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Children of the Future
NB This is a 5 minute promo of the 24 hours of rushes that we filmed whilst in South Africa. We (More) NB This is a 5 minute promo of the 24 hours of rushes that we filmed whilst in South Africa. We would like assistance from people who can help create either a documentary to show on television...or a mere 10 minute introductory discussion film for the classroom that provokes kids into discussion. We would need help in all elements of production thanks! I think that you'll find that this is one worthwhile effort! Please send any correspondence to neildatta@hotmail.com. PLease find below the Synopsis, The One Pager, The Personal Motivation, and Character Summaries! SYNOPSIS OF THE FILM Our aim is to produce a short film that highlights the impact of AIDS on the children of South Africa. This film seeks to provide an insight into a much overlooked, yet increasingly worsening, situation. By the end of this decade at least one in seven children will be left without one or more parents in South Africa (UNICEF). Considering the “Rainbow Nation” is celebrating 10 years of freedom from apartheid, we believe the film is both timely and essential. We plan to make this documentary distinctive by providing the children’s perspective through their own voices. Provocative and unprecedented, we will present the intimate and challenging opinions of children, as well as personal accounts from orphans battling with HIV and AIDS. The result is a visually powerful piece of film that compels one to reflect on the future of these children and, indeed, the future of South Africa. ------------------------------------------------------------------ ONE PAGER CHILDREN OF THE FUTURE is a documentary that captures the voice and views of children on the subject of HIV/AIDS. The aim is to produce a challenging piece of film that raises awareness of the issue from the unique perspective of the child. By not showing any adults, the film is unprecedented in its absolute focus on children. Furthermore, the documentary juxtaposes a variety of remarkable opinions of schoolchildren from diverse backgrounds. For example, Ingrid believes abstinence is the only way to stop the crisis. Mervino, however, makes sure he has a condom in his underwear whenever he goes out. Xolani’s boyfriend labeled her a slut when she asked him to wear one. Marelie is adamant that the fault lies in those infected with HIV. This background of provocative viewpoints will be woven around the stories of real children infected with or affected by HIV/AIDS. Beronique and Geraldine are HIV+, but only their mother knows. The mother’s partner passed away the day after filming; he died from AIDS. Patricia wants to be a social worker, to help people with HIV … to help people like her mother. Mishek only became aware of his mother’s status two days ago … he’s trying to keep it a secret from his younger brother – but Ntandazo already knows. Charlene’s main concern is not AIDS, but what will she eat tonight. She’s pregnant. Such stories will form the backbone of the documentary, thus combining perceptions with reality. By listening to the children’s views, feelings, needs and aspirations, we aim to take the audience on a thought-provoking journey that enables the viewer to contemplate what the future truly holds for these children of South Africa. ------------------------------------------------------------------ PERSONAL MOTIVATION Our involvement in this project is as broad and diffuse as the subject matter being tackled. We both take an active interest in issues outside the scope of our medical courses: we have organised and spoken at national medical conferences on the subject of Homelessness and Social Exclusion, and have taught English to underprivileged children in the developing world. Our common driving force is the desire to improve the lives of those less fortunate than ourselves, and we firmly believe that, as future doctors, we should be careful not to consider our personal borders to be those of the hospital we work in; the knowledge, compassion and resourcefulness of medical students would thus be poorly-utilised. To this end, the camera equipment we used has been donated to the medical school (Royal Free and University College London Medical School), permitting other students to carry out similar projects. The window of opportunity for our film was three weeks in August of 2004. Following this, we had an eight-week elective, during which medical students typically practice their skills in a foreign country. Most use this as a chance to travel to countries such as Australia and New Zealand, whilst having a small break from