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SOURCE Visuals: MICROTECH by VJ Rebel Overlay (demo) SOURCE (www.sourcevisuals.com) is a label for original motion graphic visuals downloads for VJs, (More) SOURCE (www.sourcevisuals.com) is a label for original motion graphic visuals downloads for VJs, DJs, parties, clubs, special events and advanced domestic habitats. Just add music. View and Buy: sourcevisuals.com/source/product.aspx?productid=15 Free Sample: sourcevisuals.com/mediablock/samples/DCVS14_Sample.zip Demo Audio by Hampus Holmqvist (ooggg.blogspot.com/) Raw, essential, bold graphics on black make for visuals with punch. Get very technical with expanding geometric forms, electro glitch noise, dancing tracers and fluid bodies. The pure, clean clips are excellent for layering with each other or on other video for instant “technification”. Tags: Neon, electro, tech, woman, glitch, circle, strobe, skull, radiation, VJ, visuals, eyecandy, techno, electro, house, trance Rebel Overlay - Spencer Heron A finalist in the Edirol VJ Challenge held at the London International Music Show, Manchester based Rebel Overlay has been rocking video in a live environment for over four years, performing alongside the biggest DJs at UK’s highest profile events such as Glastonbury Festival, Beat-herder and Solfest. The colours are bold, sharp and intense and the cuts are locked to the beat via midi sequencer in live performances. Spencer is now a featured VJ on Pete Tong’s weekly podcast show ‘Fast Trax’ as well as providing the visual content for Radio 1’s Annie Mac Presents Tour. rebeloverlay.co.uk (Less)
From compression artifact to filter Abandoned compression video project, 2009. Made with the help of Download Finished. An archeology of (More) Abandoned compression video project, 2009. Made with the help of Download Finished. An archeology of a compression filter. See blogpost: rosa-menkman.blogspot.com/2009/02/from-compression-artifact-to-filter.html A couple of months ago I was approached by a company that asked me for my knowledge on glitch and compression artifacts. They were especially interested in recreating bleeding pixels. I recognized their ideas in the work of Sven Konig and send them to his website (on which in 2005 already, Sven published a script that can be used to create such artifacts). Later the company send me an email that said they unfortunately cancelled their project. I made my own video though, and send it to Goto80, but in the end we also decided it seemed boring to just reuse a technique developed by somebody else - because it feels no longer as an experiment. I kept track of the bleeding pixel effect and noticed its growing popularity, especially over the last few weeks. This lead me to write a small archeology of this particular compression artifact. The bleeding pixel effect (or datamoshing) is located in a realm where compression artifacts and glitch artifacts intertwine. The artifacts caused by compression are stable, although unpredictable. Therefore, technically, they are not a glitch because the method is reproducible. They are however often perceived as a glitch (an error). The bleeding effect relies on deleting the information within one frame per 25 (more or less, depending on the frame rate) in a divx or xvid video. I think the most interesting thing about using this effect is that it shows the materiality of digital film by translating the grain of the celloid into the digital pixel. Timeline. I know there are more works out there, but these works seem (for different reasons) more important or referenced too. * Sven Konig. aPpRoPiRaTe!, 2005. Online distributed software script made to appropriate complete video files found in file sharing networks with minimal effort. In 2007 Sven and Bitnik collaborative project Download Finished saw the light of day. Download Finished is a website that "transforms and re-publishes films from p2p networks and online archives. in Downloaf Finished, found footage becomes the rough material for the transformation machine, which translates the underlying data structure of the films onto the surface of the screen. the original images dissolve into pixels, thus making the hidden data structure visible. through Download Finished, file sharers become authors by re-interpreting their most beloved films." * Takeshi Murata. Monster Movie, 2005. Single channel digital video on DVD 4 minutes; sound by Plate Tectonics * Paul B. Davis (collaboration with Jacob Ciocci/PAPER RAD). “Compression Study #2”, 2007. DVD projection (edition of 7) * David OReilly. Compression Reel, 2008. Vimeo Video * Data Mosher. Chairlift - "Evident Utensil" Music Video, 2009. Vimeo Video * Nabil Elderkin. KANYE WEST "Welcome To Heartbreak", 2009. Vimeo Video Since the release of the last three videos (by O'reilly, Chairlift and Kanye), there has been a lot of back-and-forth comment-talk on who was the first to use this effect. The Kanye video will not even be released because "there is another video out there using the same effect". Even so, most of the video makes seem to be quite nice to me and didn't get me tired of the effect yet. I think it is only a matter of time before we will see that this artifact is developped into an browser script, like we have seen with much praised image-glitch plugins and browsers like glitchbrowser (2005/2008) developed by dimitre, ant scott, iman moradi. Then this enchanting artifact will be changed into just another default preset or cultivation. (Less)
IMAGO - BLUSH glitch-music-station blogspot com
2008-12-17 - extension: rar - size: 43 MB
IMAGO - BLUSH glitch-music-station blogspot com
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