offer from Virgin's Richard Branson, commenting 'We just don't like his style, and the way Margaret Thatcher portrayed him as the ideal business mogul.But the deal signed with London Records proved to be disastrous. After their deal with the major company had expired, the first album on their own label More Rockers was released in 1995 (a dub version of an LP originally recorded for London Records). Due to woeful distribution, this album only managed to make its way to hard core fans, yet rave reviews in the press consoled SMITH & MIGHTY. The next stage was to concentrate on the project and label More Rockers, run with third member Peter D. Rose. They started laying down tracks with groundbreaking breakbeat and Drum 'n' Bass again, which were picked up and reworked by producers like Roni Size and DJ Krust. Hence the arrival of 'Bristol Jump-Up'. Hip hop, reggae, soul and mainly a great love of dub make the songs on the new album somewhat of one of the most exciting records to appear out of Bristol. The album was recorded over a period of two years, with vocals by the likes of Tammy Payne, Alice Perera and Rudy Lee, who all also hail from Bristol, and SMITH & MIGHTY's deeply-embedded roots in the city make the whole thing into rather a family affair. Also in my PLAYLISTS is SMITH AND MIGHTY'S jungle remix of Cheshire Cat - BITE THE DUST, and SMITH AND MIGHTY'S track feat. Tammy Payne - SAME. Enjoy! Please comment and rate tunes/videos. For more tunes/videos, click on my USERNAME in blue, then click PLAYLISTS. (Less)
Cheshire Cat - Bite The Dust - Jungle mix - 1997 - Buzz fm From the year of 1997 - Cheshire Cat - BITE THE DUST - Jungle mix. There was no video for this (More) From the year of 1997 - Cheshire Cat - BITE THE DUST - Jungle mix. There was no video for this version, so ive had to make my own. Thanks to Adeva, M16 Productions and the trusty camcorder for the footage. Bowler's crew Manchester hold tite! Cheshire Cat is a white M.C. and vocalist from Birmingham UK, although if you have never seen his face you could be easly mistaken for thinking he was a true native of jamaica with his tone of voice and reggae sound, not to mention his dredlocks too. Growing up in inner city Birmingham in the 1980's, he took his influence from the music he heard on local pirate radio stations and sound systems. He has appearred as the m.c. and vocalist on many tracks over the years, most memorably on Leftfield's 1995/6 - RELEASE THE PRESSURE. For this track, BITE THE DUST, he came with his own sound and name. This is the jungle remix by SMITH AND MIGHTY. The story of SMITH & MIGHTY is closely bound up with the musical history of Bristol, their hometown. For a good 20 years plus, Rob Smith and Ray Mighty (joined nowadays by third member Peter D. Rose) have featured among sound pioneers like Massive Attack, Tricky, Portishead and Roni Size who have enjoyed worldwide success. However, despite their huge influence on the 'Sound of Bristol', whereas the aforementioned have been able to celebrate their well-deserved successes, SMITH & MIGHTY have always had to take a back seat due to unfavourable circumstances. In spite of some excellent 12" releases and their totally cool debut album 'Bass Is Maternal', an international breakthrough was not foreseeable for the time being. This only changed in 1998, with their self-compiled release for the DJ Kicks series, which firmly put them back on the map and earned them much respect internationally. But let's start at the beginning: In the mid-eighties a scene arose in the St. Paul's district, based around DJs like Nellee Hooper (later founder of Soul II Soul), Miles Johnson, Grant and Mushroom, who soon dubbed themselves the Wild Bunch, going on to father the 'Sound of Bristol' by blasting a bassy melt-in-your-mouth mix of fusion, dub, reggae, soul and hip hop out of their soundsystems on to the streets of St. Paul's. What was initially played through traditional soundsystems progressed into the production of their own tracks, and the 'Wild Bunch's first recording 'Look of Love' clinched them quite a local hit. Co-producing was a second Bristol team, namely Rob Smith & Ray Mighty, who had established their own soundsystem called '3 Stripe'. In 1988 SMITH & MIGHTY released a cover version of Burt Bacharch's 'Anyone (Who Had A Heart)', shortly followed by 'Walk On By' on their label, also dubbed '3 Stripe'. (I bought them at while at school, how old am i!!!) With this brace of tracks and their mellow basslines, soulful vocals and deep arrangements SMITH & MIGHTY had set the precedent for successive releases in the British port. (Such as a certain Massive Attack's debut single 'Any Love', which they produced.) They were also producers of 'Wishing On A Star' by Fresh Four (a one hit wonder featuring the then 17 year old DJ Krust) at the end of 1989, marking the beginning of a five year odyssey through the lowlands of the (major) music industry. After the huge success of 'Wishing On A Star', record companies began to take an interest in the boys from Bristol. In 1990 they remix'd Norman Cook's - Beats International - DUB BE GOOD TO ME, a massive uk No.1 in that year. They refused a lucrative offer from Virgin's Richard Branson, commenting 'We just don't like his style, and the way Margaret Thatcher portrayed him as the ideal business mogul.But the deal signed with London Records proved to be disastrous. After their deal with the major company had expired, the first album on their own label More Rockers was released in 1995 (a dub version of an LP originally recorded