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The beauty of LESBIAN LOVE with an AGE DIFFERENCE NEW VERSION. Have you ever noticed, or maybe even wondered why so many movies and books about (More) NEW VERSION. Have you ever noticed, or maybe even wondered why so many movies and books about lesbian and gay relationships also issues falling in love between an age-gap, or a social gap?...I think some of the reason why is due to the fact that there is no "Mars-Venus"-gap in gay realationships, so one often are attracted to other "differences"... Anyway, that's just my little theory. ;-))About this slideshow: It's a collage which features some of my favorite movies, and my two favorite actresses, Catherine Deneuve and Helen Mirren (I encourage everybody to run out and by *all* their DVDs, of course!... ;-))ABOUT THE MOVIES SHOWN IN THIS SLIDESHOW:- "THE HUNGER"": (1983, directed by Tony Scott). This movie is probably most famous for the love-scene between Miriam Blaylock (Catherine Deneuve) and Sarah Roberts (Susan Sarandon) with "The Flower Duet" as their soundtrack. The movie also show a social gap between the refined Miriam and the more cultured clumsy Sarah. - "BITTER MOON": (1992, directed by Roman Polanski). The one and only reason I have used pictures from this film, is because of the sexy dance-scene and the kiss between Fiona (Kristin Scott Thomas) and Mimi (Emmanuelle Seigner). That's all. ;))- THE HBO-DRAMA "ROME": (2005) All though this isn't a movie, I just HAD to include this here! I was so mesmerized by the affair between Sevilia (Lindsay Duncan) and Octavia (Kerry Condon).... =) And, also, Lindsay Duncan is such a talented and beautiful actress. To bad it didn't end so well between them...- "LOSING CHASE": (1996, directed by Kevin Bacon). This movie won Helen Mirren her first Golden Globe. Mirren plays Chase Phillips who falls in love with younger "mothers helper" Elizabeth Cole (Kyra Sedgwick). Her feelings are mostly returned, but Elizabeth doesn't dare go on with the relationship. - "LES VOLEURS": (1996, directed by André Téchiné) This is my all-time favorite film. This was actually the first movie I bought in French without subtitles (before I understood any French!...). Catherine Deneuve plays Marie Leblanc, a professor of philosophy, who have a passionate love-affair with her younger student, Juliette Fontana (Laurence Côte). A wonderful, but also heartbreaking movie...SOME MOVIES I LEFT OUT FROM THIS SLIDESHOW:Originally I planned to include the 1987s' movie "I'v heard the Mermaids Singing" in my slideshow, manly because it portrays both the very "age-free" relationship between artgallery-owner Gabrielle (Paule Baillargeonand) and her young lover, painter Mary (Ann-Marie MacDonald, who later have gueststared in "The L Word"). Another reason why I would have liked to show this movie too, is because "The flower Duet" also is featured in that film..!! But sadly, I couldn't find enough pictures from this movie. For a while I thought about showing some pictures from the classic lesbian movie "Desert Hearts", it's about a lesbian affair that overcomes many gaps, but to be honest I don't really like this film (I preferred the book!), even though the movie is such a classic... =)A friend of mine suggested that I should include the scenes between Nan Astley (Rachael Stirling) and the rich Victorian society widow Diana Lethaby (Anna Chancellor) in "Tipping The Velvet". But again, I preferred how that relationship is portrayed in the book, in the movie it's almost too dark...Maybe I also could have included a scene from "8 Femmes". I'm actually not thinking of the kiss between Gaby (Catherine Deneuve, again) and Pierrette (Fanny Ardant). I really liked the scene between the character Gaby and her slightly submissive maid Louise (Emmanuelle Béart) where Gaby asks Louise who the woman on Louises' picture is, and Louise answers that it was her last employer and that she loved HER. But that scene is just too vague, there is of course no love between Gaby and Louise, it's just a hint of romantic jealousy and a slight suggestion of sexual tension between them (at least in my mind.)... =)) For more clips from these movies, feel free to check out my "LADYGIRL"-playlist. =)ABOUT THE MUSIC PLAYING IN THIS SLIDESHOW: "The Flower Duet" ("Sous le dôme épais") is the most well-known part of Léo Delibes opera "Lakmé". It was composed in 1883, houndred years before Catherine Deneuve played (I wonder if she really played it) it on the piano in "The Hunger". =)Anyway, enjoy the slideshow!...If you have any questions or comments, don't hesitate to write me... Nina =) (Less)
