Video results for: big in the game drum bassMore results from video 
Dj. Felipee @ +160 Drum & Bass Suite - 6 MAY 2007 http://www.mas160.com
Felipee spin some latin infected ballad @ +160.
Title: Tijuana
Artists: (More) http://www.mas160.com
Felipee spin some latin infected ballad @ +160.
Title: Tijuana
Artists: Drumsound & Simon Bassline Smith
Label: Technique Recordings
Style: Drum n Bass
+160 Drum & Bass Suite, EVERY tuesday night @ Bahrein, Lavalle 345, Buenos Aires, ARGENTINA.
http://www.myspace.com/plus160
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for the uninitiated~
In 1998 Smith's career took a massive turn skywards, when he met the Drumsound duo of Andy and Benn G. The trio's chemistry was instantaneous, with the decision being made to launch a combined imprint in which to showcase their shared musical vision -- it was then that Technique Recordings was born.
Since its inception the label has gone from strength to strength, with Bassline and Drumsound utilizing their knowledge and enthusiasm to build an imprint of global proportions. Over the past 10 years the label has released over 40 high quality dancefloor killers and sold 150,000 units globally from some of the world's most respected d'n'b artists including Roni Size, DJ Fresh, MC Tali, DJ Friction, Teebee and many others. The label is also involved in nurturing the talents of up and coming artists of the calibre of Phetsta, Skyver & D Jon, Youngman, Terravita.
Amongst all of this, it's been Bassline's stunning production work that's shined the brightest. Having first ventured into the studio in the early 90s to knock out a couple of early d'n'b anthems 'Music and Life EP', 'Palomino' and 'Midnight', the Brit's career has continued to build with each new year. Together with the Drumsound lads, Bassline has dropped two critically acclaimed LPs 'Nature of the Beast' and last year's 'Street Technique' that ripped up the drum 'n' bass rulebook with contributions from Roni Size, DJ Friction, J-Majik & Wickaman, DJ Fresh and many others.
When it comes to dishing up a red-hot anthem, the trio have plenty of experience under their belt too. In 2004, they dropped the all-time classic 'Odyssey', with the track reaching no.1 in the UK dance charts and Mixmag judged it the '10th biggest all-round dance anthem' for that year. No surprise Grooverider snapped it up for his legendary Prototype label. Recently, their form has shown no sign of subsiding, with a blazing 'Street Technique' re-rub of their 'Skumbag/Booty Call' bombs going straight into the drum 'n' bass charts at no.4. Their 'Cold Turkey/Stories of the Future' cuts are also shining brightly, receiving big support from Hype, Roni Size, Grooverider and Zane Lowe & Annie Mac on Radio 1.
Along with a string of club bangers on Technique, Bassline remains one of the most versatile men in the d'n'b game, with releases on virtually every major label in the genre including Protoype, Full Cycle, BreakBeat Koas, V Recordings, Good Looking, Creative Source and Trouble on Viny /Flex.
AFTER RELEASING MORE TUNES THROUGH TRIBE AND WITH RELEASES ON SEVERAL OTHER LARGER LABELS ON THE CARDS IT WAS TIME TO THINK ABOUT STARTING THEIR OWN LABEL. AS THEY NEARED THE END OF 1998 DRUMSOUND LINKED WITH ANOTHER TECHNIQUE RESIDENT SIMON BASSLINE SMITH OF ABSOLUTE AND ABSOLUTE 2 FAME.
THE TWO PARTIES QUICKLY BECAME REGULAR SPARRING PARTNERS AND SOON WERE MAKING TUNES ON A DAILY BASIS. THEIR MUTUAL UNDERSTANDING AND MUSICAL TASTES WERE COMPLETELY IDENTICAL AND IT WAS SOON DECIDED TO FORM A COMBINED IMPRINT IN ORDER TO SHOWCASE THEIR INDIVIDUAL AND JOINT PROJECTS. TECHNIQUE RECORDINGS WAS BORN.
SINCE THEN THE TWO PARTIES HAVE GONE FROM STRENGTH TO STRENGTH BY COMBINING SIMONS OLD SKOOL BACKGROUND WITH DRUMSOUNDS NEW SKOOL IDEAS TO FORM AN EXPLOSIVE PARTNERSHIP RANGING FROM FUNKY TO DAMN RIGHT NASTY. DRUMSOUND & SIMON BASSLINE SMITH ARE NOW WITHOUT DOUBT ONE OF THE LEADING HEAVYWEIGHT DJ/PRODUCTION DUOS IN THE WORLD WITH RELEASES ON THE BIGGEST DRUM'N'BASS LABELS SUCH AS PROTOTYPE, BREAKBEAT KAOS, V RECORDINGS, GOOD LOOKING, LIQUID V, FULL CYCLE, CREATIVE SOURCE, RENEGADE HARDWARE, TOV, FORMATION RECORDS, CIA, TO NAME BUT A FEW, AND A DISCOGRAPHY AS LONG AS YOUR ARM ITS EASY TO SEE WHY.
http://www.myspace.com/basslinesmith
http://www.myspace.com/drumsounduk (Less)
Big Black - Fish Fry Big Black Fish Fry.
