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more... Wu-Tang Clan - Dreddy Kruger Presents Think Differently Music Wu-Tang Meets the Indie Culture
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Beatles Tribute
You love this music Paul McCartney, Ringo Starr, George Harrison, and John Lennon Beatles (More) You love this music Paul McCartney, Ringo Starr, George Harrison, and John Lennon Beatles Soundtrack (partials) 0:00 - 0:13 Twist & Shout 0:14 - 0:29 I Feel Fine 0:29 - 0:41 We Can Work It Out 0:41 - 0:54 I Wanna Hold Your Hand 0:54 - 1:10 Love Me Do 1:10 - 1:21 She Loves You 1:21 - 1:39 Yes It Is 1:40 - 1:55 I Will 1:56 - 2:20 All My Loving 2:20 - 2:44 Birthday 2:45 - 3:10 Lucy in the Sky 3:10 - 3:26 Sgt. Pepper 3:26 - 3:42 I Am the Walrus 3:42 - 3:57 Magical Mystery Tour 3:57 - 4:13 Yes it Is (again) 4:13 - 4:24 She Loves You (again) 4:24 - 4:44 Ticket to Ride 4:44 - 5:05 Paperback Writer 5:05 - 5:30 Hey Jude 5:30 - 5:52 Get Back 5:53 - 6:02 I need help here, no idea what this one is 6:02 - 6:29 Ob La Di Ob La Da [ above is courtesy of HappyDaze01. Thx HaDz01"!] Origin Liverpool, England Rock/Pop - Years active 1960--1970 Parlophone, Capitol, Apple, Vee-Jay, Polydor, Swan, Tollie Related to Tony Sheridan, The Quarrymen, The Plastic Ono Band, The Dirty Mac, Wings, Traveling Wilburys, Rory Storm and the Hurricanes, Ringo Starr All-Starr Band, Billy Preston Members - Ever to Date John Lennon Paul McCartney George Harrison Ringo Starr Former members Stuart Sutcliffe Pete Best The Beatles were an English rock band from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are the most commercially successful and critically acclaimed band in the history of popular music. The Beatles are the best-selling musical act of all time in the United States of America, according to the Recording Industry Association of America, which certified them as the highest selling band of all time based on American sales of singles and albums. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one. This commercial success was repeated in many other countries: their record company, EMI, estimated that by 1985 they had sold over one billion discs and tapes worldwide. In 2004, Rolling Stone Magazine ranked The Beatles #1 on their list of 100 Greatest Artists of All Time. According to that same magazine, their innovative music and cultural impact helped define the 1960s,[2] and their influence on pop culture can still be felt today. The Beatles led the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. 1957--1960: Formation The Quarrymen In March 1957, John Lennon formed a skiffle group called The Quarrymen whilst attending Quarry Bank Grammar School in Liverpool.[6] Lennon and the Quarrymen met guitarist Paul McCartney at the Woolton Garden Fête held at St. Peter's Church on 6 July 1957.[7] On 6 February 1958, the young guitarist George Harrison was invited to watch the group (who played under a variety of names) at Wilson Hall, Garston, Liverpool.[8] McCartney had become acquainted with Harrison on the morning school bus ride to the Liverpool Institute, as they both lived in Speke. At McCartney's insistence, Harrison joined the Quarrymen as lead guitarist[9] after a rehearsal in March 1958, overcoming Lennon's initial reluctance because of Harrison's young age.[10] Members continually joined and left the lineup during that period, and in January 1960 Lennon's art school friend Stuart Sutcliffe joined on bass.[11] Lennon and McCartney both played rhythm guitar and the group had a high turnover of drummers. The Quarrymen went through a progression of names — "Johnny and the Moondogs", "Long John and the Beatles", "the Silver Beetles" (derived from Larry Parnes' suggestion of "Long John and the Silver Beetles") — before settling on "The Beatles". There are many theories as to the origin of the name and its unusual spelling. It is usually credited to Lennon, who said that the name was a combination word-play on the insects "beetles" (as a reference to Buddy Holly's band, the Crickets) and the word "beat". Cynthia Lennon suggests that Lennon came up with the name Beatles at a "brainstorming session over a beer-soaked table in the Renshaw Hall bar."[12] Lennon, who was well known for giving multiple versions of the same story joked in a 1961 Mersey Beat magazine article that "It came in a vision — a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an A'".[13] During an interview in 2001, Paul McCartney took credit for the peculiar spelling of the name, saying that "John had the idea of calling us the Beetles, I said, 'how about the Beatles; you know, like the beat of the drum?' At the time, everyone was stoned enough to find it hilarious. It's funny how history is made." [14] In May 1960 The Beatles toured northeast Scotland as a back-up band with singer Johnny Gentle.[15] They met Gentle an hour before their first gig, and McCartney referred to the tour as a great experience for the band.[16] For the tour the often drummerless group secured the services of Tommy Moore, who was considerably older than the others.[17] Soon after the tour, however, feeling the age gap was too great Moore left the band and went back to work in a bottling factory as a fork-lift truck driver.[18] Norman Chapman was the band's next drummer, but was called up for National Service in a few weeks. His departure posed a significant problem as the group's unofficial manager, Allan Williams, had arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany.[19] 1960--1970: The Beatles Hamburg On 15 August 1960, McCartney invited Pete Best to become the group's permanent drummer. He had watched Best play with the Blackjacks[20] in the Casbah Club, owned by Pete's mother, Mona Best. This was a cellar club in West Derby, Liverpool, where The Beatles had played and often visited.[21] In the documentary The Compleat Beatles, Williams said that Best "played not too cleverly, but passable." The Beatles started playing in Hamburg at the Indra and Kaiserkeller bars. They were required to play six or seven hours a night, seven nights a week. Shortly after they began performing at a new venue, the "Top Ten Club",[22] Harrison was deported for having lied to the German authorities about his age.[23] A week later, having started a small fire at their living quarters while vacating it for more luxurious rooms, McCartney and Best were arrested, charged with arson, and deported.[24] Lennon followed the others to Liverpool in mid-December. The reunited Beatles played their first engagement on 17 December 1960 at the Casbah Club and returned to Hamburg in April 1961. Whilst playing at the Top Ten Club they were recruited by singer Tony Sheridan to act as his backing band on a series of recordings for the German Polydor Records label,[25] produced by famed bandleader Bert Kaempfert.[19] Kaempfert signed the group to its own Polydor contract at the first session on 22 June 1961. On 31 October Polydor released the recording "My Bonnie (Mein Herz ist bei dir nur)", which appeared on the German charts under the name "Tony Sheridan and the Beat Brothers", a generic name used for whoever happened to be in Sheridan's backup band.[26] In addition to the legend that this record led to the group's eventual meeting with Brian Epstein, it also resulted in their first mention in the American press. Around the beginning of 1962, Cashbox mentioned "My Bonnie" as the debut of a "new rock and roll team, Tony Sheridan and the Beat Brothers". A few copies were also pressed under the Decca label for U.S. disc jockeys, as American Decca had a distribution deal with Polydor parent Deutsche Grammophon.[27] (This was ironic, considering that by this time the then-unaffiliated British Decca had turned down the group's attempt to gain a recording contract.) When the group returned to Liverpool, Sutcliffe stayed on in Hamburg with his new German fiancee Astrid Kirchherr, [28] and McCartney took over bass duties.[29] Their third stay in Hamburg was from 13 April to 31 May 1962, when they opened The Star Club.[19] Upon their arrival they were informed of Sutcliffe's death from a brain haemorrhage.[30] Epstein took over as the group's manager in January 1962 and led The Beatles' quest for a British recording contract. Epstein had been manager of the record department at North End Music Store (NEMS), an offshoot of his family's furniture store. He played on the status of NEMS as a major record dealer to gain access to producers and recording company executives. In a now-famous exchange, Decca Records A&R executive Dick Rowe turned Epstein down flat, informing him that "Guitar groups are on the way out, Mr. Epstein."[31] While Epstein was negotiating with Decca, he also approached EMI marketing executive Ron White.[32] White (who was not himself a record producer) in turn contacted EMI producers Norrie Paramor, Walter Ridley, and Norman Newell, all of whom declined to record The Beatles.[33] White did not approach EMI's fourth staff producer — George Martin — who was on holiday at the time.[34] Record contract After failing to impress Decca Records, Epstein went to the HMV store on Oxford Street in London to transfer the Decca tapes to discs. There, recording engineer Jim Foy referred him to Sid Coleman, who ran EMI's publishing arm. When Coleman heard the demo tapes he suggested taking the tapes to George Martin, who, Coleman explained, "does comedy records" and headed the Parlophone label at EMI. Epstein eventually met with Martin, who signed the group to EMI on a one-year renewable contract and scheduled their first recording session on 6 June at EMI's Abbey Road studios in north London.[35] Martin had not been particularly impressed by the band's demo recordings,[36] but he instantly liked them as people when he met them. He concluded that they had raw musical talent, but said (in later interviews) that what made the difference for him was their wit and humour.[37] Martin did have a problem with Pete Best, [36] whom he criticised for not being able to keep time. He privately suggested to Epstein that the band use another drummer in the studio. Best was good-looking and popular with the group's fans, but the three founding members had become increasingly unhappy with his drumming and his personality.[citation needed] There was speculation by some that Best's popularity[38] with fans was another source of friction. In addition, Epstein had become exasperated with his refusal to adopt the distinctive hairstyle as part of their unified look. Best also had missed a number of engagements because of illness. The three founding members enlisted Epstein to dismiss Best - which he did on 16 August 1962.[39] They asked Ringo Starr (born Richard Starkey), the drummer for one of the top Merseybeat groups, Rory Storm and the Hurricanes, to join the band, as Starr had performed occasionally with The Beatles in Hamburg.[40] The first recordings of Lennon, McCartney, Harrison, and Starr together were made as early as 15 October 1960, in a series of demonstration records privately recorded in Hamburg while acting as the backing group for singer Lu Walters.[41] Starr played on The Beatles' second EMI recording session on 4 September 1962, but Martin hired session drummer Andy White for their next session on 11 September.[42] Their recording contract paid them one penny for each single sold, which was split amongst the four Beatles — one farthing per group member.[43] This royalty rate was further reduced for singles sold outside the UK, on which they received half of one penny (again split between the whole band) per single. Martin said later that it was a "pretty awful" contract.[43] Their publishing contract with Dick James Music (DJM) was also standard for the time: songwriters received the statutory minimum of 50% of the gross monies received, with the publisher retaining the other 50%.[citation needed] The Beatles' first EMI session on 6 June did not yield any releasable recordings but the September sessions produced a minor UK hit, "Love Me Do", which peaked on the charts at number 17.[44] ("Love Me Do" reached the top of the U.S. singles chart over 18 months later in May 1964.) On 26 November they recorded their second single "Please Please Me", which reached no. 2 in the official UK charts and no. 1 in the NME chart. Three months later they recorded their first album (also titled Please Please Me). The band's first televised performance was on the People and Places programme transmitted live from Manchester by Granada Television on 17 October 1962.[45] As The Beatles' fame spread, the frenzied adulation of the group, predominantly from teenage female fans, was dubbed 'Beatlemania'. In November 1963 The Beatles appeared on the Royal Variety Performance and were photographed with Marlene Dietrich, who also appeared on the show.[citation needed] America Although the band experienced huge popularity in the UK record charts from early 1963, EMI's American operation, Capitol Records, declined to issue the singles "Please Please Me" and "From Me to You (their first official no. 1 hit in the UK)".[46] Vee-Jay Records, a small Chicago label, issued the singles as part of a deal for the rights to another performer's masters. Art Roberts, music director of Chicago powerhouse radio station WLS, placed "Please Please Me" into radio rotation in late February 1963 making it the first time a Beatles record was heard on American radio. Vee-Jay's rights to The Beatles were later cancelled for non-payment of royalties.[47] In August 1963, Philadelphia-based Swan Records released "She Loves You", which also failed to receive airplay. A testing of the song on Dick Clark's TV show American Bandstand produced laughter from American teenagers when they saw the group's distinctive hairstyles. New York disc jockey Murray the K featured "She Loves You" on his '1010 WINS record revue' show in January.[48] In early November 1963, Brian Epstein persuaded Ed Sullivan to present The Beatles on three editions of his show in February, and parlayed this guaranteed exposure into a record deal with Capitol Records. Capitol committed to a mid-January release for "I Want to Hold Your Hand",[49] On 7 December 1963 a clip of The Beatles was shown on the CBS Evening News (the story originally had been scheduled to air on 22 November and was aired on the CBS Morning News but was pre-empted by the assassination of John F. Kennedy). The clip inspired a teenage girl in Washington, D.C. to request a Beatles song on a local radio station. The station secured an imported copy of "I Want to Hold Your Hand" — forcing Capitol Records to release the song ahead of schedule on 26 December. Several New York radio stations — first WMCA, then WINS (AM) and WABC — began playing "I Want to Hold Your Hand" on its release day. The Beatlemania that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days, and by 16 January, Cashbox magazine had certified the record number one (in the edition marked 23 January). On 3 January 1964 a film of The Beatles performing "She Loves You" was aired on the late-night Jack Paar Show. Beatlemania crosses the Atlantic On 7 February 1964, a crowd of four thousand fans at Heathrow Airport waved to The Beatles as they took off for their first trip to America as a group.