The School : by Walerian Borowczyk Born in Kwilicz, near Poznań, he studied painting at the Academy of Fine Arts in Kraków, (More) Born in Kwilicz, near Poznań, he studied painting at the Academy of Fine Arts in Kraków, then devoted himself to painting and lithography [1], including the creation of posters for the cinema [2], which earned him a national prize in 1953. In 1959, he settled in Paris. His early films were surreal animations, some only a few seconds long, including several comic abecedaria. His most acclaimed early films were Był sobie raz (Once Upon A Time) (1957) and Dom (House) (1958, with Jan Lenica). In 1959, he worked with Chris Marker for Les Astronautes. Major works of this period include the nightmarish Jeux des anges (1964) and the stop motion film Renaissance (1963), which uses reverse motion to depict various destroyed objects (a prayer book, a stuffed toy, etc.) re-assembling themselves, only to be destroyed again when the last object (a bomb) is complete. In 1967, he directed his first animated feature film, Théâtre de Monsieur & Madame Kabal: un film dessiné pour les adultes (Mr. and Mrs. Kabal's Theatre). Borowczyk moved into live-action feature film with Goto, l'île d'amour (Goto, Isle of Love) (1968) and Blanche (1971), both tales of illicit love thwarted by jealous husbands, and both starring his own wife, Ligia Branice. One of his most appreciated films of this period, Dzieje grzechu (A Story of Sin) (1975), which was nominated for Palme d'or, is an adaptation of a Polish literary classic by Stefan Żeromski. Like his 1966 short film Rosalie (a Guy de Maupassant adaptation and a Silver Bear winner), Dzieje grzechu had successfully rendered the themes of seduction and infanticide. Contes immoraux (Immoral Tales) (1974) and his later work, including Interno di un convento (Behind Convent Walls) (1977) (inspired by Promenades dans Rome of Stendhal) and Cérémonie d'amour (Rites of Love) (1988) have been controversial, lauded by some for their unique surrealist vision and derided by others as contentless pornography. Especially, La Bête (The Beast) (1975) (based on the story Lokis by Prosper Mérimée and originally conceived in 1972 as a film on its own, but then in 1974 as the fifth story in Contes immoraux) was seen by many as a decline in the director's career after Dzieje grzechu, except in France, where it was hailed by prominent critics such as Ado Kyrou. In 1981, he made Docteur Jekyll et les femmes (Blood of Dr Jekyll), a version of the Jekyll and Hyde story starring Udo Kier and Patrick Magee and depicting Jekyll's transformation as a violent rebellion against the Victorian morality. In his 1988 book Nightmare Movies, Kim Newman described the film as "dark, misanthropic and interestingly offensive". He made a brief return to animation with his 1984 short film Scherzo infernal. In 1987, he directed Emmanuelle 5, an installment of the Emmanuelle series, that was also released in a hardcore video-only version. He was unhappy with the project due to a dispute concerning the casting of lead actress Monique Gabrielle. In 1988 and 1990, he directed four episodes for the series Série rose: Les Chefs d'œuvre de la littérature érotique on M6. Many of Borowczyk's films use historical settings, including Ars Amandi: l'arte di amare (The Art of Love) (1983), set in the time of Ovid (and featuring the poet as a character); Blanche, set during the Middle Ages; and three of the four episodes in Contes immoraux, set respectively in the nineteenth century, the sixteenth century, and the Borgia papacy. A number of his films (like the "tale" La Marée (The Tide) in Contes immoraux, the 1976 La Marge (The Streetwalker), the episode Marceline in Les Héroïnes du mal: Margherita, Marceline, Marie (Immoral Women) (1979), and Cérémonie d'amour were based on stories by André Pieyre de Mandiargues. A less usual product of this cooperation was Une collection particulière of 1973, a representation of Borowczyk's collection of pornographic items, with Mandiargues having written (and read) the narration. His 1980 film Lulu was an onscreen adaptation of the play by Frank Wedekind. Borowczyk was the author of two books; Anatomia diabła (Anatomy of Devil) (1992) and Moje polskie lata (My Polish Years) (2002). He died of heart failure in Paris in 2006. (Less)
Kant, Emmanuel - Critica a la razon pura 
2009-07-28 - extension: zip - size: 1 MB
Kant, Emmanuel - Critica a la razon pura
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0415310512 
2009-05-16 - extension: pdf - parts: 4 - size: 31 MB
0415310512
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0415310512 2009-05-16 - extension: pdf - size: 31 MB
0415310512
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kk28 
2009-04-28 - extension: rar - size: 6 MB
kk28
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