their studies. However, rather than having the usual holiday, we felt that we could do something that actually benefited the country we were visiting. Having never been to sub-Saharan Africa, we felt that South Africa would be a wonderful place to begin: not only a beautiful country with much to offer in terms of sights, but one that is in the throes of celebrating a rebirth ten years after apartheid. This unique standing in the world was not, however, the only reason to choose the “Rainbow Nation”. Having done a degree in International Health, and having spent time on HIV/AIDS wards in our hospital, we were only too aware of the significance of this devastating disease in sub-Saharan countries; again, South Africa is unique among these for several reasons. 13% of all the people in the world living with HIV can be found in South Africa . UNAIDS estimated that at the end of 2003 there were 5.3 million people in South Africa living with HIV, which at the time was 21.5% of the population. Barring a medical miracle, one out of every five adults is expected to die from the disease in the next decade, causing the country's life expectancy to plunge from 59 to 40 years by 2010. This means that, in 10 years time, a substantial portion of the productive workforce will have gone. In some respects there is has been medical miracle, but confusion over the causal link between HIV and AIDS had delayed in the roll-out of Anti-Retroviral (ARVs) drugs. During the preparatory stage of Children of the Future, we saw the government finally unveil a national treatment programme, thus lending a new dimension to our project as an advocacy tool for ARVs. However, the initial target date for treating 53,000 people has already had to be extended once, from March 2004 to March 2005 . Our decision to raise awareness through film documentary came from previous experience with this medium: to publicise one of the aforementioned conferences on Homelessness and Social Exclusion in 2000, we made a promotional video that was shown to medical students at various universities. In the case of CotF, we were hoping that the visual appeal of children together with narration would have a far greater impact than either on its own. Furthermore, our understanding of children, gleaned from working in Paediatrics wards, from teaching English to children abroad and from working as play-school assistants, would likely enhance our ability to communicate and empathise with the child interviewees. Indeed, an unforeseen benefit of the filming was the opportunity to counsel children within the communities, as well as to facilitate discussion and learning on the subject in schools. Nonetheless, our original motivation remained to give children a chance to be part of the global debate on HIV/AIDS; Foster et al.'s study of orphaned children and community members in Mutare, Zimbabwe, proved that the first step in enabling children to self-advocate was to listen to their concerns . Only in post-production did we realised that the children were actually providing feedback on the effectiveness of policies on HIV and AIDS, whilst indirectly acting as a topical barometer of the current level of awareness within children in South Africa. Since many of the families of the children in the community are on ARVs, the optimism for the future is evident to those who view the footage. Thus, in summary, the project was conceived to give a deeper insight into the complex, dynamics of South Africa, as well as the impact of HIV/AIDS. The nature of the film documentary gave us the opportunity to improve our communication skills and advance our knowledge of media production. In addition, we hoped to give other medical students the opportunity to be creative with their abilities by showing them that visiting a country for a reason other than a holiday can be a positive, highly-rewarding experience. Through this simple ideology, we hoped achieve out aim of giving children the chance to participate in their futures. A few years on, we have realised that much more was gained than we could have foreseen when planning our project. On a personal level, the friendships, the country, and moreover, the children, have all affected us considerably in the way we think and live today. In retrospect, having filmed the thought-provoking opinions in the interviews and seen the emotional impact of the narratives, we realised that our original goal-lines were set too short. With assistance and support, the film has the potential not only to be an emotive, informative TV documentary, but also to be used as a tool for advocacy and in education. We hope that others will share our aim of making this project a worthwhile contribution in