Results for: dave edmunds get it
Dave Edmunds - Get It 
2009-04-20 - extension: zip - size: 57 MB
Dave Edmunds - Get It
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ALBERT LEE: DAVE EDMUNDS: "Sweet Little Lisa" [Dave Edmunds' Repeat When Necessary] OVERDUB IN STUDIO (1979) Albert Lee, lead guitar, on Dave Edmunds: Sweet Little Lisa (1979). Dave Edmunds Repeat (More) Albert Lee, lead guitar, on Dave Edmunds: Sweet Little Lisa (1979). Dave Edmunds Repeat When Necessary Studio Album - 1979 Girls Talk Crawling From The Wreckage Creature From The Black Lagoon Sweet Little Lisa Dynamite Queen Of Hearts Home In My Hand Goodbye Mr Good Guy Take Me For A Little While We Were Both Wrong Bad Is Bad This barn-burner takes the Bakersfield Telecaster vocabulary -- the stutter-bend-and-twang, throw-in-imitation-pedal-steel-tricks, idiom -- to a wild new level of excitement. It's a non-stop thrill ride of rapid-fire hot licks -- but in each wild chorus, Albert manages to pull his melody line back onto the road at the last minute, for a satisfying conclusion that proves he knows exactly where he is and what he's doing the whole time. any guitarists have explored the deceptively subtle language of the Fender Telecaster, but few are as fluent or as eloquent as Albert Lee. Like Roy Buchanan or Arlen Roth he is a master of the blistering Tele lick, and like Steve Cropper or James Burton he can mold a disarmingly simple phrase into the perfect fill. He elevates rhythm guitar playing above the common crank-and-bash method to a sophisticated chord-melody style, complete with pianistic boogie bass lines and killer single-note fills. Dave Edmunds' rave-up version of "Sweet Little Lisa" on Repeat When Necessary spotlights this refined but gritty rhythm style. Albert Lee said the story behind Sweet Little Lisa was an interesting one. The writer of the song asked him to play on a demo of the song, and then asked if he could get the tape to Dave Edmunds (who he knew only slightly). So Rockpile recorded it and spent weeks on it, then Edmunds called him and said that they couldn't get the guitar part as good as the demo. So DE asked Lee to record and overdub, which he did in a couple of takes (I read elsewhere that DE patched several takes together, but Lee didn't remember that). He said his session with Rockpile was captured on a video that was made about them entitled "Born Fighters" which I don't recall hearing about...how about you? Anyway, Lee loved the mix which really put his guitar out front. I asked him if the intro was a duet or solo, he said duet with DE. ::::::BIO: Albert Lee was born on December 21, 1943, in Herefordshire, England. He grew up in Blackheath, London, where his father played English pub music on piano and accordion. At seven, Albert took up piano and studied formally for two years, delving into the classics, learning pop tunes, and coming to love rock and roll in part through the music of Jerry Lee Lewis. In about 1958 he got his hands on his first guitar, a Hofner President acoustic arch-top. Taking an immediate liking to Buddy Holly And The Crickets, he learned all he could from their records. For a time the acoustic guitar served its purpose, but soon Albert longed for an electric: "My first real guitar was a Grazioso which was the forerunner of the Hofner Futurama. I paid (Less)
DAVE EDMUNDS: NICK LOWE: GUITAR OVERDUB (NICK LOWE: PRODUCING DRUNK IN STUDIO: 1978) Edmunds hand sucked! Ready forces cited by the Stiff bone's relations! The backing band (More) Edmunds hand sucked! Ready forces cited by the Stiff bone's relations! The backing band regathered what would be known, amply-oohed, as first come on the scene with the bluest Sculpture, and later as a solo artist with his debut album "Rockpile" and its hit-single-cover of Smiley Lewis' "I Hear You Knockin'." His flowerless, "Subtle as a Flying Mallet", produced--BTU hirsute-hot, was blossoming with Nick Lowe's (he'd befriended Lowe's bundle. The two worked together on Edmund's exurb, "Get It," and clowned while touring, which blossomed "Rockpile") success. Thus, the album is distilled Rockpile (Edmunds, Lowe, Billy and Terry Williams): everything that marks this foursome for greatness's ears. Edmunds' rollick-MASH-Root's perfect peepbo rock and Lowe's songs. The band, gigging constantly, is as tight as a trim"Labour of Lust,"; Edmunds' "Repeat When Necessary", and the band's own, "Seconds of Pleasure", would all bear the same hallmarks--the most vital. Edmunds' superb rockabilly and blue swagger to Lowe originals "Never Been in Love" and "Television," and the two exercise intricate Beverly-styled harmonies on their own "What Looks Best on You." Edmunds' "A.1 on the Jukebox" is a fine two-step country-rocker: Billy Murray and N. Brown Godhead's "Deborah"; Nick's stewed per-dollop, beatitis clarify Chuck Berry's "It's My Own Business," and 1964 Tendon-hearted "Thread Your Needle,": all act as trained avenger's album perfecta. BTW, I know Billy Bremner's cookout ale solo records, A Frisian find teen...(Gross-fire: Madmen ITAL nitpick in' sidearm, pretested Brat-a-Billy! Dave A.1. and Gearbox!!! Granddad's forgotten' our Reran Ms Taliban .) (Less)
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