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The Spirit m-720p by cybersat up load by BluE HearT

2009-10-11 - extension: rar - parts: 23 - size: 99 MB

The Spirit m-720p by cybersat up load by BluE HearT

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[2002 05 10] VA - THE BLUE HEART

2009-02-23 - extension: rar - size: 10 MB

[2002 05 10] VA - THE BLUE HEART

[2002.05.10] VA - THE BLUE HEARTS tribute (Single)

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-rev76- bad boys blue 2008 heart soul

2009-11-25 - extension: rar - size: 162 MB

-rev76- bad boys blue 2008 heart soul

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Video results for: blue hearts singlesMore results from video

Tangled Up In Blue - Bob Dylan cover
Tangled Up In Blue - Bob Dylan cover with my new Taylor 654CE 12 string ;oD this is one of my (More) Tangled Up In Blue - Bob Dylan cover with my new Taylor 654CE 12 string ;oD this is one of my favorites from blood on the tracks. when i discovered that every song on the album was in open D and open E tuning i decided to relearn every song...very edifying :o) Eric Clapton once said about Dylan: "His way of playing anything is totally hybrid. It doesn't make sense musically to the scholar. [...] At first listening, everything he does is just real hopeless. Then you look back and realise it's exactly right." As a scholar I take this as a challenge: If something is "exactly right", but still doesn't make sense to the scholar, it is either the scholar's sense or the scholar's analytical tools that are inadequate. I take the liberty of disregarding the first possibility -- although that is probably the commonest cause for scholarly not-being-made-sense-to-ness -- and concentrate on the second: the problems inherent in musical analysis of music of Dylan's kind. Blood on the Tracks is singer-songwriter Bob Dylan's 15th studio album, released in 1975 by Columbia Records, which marked Dylan's return to Columbia after a two-album stint with Asylum Records. The album, which followed several years of lukewarm reception for Dylan's work, was greeted respectably by fans and critics. In the years following its release, it has come to be regarded as one of his very best albums - making it quite common for subsequent records to be labeled his "best since Blood on the Tracks."[1] [2] [3] [4] It is also commonly seen as a standard for confessional singer-songwriter albums, though Dylan has denied that the songs are autobiographical, his son Jakob Dylan has stated: "The songs are my parents talking."[5] Most of the lyrics on the album revolve around heartache, anger, and loneliness. The album reached #1 on the Billboard U.S. pop charts and #4 in the UK. The single "Tangled Up in Blue" peaked at #31 on the Pop singles chart. The album remains one of Dylan's all-time best-selling studio releases, with a double-platinum US certification to date. The songs are largely seen as inspired by Dylan's personal turmoil at the time, particularly his separation from his then wife Sara Dylan. All ten songs on the album were originally recorded at New York City sessions produced by Phil Ramone. With Columbia set to release the LP, Dylan pulled back at the last minute, and at year's end re-recorded five of the ten songs in Minneapolis with a crew of area session musicians assembled by his brother, David Zimmerman. Dylan's fans theorize endlessly about his reasons for revamping the album, with one unconfirmed view being that the musical feel of the album had been monotonous, with too many songs in the same key and the same languid rhythm. It has also been said that, just two weeks before the release of Blood on the Tracks, Dylan played an acetate of the record for his brother, his ensuing comments leading Dylan to re-cut the album. [1] Told of the album's lasting popularity, Dylan was later to say (in a radio interview by Mary Travers): "A lot of people tell me they enjoy that album. It's hard for me to relate to that. I mean, it, you know, people enjoying the type of pain, you know?" In Dylan's 2004 memoir, Chronicles, Vol. 1, he claims that although one album of his songs was entirely inspired by short stories by Anton Chekhov, many of his fans and critics treat it as autobiographical. This passage is often cited as a reference to Blood on the Tracks. (from wikipedia) Side one "Tangled Up in Blue" -- 5:42 "Simple Twist of Fate" -- 4:19 "You're a Big Girl Now" -- 4:36 "Idiot Wind" -- 7:48 "You're Gonna Make Me Lonesome When You Go" -- 2:55 Side two "Meet Me in the Morning" -- 4:22 "Lily, Rosemary and the Jack of Hearts" -- 8:51 "If You See Her, Say Hello" -- 4:49 "Shelter from the Storm" -- 5:02 "Buckets of Rain" -- 3:22 (more) (less) (Less)

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Baby Blue - Badfinger - Mr Bogus Cover
Badfinger was a rock/pop band formed in Swansea, Wales in the early 1960s and is one of the earliest (More) Badfinger was a rock/pop band formed in Swansea, Wales in the early 1960s and is one of the earliest representatives of the power pop genre. In November of 1969 while still waiting for the release of "Come And Get It," it was decided that a name change was in order ("The Iveys" often being confused with "The Ivy League"). The group changed their name to Badfinger, which was suggested by Apple's Neil Aspinall (other suggestions included: The Glass Onion, The Prix, and The Cagneys from John Lennon, and Home from Paul McCartney). The name Badfinger was a reference to 'Bad Finger Boogie', an early working title of "With a Little Help from My Friends" (from Sgt. Pepper's Lonely Hearts Club Band) after Lennon had composed the melody on a piano using his middle finger after having hurt his forefinger. Previous recordings made by The Iveys would be released as "Badfinger" for projects released within the next few years. During the early 1970s the band was touted as the heir apparent to The Beatles, partly because of their close working relationship with the 'Fab Four' but also because of their similar sound. However, it was the meteoric rise and harrowing demise of Badfinger that cemented their name in rock history journals. Although poised to make an impact on the music scene of the 1970s, starting it out with four hit singles and a number-one Billboard composition, Badfinger became victim to the worst elements of the music industry; this resulted in bankruptcy and two suicides. On April 24, 1975, Pete Ham hanged himself in his garage studio in Surrey. His suicide note, addressed to his girlfriend and her son, blamed Stan Polley for his misfortunes and reflected a broken psyche: "Anne, I love you. Blair, I love you. I will not be allowed to love and trust everybody. This is better. Pete. P.S. Stan Polley is a soulless bastard. I will take him with me." Ham's final compositions, such as "Ringside" and "No More," were clearly portending of his depression over the situations he faced. These were later released on a posthumous CD of Ham demos 7 Park Avenue, in 1997. Ham was described universally as extremely trusting, loyal, kind, gentle, humble, and generous. Pete Ham's daughter was born a little over one month after his death. She was named Petera in tribute to him by her mother, Anne. On November 19, 1983, Tom Evans and Joey Molland argued on the telephone about the past income still in escrow from the Apple era and the lucrative "Without You" performance royalties Evans was receiving. Following the argument, Evans hanged himself in the garden at his home. (Less)

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