the fight against HIV/AIDS. ------------------------------------------------------------------ CHARACTER SUMMARIES Gwendoline Gwendoline is an adorable 8 yr old girl, living with her grandma in Thembalethu. Her mother died of AIDS in 2002. Her father is living in the Eastern Cape. Gwendoline was raped at the age of 3 yrs by her grandfather. She was very sick; she went through a lot of trauma and counselling. Her grandmother, Dorothy, loves and protects her as her own daughter. Meshack & Ntandazo Meshack, 17 yrs, and Ntandazo, 12 yrs, are brothers. They live and go to school in Blanco. Their mother, Gladys, is 46 yrs old. She is HIV positive and is paralysed on the left-hand side. Her husband was also HIV positive, and died in 1998. She lives away from her children with her own mom and brother in Thembalethu. Another of her brothers is currently looking after the children, as she is too sick. The children are doing well in school. The brothers found out separately over the weekend prior to the film that their mother was dying of AIDS. Mishek was trying to keep this a secret from his younger brother, not knowing that Ntandazo already knew. Baronique & Geraldine Louisa is a 27 yr old timid mother who lives in George, she has been an HIV patient for 12 years. She has 2 daughters who are both HIV positive. The eldest child, Baronique, is 8 yrs old and her father is in Prison in Mossel Bay and is HIV positive. The youngest, Geraldine, is 4 yrs old and her father died the day after filming of AIDS. Although hopeful for the future she lives in isolation due to the fear of how the community would react should they know the status of her children. Patricia Patricia is an intelligent 13 yr old girl. She is currently in grade 7. She’s living with her mother, Gertrude, who has HIV and her sister who is negative. They live in Lawaaikamp. She cares a lot for her mother. She had just recovered from a terrible bout of shingles. Patricia wants to be a social worker and help people affected by HIV. She knows that her mother won’t be with them for very long. Shaleen Shaleen lives in Rosemoore, and is 17 years old. There are five children in the house, the youngest one is 6 yrs old and he was born disabled. Shalaeen had done grade 8, when she found out that she was pregnant. The father of the unborn is currently in prison. Shaleen’s father died last year; he was a HIV positive and died of AIDS. Shaleen’s mother is 38 yrs old and she is still negative. There is no income in the family apart from the disability grant allowance for the youngest. Shaleen’s main concern during the interview was uncertainty of what they will eat in the evening. Nhlanla Nhlanla is a shy 6 yr old boy who suffers from epilepsy attacks. He also has HIV. Both his mother and father died 4 years ago from AIDS. He has no brothers or sisters He currently lives with his grandmother, Lettie, who is caring for him. Her only source of income is her old age pension. The grandmother says that when she dies one day, then somebody must ensure that the boy is looked after because the boy’s family neglects him. Lindeka Lindeka is an outspoken 17 yr old girl who lives in Lawaaikamp in George. She lives with her mother, Elizabeth and 10 yr old brother, Lucas. Their father died of AIDS. Her mother is HIV positive. Lindeka is pregnant, and the baby is due in November. Her mother is struggling to keep them in school. Her mother has accepted that she has got the disease. Lindeka is very proud her mother and wants the world not to fear HIV. Zikhona Zikhona is a 10 yr old girl. She is currently in grade 5. Her mother, Eunice, contracted HIV from the previous marriage. Her current partner blames her yet refuses to check his own status. Zikhona also has a 9 yr old brother Patrick and her 18 month old baby sister called Pushie, The HIV status of all three is uncertain. Zikhona is the only child of the three who really understands what is going on around her. She spends as much time as possible with her parents. There are times she does not go to school, just to make sure that everything is well at home. Zikhona is excelling in her schoolwork. Although a very shy person, Zikhona has big dreams for her future. Thanbakazi & Sandiswa Thambeka is a 38 yr old mother of two who lives in Zone 6 with her sister. Thembeka has HIV. Both her sons, Thanbakazi and Sandiswa, 8 and 11 yrs old respectively, are HIV negative. Sandiswa’s father is also negative, however the father of Thanbakazi is positive. ------------------------------------------------------------------ (Less)
Seven Year Bitch - In Lust You Trust