[51] They were accompanied by photographers, journalists (including Maureen Cleave) and Phil Spector, who had booked himself on the same flight.[52] The pilot had radioed ahead, and as they prepared to land said, "Tell the boys there's a big crowd waiting for them." Kennedy International Airport had never experienced such a crowd, estimated at about 3,000 screaming fans.[53] After a press conference (where they first met Murray the K) they were put into limousines and driven to New York. On the way McCartney turned on a radio and listened to a running commentary: "They [The Beatles] have just left the airport and are coming to New York City..."[54] After reaching the Plaza Hotel, they were besieged by fans and reporters. Harrison had a temperature of 102 the next day and was ordered to stay in bed, so Neil Aspinall replaced him for the first television rehearsal.[55] Their first live American television appearance was on the The Ed Sullivan Show on 9 February 1964. The next morning practically every newspaper wrote that The Beatles were nothing more than a "fad", and "could not carry a tune across the Atlantic".[56] Their first American concert appearance was at Washington Coliseum in Washington, D.C. on 11 February.[57] After The Beatles' huge success in 1964, Vee-Jay Records and Swan Records took advantage of their previously secured rights to The Beatles' early recordings and reissued the songs, all of which reached the top ten the second time around. (MGM and Atco also secured rights to The Beatles' early Tony Sheridan-era recordings and had minor hits with "My Bonnie" and "Ain't She Sweet", the latter featuring John Lennon on lead vocal.) In addition to Introducing... The Beatles, which was essentially The Beatles' debut British album with some minor alterations, Vee-Jay also issued an unusual LP called The Beatles Vs The Four Seasons. This 2-LP set paired Introducing... The Beatles and The Golden Hits Of The Four Seasons, another successful act that Vee-Jay had under contract, in a 'contest' (the back cover featured a 'score card'). Another unusual release was the Hear The Beatles Tell All album, which consisted of two lengthy interviews with Los Angeles radio disc jockeys (side one was titled "Dave Hull interviews John Lennon," while side two was titled "Jim Steck interviews John, Paul, George, Ringo"). No Beatles music was included on this interview album, which turned out to be the only Vee Jay Beatles album Capitol Records could not reclaim. The Vee-Jay/Swan-issued recordings eventually ended up with Capitol, who issued most of the Vee-Jay material on the American-only Capitol release The Early Beatles, with three songs left off this final US version of the album. ("I Saw Her Standing There" was issued as the American B-side of "I Want to Hold Your Hand," and also appeared on the Capitol Records album Meet The Beatles. "Misery" and "There's a Place" were issued as a Capitol "Starline" reissue single in 1964, and reappeared on the 1980 Rarities compilation album.) The early Vee-Jay and Swan Beatles records command a high price on the record collectors' market, and all have been copiously bootlegged.[58] The Swan tracks ("She Loves You" and "I'll Get You") were issued on the Capitol LP The Beatles' Second Album. (Swan also issued the German-language version of "She Loves You," called "Sie Liebt Dich." This song later appeared (in stereo) on Capitol's US version of the Rarities compilation album.) In mid-1964 the band undertook their first appearances outside of Europe and North America. They toured Australia and New Zealand without Ringo Starr, who was ill and temporarily replaced by session drummer Jimmy Nicol. In Adelaide they were greeted by over 300,000 people who turned out at Adelaide Town Hall.[59] In June 1965, Her Majesty Queen Elizabeth II appointed the four Beatles Members of the Order of the British Empire, MBE. The band members were nominated by Prime Minister Harold Wilson (who also was the M.P. for Huyton, Liverpool).[60] The appointment — at that time primarily bestowed upon military veterans and civic leaders — sparked some conservative MBE recipients to return their insignia in protest.[61] The first two were returned on 14 June, before The Beatles received theirs on 26 October 1965.[62] On 15 August that year, The Beatles performed the first stadium concert in the history of rock, playing at Shea Stadium in New York to a crowd of 55,600.[63] Their sixth album, Rubber Soul, was released in early December 1965. It was hailed as a major leap forward in the maturity and complexity of the band's music.[64] Backlash and controversy In July 1966, when The Beatles toured the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace.[65] When presented with the invitation, Brian Epstein politely declined on behalf of the group, as it had never been the group's policy to accept such "official" invitations.[66] The group soon found that the Marcos regime was unaccustomed to accepting "no" for an answer. After the 'snub' was broadcast on Philippine television and radio, all of The Beatles' police protection disappeared. The group and their entourage had to make their way to Manila airport on their own. At the airport, roadie Mal Evans was beaten and kicked, and the band members were pushed and jostled about by a hostile crowd.[67] Once the group boarded the plane, Epstein and Evans were ordered off, and Evans said, "Tell my wife that I love her."[68] Epstein was forced to give back all the money that the band had earned while they were there before being allowed back on the plane.[69] Almost as soon as they returned from the Philippines, an earlier comment by Lennon made in March that year launched a backlash against The Beatles from religious and social conservatives in the United States. In an interview with British reporter Maureen Cleave,[70] Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now."[71] Afterwards, a radio station in Birmingham, Alabama, ran a story on burning Beatles records, in what was considered to be a joke. However, many people affiliated with rural churches in the American South started taking the suggestion seriously. Towns across the United States and South Africa started to burn Beatles records in protest. Attempting to make light of the incident, McCartney said, "They've got to buy them before they can burn them." Under tremendous pressure from the American media, Lennon apologised for his remarks at a press conference in Chicago on August 11, the eve of the first performance of what turned out to be their final tour.[72] The group's two-year series of Capitol compilations also took a strange twist in the United States when one of their publicity shots, used for a Yesterday and Today album and a poster promoting the UK release of "Paperback Writer", created an uproar, as it featured the band draped in meat and plastic dolls. Thousands of these copies had to be withdrawn. Years later, the cover shot was linked with the group's interest in German expressionism.[72] Elvis Presley disapproved of The Beatles's anti-war activism and open use of drugs, later asking President Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "The Beatles, Elvis said, [...] had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling."[73] Guralnick adds, "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s."[74] Despite Elvis' remarks, Lennon still had some positive feeling towards him: "Before Elvis, there was nothing."[75] The studio years The Beatles at their last concert, Candlestick Park.In April 1966, the group began recording what would be their most ambitious album to date, Revolver. During the recording sessions for the album, tape looping and early sampling were introduced in a complex mix of ballad, R&B, soul and world music. The Beatles performed their last concert before paying fans at Candlestick Park in San Francisco on 29 August 1966.[72] McCartney asked Tony Barrow to tape the event, but the 30-minute tape he used ran out halfway through the last song. The concert lasted a little under 35 minutes.[76] From then on, The Beatles concentrated on recording. Less than seven months after recording Revolver, The Beatles returned to Abbey Road Studios on 24 November 1966 to begin the 129-day recording sessions for their eighth album, Sgt. Pepper's Lonely Hearts Club Band, released on 1 June 1967. On 25 June 1967, The Beatles became the first band globally transmitted on television—before an estimated 400 million people worldwide. The band appeared in a segment within the first-ever worldwide TV satellite hook-up, a show titled Our World. The Beatles were transmitted live from Abbey Road Studios, and their new song "All You Need Is Love" was recorded live during the show. The band's business affairs began to unravel after manager Brian Epstein died of an accidental prescription drug overdose on 27 August 1967 at the age of 32. At the end of 1967, they received their first major negative press in the UK with disparaging reviews of their surrealistic TV film Magical Mystery Tour.[77] Part of the criticism arose because colour was an integral part of the film, but in 1967 few viewers in the UK had colour televisions. The film's soundtrack, which features one of The Beatles' few instrumental tracks ("Flying"), was released in the United Kingdom as a double EP, and in the United States as a full LP (the LP is now the official version). The group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation with the Maharishi Mahesh Yogi.[78] Upon their return, Lennon and McCartney went to New York to announce the formation of Apple Corps. The middle of 1968 saw the band busy recording the double album The Beatles, popularly known as The White Album because of its plain white cover. These sessions saw deep divisions opening within the band, with Starr temporarily walking out. The band carried on, with McCartney recording the drums on the songs "Martha My Dear", "Wild Honey Pie", "Dear Prudence" and "Back in the USSR". Among the other causes of dissension were that Lennon's new girlfriend, Yoko Ono, was at his side through almost all of the sessions, and that the others felt that McCartney was becoming too dominating.[79] Internal divisions within the band had been a small but growing problem during their early years; most notably, this was reflected in the difficulty that George Harrison experienced in getting his own songs onto Beatles albums. On the business side, McCartney wanted Lee Eastman, the father of his then-girlfriend Linda Eastman, to manage The Beatles, but the other members wanted New York manager Allen Klein. All past Beatles' decisions had been unanimous, but this time the four could not agree. Lennon, Harrison and Starr felt the Eastmans would put McCartney's interests before those of the group. In 1971 it was discovered that Klein, who had been appointed manager, had stolen £5 million from The Beatles' holdings. Years later, during the Anthology interviews, McCartney said of this time, "Looking back, I can understand why they would feel that he [Lee Eastman] was biased against them." Their final live performance was on the rooftop of the Apple building in Savile Row, London, on 30 January 1969, the next-to-last day of the difficult Get Back sessions. Most of the performance was filmed and later included in the film Let It Be. While the band was playing, the local police were called because of complaints about the noise. Although the group was simply asked to end their performance, the band members later remarked in the Anthology video that they were disappointed they were not arrested — pointing out that the police hauling the band members off in handcuffs would have been "an appropriate ending" for the film. The Beatles recorded their final album, Abbey Road, in the summer of 1969. The completion of the song "I Want You (She's So Heavy)" for the album on 20 August was the last time all four Beatles were together in the same studio. Their final new song was Harrison's "I Me Mine", recorded 3 January 1970 and released on the Let It Be album. It was recorded without Lennon, who was in Denmark when the song was recorded.[80] Breakup John Lennon announced his departure to the rest of the group on 20 September 1969 but agreed that no announcement was to be publicly made until a number of legal matters were resolved. In March 1970 the Get Back session tapes were given to American producer Phil Spector, who had produced Lennon's solo single "Instant Karma!". Spector's "Wall of Sound" production values went against the original intent of the record, which had been to record a stripped-down live performance. McCartney was deeply dissatisfied with Spector's treatment of "The Long and Winding Road", and unsuccessfully attempted to halt release of Spector's version of the song. McCartney publicly announced the break-up on 10 April 1970, a week before releasing his first solo album, McCartney. Pre-release copies included a press release with a self-written interview explaining the end of The Beatles and his hopes for the future.[81] On 8 May 1970, the Spector-produced version of Get Back was released as Let It Be, followed by the documentary film of the same name. The Beatles' partnership was finally dissolved in 1975.[82] 1970--present: After The Beatles Ringo Starr, 1968 Shortly before and after the official dissolution of the group, all four Beatles released solo albums, including Lennon's John Lennon/Plastic Ono Band, McCartney's McCartney, Starr's Sentimental Journey, and Harrison's All Things Must Pass. Some of their albums featured contributions by other former Beatles; Starr's Ringo (1973) was the only one to include compositions and performances by all four, albeit on separate songs. Other than an unreleased jam session in 1974 (later bootlegged as A Toot and a Snore in '74), Lennon and McCartney never recorded together again. In the wake of the expiration in 1975 of The Beatles' contract with EMI-Capitol, the American Capitol label, rushing to cash in on its vast Beatles holdings and freed from the group's creative control, released five LPs: Rock 'n' Roll Music (a compilation of their more uptempo numbers), The Beatles at the Hollywood Bowl (containing portions of two unreleased shows at the Hollywood Bowl), Love Songs (a compilation of their slower numbers), Rarities (a compilation of tracks that either had never been released in the U.S. or had gone out of print), and Reel Music (a compilation of songs from their films). There was also a non-Capitol-EMI release of a show from the group's early days at the Star Club in Hamburg captured on a poor-quality tape. Of all these post-breakup LPs, only the Hollywood Bowl LP had the approval of the group members. Upon the American release of the original British CDs in 1986, these post-breakup Capitol American compilation LPs were deleted from the Capitol catalogue. John Lennon was shot and killed by Mark David Chapman on 8 December 1980 in New York City. Shortly afterward, in 1981, the three surviving Beatles reunited to record "All Those Years Ago", released as a George Harrison solo single. Its original lyrics had been rewritten as a tribute to Lennon. The BBC has a large collection of Beatles recordings, mostly comprising original studio sessions from 1963 to 1968. Much of this material formed the basis for a 1988 radio documentary series The Beeb's Lost Beatles Tapes. In 1989, many outtakes from The Beatles sessions appeared on the radio series The Lost Lennon Tapes. Later, in 1994, the best of the BBC sessions were given an official EMI release on Live at the BBC. In 1988 The Beatles were inducted into the Rock and Roll Hall of Fame as a group (not as individual performers) during their first year of eligibility.