for London Records). Due to woeful distribution, this album only managed to make its way to hard core fans, yet rave reviews in the press consoled SMITH & MIGHTY. The next stage was to concentrate on the project and label More Rockers, run with third member Peter D. Rose. They started laying down tracks with groundbreaking breakbeat and Drum 'n' Bass again, which were picked up and reworked by producers like Roni Size and DJ Krust. Hence the arrival of 'Bristol Jump-Up'. Hip hop, reggae, soul and mainly a great love of dub make the songs on the new album somewhat of one of the most exciting records to appear out of Bristol. The album was recorded over a period of two years, with vocals by the likes of Tammy Payne, Alice Perera and Rudy Lee, who all also hail from Bristol, and SMITH & MIGHTY's deeply-embedded roots in the city make the whole thing into rather a family affair. Also in my PLAYLISTS, is the SMITH AND MIGHTY cover of ANYONE. Enjoy! Please comment and rate tunes/videos. For more tunes/videos, click on my USERNAME in blue, then click PLAYLISTS. (Less)
Smith and Mighty - Anyone - 1988 - Buzz fm Manchester From the year of 1988, the classic from Bristol massive producers Rob SMITH and Ray MIGHTY feat. (More) From the year of 1988, the classic from Bristol massive producers Rob SMITH and Ray MIGHTY feat. Jackie Jackson on vocals -ANYONE. The story of SMITH & MIGHTY is closely bound up with the musical history of Bristol, their hometown. For a good 20 years plus, Rob Smith and Ray Mighty (joined nowadays by third member Peter D. Rose) have featured among sound pioneers like Massive Attack, Tricky, Portishead and Roni Size who have enjoyed worldwide success. However, despite their huge influence on the 'Sound of Bristol', whereas the aforementioned have been able to celebrate their well-deserved successes, SMITH & MIGHTY have always had to take a back seat due to unfavourable circumstances. In spite of some excellent 12" releases and their totally cool debut album 'Bass Is Maternal', an international breakthrough was not foreseeable for the time being. This only changed in 1998, with their self-compiled release for the DJ Kicks series, which firmly put them back on the map and earned them much respect internationally. But let's start at the beginning: In the mid-eighties a scene arose in the St. Paul's district, based around DJs like Nellee Hooper (later founder of Soul II Soul), Miles Johnson, Grant and Mushroom, who soon dubbed themselves the Wild Bunch, going on to father the 'Sound of Bristol' by blasting a bassy melt-in-your-mouth mix of fusion, dub, reggae, soul and hip hop out of their soundsystems on to the streets of St. Paul's. What was initially played through traditional soundsystems progressed into the production of their own tracks, and the 'Wild Bunch's first recording 'Look of Love' clinched them quite a local hit. Co-producing was a second Bristol team, namely Rob Smith & Ray Mighty, who had established their own soundsystem called '3 Stripe'. In 1988, SMITH & MIGHTY released this cover version of Burt Bacharch's 'Anyone (Who Had A Heart)', shortly followed by 'Walk On By' on their label, also dubbed '3 Stripe'. (I bought them at while at school, how old am i!!!) With this brace of tracks and their mellow basslines, soulful vocals and deep arrangements SMITH & MIGHTY had set the precedent for successive releases in the British port. (Such as a certain Massive Attack's debut single 'Any Love', which they produced.) They were also producers of 'Wishing On A Star' by Fresh Four (a one hit wonder featuring the then 17 year old DJ Krust) at the end of 1989, marking the beginning of a five year odyssey through the lowlands of the (major) music industry. After the huge success of 'Wishing On A Star', record companies began to take an interest in the boys from Bristol. In 1990 they remix'd Norman Cook's - Beats International - DUB BE GOOD TO ME, a massive uk No.1 in that year. They refused a lucrative offer from Virgin's Richard Branson, commenting 'We just don't like his style, and the way Margaret Thatcher portrayed him as the ideal business mogul.But the deal signed with London Records proved to be disastrous. After their deal with the major company had expired, the first album on their own label More Rockers was released in 1995 (a dub version of an LP originally recorded for London Records). Due to woeful distribution, this album only managed to make its way to hard core fans, yet rave reviews in the press consoled SMITH & MIGHTY. The next stage was to concentrate on the project and label More Rockers, run with third member Peter D. Rose. They started laying down tracks with groundbreaking breakbeat and Drum 'n' Bass again, which were picked up and reworked by producers like Roni Size and DJ Krust. Hence the arrival of 'Bristol Jump-Up'. Hip hop, reggae, soul and mainly a great love of dub make the songs on the new album somewhat of one of the most exciting records to appear out of Bristol. The album was recorded over a period of two years, with vocals by the likes of Tammy Payne, Alice Perera and Rudy Lee, who all also hail from Bristol, and SMITH & MIGHTY's deeply-embedded roots in the city make the whole thing into rather a family affair. Also in my PLAYLISTS is SMITH AND MIGHTY'S jungle remix of Cheshire Cat - BITE THE DUST, and SMITH AND MIGHTY'S track feat. Tammy Payne - SAME. Enjoy! Please comment and rate tunes/videos. For more tunes/videos, click on my USERNAME in blue, then click PLAYLISTS. (Less)
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