Full music video. At their first concert, the band opened for The Gits, who would prove to have a (More) Full music video. At their first concert, the band opened for The Gits, who would prove to have a significant influence on their music. In 1991 the band released the single "Lorna" and signed with C/Z Records. Their first album, Sick 'Em, was released in 1992, but it was overshadowed by Sargent's death on June 27 due to a drug overdose. After a prolonged period of uncertainty, the band decided to continue, recruiting guitarist Roisin Dunne as Sargent's replacement later that year. In July 1993, longtime friend and Gits frontwoman Mia Zapata was brutally raped and murdered while walking home late at night. This event, coupled with Sargent's overdose the previous year, had a profound effect on the group. As a reaction, the band recorded and released their second album ¡Viva Zapata! (1994) in tribute to both of their fallen friends. Valerie Agnew also became the primary instigator and co-founder of the anti-violence and self-defence organisation Home Alive.[1][2][3] On April 8, 1994, the band played a benefit show for Rock Against Domestic Violence alongside Babes in Toyland and Jack Off Jill. In 1995 the band signed with Atlantic Records, and in 1996 released their third album, Gato Negro. Following the tour supporting Gato Negro, guitarist Roisin Dunne left, and was replaced by Lisa Faye Beatty, the band's live sound engineer and long-time friend. In early 1997, the band began recording material for what was to be their fourth album. However, the sessions were quickly marred after the band received news that they were being dropped by Atlantic Records. Without the support of a major label, and with waning internal interest in the group, 7 Year Bitch disbanded. Following the break-up of 7 Year Bitch, bassist Elizabeth Davis joined the San Francisco-based band Clone, with whom she performed with until 2003. In 2005 she helped to form the band Von Iva. Vocalist Selene Vigil formed a gothic/psychedelic-influenced band by the name of Cistine, in 2000. On December 10, 2005 Vigil married Brad Wilk, drummer for Rage Against the Machine and Audioslave, her boyfriend of ten years. [1] Roisin Dunne joined the band The Last Goodbye in 2006, and now resides in New York. Filmed at the Crocodile Cafe 1993 for $1,500. Edited on a Sony 3/4" system with a RM440 controller. Dir Duncan Sharp DP Shane F. Kelly Prod Colin Stacey Section 8 Films 1992 (Less)
Children of the Future NB This is a 5 minute promo of the 24 hours of rushes that we filmed whilst in South Africa. We (More) NB This is a 5 minute promo of the 24 hours of rushes that we filmed whilst in South Africa. We would like assistance from people who can help create either a documentary to show on television...or a mere 10 minute introductory discussion film for the classroom that provokes kids into discussion. We would need help in all elements of production thanks! I think that you'll find that this is one worthwhile effort! Please send any correspondence to neildatta@hotmail.com. PLease find below the Synopsis, The One Pager, The Personal Motivation, and Character Summaries! SYNOPSIS OF THE FILM Our aim is to produce a short film that highlights the impact of AIDS on the children of South Africa. This film seeks to provide an insight into a much overlooked, yet increasingly worsening, situation. By the end of this decade at least one in seven children will be left without one or more parents in South Africa (UNICEF). Considering the “Rainbow Nation” is celebrating 10 years of freedom from apartheid, we believe the film is both timely and essential. We plan to make this documentary distinctive by providing the children’s perspective through their own voices. Provocative and unprecedented, we will present the intimate and challenging opinions of children, as well as personal accounts from orphans battling with HIV and AIDS. The result is a visually powerful piece of film that compels one to reflect on the future of these children and, indeed, the future of South Africa. ------------------------------------------------------------------ ONE PAGER CHILDREN OF THE FUTURE is a documentary that captures the voice and views of children on the subject of HIV/AIDS. The aim is to produce a challenging piece of film that raises awareness of the issue from the unique perspective of the child. By not showing any adults, the film is unprecedented in its absolute focus on children. Furthermore, the documentary juxtaposes a variety of remarkable opinions of schoolchildren from diverse backgrounds. For example, Ingrid believes abstinence is the only way to stop the crisis. Mervino, however, makes sure he has a condom in his underwear whenever he goes out. Xolani’s boyfriend labeled her a slut when she asked him to wear one. Marelie