[83] On the night of their induction, Harrison and Starr appeared to accept their award along with Lennon's widow Yoko Ono and his two sons. McCartney stayed away, issuing a press release citing "unresolved difficulties" with Harrison, Starr, and Lennon's estate. Solo Beatles later inducted were Lennon in 1994, McCartney in 1999 and Harrison in 2004. Collage of the various covers of the Anthology seriesIn February 1994, the three surviving Beatles reunited to produce and record additional music for a few of Lennon's home recordings. "Free as a Bird" premiered as part of The Beatles Anthology series of television documentaries and was released as a single in December 1995, with "Real Love" following in March 1996. These songs were also included in the three Anthology collections of CDs released in 1995 and 1996, each of which consisted of two CDs of never-before-released Beatles material. Klaus Voormann, who had known The Beatles since their Hamburg days and had previously illustrated the Revolver album cover, directed the Anthology cover concept. 450,000 copies of Anthology 1 were sold on its first day of release. In 2000, a compilation album named 1 was released, containing almost every number-one single released by the band from 1962 to 1970. The collection sold 3.6 million copies in its first week (selling 3 copies a second) and more than 12 million in three weeks worldwide. The collection also reached number one in the United States and 33 other countries and had sold 25 million copies by 2005 (about the ninth best selling album of all time). George Harrison during this time showed his socio-political consciousness and earned respect for his contribution for arranging the Concert For Bangladesh in New York in August 1971 along with sitar maestro Ravi Shankar. Harrison died of lung cancer on 29 November 2001. More recently, in 2006, George Martin and his son Giles Martin remixed original Beatles recordings to create a soundtrack to accompany Cirque du Soleil's theatrical production Love. Musical evolution The Beatles' constant demands to create new sounds on every new recording, combined with George Martin's arranging abilities and the studio expertise of EMI staff engineers such as Norman Smith, Ken Townshend and Geoff Emerick, all played significant parts in the innovative sounds of the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967). The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries. Among those influences were Bob Dylan, who influenced songs such as "You've Got to Hide Your Love Away" and "Norwegian Wood (This Bird Has Flown)".[84] Other contemporary influences included the Byrds and the Beach Boys, whose album Pet Sounds was a favourite of McCartney's.[85] Along with studio tricks such as sound effects, unconventional microphone placements, tape loops, double tracking and vari-speed recording, The Beatles began to augment their recordings with instruments that were unconventional for rock music at the time. These included string and brass ensembles as well as Indian instruments such as the sitar as in Norwegian Wood (This Bird Has Flown) and the swarmandel as in Strawberry Fields Forever. They also used early electronic instruments such as the Mellotron, with which McCartney supplied the flute voices on the intro to "Strawberry Fields Forever", and the ondioline, an electronic keyboard that created the unusual oboe-like sound on "Baby You're a Rich Man". Beginning with the use of a string quartet (arranged by George Martin with input from McCartney) on "Yesterday" in 1965, The Beatles pioneered a modern form of art song, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966), "Here, There and Everywhere" (1966) and "She's Leaving Home" (1967). A televised performance of Bach's Brandenburg Concerto No. 2 directly inspired McCartney's use of a piccolo trumpet on the arrangement of "Penny Lane". The Beatles moved towards psychedelia with "Rain" and "Tomorrow Never Knows" from 1966, and "Lucy in the Sky with Diamonds", "Strawberry Fields Forever" and "I Am the Walrus" from 1967. Influence on popular culture Lifestyle The Beatles' lifestyles were greatly altered by their success and the income they earned. The availability of the first oral contraceptive and illegal drugs changed many people's opinions — including The Beatles' — about life, marriage, and sexual relationships.[86] Recreational drug use In Hamburg, The Beatles used "prellies" (Preludin) both recreationally and to maintain their energy through all-night performances.[87] McCartney would usually take one, but Lennon would often take four or five.[87] Bob Dylan introduced them to cannabis during a 1964 visit to New York.[88] McCartney remembered them all getting "very high" and giggling.[89] The Beatles occasionally smoked a spliff in the car on the way to the studio during the filming of Help!, which often made them forget their lines.[90] In April 1965, Lennon and Harrison were introduced to LSD by an acquaintance, dentist John Riley.[91] Lennon in particular became an avid "tripper", claiming in a 1970 interview in Rolling Stone to have taken LSD hundreds of times. McCartney was more reluctant to try the drug, but finally did so in 1966 and was the first Beatle to talk about it in the press. The Beatles added their names to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma, and was signed by 65 people, including Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[92] On a sailing trip to Greece, in 1967, the whole band sat around on the boat and took acid.[93] Meditation On 24 August 1967, The Beatles met the Maharishi Mahesh Yogi at the London Hilton, and a few days later went to Bangor, in North Wales, to attend a weekend 'initiation' conference.[94] There, the Maharishi gave each of them a mantra.[95] Their time in early 1968 at the Maharishi's ashram in India was highly productive from a musical standpoint, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by Lennon, McCartney, and Harrison.[78] Discography Further information: List of Beatles songs by singer, The Beatles record sales, worldwide charts, The Beatles bootlegs, and List of Beatles hit singles Official CD catalogue In 1987, EMI released all 12 of The Beatles' studio albums — as originally released in the UK — on CD worldwide. (North American releases were on EMI's American subsidiary Capitol Records). It was a considered decision by Apple Corps to standardise The Beatles catalogue throughout the world. Because there were tracks that had been released in the UK on singles and EPs that had not been released on the original UK albums, in order for all their recordings to be available on CD it was necessary to create three further CDs that would contain the missing tracks. One CD was of a 1967 US compilation album that featured the 6-track 1967 UK EP Magical Mystery Tour and the various singles released in that year. The other two CDs were new compilations that gathered together all the other singles, EP tracks and recordings from 1962--1970 that had not been issued on the original British studio albums. Magical Mystery Tour - 8 August 1987[96] Past Masters, Volume One - 7 March 1988 Past Masters, Volume Two - 7 March 1988 According to EMI and the Guinness Book of Records, The Beatles have sold in excess of one billion units (1,010,000,000, including cassettes, records, CDs and bootlegs). Beginning in 2004, the US album configurations were released as a series of box sets from Capitol Records (The Capitol Albums, Volume 1 & Volume 2); these included both stereo and mono versions based on the mixes that were prepared for vinyl at the time of their original 1960s releases. Song catalogue In 1963 Lennon and McCartney agreed to assign their song publishing rights to Northern Songs, a company created by music publisher Dick James. The company was administered by James' own company Dick James Music. Northern Songs went public in 1965, with Lennon and McCartney each holding 15% of the company's shares whilst Dick James and the company's chairman, Charles Silver, held a controlling 37.5%. In 1969, following a failed attempt by Lennon and McCartney to buy the company, James and Silver sold Northern Songs to British TV company Associated TeleVision (ATV), from which Lennon and McCartney received stock. In 1985, after a short period in which the parent company was owned by Australian business magnate Robert Holmes à Court, ATV Music was sold to Michael Jackson for a reported $47 million (trumping a joint bid by McCartney and Yoko Ono), including the publishing rights to over 200 songs composed by Lennon and McCartney. A decade later Jackson and Sony merged its music publishing businesses. Since 1995, Jackson and Sony/ATV Music Publishing have jointly owned most of the Lennon-McCartney songs recorded by The Beatles. Sony later reported that Jackson had used his share of their co-owned Beatles' catalogue as collateral for a loan from the music company. Meanwhile, Lennon's estate and McCartney still receive their respective songwriter shares of the royalties. (Despite his ownership of most of the Lennon-McCartney publishing, Jackson has only recorded one Lennon-McCartney composition himself, "Come Together" which was featured in his film Moonwalker.) Although the Jackson-Sony catalogue includes most of The Beatles' greatest hits, four of their earliest songs had been published by one of EMI's publishing companies prior to Lennon and McCartney signing with Dick James — and McCartney later succeeded in personally acquiring the publishing rights to "Love Me Do", "Please Please Me", "P.S. I Love You" and "Ask Me Why" from EMI. Harrison and Starr did not renew their songwriting contracts with Northern Songs in 1968, signing with Apple Publishing instead. Harrison later created Harrisongs, his own company which still owns the rights to his post-1967 songs such as "While My Guitar Gently Weeps" and "Something". Starr also created his own company, called Startling Music. It holds the rights to his two post-1967 songs recorded by The Beatles, "Don't Pass Me By" and "Octopus's Garden". The future of The Beatles catalogue The Beatles are but a few of the major artists (aside from Led Zeppelin and Garth Brooks) who have not to date allowed their entire recorded catalogue to be available through major online music services (iTunes, Napster, etc.). This may be due to the massive royalty fees demanded by the group. As a result, The Beatles' music (both officially and unofficially released) has been made available through illegal music search engines such as eMule and BearShare, and have apparently raised the ire of the entire music industry. However, sure signs that official online distributions may be coming is the fact that the video for Tomorrow Never Knows/Within You Without You (the remix from their album Love) is currently being distributed (as of June, 2007) via Napster, and many Internet radio networks (such as Pandora Internet Radio and Live365.com) are allowing Beatles songs to be broadcasted over the world wide web. There has been talk of negotiations to make such an official online distribution schedule possible. Officials at Apple Corps have hinted at this, as they have confirmed that the entire Beatles catalog has been digitally remastered for online distribution. On film Main article: The Beatles on film The Beatles appeared in several films, all of which featured associated soundtrack albums. The band played themselves in two films directed by Richard Lester, A Hard Day's Night (1964) and Help! (1965). The group produced and starred in the hour-long television movie Magical Mystery Tour (1967), while the documentary Let It Be (released 1970) followed the recording sessions for the Get Back project in early 1969. In addition, the psychedelic animated film Yellow Submarine (1968) followed the adventures of a cartoon version of the band; the members did not provide their own voices, appearing only in a brief live-action epilogue. Other projects Anthology Main article: The Beatles Anthology Love Main article: Love (Cirque du Soleil) Instrumentation Rickenbacker, Gretsch, Epiphone, Gibson, Fender, and C.F. Martin & Company guitars Höfner, Fender and Rickenbacker basses Vox, Fender, and Selmer amplifiers Premier and Ludwig drums Zildjian cymbals Steinway, and Blüthner pianos Hammond, Vox and Lowrey electric organs Fender Rhodes, Wurlitzer, and Hohner Pianet electric pianos Moog Modular synthesiser Mellotron Polyphonic Keyboard Neumann, AKG, and STC microphones Bill Stoll Stollco video tampa fl (Less)
シャボン玉ホリデー(Bubble Holiday: pt.1): THE PEANUTS: Hajime Hana ＆ Crazy Cats (jap-azz/ fem vocal
