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M6574 strBE76985HCTWJ www softarchive net

2009-08-01 - extension: rar - size: 64 MB

M6574 strBE76985HCTWJ www softarchive net

Brian Eno - Here Come the Warm Jets - 1973

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Here Come the Warm Jets

2009-07-18 - extension: rar - size: 49 MB

Here Come the Warm Jets

Brian Eno - Here Come the Warm Jets

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302 - Eno - Here 1974

2009-06-05 - extension: rar - size: 36 MB

302 - Eno - Here 1974

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brian eno - Here Come the Warm Jets - Here Come The Warm Je
Buckcherry | Bruce_Springsteen brian eno - Here Come the Warm Jets - Here Come The Warm Jets

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Brian Eno - Dead finks don't talk - Here come the warm jets
This is a Brian Eno video i made for a special internet friend named Dana. The video then touches (More) This is a Brian Eno video i made for a special internet friend named Dana. The video then touches on the unanswered questions about 9-11. http://nuoviso.com/movieDetail_911falseflag.htm 911blogger.com register with them please Here Come the Warm Jets is the first solo album by Brian Eno The album's musical styles range from aggressive garage rock ("Blank Frank") to serene Beach Boys-style reverie ("On Some Faraway Beach"). Eno enlisted a large number of guest musicians to play on the album, including three members of Roxy Music, guitarist Robert Fripp and bassist John Wetton of King Crimson and members of Hawkwind and the Pink Fairies. One of the most notable performances from these guests is the cacophonous three-minute-long guitar solo by Fripp on the song "Baby's On Fire". "Warm jets" is used by Eno to describe the distorted guitar in the title track, which evokes the sound of a jet engine. Eno himself claims that he often chooses words for their sound. The album provided Eno with modest success in the UK album charts, and would in fact be his only album to chart for the remainder of the 1970s apart from 1978's Music for Airports. In 2003, the album was ranked number 436 on Rolling Stone magazine's list of the 500 greatest albums of all time. Here Come the Warm Jets was recorded at Majestic Studios, London during September, 1973 by Derek Chandler. It was mixed at Air and Olympic Studios by Brian Eno and Chris Thomas. Album cover photography was by Lorenz Zatecky with design supervision by Carol McNicoll and artwork by C.C.S. Associates. 2004 Original Masters re-design by Andrew Day of The Red Room/EMI. Mastered at DSD by Simon Heyworth at Super Audio Mastering. Ampex ATR 2Ch Tape playback with ARIA electronics by David Hill. Nick Kool & the Koolaids -- keyboards (track 7) Nick Judd -- keyboards (track 4, 8) Andy Mackay (of Roxy Music) -- keyboards (track 6, 9), saxophone septet (track 9) Robert Fripp (of King Crimson) -- guitar (track 3, 5, 7) Phil Manzanera (of Roxy Music) -- guitar (track 1, 2, 4) Paul Rudolph (of the Pink Fairies and Hawkwind) -- guitar (track 3, 10), bass guitar (track 3, 5, 10) Chris Spedding -- guitar (track 1, 2) Busta Cherry Jones -- bass guitar (track 2, 4, 6, 8) Bill Macormick -- bass guitar (track 1, 7) John Wetton (of King Crimson) -- bass guitar (track 3, 5) Simon King (of Hawkwind) -- percussion (track 1, 3, 5, 6, 7, 10) Marty Simon -- percussion (track 2, 3, 4) Paul Thompson (of Roxy Music) -- percussion (track 8) Lloyd Watson -- slide guitar (track 9) Sweetfeed -- backing vocals (track 6, 7) Chris Thomas -- extra bass guitar (track 2) Brian Eno -- vocals, simplistic keyboards, "snake" guitar, "electric larynx", synthesizer lyrics Oh cheeky cheeky Oh naughty sneaky You're so perceptive And I wonder how you knew. But dead finks don't walk too well (oh no) A bad sense of direction (oh no) And so they stumble round in threes (oh no) Such a strange collection. Oh, you headless chicken Can those poor teeth take so much kicking? You're always so charming As you make your way up here. And dead finks don't dress too well No discrimination To be a zombie all the time Requires such dedication. "Oh please sir, will you let it go by, 'Cos I failed both tests with my legs both tied In my place the stuff is all there I've been ever so sad for a very long time. My my, they wanted the works: Can you this? and that? I never got a letter back More fool me, bless my soul More fool me, bless my soul." Oh perfect masters They thrive on disasters They all look so harmless Till they find their way up here. But dead finks don't talk too well They've got a shaky sense of diction It's not so much a living hell It's just a dying fiction. songlist on the album 1 "Needles in the Camel's Eye" -- 3:11 2 "The Paw Paw Negro Blowtorch" -- 3:04 3 "Baby's on Fire" -- 5:19 4 "Cindy Tells Me" -- 3:25 5 "Driving Me Backwards" -- 5:12 6 "On Some Faraway Beach" -- 4:36 7 "Blank Frank" -- 3:37 8 "Dead Finks Don't Talk" -- 4:19 9 "Some of Them Are Old" -- 5:11 10 "Here Come the Warm Jets" -- 4:04 please regularly check 911blogger.com for the latest news on 9/11 and other related news WE DO NOT HAVE A FREE PRESS "The business of the journalists is to destroy the truth, to lie outright, to pervert, to vilify, to fawn at the feet of mammon, and to sell his country and his race for his daily bread. You know it and I know it, and what folly is this toasting an independent press? We are the tools and vassals of rich men behind the scenes. We are the jumping jacks, they pull the strings and we dance. Our talents, our possibilities and our lives are all the property of other men. We are intellectual prostitutes." ~ John Swinton (Less)

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