is adamant that the fault lies in those infected with HIV. This background of provocative viewpoints will be woven around the stories of real children infected with or affected by HIV/AIDS. Beronique and Geraldine are HIV+, but only their mother knows. The mother’s partner passed away the day after filming; he died from AIDS. Patricia wants to be a social worker, to help people with HIV … to help people like her mother. Mishek only became aware of his mother’s status two days ago … he’s trying to keep it a secret from his younger brother – but Ntandazo already knows. Charlene’s main concern is not AIDS, but what will she eat tonight. She’s pregnant. Such stories will form the backbone of the documentary, thus combining perceptions with reality. By listening to the children’s views, feelings, needs and aspirations, we aim to take the audience on a thought-provoking journey that enables the viewer to contemplate what the future truly holds for these children of South Africa. ------------------------------------------------------------------ PERSONAL MOTIVATION Our involvement in this project is as broad and diffuse as the subject matter being tackled. We both take an active interest in issues outside the scope of our medical courses: we have organised and spoken at national medical conferences on the subject of Homelessness and Social Exclusion, and have taught English to underprivileged children in the developing world. Our common driving force is the desire to improve the lives of those less fortunate than ourselves, and we firmly believe that, as future doctors, we should be careful not to consider our personal borders to be those of the hospital we work in; the knowledge, compassion and resourcefulness of medical students would thus be poorly-utilised. To this end, the camera equipment we used has been donated to the medical school (Royal Free and University College London Medical School), permitting other students to carry out similar projects. The window of opportunity for our film was three weeks in August of 2004. Following this, we had an eight-week elective, during which medical students typically practice their skills in a foreign country. Most use this as a chance to travel to countries such as Australia and New Zealand, whilst having a small break from their studies. However, rather than having the usual holiday, we felt that we could do something that actually benefited the country we were visiting. Having never been to sub-Saharan Africa, we felt that South Africa would be a wonderful place to begin: not only a beautiful country with much to offer in terms of sights, but one that is in the throes of celebrating a rebirth ten years after apartheid. This unique standing in the world was not, however, the only reason to choose the “Rainbow Nation”. Having done a degree in International Health, and having spent time on HIV/AIDS wards in our hospital, we were only too aware of the significance of this devastating disease in sub-Saharan countries; again, South Africa is unique among these for several reasons. 13% of all the people in the world living with HIV can be found in South Africa . UNAIDS estimated that at the end of 2003 there were 5.3 million people in South Africa living with HIV, which at the time was 21.5% of the population. Barring a medical miracle, one out of every five adults is expected to die from the disease in the next decade, causing the country's life expectancy to plunge from 59 to 40 years by 2010. This means that, in 10 years time, a substantial portion of the productive workforce will have gone. In some respects there is has been medical miracle, but confusion over the causal link between HIV and AIDS had delayed in the roll-out of Anti-Retroviral (ARVs) drugs. During the preparatory stage of Children of the Future, we saw the government finally unveil a national treatment programme, thus lending a new dimension to our project as an advocacy tool for ARVs. However, the initial target date for treating 53,000 people has already had to be extended once, from March 2004 to March 2005 . Our decision to raise awareness through film documentary came from previous experience with this medium: to publicise one of the aforementioned conferences on Homelessness and Social Exclusion in 2000, we made a promotional video that was shown to medical students at various universities. In the case of CotF, we were hoping that the visual appeal of children together with narration would have a far greater impact than either on its own. Furthermore, our understanding of children, gleaned from working in Paediatrics wards, from teaching English to children abroad and from working as play-school assistants, would likely enhance