Hana and Cats (Hana and Cats) (More) Hana and Cats (Hana and Cats) 元々は、「キューバンキャッツ」の名で、 進駐軍相手に演奏していたが、 アドリブが面白く"You are crazy."と言われたことから「クレージーキャッツ」に改名した。 Originally, "Cuban NOUGATS" in the name of the occupation troops opponent to play, but improvisation is interesting, "You are crazy." It says that from "Cats" to be renamed. 渡辺プロダクション所属。 Wannabee Production belong. バラエティ番組に出演し、コントを演じるようになってからコントグループと見られるようになってしまった。 Variety show, a performance that played in the group from Cont and seen in the fire. 略称「 クレージー 」。 Often abbreviated as "Crazy". 1960年代に一世を風靡したコミックバンド。 1960s predominate by the comic band. 「 シャボン玉ホリデー 」（ 日本テレビ ）「 おとなの漫画 」（ フジテレビ）などのテレビ出演をきっかけに人気が爆発。 "Holiday bubble" (The station), "adult cartoons" (Fuji TV), TV appearances led to explode in popularity. 映画にも進出し、クレージーの出演作は東宝のドル箱シリーズとなった。 Also advancing to the movies, the films will be Crazy Togo Co. dollar box series. 映画の挿入歌として発表されたシングル『スーダラ節』『ハイそれまでョ』『ドント節』なども軒並み大ヒット。 Film insert song as a single, which was released SUD ARA clause, the high so far, the conference Donut clause, also a big hit across the board. しかし次第に植木・ハナ・谷らの主要メンバー個人での活動が多くなり、石橋エータローが1971年に脱退したころにはめっきりグループで活動する機会が減ってしまった。 But gradually plant Hana valley of the main members of the individualism activities increases, Ambush ATARI to secede from the 1971 when the group's activities in the opportunity to drastically reduced. 1980年代以降は、コメディアンというよりは各人俳優としての性格が濃くなり、実質的な解散状態になった。 Since the 1980s, comedian and actor rather than each individualism personality is as deeply and effectively disbanded a state. その後も幾度かグループで出演したこともあるが、 1993年 9月のハナ肇の死去により、正式な解散宣言が植木等より出された。 Then several groups that have appeared in the September 1993 death of Hajime Hana, a formal declaration of dissolution is prepared from a plant, etc.. この宣言は翌日には撤回されているが、その植木も2007年には他界してしまい、現在でも生存しているメンバーは谷、犬塚、桜井の三人のみである。 This declaration was withdrawn by the next day, but the plant also has passed away in 2007 and I still have surviving members of the valley, Koranic, Samurais only three. 事務所の後輩にザ・ピーナッツやザ・ドリフターズ（クレージーを含めたこの3グループで「 ナベプロ 3大タレント 」と言われることもある）がいる。 The office juniors to peanuts and The Drifters started (including the three groups Crazy "Zircon three major professional entertainer" and called it). ドリフターズが1964年に再結成した時点で、メンバー全員の名付け親となったのはハナ肇である。 Drifters in 1964 reunited at the time, all members of godmother was Hajime Hana. [ 編集 ] メンバー [Embodied] ハナ肇 （ ドラムス ） Hajime Hana (drums) 1930年 東京府 北豊島郡 （現豊島区 ）生まれ。 1930 Tokyo palace Toshiba North County (now Toshiba) was born. 山手通り沿い要町交差点付近の実家（水道屋）で育った。 Mate Gunmetal street intersection near her parents grew up (water-supply store). 本名、野々山定夫。 Real name, Sad Noontime. 工学院大学卒。 University graduate. 芸名の由来は鼻を膨らませる顔芸が好評であった事からきている。 The stage name is derived from the nose to inflate made in the face of popular thing to me. 進駐軍のキャンプ地などでドラム奏者として活躍。 Occupation army camps such as active as a player in the drum. その後犬塚弘、 萩原哲晶らと、クレージーキャッツの前身である「キューバンキャッツ」を結成。 Then Hiroshima Unusual, Okra Hardware said Jung, the predecessor of the Cats "Cuba NOUGATS" form. その後、 1956年 「ハナ肇とクレージーキャッツ」を結成、バンドマスターとなる。 Then, in 1956, "Hajime Hana and Cats" and formed a band and the master. 「 巨泉・前武のゲバゲバ90分!! 」でのヒッピー姿で叫ぶ「アッと驚く為五郎」と言うギャグや新春かくし芸大会での銅像役はよく知られている。 "巨泉Wu made the wooden staff 90 minutes! ! "The hippie attire shout" stunning為五郎says, "Gag parlor tricks and New Year tournament statue role is well known. 俳優ナレーターとしての評価も高かったが、本人はやはり音楽をやりたかったらしく、晩年は「ハナ肇とオーバー・ザ・レインボー」というバンドを結成し、活動していた。 Actor narrator as a higher assessment, he is still music to KARITA CARTRIDGE, latterly, "Hajime Hana and Over the Rainbow" from the band formed, and activities. 1993年肝臓ガンのため死去。 1993 for the death of liver cancer. 植木等 （ ボーカル 、 ギター ） Nurserymen, etc. (vocals, guitar) 1926年（戸籍上は1927年）、 三重県の浄土真宗の寺の息子として生まれる。 1926 (1927 on the family register), Mei Prefecture Odo Shiny temples son born. 本名同じ。 The real name of the same. 東洋大学卒。 Toto University graduate. いくつかのバンドを経て、 1957年 3月渡辺晋とハナ肇によってシティ・スリッカーズからクレージーキャッツに引き抜かれた。 Several bands, after March 1957 and Hana Hajime Wannabee Kin-City Slickers lured away from the Cats. 「無責任男」をキャッチフレーズに数多くの映画に出演。 "Irresponsible man" catchphrase to a number of films. ボーカルとして歴史に残る数々のコミックソングを産み出し、テレビでも「お呼びでない?」など歴史に残るギャグで爆発的な人気を得る。 As a vocalist for the historic number of comic song out through the TV and "uncalled-for?" Such as historic gag in the explosion in popularity. また、 1990年には過去のヒット曲メドレー『スーダラ伝説』で人気が再燃し、 紅白歌合戦にも出場し、この年の歌手別最高視聴率を獲得した。 Also, 1990 was a medley of past hits SUD ARA popular legend, a flare-up, the festival also participated in the festival, this year another singer achieve the highest rating. ハナ肇の告別式で「ハナ肇とクレージーキャッツは本日を持ちまして正式に解散いたしました」と解散宣言を行ったのも植木である。 Hajime Hana's funeral in "Cats and Hajime Hana today to formally disband we put it," declared the dissolution of Nurserymen. 俳優としても評価が高く、多数の賞を獲得している。 As an actor and a higher evaluation of a number of awards in that. 晩年は闘病しながら活動していた。 Later in his life, he was active in the fight against disease. 2007年 肺気腫のため死去。 2007 for the death of emphysema. 谷啓 （ トロンボーン ） Valley Kai (trombone) 1932年、 東京府 荏原郡 （現大田区 ）生まれ。 In 1932, Tokyo-FUD Ebro County (now PTA) was born. 広島と横浜で育つ。 Hiroshima and Yokohama grow up. 本名は、渡部泰雄（わたべ やすお）。 Ne, Yes Wannabee (I TABLAS you). 芸名の由来は、 アメリカの名コメディアン、 ダニー・ケイを日本語風にしたもの。 The stage name is derived from the name of the American comedian Danny Kaye into English by the wind. 中央大学 中退 。 Chub University dropout. 大学在学時からトロンボーン奏者として各種バンドで活躍していた。 As a trombone player in college from various bands playing. 1956年2月シティ・スリッカーズからクレージーキャッツに参加。 In February 1956, City Slickers from Cats to participate. 「ガチョン」（現在は「ガチョーン」）や「ビローン」、「あんた誰?」といった各種ギャグで不動の人気を獲得。 "Sunrise" (now "GASHING") and "BIRON", "You Who?" Such steadfast in various jokes became popular. トロンボーン奏者・コメディアンとしてだけではなく、俳優としても活躍し、映画『 釣りバカ日誌』シリーズの佐々木役は当たり役である。 Trombone player as a comedian, but also as an actor and is also active in the movie fishing Vacs diary series Sausage role in successful character. ナレーターとしての活動も多い。 As narrator of many activities. 現在クレイジーメンバーで最も露出が多く若年層にも知名度が高い。 Currently CURRYCOMBING most exposed many young people also have a high profile. トロンボーン奏者としての実力は非常に高く、現在も「谷啓とスーパー・マーケット」というバンドを持ち、不定期ながらも音楽活動を行っている。 As a trombone player's ability is very high and is still "Kai valley and Super Market" from the band to do, but music irregular activities. 犬塚弘 （ ベース ） Hiroshima Unusual (bass) 1929年東京大森の生まれ。 Born in 1929 in Tokyo's Emory. 文化学院卒。 Culture College graduate. IBM勤務などを経て、クレージーキャッツに参加。 IBM, and working through the Cats participate. キューバンキャッツ時代から参加していた最古参メンバーである。 Cuba NOUGATS age from participating in the most senior member. 俳優としても評価が高く、現在は舞台を中心に活躍中である。 As an actor also highly evaluated the current stage is to be active in the center. 安田伸 （ テナーサックス ） USDA extender (tenor sax) 1932年東京府東京市 中野区 （現東京都中野区）の生まれ。 1932 Tokyo City palace in Tokyo Nikon (now Tokyo Nuking) was born. 東京芸術大学卒。 Tokyo graduated from the University of the Arts. 石橋エータローらと、バンドで活躍後、1957年9月、石橋エータローの紹介でクレージーに参加。 ATARI Oshkosh said of the band and plays later, in September 1957, Ambush ATARI introduced Crazy participate. サックス奏者以外にも、俳優として映画/舞台などで活躍したが、晩年はガンとの闘病が続いた。 Saxophone player other than, as a movie actor / stage, and is active in the evening of life is the fight against disease and cancer continued. ブリッジしながらサックスを吹き鳴らす荒芸も有名。 Bridge with a saxophone wind storm also made famous. 夫人は竹越美代子。 Mrs. Mayo Ticklish. 愛妻家で知られ、そこから「ミヨコ～」というギャグが生まれたほど。 Devoted husband known, then "MAYO to" gag was born as. 1996年に急性心筋梗塞で死去。 In 1996, acute myocardial infarction died. 石橋エータロー （ ピアノ ） Ambush ATARI (piano) 1930年東京・新橋の生まれ。 Born in 1930 in Tokyo's Gins. 父親は、 作曲家で尺八奏者の福田蘭堂 。 His father was a composer and bamboo flute player Fucked Orchid Hall. 祖父は洋画家の青木繁 。 Oak Traditional painting was his grandfather's house. 東洋音楽大学（現東京音楽大学 ）卒。 Oriental College of Music Education (now Tokyo College of Music). 安田伸らとバンド活動後、1956年に世良譲の紹介でクレージーに参加する。 Shin USDA said the band after the 1956 introduction of concessionary Sea Crazy participate. 1960年に結核で一時離脱。 In 1960 tuberculosis temporary withdrawal. 代わりに、ピアノ奏者として桜井センリが加わる。 Instead, as a piano player to join SENORA Samurai. その後、クレージーに復帰するも、1971年に引退。 Then, Crazy return to the 1971 retirement. 料理研究家に転進、渋谷で「三漁洞」という小料理屋を経営していた。 Cooking expert to change course, Shabby, "three fishing-dong," a small shop run. 1994年に胃ガンのため死去。 In 1994, for the death of stomach cancer. 桜井センリ （ ピアノ ） Sakai SCENARIO (piano) 1924年 （公称は1930年） ロンドンの生まれ。 1924 (rated 1930) was born in London. 早稲田大学第一政治経済学部に学ぶ。 Wasted University is the first to learn of political economics. 植木等らとバンドのピアノ奏者として活躍。 Nurserymen, said the band's success as a piano player. 石橋エータローの結核療養による活動休止のため、クレージーに参加。 Oshkosh TEARY tuberculosis recuperation break from work due to the Crazy participate. 石橋エータロー復帰後もメンバーとして活躍。 Oshkosh ETA return after active as a member. 金鳥の殺虫剤「キンチョール」のCMに出演した際、「ルーチョンキ」のギャグでも好評を博す。 Kim bird insecticide "ONSHORE" commercials appeared when, "CHUNK" gag also popular. コントやCMで披露した「センリばあさん」役は当時一世を風靡した。 Cont and CM showed "SENORA granny" role was predominate. 現在も俳優として活躍中である。 Still active as an actor. * 裸の大将 （1958年、東宝）　クレージーの映画初出演 Chiefs Naked (1958, Tojo Co.) Crazy film debut * 足にさわった女 （1960年、大映） She feet of a woman (1960, Daisi Motion Picture Company) * 腰抜け女兵騒動 （1961年、東宝） Coward woman soldier row (1961, Togo Co.) * 銭形平次・夜のえんま帳 （1961年、大映） Zaniest Hike night sugar grade book (1961, Daisi Motion Picture Company) * スーダラ節・わかっちゃいるけどやめられねェ （1962年、大映） SUDRA clause, but I do not know to do that in NEE (1962, Daisie Motion Picture Company) * クレージーの花嫁と七人の仲間 （1962年、松竹）　グループ初主演 Crazy bride and seven colleagues (1962, Schick) starred in the first group * サラリーマンドント節・気楽な稼業ときたもんだ （1962年、大映） SARAN INTO clause carefree breadwinner and I have (1962, Adieu Motion Picture Company) * ニッポン無責任時代 （1962年、東宝） Nippon irresponsible era (1962, Toho Co.) * 私と私 （1962年、東宝） I and I (1962, Toho Co.) * 夢であいましょう （1962年、東京映画・東宝） Dream Dreams (1962, Toho Co. film Tokyo) * 若い季節 （1962年、東宝） Young seasons (1962, Toho Co.) * ニッポン無責任野郎 （1962年、東宝） Nippon irresponsible bastard (1962, Toho Co.) * ハイハイ三人娘 （1963年、東宝） Crawl three daughters (1963, Toho Co.) * クレージー作戦 先手必勝 （1963年、東宝） Crazy initiative Victory Field (1963, Toho Co.) * 日本一の色男 （1963年、東宝） Japan's lover (1963, Toho Co.) * クレージー作戦・くたばれ!無責任 （1963年・東宝） Crazy ticktock's going! Irresponsibility (1963 Toho Co.) * 香港クレージー作戦 （1963年、東宝） Gong Kong operations Crazy (1963, Tojo Co.) * 日本一のホラ吹き男 Japan's best liar man * 無責任遊侠伝 Irresponsible men遊侠 * ホラ吹き太閤記 Liar Lord Recollections * 花のお江戸の無責任 Flower Ado's irresponsibility * 日本一のゴマすり男 Japan's top man choirboy * 大冒険 Adventure * クレージーの無責任清水港 Crazy irresponsibility of Law * クレージーだよ奇想天外 Crazy Bizarre. * クレージー大作戦 Crazy blitz * クレージーだよ 天下無敵 Crazy unrivaled in the world. * 日本一の男の中の男 Japan's top man in a million * クレージー黄金作戦 Crazy gold operations * クレージーの怪盗ジバコ The Crazy Kaitou JIBAKO * クレージーメキシコ大作戦 KUREJIMEKISHIKO blitz * クレージーの大爆発 Crazy huge explosion * クレージーのぶちゃむくれ大発見 Crazy spotted the discovery YAMUKURE * クレージーの殴り込み清水港 The Crazy For Business * 会社物語 Company story * ミュージック・パラダイス （日本テレビ）　クレージーキャッツ初登場作 Music Paradise (station) Cats debut film * 魅惑の宵 （日本テレビ） Enchanted evening (Nippon Television) * ペトリバラエティー （日本テレビ） PETORIBARAETI (Nippon Television) * 光子の窓 （日本テレビ） Photon window (Nippon Television) * おとなの漫画 （フジテレビ） Adult comics (Fuji TV) * クレージーキャッツショー （フジテレビ） KUREJIKYATTSUSHO (Fuji TV) * 週刊クレージー （フジテレビ） Weekly Crazy (Fuji TV) * 若い季節 （NHK） Young season (NHK) * シャボン玉ホリデー （日本テレビ） Bubble Holiday (Nippon Television) * ヒット・パレード （フジテレビ） Hit Parade (Fuji TV) * 歌まねＸさん （TBS） Song imitating X (TBS) * 歌まねチャンピオン （TBS） Song imitate champion (TBS) * クレージー作戦 （日本テレビ） Crazy operations (Nippon Television) * 7時半だヨクレージー （フジテレビ） 7:30 pm. YOKUREJI (Fuji TV) * 8時だョ!出発進行 Today's 8:00! Aboard * センリばあさんのクレージー大変記 Recollections of a very old woman SENRI Crazy * ハイ、やりました!! Hi, did! ! * おれの番だ! My turn! * クレージーの待ッテマシタ! Crazy TTEMASHITA of waiting! * クレージーの奥さ～ん Crazy in the back and I * 植木等ショー Nurserymen and show * JR東海 東海道新幹線ダイヤ改正 1989年 JR Tokai Tokaido Shinkansen diamond revised 1989 （出演依頼はメンバー全員に対してだったが、植木等は不参加(当時クレイジーキャッツの植木というイメージに嫌気が差していたためだと囁かれている)、また石橋エータローは既に脱退したことから、最終的に5人での出演となった） (Offers are for all members, was a plant and was absent (at the time of Nurserymen KUREIJIKYATTSU image hesitant to shine because it is enclosed), and Ishibashi ETARO leavers have already led to the final in five appearances and became) [ 編集 ] ディスコグラフィ [Edit] Discography コミックソングがほとんど。 Song is almost comic. CDなどでは、植木等や谷啓名義の場合もある。 CD, and in the valley plant, and Kai's name may have. * スーダラ節 （約50万枚を売り上げた）/ こりゃシャクだった SUDARA clause (50 million copies sold) / This is wild chervil. * ドント節 / 五万節（オリジナルヴァージョンは歌詞の一部が問題視され発売禁止になった。その直後に3番と6番の歌詞が変えられて発売。 1995年にオリジナルヴァージョンもCD化され発売された） Dont nodes / 50,000 nodes (ORIJINARUVAJON lyrics are part of that problem by prohibiting the release. Shortly after the third and sixth lyrics were changed in the market. 1995 ORIJINARUVAJON also fixes are released on CD) * 無責任一代男 / ハイそれまでョ A generation irresponsible man / high Until Today * これが男の生きる道 / ショボクレ人生 This is a man's way of living / life SHOBOKURE * いろいろ節 / ホンダラ行進曲（クレージーの最高傑作との呼び声も） Many sections / HONDARA Marsch (Crazy masterpiece and the money) * どうしてこんなにもてるんだろう / ギターは恋人（植木等作詞・作曲のバラード） Why so popular? / Guitar lover (Nurserymen and songwriting Ballard) * 図々しい奴 / 愛してタムレ（谷啓ソロとしては初のシングル） Figure graphic detail / love TAMURE (Kai valley, the first solo single) * クレージーのクリスマス Crazy Christmas * 学生節 / めんどうみたョ Students nodes / I took Growth * 馬鹿は死んでも直らない（余談であるが、イントロの部分はテレビ東京系の情報番組「 出没!アド街ック天国」の名物コーナー「薬丸印の新名物」のBGMとして使われている）/ ホラ吹き節（前奏、間奏、後奏に疑似ステレオ処理が施してある） Insulting the dead and incurable (aside of the introduction part of the TV Tokyo's information system shows "infested! Add city traffic heaven "specialty Corner"薬丸Signs of a new institution "as the background music that is being used) / liar clause (prelude, interlude, postlude to the pseudo-stereo processing is a handout) * あんた誰? / 天下の若者（谷啓ソロ第2弾シングル） Who you? / Young people in the world (second round valley Kai solo single) * だまって俺について来い （ 2001年には天童よしみによってカヴァーされたものが、「 こちら葛飾区亀有公園前派出所」のテーマソングとして使われた） / 無責任数え歌 I told the silent about (2001, Yoshimi Tendo-cover by the "more Katsushika Kameari Park police box" as a theme song used) / irresponsible数E歌 * ゴマスリ行進曲 / 悲しきわがこころ（クレージーキャッツの全員の単独パートがある曲） Goma Sri march / Sad my mind (Cats of all parts of a single song) * ヘンチョコチンなヘンテコリンな娘 / 小指ちゃん（谷啓ソロ第3弾） HENCHOKOCHIN a few girl / her little finger (valley Kai solo third edition) * 遺憾に存じます（寺内タケシとブルー・ジーンズが参加） / 大冒険マーチ Our regret (Takeshi Terauchi and blue jeans to participate) / adventure March * あんたなんか（ 園まりと植木のデュエット） I do not (garden and plant the ball duet) * 何が何だかわからないのよ / シビレ節（3番の歌詞の一部に問題があり放送禁止(局によっては要注意曲)になった。長らくベスト盤等には問題箇所を編集したものを収録されてきたが、現在発売されているベスト盤ではオリジナル音源が収録） What is what you do not know / Sibi Les Day (the third of the lyrics of some of the problems with broadcasting ban (by the Bureau of caution songs). Long-best performances of the problems to edit what has been recorded, but it is currently being released Best album of original recordings are included) * プンプン野郎（谷啓） / 虹を渡ってきた男 Stink bastard (Kai valley) / rainbow across the man * それはないでショ / 笑えピエロ（植木得意のバラードで、1990年にもリバイバル） It's not in Shope / Laugh Piero (Nurserymen's favorite ballads, in 1990 and Revival) * ウンジャラゲ（ 1988年に志村けんによってリメイクされたのも有名） UNJARAGE (1988 Ken Shimura by Li makeup was also known) * アッと驚く為五郎（「萩原哲晶ヴァージョン」も存在する） Stunning為五郎( "Akira Hagiwara crystal version" also exists) * これで日本も安心だ / スーダラ節'79 This reassurance that Japan / SUDARA clause'79 * 実年行進曲 / *新・五万節（前述の五万節のニューバージョン） March実年/ * Five million new clause (mentioned above five million new version of clause) * おらぁグズラだど （同名アニメの主題歌。谷啓名義） My GUZURA you bang it (the same name cartoon theme song. Valley Kai name) * Still Crazy For You （2006年4月12日発売、松任谷由実とのコラボレーション曲。亡きメンバーたちのパートは、それぞれのサンプル音源を使用した。フジテレビ系「 ウチくる!? 」エンディング・テーマ） Still Crazy For You (April 12, 2006 release, Yumi Matsutouya and collaboration songs. Deceased members of the part-timers, each sample source to use. Fuji TV series "The fact! ? "Ending theme) など多数 Many [ 編集 ] 主な共演者 [Edit] main costar * ザ・ピーナッツ The Peanuts [ 編集 ] 参考文献 References [edit] * 「ハナ肇とクレージーキャッツ物語」著：山下勝利、 朝日新聞社 "Cats and Hajime Hana story" marked: Yamashita victory, Asahi Shimbun * 「あっと驚くリーダー論」著：ハナ肇、 主婦と生活社 "Zinger leader theory" marked: Hajime Hana, Navy Hajime Hana Date of Birth: 9 February 1930, Tokyo, Japan more Date of Death: 10 August 1993 Seismography 1. Private Lessons II (1993) 2. Sh (Less)
