Erasure-EPIDEM RU 
2009-04-29 - extension: rar - size: 161 MB
Erasure-EPIDEM RU
Erasure Pop! Remixed (2009)
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Geo da Silva (remix) from Costi9B geo da silva (remix)
Remix
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A remix is an alternative version of a (More) geo da silva (remix)
Remix
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A remix is an alternative version of a song, different from the original version. A remixer uses audio mixing to compose an alternate master recording of a song, adding or subtracting elements, or simply changing the equalization, dynamics, pitch, tempo, playing time, or almost any other aspect of the various musical components. Some remixes involve substantial changes to the arrangement of a recorded work, but many are subtle, such as creating a "vocal up" version of an album cut that emphasizes the lead singer's voice. A song may be remixed to give a song that was not popular a second chance at radio and club play, or to alter a song to suit a specific music genre or radio format. Remixes should not be confused with edits, which usually involve shortening a final stereo master for marketing purposes.
Contents
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1 Roots of the remix
2 Electronic music
3 Hip hop, rap and R&B music
4 Broader context
5 Remix in literature
6 See also
7 References
Electronic music
Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles. These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 bars of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end. As the cost and availability of new technologies allowed, many of the bands who were involved in their own production (such as Depeche Mode, Erasure, and Duran Duran) experimented with more intricate versions of the extended mix. Madonna began her career writing music for dance clubs and used remixes extensively to propel her career; one of her early boyfriends was noted DJ John Jellybean Benitez, who created several memorable mixes of her work.
Hip hop, rap and R&B music
Remixes have become the norm in modern dance music, allowing one song the ability to appeal across many different musical genres or dancefloors. Such remixes often include "featured" artists, adding new vocalists or musicians to the original mix. The remix is also widely used in hip-hop and rap music. An R&B remix usually has the same music as the original song but has added or altered verses that are rapped or sung by the featured artists. It usually contains some if not all of the original verses of the song however, these verses may be arranged in a different order depending on how the producers decided to remix the song.
Remix in literature
A remix in literature is an alternative version of a writing, different from the original version. Remixing of literature and language may have started in 2000 within the book "Pixel Juice" by Jeff Noon, who later explained using different methods for this process in 2001 with "Cobralingus".
Later in 2006 Nigel Tomm published his book Shakespeare's Sonnets Remixed where he introduced a literary remix in poetry. In the same year Nigel Tomm published Shakespeare's Hamlet Remixed. In 2007 Shakespeare's Romeo and Juliet Remixed was published. In these books Nigel Tomm extended, broadened and developed the phenomenon of literary remix.
[edit] See also
Look up remix in Wiktionary, the free dictionary.
* Musical montage
* Sound collage
* Cover version
* Multitracking
* Ccmixter
[edit] References
* Postdigital Remix Culture and Online Performance - exhibition at University of California at Riverside
* "The Remixmasters", Slate (July 29, 2002)
* Laptoprockers - Online Remix Contests
Music therapy
Main article: Music therapy
Robert Burton wrote in the 17th century in his work, The Anatomy of Melancholy, that music and dance were critical in treating mental illness, especially melancholia.[9] He said that "But to leave all declamatory speeches in praise of divine music, I will confine myself to my proper subject: besides that excellent power it hath to expel many other diseases, it is a sovereign remedy against despair and melancholy, and will drive away the devil himself." Burton noted that "...Canus, a Rhodian fiddler, in Philostratus, when Apollonius was inquisitive to know what he could do with his pipe, told him, "That he would make a melancholy man merry, and him that was merry much merrier than before, a lover more enamoured, a religious man more devout."[10][11][12]
In November 2006, Dr. Michael J. Crawford[13] and his colleagues also found that music therapy helped schizophrenic patients.[14] In the Ottoman Empire, mental illnesses were treated with music[ (Less)
Yaz - Situation (Single Remix) Yazoo (known as Yaz in the U.S.) was a short-lived but highly successful English synthpop duo from (More) Yazoo (known as Yaz in the U.S.) was a short-lived but highly successful English synthpop duo from Basildon, Essex that had a number of top ten hits in the British charts in the early 1980s.
Heavily influenced by earlier bands like Kraftwerk, Yazoo expanded upon the synthpop formula by juxtaposing Alison Moyet's vocals with Vince Clarke's electronic hooks. Its sound referenced disco but added a more disaffected attitude that disco lacked. Their second album saw greater songwriting input from Moyet, adding a rather more mature and soulful flavour, particularly on the hit single "Nobody's Diary."
The group was formed in 1981, using a moniker that Alison Moyet, veteran of a number of southeast Essex based punk and rock bands, had seen on the labels of old blues albums: Yazoo Records, although Clarke later confessed that this came from mis-hearing the name of the mouth instrument Kazoo which was popular in the late 1970s. Clarke had been the main songwriter in Depeche Mode, who at that point had recorded one album and three singles for Mute Records, including the hits "New Life" and "Just Can't Get Enough". Clarke surprised many by quitting Depeche Mode just as they were beginning to reap success, claiming that they "just weren't getting on, really", forming Yazoo with the then relatively unknown Moyet. Mute Records continued to release the output of this new Clarke project. The band was licensed to Sire Records in the United States.
Its debut single "Only You" backed with "Situation," was released in April 1982 and rose to number two in the UK. Clarke had offered the song as a parting gift to his former bandmates in Depeche Mode, but they declined. Yazoo quickly scored another hit with the next single, "Don't Go," which hit number three, and became popular on MTV in the United States thanks to a Frankenstein-themed video. They continued their successful streak with their first album, Upstairs at Eric's, which went platinum in Britain. The band received favourable reviews for their pioneering sound. Clarke and Moyet toured briefly, while releasing a stopgap single, "The Other Side of Love."
The duo's second and last album, You and Me Both, yielded more success, hitting the top of the UK charts, and spinning off one single. The album's success was tainted by Clarke and Moyet announcing they were to go their separate ways shortly before its release.
Moyet decided to venture off on a solo career, signing to Columbia Records, where she would enjoy a great deal of early success. Vince Clarke recorded a single with producer Eric Radcliffe (the same "Eric" from the title of Yazoo's debut album) and Undertones singer Feargal Sharkey as The Assembly, and another with vocalist Paul Quinn. Around this time, Clarke also co-wrote "The Face of Dorian Gray" for his friend and singer Robert Marlow. Clarke then founded the highly successful pop group Erasure with vocalist Andy Bell.
Mute Records released a remixed version of "Situation" as a single in 1990 to moderate success. In 1999, a compilation was released, entitled Only Yazoo - The Best of and was preceded by a re-release of Yazoo's debut single, "Only You", featuring a new remix of the title track and several more of "Don't Go". The band's output was bookended with yet another release of "Situation", accompanied by many remixes (Less)
Erasure-Pop Remixed-Promo CDM-2009 2009-03-10 - extension: rar - size: 23 MB
Erasure-Pop Remixed-Promo CDM-2009
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