our ability to communicate and empathise with the child interviewees. Indeed, an unforeseen benefit of the filming was the opportunity to counsel children within the communities, as well as to facilitate discussion and learning on the subject in schools. Nonetheless, our original motivation remained to give children a chance to be part of the global debate on HIV/AIDS; Foster et al.'s study of orphaned children and community members in Mutare, Zimbabwe, proved that the first step in enabling children to self-advocate was to listen to their concerns . Only in post-production did we realised that the children were actually providing feedback on the effectiveness of policies on HIV and AIDS, whilst indirectly acting as a topical barometer of the current level of awareness within children in South Africa. Since many of the families of the children in the community are on ARVs, the optimism for the future is evident to those who view the footage. Thus, in summary, the project was conceived to give a deeper insight into the complex, dynamics of South Africa, as well as the impact of HIV/AIDS. The nature of the film documentary gave us the opportunity to improve our communication skills and advance our knowledge of media production. In addition, we hoped to give other medical students the opportunity to be creative with their abilities by showing them that visiting a country for a reason other than a holiday can be a positive, highly-rewarding experience. Through this simple ideology, we hoped achieve out aim of giving children the chance to participate in their futures. A few years on, we have realised that much more was gained than we could have foreseen when planning our project. On a personal level, the friendships, the country, and moreover, the children, have all affected us considerably in the way we think and live today. In retrospect, having filmed the thought-provoking opinions in the interviews and seen the emotional impact of the narratives, we realised that our original goal-lines were set too short. With assistance and support, the film has the potential not only to be an emotive, informative TV documentary, but also to be used as a tool for advocacy and in education. We hope that others will share our aim of making this project a worthwhile contribution in the fight against HIV/AIDS. ------------------------------------------------------------------ CHARACTER SUMMARIES Gwendoline Gwendoline is an adorable 8 yr old girl, living with her grandma in Thembalethu. Her mother died of AIDS in 2002. Her father is living in the Eastern Cape. Gwendoline was raped at the age of 3 yrs by her grandfather. She was very sick; she went through a lot of trauma and counselling. Her grandmother, Dorothy, loves and protects her as her own daughter. Meshack & Ntandazo Meshack, 17 yrs, and Ntandazo, 12 yrs, are brothers. They live and go to school in Blanco. Their mother, Gladys, is 46 yrs old. She is HIV positive and is paralysed on the left-hand side. Her husband was also HIV positive, and died in 1998. She lives away from her children with her own mom and brother in Thembalethu. Another of her brothers is currently looking after the children, as she is too sick. The children are doing well in school. The brothers found out separately over the weekend prior to the film that their mother was dying of AIDS. Mishek was trying to keep this a secret from his younger brother, not knowing that Ntandazo already knew. Baronique & Geraldine Louisa is a 27 yr old timid mother who lives in George, she has been an HIV patient for 12 years. She has 2 daughters who are both HIV positive. The eldest child, Baronique, is 8 yrs old and her father is in Prison in Mossel Bay and is HIV positive. The youngest, Geraldine, is 4 yrs old and her father died the day after filming of AIDS. Although hopeful for the future she lives in isolation due to the fear of how the community would react should they know the status of her children. Patricia Patricia is an intelligent 13 yr old girl. She is currently in grade 7. She’s living with her mother, Gertrude, who has HIV and her sister who is negative. They live in Lawaaikamp. She cares a lot for her mother. She had just recovered from a terrible bout of shingles. Patricia wants to be a social worker and help people affected by HIV. She knows that her mother won’t be with them for very long. Shaleen Shaleen lives in Rosemoore, and is 17 years old. There are five children in the house, the youngest one is 6 yrs old and he was born disabled. Shalaeen had done grade 8, when she found out that she was pregnant. The father of the unborn is currently in prison. Shaleen’s father died last year; he was a HIV positive and died of