2004 Siren song of the counter culture Beatles Tribute You love this music Paul McCartney, Ringo Starr, George Harrison, and John Lennon Beatles (More) You love this music Paul McCartney, Ringo Starr, George Harrison, and John Lennon Beatles Soundtrack (partials) 0:00 - 0:13 Twist & Shout 0:14 - 0:29 I Feel Fine 0:29 - 0:41 We Can Work It Out 0:41 - 0:54 I Wanna Hold Your Hand 0:54 - 1:10 Love Me Do 1:10 - 1:21 She Loves You 1:21 - 1:39 Yes It Is 1:40 - 1:55 I Will 1:56 - 2:20 All My Loving 2:20 - 2:44 Birthday 2:45 - 3:10 Lucy in the Sky 3:10 - 3:26 Sgt. Pepper 3:26 - 3:42 I Am the Walrus 3:42 - 3:57 Magical Mystery Tour 3:57 - 4:13 Yes it Is (again) 4:13 - 4:24 She Loves You (again) 4:24 - 4:44 Ticket to Ride 4:44 - 5:05 Paperback Writer 5:05 - 5:30 Hey Jude 5:30 - 5:52 Get Back 5:53 - 6:02 I need help here, no idea what this one is 6:02 - 6:29 Ob La Di Ob La Da [ above is courtesy of HappyDaze01. Thx HaDz01"!] Origin Liverpool, England Rock/Pop - Years active 1960--1970 Parlophone, Capitol, Apple, Vee-Jay, Polydor, Swan, Tollie Related to Tony Sheridan, The Quarrymen, The Plastic Ono Band, The Dirty Mac, Wings, Traveling Wilburys, Rory Storm and the Hurricanes, Ringo Starr All-Starr Band, Billy Preston Members - Ever to Date John Lennon Paul McCartney George Harrison Ringo Starr Former members Stuart Sutcliffe Pete Best The Beatles were an English rock band from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are the most commercially successful and critically acclaimed band in the history of popular music. The Beatles are the best-selling musical act of all time in the United States of America, according to the Recording Industry Association of America, which certified them as the highest selling band of all time based on American sales of singles and albums. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one. This commercial success was repeated in many other countries: their record company, EMI, estimated that by 1985 they had sold over one billion discs and tapes worldwide. In 2004, Rolling Stone Magazine ranked The Beatles #1 on their list of 100 Greatest Artists of All Time. According to that same magazine, their innovative music and cultural impact helped define the 1960s,[2] and their influence on pop culture can still be felt today. The Beatles led the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. 1957--1960: Formation The Quarrymen In March 1957, John Lennon formed a skiffle group called The Quarrymen whilst attending Quarry Bank Grammar School in Liverpool.[6] Lennon and the Quarrymen met guitarist Paul McCartney at the Woolton Garden Fête held at St. Peter's Church on 6 July 1957.[7] On 6 February 1958, the young guitarist George Harrison was invited to watch the group (who played under a variety of names) at Wilson Hall, Garston, Liverpool.[8] McCartney had become acquainted with Harrison on the morning school bus ride to the Liverpool Institute, as they both lived in Speke. At McCartney's insistence, Harrison joined the Quarrymen as lead guitarist[9] after a rehearsal in March 1958, overcoming Lennon's initial reluctance because of Harrison's young age.[10] Members continually joined and left the lineup during that period, and in January 1960 Lennon's art school friend Stuart Sutcliffe joined on bass.[11] Lennon and McCartney both played rhythm guitar and the group had a high turnover of drummers. The Quarrymen went through a progression of names — "Johnny and the Moondogs", "Long John and the Beatles", "the Silver Beetles" (derived from Larry Parnes' suggestion of "Long John and the Silver Beetles") — before settling on "The Beatles". There are many theories as to the origin of the name and its unusual spelling. It is usually credited to Lennon, who said that the name was a combination word-play on the insects "beetles" (as a reference to Buddy Holly's band, the Crickets) and the word "beat". Cynthia Lennon suggests that Lennon came up with the name Beatles at a "brainstorming session over a beer-soaked table in the Renshaw Hall bar."[12] Lennon, who was well known for giving multiple versions of the same story joked in a 1961 Mersey Beat magazine article that "It came in a vision — a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an A'".[13] During an interview in 2001, Paul McCartney took credit for the peculiar spelling of the name, saying that "John had the idea of calling us the Beetles, I said, 'how about the Beatles; you know, like the beat of the drum?' At the time, everyone was stoned enough to find it hilarious. It's funny how history is made." [14] In May 1960 The Beatles toured northeast Scotland as a back-up band with singer Johnny Gentle.[15] They met Gentle an hour before their first gig, and McCartney referred to the tour as a great experience for the band.[16] For the tour the often drummerless group secured the services of Tommy Moore, who was considerably older than the others.[17] Soon after the tour, however, feeling the age gap was too great Moore left the band and went back to work in a bottling factory as a fork-lift truck driver.[18] Norman Chapman was the band's next drummer, but was called up for National Service in a few weeks. His departure posed a significant problem as the group's unofficial manager, Allan Williams, had arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany.[19] 1960--1970: The Beatles Hamburg On 15 August 1960, McCartney invited Pete Best to become the group's permanent drummer. He had watched Best play with the Blackjacks[20] in the Casbah Club, owned by Pete's mother, Mona Best. This was a cellar club in West Derby, Liverpool, where The Beatles had played and often visited.[21] In the documentary The Compleat Beatles, Williams said that Best "played not too cleverly, but passable." The Beatles started playing in Hamburg at the Indra and Kaiserkeller bars. They were required to play six or seven hours a night, seven nights a week. Shortly after they began performing at a new venue, the "Top Ten Club",[22] Harrison was deported for having lied to the German authorities about his age.[23] A week later, having started a small fire at their living quarters while vacating it for more luxurious rooms, McCartney and Best were arrested, charged with arson, and deported.[24] Lennon followed the others to Liverpool in mid-December. The reunited Beatles played their first engagement on 17 December 1960 at the Casbah Club and returned to Hamburg in April 1961. Whilst playing at the Top Ten Club they were recruited by singer Tony Sheridan to act as his backing band on a series of recordings for the German Polydor Records label,[25] produced by famed bandleader Bert Kaempfert.[19] Kaempfert signed the group to its own Polydor contract at the first session on 22 June 1961. On 31 October Polydor released the recording "My Bonnie (Mein Herz ist bei dir nur)", which appeared on the German charts under the name "Tony Sheridan and the Beat Brothers", a generic name used for whoever happened to be in Sheridan's backup band.[26] In addition to the legend that this record led to the group's eventual meeting with Brian Epstein, it also resulted in their first mention in the American press. Around the beginning of 1962, Cashbox mentioned "My Bonnie" as the debut of a "new rock and roll team, Tony Sheridan and the Beat Brothers". A few copies were also pressed under the Decca label for U.S. disc jockeys, as American Decca had a distribution deal with Polydor parent Deutsche Grammophon.[27] (This was ironic, considering that by this time the then-unaffiliated British Decca had turned down the group's attempt to gain a recording contract.) When the group returned to Liverpool, Sutcliffe stayed on in Hamburg with his new German fiancee Astrid Kirchherr, [28] and McCartney took over bass duties.[29] Their third stay in Hamburg was from 13 April to 31 May 1962, when they opened The Star Club.[19] Upon their arrival they were informed of Sutcliffe's death from a brain haemorrhage.[30] Epstein took over as the group's manager in January 1962 and led The Beatles' quest for a British recording contract. Epstein had been manager of the record department at North End Music Store (NEMS), an offshoot of his family's furniture store. He played on the status of NEMS as a major record dealer to gain access to producers and recording company executives. In a now-famous exchange, Decca Records A&R executive Dick Rowe turned Epstein down flat, informing him that "Guitar groups are on the way out, Mr. Epstein."[31] While Epstein was negotiating with Decca, he also approached EMI marketing executive Ron White.[32] White (who was not himself a record producer) in turn contacted EMI producers Norrie Paramor, Walter Ridley, and Norman Newell, all of whom declined to record The Beatles.[33] White did not approach EMI's fourth staff producer — George Martin — who was on holiday at the time.[34] Record contract After failing to impress Decca Records, Epstein went to the HMV store on Oxford Street in London to transfer the Decca tapes to discs. There, recording engineer Jim Foy referred him to Sid Coleman, who ran EMI's publishing arm. When Coleman heard the demo tapes he suggested taking the tapes to George Martin, who, Coleman explained, "does comedy records" and headed the Parlophone label at EMI. Epstein eventually met with Martin, who signed the group to EMI on a one-year renewable contract and scheduled their first recording session on 6 June at EMI's Abbey Road studios in north London.[35] Martin had not been particularly impressed by the band's demo recordings,[36] but he instantly liked them as people when he met them. He concluded that they had raw musical talent, but said (in later interviews) that what made the difference for him was their wit and humour.[37] Martin did have a problem with Pete Best, [36] whom he criticised for not being able to keep time. He privately suggested to Epstein that the band use another drummer in the studio. Best was good-looking and popular with the group's fans, but the three founding members had become increasingly unhappy with his drumming and his personality.[citation needed] There was speculation by some that Best's popularity[38] with fans was another source of friction. In addition, Epstein had become exasperated with his refusal to adopt the distinctive hairstyle as part of their unified look. Best also had missed a number of engagements because of illness. The three founding members enlisted Epstein to dismiss Best - which he did on 16 August 1962.[39] They asked Ringo Starr (born Richard Starkey), the drummer for one of the top Merseybeat groups, Rory Storm and the Hurricanes, to join the band, as Starr had performed occasionally with The Beatles in Hamburg.[40] The first recordings of Lennon, McCartney, Harrison, and Starr together were made as early as 15 October 1960, in a series of demonstration records privately recorded in Hamburg while acting as the backing group for singer Lu Walters.[41] Starr played on The Beatles' second EMI recording session on 4 September 1962, but Martin hired session drummer Andy White for their next session on 11 September.[42] Their recording contract paid them one penny for each single sold, which was split amongst the four Beatles — one farthing per group member.[43] This royalty rate was further reduced for singles sold outside the UK, on which they received half of one penny (again split between the whole band) per single. Martin said later that it was a "pretty awful" contract.[43] Their publishing contract with Dick James Music (DJM) was also standard for the time: songwriters received the statutory minimum of 50% of the gross monies received, with the publisher retaining the other 50%.[citation needed] The Beatles' first EMI session on 6 June did not yield any releasable recordings but the September sessions produced a minor UK hit, "Love Me Do", which peaked on the charts at number 17.[44] ("Love Me Do" reached the top of the U.S. singles chart over 18 months later in May 1964.) On 26 November they recorded their second single "Please Please Me", which reached no. 2 in the official UK charts and no. 1 in the NME chart. Three months later they recorded their first album (also titled Please Please Me). The band's first televised performance was on the People and Places programme transmitted live from Manchester by Granada Television on 17 October 1962.[45] As The Beatles' fame spread, the frenzied adulation of the group, predominantly from teenage female fans, was dubbed 'Beatlemania'. In November 1963 The Beatles appeared on the Royal Variety Performance and were photographed with Marlene Dietrich, who also appeared on the show.[citation needed] America Although the band experienced huge popularity in the UK record charts from early 1963, EMI's American operation, Capitol Records, declined to issue the singles "Please Please Me" and "From Me to You (their first official no. 1 hit in the UK)".[46] Vee-Jay Records, a small Chicago label, issued the singles as part of a deal for the rights to another performer's masters. Art Roberts, music director of Chicago powerhouse radio station WLS, placed "Please Please Me" into radio rotation in late February 1963 making it the first time a Beatles record was heard on American radio. Vee-Jay's rights to The Beatles were later cancelled for non-payment of royalties.[47] In August 1963, Philadelphia-based Swan Records released "She Loves You", which also failed to receive airplay. A testing of the song on Dick Clark's TV show American Bandstand produced laughter from American teenagers when they saw the group's distinctive hairstyles. New York disc jockey Murray the K featured "She Loves You" on his '1010 WINS record revue' show in January.[48] In early November 1963, Brian Epstein persuaded Ed Sullivan to present The Beatles on three editions of his show in February, and parlayed this guaranteed exposure into a record deal with Capitol Records. Capitol committed to a mid-January release for "I Want to Hold Your Hand",[49] On 7 December 1963 a clip of The Beatles was shown on the CBS Evening News (the story originally had been scheduled to air on 22 November and was aired on the CBS Morning News but was pre-empted by the assassination of John F. Kennedy). The clip inspired a teenage girl in Washington, D.C. to request a Beatles song on a local radio station. The station secured an imported copy of "I Want to Hold Your Hand" — forcing Capitol Records to release the song ahead of schedule on 26 December. Several New York radio stations — first WMCA, then WINS (AM) and WABC — began playing "I Want to Hold Your Hand" on its release day. The Beatlemania that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days, and by 16 January, Cashbox magazine had certified the record number one (in the edition marked 23 January). On 3 January 1964 a film of The Beatles performing "She Loves You" was aired on the late-night Jack Paar Show. Beatlemania crosses the Atlantic On 7 February 1964, a crowd of four thousand fans at Heathrow Airport waved to The Beatles as they took off for their first trip to America as a group.[51] They were accompanied by photographers, journalists (including Maureen Cleave) and Phil Spector, who had booked himself on the same flight.[52] The pilot had radioed ahead, and as they prepared to land said, "Tell the boys there's a big crowd waiting for them." Kennedy International Airport had never experienced such a crowd, estimated at about 3,000 screaming fans.