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COAT Babylon Stage 50 02

2009-05-06 - extension: rm - size: 92 MB

-- COAT Babylon Stage 50--02

藍色蝴蝶--【COAT】 Babylon Stage 50--02

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COAT Babylon Stage 50 06

2009-05-06 - extension: rm - size: 74 MB

-- COAT Babylon Stage 50--06

藍色蝴蝶--【COAT】 Babylon Stage 50--06

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COAT BABYLON Stage 39 Crime Game

2009-03-12 - extension: rar - size: 98 MB

COAT BABYLON Stage 39 Crime Game

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Amy Raasch "52 Songs in 52 Weeks" #14 "Rooftops of Babylon"
This is a first draft of a song I didn't mean to write. It just happened. Three things you (More) This is a first draft of a song I didn't mean to write. It just happened. Three things you should know: 1. My best friend, who is half Iraqi, half American, wrote a hit one-woman play, "Nine Parts of Desire" (which you should go see this week if you're in Chicago). One of the characters is a 13 year-old Iraqi girl who talks about how they used to sleep on their rooftop at night, to escape the heat. They can't do that anymore. 2. "Exposure," the New Yorker article about American soldier Sabrina Harman, "the woman behind the camera at Abu Ghraib." We were all horrified by those images, so I was struck by the article's account of her kindness to the Iraqi people at Al Hillah (before she was sent to Abu Ghraib) -- particularly the children. They would run to her and crawl on her lap, and she did everything she could to make them smile. The article described a kind of naivete that she maintained, which rides the line of insanity. (P.S. - She is not to be confused with Lynndie England. Google them both for more info.) 3. Homeless - I live in Venice, CA, and the homeless are part of my daily life. Unfathomable sadness, addiction, mental illness -- I often wonder what their stories are, why they ended up on the street. Many of them are veterans. I thought about my uncle, a Vietnam vet who to this day won't talk about it. Then I imagined someone like Sabrina Harman after the war, after prison, after all of the press, having to go back to "normal" life, and failing. Her shield of insidious naivete ultimately collapses in on itself. THE ROOFTOPS OF BABYLON Copyright 2008 Amy Raasch Stand outside the old drugstore In a tattered green coat I kept from the war Lean my bike against the glass Forget why I came There's no one to ask They loved me at Al Hillah Old men brought me tea Kids gave the thumbs up Told me how they used to sleep On rooftops at night To deal with the heat Where do I belong? Home seems strange and far They told us to stay strong So these kids could see the stars Shining on the roofs of Babylon You'd have thought the crumbling streets To look at their smiles Were miles of beach Asked me, could they see my gun? I snapped a quick picture Someone called me "Mom" Speakers blared the call to prayer I rested my eyes My mind white as air Once we got to Abu Ghraib It was mortar o'clock While in mosques they were praying Where do I belong? This time it's gone too far The nights are black and long Explosions block the stars From shining on the roofs of Babylon Let me take your picture so I can recall Your stories in the sky We'll pretend it's safe to lie on our backs Like Eden never died Stand outside the old drugstore The sign flips to "CLOSED" The man locks the door Someone whispers, "She's a freak. It's people like her Make our country weak." Where do I belong? My heart throbs like a scar How could it go so wrong We just tried to free the stars To shine on To shine on To shine on the roofs of Babylon (Less)

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Lions, Dragons and Masons - http://ihuman.tv
http://ihuman.tv Synchronistic look at Wizard of Oz, Stargate and Fantasia Curious how lions and (More) http://ihuman.tv Synchronistic look at Wizard of Oz, Stargate and Fantasia Curious how lions and dragons are associated with each other in myths because many peoples worldwide claim to be descendants of Dragons. The mixing of the two emblems can even be seen on the coat of arms of the British Royal Family. Leo is the sign ruled by the Sun. Thus, MGM studios can be seen associated with many occultic films of the Solar Cult. Related links regarding Illuminati Symbolism in the Wizard of Oz: http://www.apfn.org/apfn/oz.htm More info on the links between Crowley, Parsons, Dee, Babylon Working and the accident at Chernobyl: http://www.ensemble.va.com.au/tableau/suzy/TT_ResearchProjects/Hexen2039/MGM/mgm.html Enochian Speculations An interview with Donald Tyson by Akhenseti Enochian and Kabbalistic cosmologies Q: In your books, particularly ÎTetragrammatonâ and ÎEnochian Magic for Beginnersâ, elements of the Enochian system and cosmology are compared with paths and sephiroth on the kabbalistic Tree of Life. Do you feel that Enochian and kabbalistic cosmology could be successfully combined? After all, if they both are maps of the different levels of reality and their relations with human consciousness they should at least be comparable. A: The Enochian system and the Kabbalistic system can be compared with each other because they both attempt to describe the same thing -- the greater universe and its levels of reality. In some ways the aethyrs are similar to the sephiroth. Each embodies a specific condition that is self-limited. The sephiroth are stages in the emanation of being from non-being, with associated hierarchies of spiritual creatures. The aethyrs are astral zones inhabited by types of spirits, and represent intermediary levels between God and the world. Both are, or can be, concentric in arrangement -- the Tree arrangement of the Sephiroth is only one arrangement, but the Sephiroth are also sometimes presented as a set of nesting circles or spheres. Both may be likened to the spiritual levels of the Gnostics, although each system is also unique in its own right. When attempting to integrate the two systems, problems arise due to the different numbers involved. There are ten Sephiroth, or eleven if Daath is included. The number of the channels between them is usually said to be twenty-two, but many other systems of pathways between the spheres on the Tree exist. Let us say for the sake of argument that the Sephiroth are ten in number, and the channels between them twenty-two. The aethyrs of the Enochian system number thirty, or if you include the Keys, forty-eight, or maybe forty-nine if the unrevealed primary Key is included. How are these numbers to be related to the numbers of the Kabbalah? In linking the Tarot to the Kabbalah, the task was somewhat easier. There are twenty-two trumps in the Tarot, and twenty-two letters in the Hebrew alphabet, corresponding to the twenty-two paths that are defined in Athanasius Kircher's version of the Tree of the Sephiroth -- the arrangement of the Tree we use today. The cards of the Lesser Arcana divide naturally into four and ten. There are ten number cards in each of the four suits, and four court cards in each suit. This accords very nicely with the ten spheres on the Tree, and with the four worlds of the Kabbalah. The Tarot and the Tree of the Sephiroth are a natural fit. In the Enochian alphabet, there are only twenty-one letters, not twenty-two. The letters cannot be assigned directly to the paths, which is unfortunate since individual letters are themselves spiritual beings on the Enochian Watchtowers. We do find four Watchtowers, which can be made to align with the four worlds of the Kabbalah, although how to align them is not clear. Perhaps a link can be made through the points of the compass. We can associate the Watchtowers with the four directions, and the four directions with the four worlds. Again, this cannot be done automatically, since opinions would differ as to which direction should be linked with which Kabbalistic world. (Less)

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