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Electro Music: UNKLE - Celestial Annihilation The Cosmic Lounge presents Electro Music: 'Celestial Annihilation' by UNKLE.
(More) The Cosmic Lounge presents Electro Music: 'Celestial Annihilation' by UNKLE.
"Unkle revolves around British producer and mo'wax Records head James Lavelle, working in collaboration with many others.
The original line-up was Lavelle, Tim Goldsworthy (now a member of DFA) and Kudo (Major Force West, Skylab, etc.). This incarnation released several EPs and singles, usually involving collaborations with other Mo'Wax affiliated artists.
In 1998, after the departure of Goldsworthy and Kudo, Lavelle enlisted US producer DJ Shadow to help complete UNKLE's debut album, "Psyence Fiction". On this album they collaborated with a variety of guest artists including Thom Yorke (Radiohead), Mike D (Beastie Boys), Badly Drawn Boy and Richard Ashcroft (The Verve). The album contained songs which merged indie-rock with hip hop.
In 2003 UNKLE released "Never, Never, Land". At this time UNKLE consisted of Lavelle and new collaborator Richard File, and the album also featured Ian Brown (The Stone Roses), Josh Homme (Queens of the Stone Age), Robert Del Naja (Massive Attack), Mani (The Stone Roses, Primal Scream) and others.
A third album entitled "War Stories" was released in July 2007. It features collaborations with Josh Homme (Queens of the Stone Age), Ian Astbury (The Cult), Autolux, Robert Del Naja (Massive Attack), The Duke Spirit, and Gavin Clark, and is far more strongly rock-influenced than previous releases. The album was preceded by an EP, Nights Temper, of which a limited pressing was released in May 2007.
Lavelle has also released several mix albums and remixes under the name "UNKLE Sounds"."
http://www.last.fm/music/UNKLE (Less)
Twelfth Night (1969) - Sir Ralph Richardson, part 10 of 10 this extract starts with Act V at about line 282 (Feste starts reading the madman's letter) to (More) this extract starts with Act V at about line 282 (Feste starts reading the madman's letter) to end of play...with many cuts, of course.
link below to a single playlist of all 10 parts of this "Twelfth Night":
http://www.youtube.com/view_play_list?p=7F429A373BCAC12F
Joan Plowright ... Viola and Sebastian
Riggs O'Hara ... Fabian
Tommy Steele ... Feste
Ralph Richardson ... Sir Toby Belch
Alec Guinness ... Malvolio
Gary Raymond ... Orsino, Duke of Illyria
some marvelous performances here!
Directed by John Sichel...unfortunately the play has been cut extensively, to fit the TV broadcast time slot.
Reading the Variorum Edition, I was surprised to see that almost all the commentators so vehemently disliked Feste's final song.
"so poor a recommendation as this song" said one, another hopes it will be "degraded to the footnotes", another remarks "a wretched song"!
However, the editor Furness was glad to note that John Weiss ("Wit, Humor, and Shakespeare", 1876.p. 204) wrote:
When the play is over, the Duke plighted to his page, Olivia rightly married to the wrong man, and the whole romantic ravel of sentiment begins to be attached to the serious conditions of life, Feste is left alone upon the stage. Then he sings a song which conveys to us his feeling of the world's impartiality ; all things proceed according to law ; nobody is humoured ; people must abide the consequences of their actions, ' for the rain it raineth every day.' A ' little tiny boy ' may have his toy ; but a man must guard against knavery and thieving ; marriage itself cannot be sweetened by swaggering ; whoso drinks with ' toss-pots' will get a 'drunken head'; it is a very old world, and began so long ago that no change in its habits can be looked for.
The grave insinuation of this song is touched with the vague, soft bloom of the play. As the noises of the land come over sea well-tempered to the ears of islanders, so the world's fierce, implacable roar reaches us in the song, sifted through an air that hangs full of the Duke's dreams, of Viola's pensive love, of the hours which music flattered. The note is hardly more presageful than the cricket's stir in the late silence of a summer. How gracious has Shakespeare been to mankind in this play ! He could not do otherwise than leave Feste all alone to pronounce its benediction
Henry I Ruggles, ("Method of Shakespeare as an Artist", 1870, p. 15):
This comedy is pervaded with the spirit of literature and gentility. It is lifted above the working-day world into a sphere of ease, culture, and good-breeding. Its characters are votaries of pleasure in different degrees, from the lowest gratification of the sense up to the more refined pleasures derived from the exercise of the imagination, which, after all, are but the pleasures of the sense at second-hand.
Beside the air of elegance it possesses, it is filled to the brim and overflowing with the spirit that seeks to enjoy this world without one thought or aspiration beyond. It jumps the hereafter entirely. Every scene of it glows with the warmth and sunshine of physical enjoyment. It places before us the sensual man, with his fondness for cheer, his cakes and ale, his delights of the eye and ear, his pleasure in pastime and sport, his high estimation of a good leg and a good voice, in short, of all that can gratify the sense, win favour, or conduce to worldly advantage. (Less)
The Duke Spirit-Cuts Across The Land.mp3 
2008-12-16 - extension: mp3 - size: 3 MB
The Duke Spirit-Cuts Across The Land.mp3
Hosted on: http://shinay.wrzuta.pl
Cuts Across The Land.rar 
2008-05-12 - extension: rar - size: 48 MB
Cuts Across The Land.rar
If password needed look here: http://crackityjonesjr.wordpress.com/2007/03/10/cuts-across-the-
land-the-
duke-spirit/
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