[53] After a press conference (where they first met Murray the K) they were put into limousines and driven to New York. On the way McCartney turned on a radio and listened to a running commentary: "They [The Beatles] have just left the airport and are coming to New York City..."[54] After reaching the Plaza Hotel, they were besieged by fans and reporters. Harrison had a temperature of 102 the next day and was ordered to stay in bed, so Neil Aspinall replaced him for the first television rehearsal.[55] Their first live American television appearance was on the The Ed Sullivan Show on 9 February 1964. The next morning practically every newspaper wrote that The Beatles were nothing more than a "fad", and "could not carry a tune across the Atlantic".[56] Their first American concert appearance was at Washington Coliseum in Washington, D.C. on 11 February.[57] After The Beatles' huge success in 1964, Vee-Jay Records and Swan Records took advantage of their previously secured rights to The Beatles' early recordings and reissued the songs, all of which reached the top ten the second time around. (MGM and Atco also secured rights to The Beatles' early Tony Sheridan-era recordings and had minor hits with "My Bonnie" and "Ain't She Sweet", the latter featuring John Lennon on lead vocal.) In addition to Introducing... The Beatles, which was essentially The Beatles' debut British album with some minor alterations, Vee-Jay also issued an unusual LP called The Beatles Vs The Four Seasons. This 2-LP set paired Introducing... The Beatles and The Golden Hits Of The Four Seasons, another successful act that Vee-Jay had under contract, in a 'contest' (the back cover featured a 'score card'). Another unusual release was the Hear The Beatles Tell All album, which consisted of two lengthy interviews with Los Angeles radio disc jockeys (side one was titled "Dave Hull interviews John Lennon," while side two was titled "Jim Steck interviews John, Paul, George, Ringo"). No Beatles music was included on this interview album, which turned out to be the only Vee Jay Beatles album Capitol Records could not reclaim. The Vee-Jay/Swan-issued recordings eventually ended up with Capitol, who issued most of the Vee-Jay material on the American-only Capitol release The Early Beatles, with three songs left off this final US version of the album. ("I Saw Her Standing There" was issued as the American B-side of "I Want to Hold Your Hand," and also appeared on the Capitol Records album Meet The Beatles. "Misery" and "There's a Place" were issued as a Capitol "Starline" reissue single in 1964, and reappeared on the 1980 Rarities compilation album.) The early Vee-Jay and Swan Beatles records command a high price on the record collectors' market, and all have been copiously bootlegged.[58] The Swan tracks ("She Loves You" and "I'll Get You") were issued on the Capitol LP The Beatles' Second Album. (Swan also issued the German-language version of "She Loves You," called "Sie Liebt Dich." This song later appeared (in stereo) on Capitol's US version of the Rarities compilation album.) In mid-1964 the band undertook their first appearances outside of Europe and North America. They toured Australia and New Zealand without Ringo Starr, who was ill and temporarily replaced by session drummer Jimmy Nicol. In Adelaide they were greeted by over 300,000 people who turned out at Adelaide Town Hall.[59] In June 1965, Her Majesty Queen Elizabeth II appointed the four Beatles Members of the Order of the British Empire, MBE. The band members were nominated by Prime Minister Harold Wilson (who also was the M.P. for Huyton, Liverpool).[60] The appointment — at that time primarily bestowed upon military veterans and civic leaders — sparked some conservative MBE recipients to return their insignia in protest.[61] The first two were returned on 14 June, before The Beatles received theirs on 26 October 1965.[62] On 15 August that year, The Beatles performed the first stadium concert in the history of rock, playing at Shea Stadium in New York to a crowd of 55,600.[63] Their sixth album, Rubber Soul, was released in early December 1965. It was hailed as a major leap forward in the maturity and complexity of the band's music.[64] Backlash and controversy In July 1966, when The Beatles toured the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace.[65] When presented with the invitation, Brian Epstein politely declined on behalf of the group, as it had never been the group's policy to accept such "official" invitations.[66] The group soon found that the Marcos regime was unaccustomed to accepting "no" for an answer. After the 'snub' was broadcast on Philippine television and radio, all of The Beatles' police protection disappeared. The group and their entourage had to make their way to Manila airport on their own. At the airport, roadie Mal Evans was beaten and kicked, and the band members were pushed and jostled about by a hostile crowd.[67] Once the group boarded the plane, Epstein and Evans were ordered off, and Evans said, "Tell my wife that I love her."[68] Epstein was forced to give back all the money that the band had earned while they were there before being allowed back on the plane.[69] Almost as soon as they returned from the Philippines, an earlier comment by Lennon made in March that year launched a backlash against The Beatles from religious and social conservatives in the United States. In an interview with British reporter Maureen Cleave,[70] Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now."[71] Afterwards, a radio station in Birmingham, Alabama, ran a story on burning Beatles records, in what was considered to be a joke. However, many people affiliated with rural churches in the American South started taking the suggestion seriously. Towns across the United States and South Africa started to burn Beatles records in protest. Attempting to make light of the incident, McCartney said, "They've got to buy them before they can burn them." Under tremendous pressure from the American media, Lennon apologised for his remarks at a press conference in Chicago on August 11, the eve of the first performance of what turned out to be their final tour.[72] The group's two-year series of Capitol compilations also took a strange twist in the United States when one of their publicity shots, used for a Yesterday and Today album and a poster promoting the UK release of "Paperback Writer", created an uproar, as it featured the band draped in meat and plastic dolls. Thousands of these copies had to be withdrawn. Years later, the cover shot was linked with the group's interest in German expressionism.[72] Elvis Presley disapproved of The Beatles's anti-war activism and open use of drugs, later asking President Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "The Beatles, Elvis said, [...] had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling."[73] Guralnick adds, "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s."[74] Despite Elvis' remarks, Lennon still had some positive feeling towards him: "Before Elvis, there was nothing."[75] The studio years The Beatles at their last concert, Candlestick Park.In April 1966, the group began recording what would be their most ambitious album to date, Revolver. During the recording sessions for the album, tape looping and early sampling were introduced in a complex mix of ballad, R&B, soul and world music. The Beatles performed their last concert before paying fans at Candlestick Park in San Francisco on 29 August 1966.[72] McCartney asked Tony Barrow to tape the event, but the 30-minute tape he used ran out halfway through the last song. The concert lasted a little under 35 minutes.[76] From then on, The Beatles concentrated on recording. Less than seven months after recording Revolver, The Beatles returned to Abbey Road Studios on 24 November 1966 to begin the 129-day recording sessions for their eighth album, Sgt. Pepper's Lonely Hearts Club Band, released on 1 June 1967. On 25 June 1967, The Beatles became the first band globally transmitted on television—before an estimated 400 million people worldwide. The band appeared in a segment within the first-ever worldwide TV satellite hook-up, a show titled Our World. The Beatles were transmitted live from Abbey Road Studios, and their new song "All You Need Is Love" was recorded live during the show. The band's business affairs began to unravel after manager Brian Epstein died of an accidental prescription drug overdose on 27 August 1967 at the age of 32. At the end of 1967, they received their first major negative press in the UK with disparaging reviews of their surrealistic TV film Magical Mystery Tour.[77] Part of the criticism arose because colour was an integral part of the film, but in 1967 few viewers in the UK had colour televisions. The film's soundtrack, which features one of The Beatles' few instrumental tracks ("Flying"), was released in the United Kingdom as a double EP, and in the United States as a full LP (the LP is now the official version). The group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation with the Maharishi Mahesh Yogi.[78] Upon their return, Lennon and McCartney went to New York to announce the formation of Apple Corps. The middle of 1968 saw the band busy recording the double album The Beatles, popularly known as The White Album because of its plain white cover. These sessions saw deep divisions opening within the band, with Starr temporarily walking out. The band carried on, with McCartney recording the drums on the songs "Martha My Dear", "Wild Honey Pie", "Dear Prudence" and "Back in the USSR". Among the other causes of dissension were that Lennon's new girlfriend, Yoko Ono, was at his side through almost all of the sessions, and that the others felt that McCartney was becoming too dominating.[79] Internal divisions within the band had been a small but growing problem during their early years; most notably, this was reflected in the difficulty that George Harrison experienced in getting his own songs onto Beatles albums. On the business side, McCartney wanted Lee Eastman, the father of his then-girlfriend Linda Eastman, to manage The Beatles, but the other members wanted New York manager Allen Klein. All past Beatles' decisions had been unanimous, but this time the four could not agree. Lennon, Harrison and Starr felt the Eastmans would put McCartney's interests before those of the group. In 1971 it was discovered that Klein, who had been appointed manager, had stolen £5 million from The Beatles' holdings. Years later, during the Anthology interviews, McCartney said of this time, "Looking back, I can understand why they would feel that he [Lee Eastman] was biased against them." Their final live performance was on the rooftop of the Apple building in Savile Row, London, on 30 January 1969, the next-to-last day of the difficult Get Back sessions. Most of the performance was filmed and later included in the film Let It Be. While the band was playing, the local police were called because of complaints about the noise. Although the group was simply asked to end their performance, the band members later remarked in the Anthology video that they were disappointed they were not arrested — pointing out that the police hauling the band members off in handcuffs would have been "an appropriate ending" for the film. The Beatles recorded their final album, Abbey Road, in the summer of 1969. The completion of the song "I Want You (She's So Heavy)" for the album on 20 August was the last time all four Beatles were together in the same studio. Their final new song was Harrison's "I Me Mine", recorded 3 January 1970 and released on the Let It Be album. It was recorded without Lennon, who was in Denmark when the song was recorded.[80] Breakup John Lennon announced his departure to the rest of the group on 20 September 1969 but agreed that no announcement was to be publicly made until a number of legal matters were resolved. In March 1970 the Get Back session tapes were given to American producer Phil Spector, who had produced Lennon's solo single "Instant Karma!". Spector's "Wall of Sound" production values went against the original intent of the record, which had been to record a stripped-down live performance. McCartney was deeply dissatisfied with Spector's treatment of "The Long and Winding Road", and unsuccessfully attempted to halt release of Spector's version of the song. McCartney publicly announced the break-up on 10 April 1970, a week before releasing his first solo album, McCartney. Pre-release copies included a press release with a self-written interview explaining the end of The Beatles and his hopes for the future.[81] On 8 May 1970, the Spector-produced version of Get Back was released as Let It Be, followed by the documentary film of the same name. The Beatles' partnership was finally dissolved in 1975.[82] 1970--present: After The Beatles Ringo Starr, 1968 Shortly before and after the official dissolution of the group, all four Beatles released solo albums, including Lennon's John Lennon/Plastic Ono Band, McCartney's McCartney, Starr's Sentimental Journey, and Harrison's All Things Must Pass. Some of their albums featured contributions by other former Beatles; Starr's Ringo (1973) was the only one to include compositions and performances by all four, albeit on separate songs. Other than an unreleased jam session in 1974 (later bootlegged as A Toot and a Snore in '74), Lennon and McCartney never recorded together again. In the wake of the expiration in 1975 of The Beatles' contract with EMI-Capitol, the American Capitol label, rushing to cash in on its vast Beatles holdings and freed from the group's creative control, released five LPs: Rock 'n' Roll Music (a compilation of their more uptempo numbers), The Beatles at the Hollywood Bowl (containing portions of two unreleased shows at the Hollywood Bowl), Love Songs (a compilation of their slower numbers), Rarities (a compilation of tracks that either had never been released in the U.S. or had gone out of print), and Reel Music (a compilation of songs from their films). There was also a non-Capitol-EMI release of a show from the group's early days at the Star Club in Hamburg captured on a poor-quality tape. Of all these post-breakup LPs, only the Hollywood Bowl LP had the approval of the group members. Upon the American release of the original British CDs in 1986, these post-breakup Capitol American compilation LPs were deleted from the Capitol catalogue. John Lennon was shot and killed by Mark David Chapman on 8 December 1980 in New York City. Shortly afterward, in 1981, the three surviving Beatles reunited to record "All Those Years Ago", released as a George Harrison solo single. Its original lyrics had been rewritten as a tribute to Lennon. The BBC has a large collection of Beatles recordings, mostly comprising original studio sessions from 1963 to 1968. Much of this material formed the basis for a 1988 radio documentary series The Beeb's Lost Beatles Tapes. In 1989, many outtakes from The Beatles sessions appeared on the radio series The Lost Lennon Tapes. Later, in 1994, the best of the BBC sessions were given an official EMI release on Live at the BBC. In 1988 The Beatles were inducted into the Rock and Roll Hall of Fame as a group (not as individual performers) during their first year of eligibility.