They sold a quarter million copies! Here is the math that will explain just (More) Big Black Fish Fry.
They sold a quarter million copies! Here is the math that will explain just how fucked they are: These figures are representative of amounts that appear in record contracts daily. There's no need to skew the figures to make the scenario look bad, since real-life examples more than abound.
Advance: $ 250,000
Manager's cut: $ 37,500
Legal fees: $ 10,000
Recording Budget: $ 150,000
Producer's advance: $ 50,000
Studio fee: $ 52,500
Drum Amp, Mic and Phase "Doctors": $ 3,000
Recording tape: $ 8,000
Equipment rental: $ 5,000
Cartage and Transportation: $ 5,000
Lodgings while in studio: $ 10,000
Catering: $ 3,000
Mastering: $ 10,000
Tape copies, reference CDs, shipping tapes, misc. expenses: $ 2,000
Video budget: $ 30,000
Cameras: $ 8,000
Crew: $ 5,000
Processing and transfers: $ 3,000
Off-line: $ 2,000
On-line editing: $ 3,000
Catering: $ 1,000
Stage and construction: $ 3,000
Copies, couriers, transportation: $ 2,000
Director's fee: $ 3,000
Album Artwork: $ 5,000
Promotional photo shoot and duplication: $ 2,000
Band fund: $ 15,000
New fancy professional drum kit: $ 5,000
New fancy professional guitars [2]: $ 3,000
New fancy professional guitar amp rigs [2]: $ 4,000
New fancy potato-shaped bass guitar: $ 1,000
New fancy rack of lights bass amp: $ 1,000
Rehearsal space rental: $ 500
Big blowout party for their friends: $ 500 Tour expense [5 weeks]: $ 50,875
Bus: $ 25,000
Crew [3]: $ 7,500
Food and per diems: $ 7,875
Fuel: $ 3,000
Consumable supplies: $ 3,500
Wardrobe: $ 1,000
Promotion: $ 3,000
Tour gross income: $ 50,000
Agent's cut: $ 7,500
Manager's cut: $ 7,500
Merchandising advance: $ 20,000
Manager's cut: $ 3,000
Lawyer's fee: $ 1,000
Publishing advance: $ 20,000
Manager's cut: $ 3,000
Lawyer's fee: $ 1,000
Record sales: 250,000 @ $12 =
$3,000,000
Gross retail revenue Royalty: [13% of 90% of retail]:
$ 351,000
Less advance: $ 250,000
Producer's points: [3% less $50,000 advance]:
$ 40,000
Promotional budget: $ 25,000
Recoupable buyout from previous label: $ 50,000
Net royalty: $ -14,000
Record company income:
Record wholesale price: $6.50 x 250,000 =
$1,625,000 gross income
Artist Royalties: $ 351,000
Deficit from royalties: $ 14,000
Manufacturing, packaging and distribution: @ $2.20 per record: $ 550,000
Gross profit: $ 7l0,000
The Balance Sheet: This is how much each player got paid at the end of the game.
Record company: $ 710,000
Producer: $ 90,000
Manager: $ 51,000
Studio: $ 52,500
Previous label: $ 50,000
Agent: $ 7,500
Lawyer: $ 12,000
Band member net income each: $ 4,031.25
The band is now 1/4 of the way through its contract, has made the music industry more than 3 million dollars richer, but is in the hole $14,000 on royalties. The band members have each earned about 1/3 as much as they would working at a 7-11, but they got to ride in a tour bus for a month. The next album will be about the same, except that the record company will insist they spend more time and money on it. Since the previous one never "recouped," the band will have no leverage, and will oblige. The next tour will be about the same, except the merchandising advance will have already been paid, and the band, strangely enough, won't have earned any royalties from their T-shirts yet. Maybe the T-shirt guys have figured out how to count money like record company guys. Some of your friends are probably already this fucked.
- Taken from
THE PROBLEM WITH MUSIC written by STEVE ALBINI
Now go! Do your homework, research Steve Albini and learn something about good quality music! Stop watching fucking MTV. (Less)
VA Big in the Game Drum and Bass-2CD-2009-OMA 001 
2009-10-23 - extension: zip - size: 177 MB
VA--Big in the Game Drum and Bass-2CD-2009-OMA 001
Hosted on: rapidshare.com
Groups results for: big in the game drum bass 