AIDS. Shaleen’s mother is 38 yrs old and she is still negative. There is no income in the family apart from the disability grant allowance for the youngest. Shaleen’s main concern during the interview was uncertainty of what they will eat in the evening. Nhlanla Nhlanla is a shy 6 yr old boy who suffers from epilepsy attacks. He also has HIV. Both his mother and father died 4 years ago from AIDS. He has no brothers or sisters He currently lives with his grandmother, Lettie, who is caring for him. Her only source of income is her old age pension. The grandmother says that when she dies one day, then somebody must ensure that the boy is looked after because the boy’s family neglects him. Lindeka Lindeka is an outspoken 17 yr old girl who lives in Lawaaikamp in George. She lives with her mother, Elizabeth and 10 yr old brother, Lucas. Their father died of AIDS. Her mother is HIV positive. Lindeka is pregnant, and the baby is due in November. Her mother is struggling to keep them in school. Her mother has accepted that she has got the disease. Lindeka is very proud her mother and wants the world not to fear HIV. Zikhona Zikhona is a 10 yr old girl. She is currently in grade 5. Her mother, Eunice, contracted HIV from the previous marriage. Her current partner blames her yet refuses to check his own status. Zikhona also has a 9 yr old brother Patrick and her 18 month old baby sister called Pushie, The HIV status of all three is uncertain. Zikhona is the only child of the three who really understands what is going on around her. She spends as much time as possible with her parents. There are times she does not go to school, just to make sure that everything is well at home. Zikhona is excelling in her schoolwork. Although a very shy person, Zikhona has big dreams for her future. Thanbakazi & Sandiswa Thambeka is a 38 yr old mother of two who lives in Zone 6 with her sister. Thembeka has HIV. Both her sons, Thanbakazi and Sandiswa, 8 and 11 yrs old respectively, are HIV negative. Sandiswa’s father is also negative, however the father of Thanbakazi is positive. ------------------------------------------------------------------ (Less)
Seven Year Bitch - In Lust You Trust Full music video. At their first concert, the band opened for The Gits, who would prove to have a (More) Full music video. At their first concert, the band opened for The Gits, who would prove to have a significant influence on their music. In 1991 the band released the single "Lorna" and signed with C/Z Records. Their first album, Sick 'Em, was released in 1992, but it was overshadowed by Sargent's death on June 27 due to a drug overdose. After a prolonged period of uncertainty, the band decided to continue, recruiting guitarist Roisin Dunne as Sargent's replacement later that year. In July 1993, longtime friend and Gits frontwoman Mia Zapata was brutally raped and murdered while walking home late at night. This event, coupled with Sargent's overdose the previous year, had a profound effect on the group. As a reaction, the band recorded and released their second album ¡Viva Zapata! (1994) in tribute to both of their fallen friends. Valerie Agnew also became the primary instigator and co-founder of the anti-violence and self-defence organisation Home Alive.[1][2][3] On April 8, 1994, the band played a benefit show for Rock Against Domestic Violence alongside Babes in Toyland and Jack Off Jill. In 1995 the band signed with Atlantic Records, and in 1996 released their third album, Gato Negro. Following the tour supporting Gato Negro, guitarist Roisin Dunne left, and was replaced by Lisa Faye Beatty, the band's live sound engineer and long-time friend. In early 1997, the band began recording material for what was to be their fourth album. However, the sessions were quickly marred after the band received news that they were being dropped by Atlantic Records. Without the support of a major label, and with waning internal interest in the group, 7 Year Bitch disbanded. Following the break-up of 7 Year Bitch, bassist Elizabeth Davis joined the San Francisco-based band Clone, with whom she performed with until 2003. In 2005 she helped to form the band Von Iva. Vocalist Selene Vigil formed a gothic/psychedelic-influenced band by the name of Cistine, in 2000. On December 10, 2005 Vigil married Brad Wilk, drummer for Rage Against the Machine and Audioslave, her boyfriend of ten years. [1] Roisin Dunne joined the band The Last Goodbye in 2006, and now resides in New York. Filmed at the Crocodile Cafe 1993 for $1,500. Edited on a Sony 3/4" system with a RM440 controller. Dir Duncan Sharp DP Shane F. Kelly Prod Colin Stacey Section 8 Films 1992 (Less)
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