[83] On the night of their induction, Harrison and Starr appeared to accept their award along with Lennon's widow Yoko Ono and his two sons. McCartney stayed away, issuing a press release citing "unresolved difficulties" with Harrison, Starr, and Lennon's estate. Solo Beatles later inducted were Lennon in 1994, McCartney in 1999 and Harrison in 2004. Collage of the various covers of the Anthology seriesIn February 1994, the three surviving Beatles reunited to produce and record additional music for a few of Lennon's home recordings. "Free as a Bird" premiered as part of The Beatles Anthology series of television documentaries and was released as a single in December 1995, with "Real Love" following in March 1996. These songs were also included in the three Anthology collections of CDs released in 1995 and 1996, each of which consisted of two CDs of never-before-released Beatles material. Klaus Voormann, who had known The Beatles since their Hamburg days and had previously illustrated the Revolver album cover, directed the Anthology cover concept. 450,000 copies of Anthology 1 were sold on its first day of release. In 2000, a compilation album named 1 was released, containing almost every number-one single released by the band from 1962 to 1970. The collection sold 3.6 million copies in its first week (selling 3 copies a second) and more than 12 million in three weeks worldwide. The collection also reached number one in the United States and 33 other countries and had sold 25 million copies by 2005 (about the ninth best selling album of all time). George Harrison during this time showed his socio-political consciousness and earned respect for his contribution for arranging the Concert For Bangladesh in New York in August 1971 along with sitar maestro Ravi Shankar. Harrison died of lung cancer on 29 November 2001. More recently, in 2006, George Martin and his son Giles Martin remixed original Beatles recordings to create a soundtrack to accompany Cirque du Soleil's theatrical production Love. Musical evolution The Beatles' constant demands to create new sounds on every new recording, combined with George Martin's arranging abilities and the studio expertise of EMI staff engineers such as Norman Smith, Ken Townshend and Geoff Emerick, all played significant parts in the innovative sounds of the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967). The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries. Among those influences were Bob Dylan, who influenced songs such as "You've Got to Hide Your Love Away" and "Norwegian Wood (This Bird Has Flown)".[84] Other contemporary influences included the Byrds and the Beach Boys, whose album Pet Sounds was a favourite of McCartney's.[85] Along with studio tricks such as sound effects, unconventional microphone placements, tape loops, double tracking and vari-speed recording, The Beatles began to augment their recordings with instruments that were unconventional for rock music at the time. These included string and brass ensembles as well as Indian instruments such as the sitar as in Norwegian Wood (This Bird Has Flown) and the swarmandel as in Strawberry Fields Forever. They also used early electronic instruments such as the Mellotron, with which McCartney supplied the flute voices on the intro to "Strawberry Fields Forever", and the ondioline, an electronic keyboard that created the unusual oboe-like sound on "Baby You're a Rich Man". Beginning with the use of a string quartet (arranged by George Martin with input from McCartney) on "Yesterday" in 1965, The Beatles pioneered a modern form of art song, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966), "Here, There and Everywhere" (1966) and "She's Leaving Home" (1967). A televised performance of Bach's Brandenburg Concerto No. 2 directly inspired McCartney's use of a piccolo trumpet on the arrangement of "Penny Lane". The Beatles moved towards psychedelia with "Rain" and "Tomorrow Never Knows" from 1966, and "Lucy in the Sky with Diamonds", "Strawberry Fields Forever" and "I Am the Walrus" from 1967. Influence on popular culture Lifestyle The Beatles' lifestyles were greatly altered by their success and the income they earned. The availability of the first oral contraceptive and illegal drugs changed many people's opinions — including The Beatles' — about life, marriage, and sexual relationships.[86] Recreational drug use In Hamburg, The Beatles used "prellies" (Preludin) both recreationally and to maintain their energy through all-night performances.[87] McCartney would usually take one, but Lennon would often take four or five.[87] Bob Dylan introduced them to cannabis during a 1964 visit to New York.[88] McCartney remembered them all getting "very high" and giggling.[89] The Beatles occasionally smoked a spliff in the car on the way to the studio during the filming of Help!, which often made them forget their lines.[90] In April 1965, Lennon and Harrison were introduced to LSD by an acquaintance, dentist John Riley.[91] Lennon in particular became an avid "tripper", claiming in a 1970 interview in Rolling Stone to have taken LSD hundreds of times. McCartney was more reluctant to try the drug, but finally did so in 1966 and was the first Beatle to talk about it in the press. The Beatles added their names to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma, and was signed by 65 people, including Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[92] On a sailing trip to Greece, in 1967, the whole band sat around on the boat and took acid.[93] Meditation On 24 August 1967, The Beatles met the Maharishi Mahesh Yogi at the London Hilton, and a few days later went to Bangor, in North Wales, to attend a weekend 'initiation' conference.[94] There, the Maharishi gave each of them a mantra.[95] Their time in early 1968 at the Maharishi's ashram in India was highly productive from a musical standpoint, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by Lennon, McCartney, and Harrison.[78] Discography Further information: List of Beatles songs by singer, The Beatles record sales, worldwide charts, The Beatles bootlegs, and List of Beatles hit singles Official CD catalogue In 1987, EMI released all 12 of The Beatles' studio albums — as originally released in the UK — on CD worldwide. (North American releases were on EMI's American subsidiary Capitol Records). It was a considered decision by Apple Corps to standardise The Beatles catalogue throughout the world. Because there were tracks that had been released in the UK on singles and EPs that had not been released on the original UK albums, in order for all their recordings to be available on CD it was necessary to create three further CDs that would contain the missing tracks. One CD was of a 1967 US compilation album that featured the 6-track 1967 UK EP Magical Mystery Tour and the various singles released in that year. The other two CDs were new compilations that gathered together all the other singles, EP tracks and recordings from 1962--1970 that had not been issued on the original British studio albums. Magical Mystery Tour - 8 August 1987[96] Past Masters, Volume One - 7 March 1988 Past Masters, Volume Two - 7 March 1988 According to EMI and the Guinness Book of Records, The Beatles have sold in excess of one billion units (1,010,000,000, including cassettes, records, CDs and bootlegs). Beginning in 2004, the US album configurations were released as a series of box sets from Capitol Records (The Capitol Albums, Volume 1 & Volume 2); these included both stereo and mono versions based on the mixes that were prepared for vinyl at the time of their original 1960s releases. Song catalogue In 1963 Lennon and McCartney agreed to assign their song publishing rights to Northern Songs, a company created by music publisher Dick James. The company was administered by James' own company Dick James Music. Northern Songs went public in 1965, with Lennon and McCartney each holding 15% of the company's shares whilst Dick James and the company's chairman, Charles Silver, held a controlling 37.5%. In 1969, following a failed attempt by Lennon and McCartney to buy the company, James and Silver sold Northern Songs to British TV company Associated TeleVision (ATV), from which Lennon and McCartney received stock. In 1985, after a short period in which the parent company was owned by Australian business magnate Robert Holmes à Court, ATV Music was sold to Michael Jackson for a reported $47 million (trumping a joint bid by McCartney and Yoko Ono), including the publishing rights to over 200 songs composed by Lennon and McCartney. A decade later Jackson and Sony merged its music publishing businesses. Since 1995, Jackson and Sony/ATV Music Publishing have jointly owned most of the Lennon-McCartney songs recorded by The Beatles. Sony later reported that Jackson had used his share of their co-owned Beatles' catalogue as collateral for a loan from the music company. Meanwhile, Lennon's estate and McCartney still receive their respective songwriter shares of the royalties. (Despite his ownership of most of the Lennon-McCartney publishing, Jackson has only recorded one Lennon-McCartney composition himself, "Come Together" which was featured in his film Moonwalker.) Although the Jackson-Sony catalogue includes most of The Beatles' greatest hits, four of their earliest songs had been published by one of EMI's publishing companies prior to Lennon and McCartney signing with Dick James — and McCartney later succeeded in personally acquiring the publishing rights to "Love Me Do", "Please Please Me", "P.S. I Love You" and "Ask Me Why" from EMI. Harrison and Starr did not renew their songwriting contracts with Northern Songs in 1968, signing with Apple Publishing instead. Harrison later created Harrisongs, his own company which still owns the rights to his post-1967 songs such as "While My Guitar Gently Weeps" and "Something". Starr also created his own company, called Startling Music. It holds the rights to his two post-1967 songs recorded by The Beatles, "Don't Pass Me By" and "Octopus's Garden". The future of The Beatles catalogue The Beatles are but a few of the major artists (aside from Led Zeppelin and Garth Brooks) who have not to date allowed their entire recorded catalogue to be available through major online music services (iTunes, Napster, etc.). This may be due to the massive royalty fees demanded by the group. As a result, The Beatles' music (both officially and unofficially released) has been made available through illegal music search engines such as eMule and BearShare, and have apparently raised the ire of the entire music industry. However, sure signs that official online distributions may be coming is the fact that the video for Tomorrow Never Knows/Within You Without You (the remix from their album Love) is currently being distributed (as of June, 2007) via Napster, and many Internet radio networks (such as Pandora Internet Radio and Live365.com) are allowing Beatles songs to be broadcasted over the world wide web. There has been talk of negotiations to make such an official online distribution schedule possible. Officials at Apple Corps have hinted at this, as they have confirmed that the entire Beatles catalog has been digitally remastered for online distribution. On film Main article: The Beatles on film The Beatles appeared in several films, all of which featured associated soundtrack albums. The band played themselves in two films directed by Richard Lester, A Hard Day's Night (1964) and Help! (1965). The group produced and starred in the hour-long television movie Magical Mystery Tour (1967), while the documentary Let It Be (released 1970) followed the recording sessions for the Get Back project in early 1969. In addition, the psychedelic animated film Yellow Submarine (1968) followed the adventures of a cartoon version of the band; the members did not provide their own voices, appearing only in a brief live-action epilogue. Other projects Anthology Main article: The Beatles Anthology Love Main article: Love (Cirque du Soleil) Instrumentation Rickenbacker, Gretsch, Epiphone, Gibson, Fender, and C.F. Martin & Company guitars Höfner, Fender and Rickenbacker basses Vox, Fender, and Selmer amplifiers Premier and Ludwig drums Zildjian cymbals Steinway, and Blüthner pianos Hammond, Vox and Lowrey electric organs Fender Rhodes, Wurlitzer, and Hohner Pianet electric pianos Moog Modular synthesiser Mellotron Polyphonic Keyboard Neumann, AKG, and STC microphones Bill Stoll Stollco video tampa fl (Less)
