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Airplanes.mp4 All Rights belong to BoB and Hayley Williams. To (More) All Rights belong to BoB and Hayley Williams. To download, simply click the link. Please wait the 15 seconds, this is how i fund my mp3s. Thank you for the help. mp3: 454893f2.realfiles.net video 44074f5d.realfiles.net *****if you want other mp3s or videos, simply request them in a message or comment here**** [Chorus - Hayley Williams] Can we pretend that airplanes In the night sky Are like shooting stars I could really use a wish right now (wish right now, wish right now) Can we pretend that airplanes In the night sky Are like shooting stars I could really use a wish right now (wish right now, wish right now) (BoB- Verse 1) Yeah I could use a dream or a genie or a wish To go back to a place much simpler than this Cause after all the partying The smashing and crashing And all the glitz and the glam and the fashion And after all the pandemonium and all the madness There comes a time when you fade to the blackness When you're staring at that phone in your lap And hopin' but them people never call you back But that's just how the story unfolds You get another hand Soon after you fold And when your plans unravel in the sand What would you wish for if you had one chance? So airplanes airplanes Sorry I'm late I'm on my way So don't close that gate If I don't make that Then I switch my flight And I'll be right back at it By the end of the night (Chorus - Hayley Williams) [BoB - Verse 2] Yeah Yeah Somebody take me back to the days Before this was a job Before I got paid Before it <b>...</b> (Less)
Grow your Database : Hunter Kowald-How to... Grow your Database : Hunter Kowald-How to Promote (More) Grow your Database : Hunter Kowald-How to Promote Your Music: Grow your Database - In addition to keeping tracks of the contacts you have, don't be afraid to help your database grow by adding some "dream" contacts to your list. Is there an agent you want to take notice of you? Then include them on your press release mailing list or promo mailing list when you have big news to share. Let them know you're still working and still building your career - pretty soon, they may be knocking on your door. 5. Take a Deep Breath - For many people, the idea of self promoting their music to their fans is easy, but the idea of calling up the press is downright terrifying. Relax. Here's the truth - some people you call will be nice, some people won't be. Some people will never return your calls or emails. Some will. You shouldn't take any of it personally. You definitely shouldn't be afraid to try. Covering bands is the job of the music media - they expect to hear from you. Don't be discouraged by someone who is rude, or someone who is polite, but still says "no". Don't write them off, either. Next time, you may hear "yes."
Before you start sending out your demo, you need to compile a list of labels who might be interested in hearing it. Sending your hip hop demo to an indie rock label is a waste of time and money. What bands do you like? What labels are they on? What labels deal with the kind of music you play? Spend some time online researching artists you consider to be similar to yourself and the labels that work with them. that way, your demo will land in the hands of people who "get" what you're doing.
1. One you have your short list of labels, you need to learn each label's policy on demos. Some labels, especially larger labels, will not accept unsolicited demos for legal reasons - they worry about people sending them demos, and then later suing them, claiming their songs have been stolen. Most labels have demo policies clearly displayed on their sites. Find out: Are unsolicited demos accepted? Acceptable demo formats (CD, mp3 clips) Demo mailing address Is there a specific demo (A&R) rep to whom you should address your package? Follow up rules - OK to call? OK to email? Remember, even small labels are inundated with demos, and many labels do listen to everything they get. Making their job easier will only help your case. Your demo package should include: A short demo. Go for two to three of your best songs. Anything longer won't get listened to. Your demo should be clearly labeled with your name and email address (NOT your number - you're more likely to get a response via email). SHORT band bio. Keep it on subject and to the point. No need to go for "My parents have known since birth I would be a musician..." Once you have sent your demo out to labels, you need to follow up with the labels to make sure they have received them, and to solicit their opinions. If the label has a demo follow up policy on their website, make sure you stick to that. Otherwise, an email a month after you have sent the demo is a good place to start. It may take months for a label to actually get around to playing your demo, but a friendly, occasional email will help your demo stand out
from the pack. Unless you have been told differently by the label, DON'T call. It puts people on the spot and won't win you any friends. Stick to email. Sending out demos can be a little frustrating. Often, despite your best attempts at a follow up, you just won't even hear back from some people. You are also likely to hear "no" a lot. Don't despair. If you hear "no" from someone, ask for feedback, advice, and suggestions of other labels who may like your music. Again, you won't get this advice from everyone, but asking never hurts, and you may end up with the piece of advice that turns everything around for you. Treat every "no" as a chance to learn something that could turn that "no" into a "yes" in the future. When you do hear "no" from a label, that doesn't mean you have to scratch them off your list. Include labels you like on your emailing list, with their permission, to let them know what is happening with your band, and if you record a new round of songs, it is perfectly fine to send a new demo to a label that has rejected you in the past. If you're playing a show in the town in which a particular label is based, invite them to the show. Getting people to know your name is half the battle. (Less)
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