シャボン玉ホリデー(Bubble Holiday: pt.1): THE PEANUTS: Hajime Hana ＆ Crazy Cats (jap-azz/ fem vocal Hana and Cats (Hana and Cats) (More) Hana and Cats (Hana and Cats) 元々は、「キューバンキャッツ」の名で、 進駐軍相手に演奏していたが、 アドリブが面白く"You are crazy."と言われたことから「クレージーキャッツ」に改名した。 Originally, "Cuban NOUGATS" in the name of the occupation troops opponent to play, but improvisation is interesting, "You are crazy." It says that from "Cats" to be renamed. 渡辺プロダクション所属。 Wannabee Production belong. バラエティ番組に出演し、コントを演じるようになってからコントグループと見られるようになってしまった。 Variety show, a performance that played in the group from Cont and seen in the fire. 略称「 クレージー 」。 Often abbreviated as "Crazy". 1960年代に一世を風靡したコミックバンド。 1960s predominate by the comic band. 「 シャボン玉ホリデー 」（ 日本テレビ ）「 おとなの漫画 」（ フジテレビ）などのテレビ出演をきっかけに人気が爆発。 "Holiday bubble" (The station), "adult cartoons" (Fuji TV), TV appearances led to explode in popularity. 映画にも進出し、クレージーの出演作は東宝のドル箱シリーズとなった。 Also advancing to the movies, the films will be Crazy Togo Co. dollar box series. 映画の挿入歌として発表されたシングル『スーダラ節』『ハイそれまでョ』『ドント節』なども軒並み大ヒット。 Film insert song as a single, which was released SUD ARA clause, the high so far, the conference Donut clause, also a big hit across the board. しかし次第に植木・ハナ・谷らの主要メンバー個人での活動が多くなり、石橋エータローが1971年に脱退したころにはめっきりグループで活動する機会が減ってしまった。 But gradually plant Hana valley of the main members of the individualism activities increases, Ambush ATARI to secede from the 1971 when the group's activities in the opportunity to drastically reduced. 1980年代以降は、コメディアンというよりは各人俳優としての性格が濃くなり、実質的な解散状態になった。 Since the 1980s, comedian and actor rather than each individualism personality is as deeply and effectively disbanded a state. その後も幾度かグループで出演したこともあるが、 1993年 9月のハナ肇の死去により、正式な解散宣言が植木等より出された。 Then several groups that have appeared in the September 1993 death of Hajime Hana, a formal declaration of dissolution is prepared from a plant, etc.. この宣言は翌日には撤回されているが、その植木も2007年には他界してしまい、現在でも生存しているメンバーは谷、犬塚、桜井の三人のみである。 This declaration was withdrawn by the next day, but the plant also has passed away in 2007 and I still have surviving members of the valley, Koranic, Samurais only three. 事務所の後輩にザ・ピーナッツやザ・ドリフターズ（クレージーを含めたこの3グループで「 ナベプロ 3大タレント 」と言われることもある）がいる。 The office juniors to peanuts and The Drifters started (including the three groups Crazy "Zircon three major professional entertainer" and called it). ドリフターズが1964年に再結成した時点で、メンバー全員の名付け親となったのはハナ肇である。 Drifters in 1964 reunited at the time, all members of godmother was Hajime Hana. [ 編集 ] メンバー [Embodied] ハナ肇 （ ドラムス ） Hajime Hana (drums) 1930年 東京府 北豊島郡 （現豊島区 ）生まれ。 1930 Tokyo palace Toshiba North County (now Toshiba) was born. 山手通り沿い要町交差点付近の実家（水道屋）で育った。 Mate Gunmetal street intersection near her parents grew up (water-supply store). 本名、野々山定夫。 Real name, Sad Noontime. 工学院大学卒。 University graduate. 芸名の由来は鼻を膨らませる顔芸が好評であった事からきている。 The stage name is derived from the nose to inflate made in the face of popular thing to me. 進駐軍のキャンプ地などでドラム奏者として活躍。 Occupation army camps such as active as a player in the drum. その後犬塚弘、 萩原哲晶らと、クレージーキャッツの前身である「キューバンキャッツ」を結成。 Then Hiroshima Unusual, Okra Hardware said Jung, the predecessor of the Cats "Cuba NOUGATS" form. その後、 1956年 「ハナ肇とクレージーキャッツ」を結成、バンドマスターとなる。 Then, in 1956, "Hajime Hana and Cats" and formed a band and the master. 「 巨泉・前武のゲバゲバ90分!! 」でのヒッピー姿で叫ぶ「アッと驚く為五郎」と言うギャグや新春かくし芸大会での銅像役はよく知られている。 "巨泉Wu made the wooden staff 90 minutes! ! "The hippie attire shout" stunning為五郎says, "Gag parlor tricks and New Year tournament statue role is well known. 俳優ナレーターとしての評価も高かったが、本人はやはり音楽をやりたかったらしく、晩年は「ハナ肇とオーバー・ザ・レインボー」というバンドを結成し、活動していた。 Actor narrator as a higher assessment, he is still music to KARITA CARTRIDGE, latterly, "Hajime Hana and Over the Rainbow" from the band formed, and activities. 1993年肝臓ガンのため死去。 1993 for the death of liver cancer. 植木等 （ ボーカル 、 ギター ） Nurserymen, etc. (vocals, guitar) 1926年（戸籍上は1927年）、 三重県の浄土真宗の寺の息子として生まれる。 1926 (1927 on the family register), Mei Prefecture Odo Shiny temples son born. 本名同じ。 The real name of the same. 東洋大学卒。 Toto University graduate. いくつかのバンドを経て、 1957年 3月渡辺晋とハナ肇によってシティ・スリッカーズからクレージーキャッツに引き抜かれた。 Several bands, after March 1957 and Hana Hajime Wannabee Kin-City Slickers lured away from the Cats. 「無責任男」をキャッチフレーズに数多くの映画に出演。 "Irresponsible man" catchphrase to a number of films. ボーカルとして歴史に残る数々のコミックソングを産み出し、テレビでも「お呼びでない?」など歴史に残るギャグで爆発的な人気を得る。 As a vocalist for the historic number of comic song out through the TV and "uncalled-for?" Such as historic gag in the explosion in popularity. また、 1990年には過去のヒット曲メドレー『スーダラ伝説』で人気が再燃し、 紅白歌合戦にも出場し、この年の歌手別最高視聴率を獲得した。 Also, 1990 was a medley of past hits SUD ARA popular legend, a flare-up, the festival also participated in the festival, this year another singer achieve the highest rating. ハナ肇の告別式で「ハナ肇とクレージーキャッツは本日を持ちまして正式に解散いたしました」と解散宣言を行ったのも植木である。 Hajime Hana's funeral in "Cats and Hajime Hana today to formally disband we put it," declared the dissolution of Nurserymen. 俳優としても評価が高く、多数の賞を獲得している。 As an actor and a higher evaluation of a number of awards in that. 晩年は闘病しながら活動していた。 Later in his life, he was active in the fight against disease. 2007年 肺気腫のため死去。 2007 for the death of emphysema. 谷啓 （ トロンボーン ） Valley Kai (trombone) 1932年、 東京府 荏原郡 （現大田区 ）生まれ。 In 1932, Tokyo-FUD Ebro County (now PTA) was born. 広島と横浜で育つ。 Hiroshima and Yokohama grow up. 本名は、渡部泰雄（わたべ やすお）。 Ne, Yes Wannabee (I TABLAS you). 芸名の由来は、 アメリカの名コメディアン、 ダニー・ケイを日本語風にしたもの。 The stage name is derived from the name of the American comedian Danny Kaye into English by the wind. 中央大学 中退 。 Chub University dropout. 大学在学時からトロンボーン奏者として各種バンドで活躍していた。 As a trombone player in college from various bands playing. 1956年2月シティ・スリッカーズからクレージーキャッツに参加。 In February 1956, City Slickers from Cats to participate. 「ガチョン」（現在は「ガチョーン」）や「ビローン」、「あんた誰?」といった各種ギャグで不動の人気を獲得。 "Sunrise" (now "GASHING") and "BIRON", "You Who?" Such steadfast in various jokes became popular. トロンボーン奏者・コメディアンとしてだけではなく、俳優としても活躍し、映画『 釣りバカ日誌』シリーズの佐々木役は当たり役である。 Trombone player as a comedian, but also as an actor and is also active in the movie fishing Vacs diary series Sausage role in successful character. ナレーターとしての活動も多い。 As narrator of many activities. 現在クレイジーメンバーで最も露出が多く若年層にも知名度が高い。 Currently CURRYCOMBING most exposed many young people also have a high profile. トロンボーン奏者としての実力は非常に高く、現在も「谷啓とスーパー・マーケット」というバンドを持ち、不定期ながらも音楽活動を行っている。 As a trombone player's ability is very high and is still "Kai valley and Super Market" from the band to do, but music irregular activities. 犬塚弘 （ ベース ） Hiroshima Unusual (bass) 1929年東京大森の生まれ。 Born in 1929 in Tokyo's Emory. 文化学院卒。 Culture College graduate. IBM勤務などを経て、クレージーキャッツに参加。 IBM, and working through the Cats participate. キューバンキャッツ時代から参加していた最古参メンバーである。 Cuba NOUGATS age from participating in the most senior member. 俳優としても評価が高く、現在は舞台を中心に活躍中である。 As an actor also highly evaluated the current stage is to be active in the center. 安田伸 （ テナーサックス ） USDA extender (tenor sax) 1932年東京府東京市 中野区 （現東京都中野区）の生まれ。 1932 Tokyo City palace in Tokyo Nikon (now Tokyo Nuking) was born. 東京芸術大学卒。 Tokyo graduated from the University of the Arts. 石橋エータローらと、バンドで活躍後、1957年9月、石橋エータローの紹介でクレージーに参加。 ATARI Oshkosh said of the band and plays later, in September 1957, Ambush ATARI introduced Crazy participate. サックス奏者以外にも、俳優として映画/舞台などで活躍したが、晩年はガンとの闘病が続いた。 Saxophone player other than, as a movie actor / stage, and is active in the evening of life is the fight against disease and cancer continued. ブリッジしながらサックスを吹き鳴らす荒芸も有名。 Bridge with a saxophone wind storm also made famous. 夫人は竹越美代子。 Mrs. Mayo Ticklish. 愛妻家で知られ、そこから「ミヨコ～」というギャグが生まれたほど。 Devoted husband known, then "MAYO to" gag was born as. 1996年に急性心筋梗塞で死去。 In 1996, acute myocardial infarction died. 石橋エータロー （ ピアノ ） Ambush ATARI (piano) 1930年東京・新橋の生まれ。 Born in 1930 in Tokyo's Gins. 父親は、 作曲家で尺八奏者の福田蘭堂 。 His father was a composer and bamboo flute player Fucked Orchid Hall. 祖父は洋画家の青木繁 。 Oak Traditional painting was his grandfather's house. 東洋音楽大学（現東京音楽大学 ）卒。 Oriental College of Music Education (now Tokyo College of Music). 安田伸らとバンド活動後、1956年に世良譲の紹介でクレージーに参加する。 Shin USDA said the band after the 1956 introduction of concessionary Sea Crazy participate. 1960年に結核で一時離脱。 In 1960 tuberculosis temporary withdrawal. 代わりに、ピアノ奏者として桜井センリが加わる。 Instead, as a piano player to join SENORA Samurai. その後、クレージーに復帰するも、1971年に引退。 Then, Crazy return to the 1971 retirement. 料理研究家に転進、渋谷で「三漁洞」という小料理屋を経営していた。 Cooking expert to change course, Shabby, "three fishing-dong," a small shop run. 1994年に胃ガンのため死去。 In 1994, for the death of stomach cancer. 桜井センリ （ ピアノ ） Sakai SCENARIO (piano) 1924年 （公称は1930年） ロンドンの生まれ。 1924 (rated 1930) was born in London. 早稲田大学第一政治経済学部に学ぶ。 Wasted University is the first to learn of political economics. 植木等らとバンドのピアノ奏者として活躍。 Nurserymen, said the band's success as a piano player. 石橋エータローの結核療養による活動休止のため、クレージーに参加。 Oshkosh TEARY tuberculosis recuperation break from work due to the Crazy participate. 石橋エータロー復帰後もメンバーとして活躍。 Oshkosh ETA return after active as a member. 金鳥の殺虫剤「キンチョール」のCMに出演した際、「ルーチョンキ」のギャグでも好評を博す。 Kim bird insecticide "ONSHORE" commercials appeared when, "CHUNK" gag also popular. コントやCMで披露した「センリばあさん」役は当時一世を風靡した。 Cont and CM showed "SENORA granny" role was predominate. 現在も俳優として活躍中である。 Still active as an actor. * 裸の大将 （1958年、東宝）　クレージーの映画初出演 Chiefs Naked (1958, Tojo Co.) Crazy film debut * 足にさわった女 （1960年、大映） She feet of a woman (1960, Daisi Motion Picture Company) * 腰抜け女兵騒動 （1961年、東宝） Coward woman soldier row (1961, Togo Co.) * 銭形平次・夜のえんま帳 （1961年、大映） Zaniest Hike night sugar grade book (1961, Daisi Motion Picture Company) * スーダラ節・わかっちゃいるけどやめられねェ （1962年、大映） SUDRA clause, but I do not know to do that in NEE (1962, Daisie Motion Picture Company) * クレージーの花嫁と七人の仲間 （1962年、松竹）　グループ初主演 Crazy bride and seven colleagues (1962, Schick) starred in the first group * サラリーマンドント節・気楽な稼業ときたもんだ （1962年、大映） SARAN INTO clause carefree breadwinner and I have (1962, Adieu Motion Picture Company) * ニッポン無責任時代 （1962年、東宝） Nippon irresponsible era (1962, Toho Co.) * 私と私 （1962年、東宝） I and I (1962, Toho Co.) * 夢であいましょう （1962年、東京映画・東宝） Dream Dreams (1962, Toho Co. film Tokyo) * 若い季節 （1962年、東宝） Young seasons (1962, Toho Co.) * ニッポン無責任野郎 （1962年、東宝） Nippon irresponsible bastard (1962, Toho Co.) * ハイハイ三人娘 （1963年、東宝） Crawl three daughters (1963, Toho Co.) * クレージー作戦 先手必勝 （1963年、東宝） Crazy initiative Victory Field (1963, Toho Co.) * 日本一の色男 （1963年、東宝） Japan's lover (1963, Toho Co.) * クレージー作戦・くたばれ!無責任 （1963年・東宝） Crazy ticktock's going! Irresponsibility (1963 Toho Co.) * 香港クレージー作戦 （1963年、東宝） Gong Kong operations Crazy (1963, Tojo Co.) * 日本一のホラ吹き男 Japan's best liar man * 無責任遊侠伝 Irresponsible men遊侠 * ホラ吹き太閤記 Liar Lord Recollections * 花のお江戸の無責任 Flower Ado's irresponsibility * 日本一のゴマすり男 Japan's top man choirboy * 大冒険 Adventure * クレージーの無責任清水港 Crazy irresponsibility of Law * クレージーだよ奇想天外 Crazy Bizarre. * クレージー大作戦 Crazy blitz * クレージーだよ 天下無敵 Crazy unrivaled in the world. * 日本一の男の中の男 Japan's top man in a million * クレージー黄金作戦 Crazy gold operations * クレージーの怪盗ジバコ The Crazy Kaitou JIBAKO * クレージーメキシコ大作戦 KUREJIMEKISHIKO blitz * クレージーの大爆発 Crazy huge explosion * クレージーのぶちゃむくれ大発見 Crazy spotted the discovery YAMUKURE * クレージーの殴り込み清水港 The Crazy For Business * 会社物語 Company story * ミュージック・パラダイス （日本テレビ）　クレージーキャッツ初登場作 Music Paradise (station) Cats debut film * 魅惑の宵 （日本テレビ） Enchanted evening (Nippon Television) * ペトリバラエティー （日本テレビ） PETORIBARAETI (Nippon Television) * 光子の窓 （日本テレビ） Photon window (Nippon Television) * おとなの漫画 （フジテレビ） Adult comics (Fuji TV) * クレージーキャッツショー （フジテレビ） KUREJIKYATTSUSHO (Fuji TV) * 週刊クレージー （フジテレビ） Weekly Crazy (Fuji TV) * 若い季節 （NHK） Young season (NHK) * シャボン玉ホリデー （日本テレビ） Bubble Holiday (Nippon Television) * ヒット・パレード （フジテレビ） Hit Parade (Fuji TV) * 歌まねＸさん （TBS） Song imitating X (TBS) * 歌まねチャンピオン （TBS） Song imitate champion (TBS) * クレージー作戦 （日本テレビ） Crazy operations (Nippon Television) * 7時半だヨクレージー （フジテレビ） 7:30 pm. YOKUREJI (Fuji TV) * 8時だョ!出発進行 Today's 8:00! Aboard * センリばあさんのクレージー大変記 Recollections of a very old woman SENRI Crazy * ハイ、やりました!! Hi, did! ! * おれの番だ! My turn! * クレージーの待ッテマシタ! Crazy TTEMASHITA of waiting! * クレージーの奥さ～ん Crazy in the back and I * 植木等ショー Nurserymen and show * JR東海 東海道新幹線ダイヤ改正 1989年 JR Tokai Tokaido Shinkansen diamond revised 1989 （出演依頼はメンバー全員に対してだったが、植木等は不参加(当時クレイジーキャッツの植木というイメージに嫌気が差していたためだと囁かれている)、また石橋エータローは既に脱退したことから、最終的に5人での出演となった） (Offers are for all members, was a plant and was absent (at the time of Nurserymen KUREIJIKYATTSU image hesitant to shine because it is enclosed), and Ishibashi ETARO leavers have already led to the final in five appearances and became) [ 編集 ] ディスコグラフィ [Edit] Discography コミックソングがほとんど。 Song is almost comic. CDなどでは、植木等や谷啓名義の場合もある。 CD, and in the valley plant, and Kai's name may have. * スーダラ節 （約50万枚を売り上げた）/ こりゃシャクだった SUDARA clause (50 million copies sold) / This is wild chervil. * ドント節 / 五万節（オリジナルヴァージョンは歌詞の一部が問題視され発売禁止になった。その直後に3番と6番の歌詞が変えられて発売。 1995年にオリジナルヴァージョンもCD化され発売された） Dont nodes / 50,000 nodes (ORIJINARUVAJON lyrics are part of that problem by prohibiting the release. Shortly after the third and sixth lyrics were changed in the market. 1995 ORIJINARUVAJON also fixes are released on CD) * 無責任一代男 / ハイそれまでョ A generation irresponsible man / high Until Today * これが男の生きる道 / ショボクレ人生 This is a man's way of living / life SHOBOKURE * いろいろ節 / ホンダラ行進曲（クレージーの最高傑作との呼び声も） Many sections / HONDARA Marsch (Crazy masterpiece and the money) * どうしてこんなにもてるんだろう / ギターは恋人（植木等作詞・作曲のバラード） Why so popular? / Guitar lover (Nurserymen and songwriting Ballard) * 図々しい奴 / 愛してタムレ（谷啓ソロとしては初のシングル） Figure graphic detail / love TAMURE (Kai valley, the first solo single) * クレージーのクリスマス Crazy Christmas * 学生節 / めんどうみたョ Students nodes / I took Growth * 馬鹿は死んでも直らない（余談であるが、イントロの部分はテレビ東京系の情報番組「 出没!アド街ック天国」の名物コーナー「薬丸印の新名物」のBGMとして使われている）/ ホラ吹き節（前奏、間奏、後奏に疑似ステレオ処理が施してある） Insulting the dead and incurable (aside of the introduction part of the TV Tokyo's information system shows "infested! Add city traffic heaven "specialty Corner"薬丸Signs of a new institution "as the background music that is being used) / liar clause (prelude, interlude, postlude to the pseudo-stereo processing is a handout) * あんた誰? / 天下の若者（谷啓ソロ第2弾シングル） Who you? / Young people in the world (second round valley Kai solo single) * だまって俺について来い （ 2001年には天童よしみによってカヴァーされたものが、「 こちら葛飾区亀有公園前派出所」のテーマソングとして使われた） / 無責任数え歌 I told the silent about (2001, Yoshimi Tendo-cover by the "more Katsushika Kameari Park police box" as a theme song used) / irresponsible数E歌 * ゴマスリ行進曲 / 悲しきわがこころ（クレージーキャッツの全員の単独パートがある曲） Goma Sri march / Sad my mind (Cats of all parts of a single song) * ヘンチョコチンなヘンテコリンな娘 / 小指ちゃん（谷啓ソロ第3弾） HENCHOKOCHIN a few girl / her little finger (valley Kai solo third edition) * 遺憾に存じます（寺内タケシとブルー・ジーンズが参加） / 大冒険マーチ Our regret (Takeshi Terauchi and blue jeans to participate) / adventure March * あんたなんか（ 園まりと植木のデュエット） I do not (garden and plant the ball duet) * 何が何だかわからないのよ / シビレ節（3番の歌詞の一部に問題があり放送禁止(局によっては要注意曲)になった。長らくベスト盤等には問題箇所を編集したものを収録されてきたが、現在発売されているベスト盤ではオリジナル音源が収録） What is what you do not know / Sibi Les Day (the third of the lyrics of some of the problems with broadcasting ban (by the Bureau of caution songs). Long-best performances of the problems to edit what has been recorded, but it is currently being released Best album of original recordings are included) * プンプン野郎（谷啓） / 虹を渡ってきた男 Stink bastard (Kai valley) / rainbow across the man * それはないでショ / 笑えピエロ（植木得意のバラードで、1990年にもリバイバル） It's not in Shope / Laugh Piero (Nurserymen's favorite ballads, in 1990 and Revival) * ウンジャラゲ（ 1988年に志村けんによってリメイクされたのも有名） UNJARAGE (1988 Ken Shimura by Li makeup was also known) * アッと驚く為五郎（「萩原哲晶ヴァージョン」も存在する） Stunning為五郎( "Akira Hagiwara crystal version" also exists) * これで日本も安心だ / スーダラ節'79 This reassurance that Japan / SUDARA clause'79 * 実年行進曲 / *新・五万節（前述の五万節のニューバージョン） March実年/ * Five million new clause (mentioned above five million new version of clause) * おらぁグズラだど （同名アニメの主題歌。谷啓名義） My GUZURA you bang it (the same name cartoon theme song. Valley Kai name) * Still Crazy For You （2006年4月12日発売、松任谷由実とのコラボレーション曲。亡きメンバーたちのパートは、それぞれのサンプル音源を使用した。フジテレビ系「 ウチくる!? 」エンディング・テーマ） Still Crazy For You (April 12, 2006 release, Yumi Matsutouya and collaboration songs. Deceased members of the part-timers, each sample source to use. Fuji TV series "The fact! ? "Ending theme) など多数 Many [ 編集 ] 主な共演者 [Edit] main costar * ザ・ピーナッツ The Peanuts [ 編集 ] 参考文献 References [edit] * 「ハナ肇とクレージーキャッツ物語」著：山下勝利、 朝日新聞社 "Cats and Hajime Hana story" marked: Yamashita victory, Asahi Shimbun * 「あっと驚くリーダー論」著：ハナ肇、 主婦と生活社 "Zinger leader theory" marked: Hajime Hana, Navy Hajime Hana Date of Birth: 9 February 1930, Tokyo, Japan more Date of Death: 10 August 1993 Seismography 1. Private Lessons II (1993) 2. Sh (Less)
2009-04-12 - extension: rar - size: 46 MB
2004 Siren song of the counter culture
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Culture Beat - Serenity The Album .part1.rar
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Culture Beat - Inside Out 1995 .part1.rar
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Wu-Tang Clan - Dreddy Kruger Presents Think Differently Music Wu-Tang Meets the Indie Culture
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1984 - Junk Culture
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Groups results for: culture discography 2009-09-04 00:06:03 - 42 MB
Alan Parsons Project - Discography
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Culture Beat Discography
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