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hollywood (jonas brothers love story) chapter 21 part 1 hey sorry, the last one was titled chapter 20 part 3 but it was supposed to be chapter 20 part 4, (More) hey sorry, the last one was titled chapter 20 part 3 but it was supposed to be chapter 20 part 4, but this one is still chapter 21 part 1, so sorry on my part! and i hope you like it, dont forget to commetn, rate, and subscribe!
we are with joe, and lex and they are at the mini golf place.
lex: [pulled away from joe's kiss] now, dont think that just because of that i am going to go easy on you.
joe: same with you [smiles]
lex: ok...so your turn huh?[they walk to the next whole and they see kevin and allison walk up to the first whole lex sees them]
lex: joe, look is that jevin adn allison [points to her left at a couple]
joe: i think..come one, lets go and see [they walk over and lex sees that it is allison for sure, and she pokes her sides like she is tickling]
allison: [turns around in shock] hey!! [hugs lex] what are you guys doing here?
kevin: hey guys
joe: just golfin it up!
kevin: yeah, dont say that.
lex: well yeah, we just came from dinner with some of my friends, and i wanted to laser tag and he wanted to golf, so this is the closest we could get.
allison: awh, well when you guys are done with golfing go inside and wait for us, and we can all go together, go carting and laser tag.
joe: its on, kevin i will PONE you at go cart and laser tag hands down!
kevin: whatever, do you even know what a go cart is?
joe: haha, very funny [sarcastic] and yes i do and i am king at it.
lex: well come down off your thrown "king" [wiht air quotes] ok, well we will see you guys later.
allison: ok, have fun.
[so they all play there round of golf and they meet kind of in the lobby type thing of the place]
kevin: so who one?
lex: [with a big smile] meeeee
joe: yeah, she was supposed to be bad.
kevin: hahaha, niiiice [gives a high five to lex]
allison: dont feel bad joe, kevin beat me too.
joe: atleast you didnt get husstled [looks at lex]
lex: joe, get over it. [kisses his cheek]
joe: haha, im good.
allison: so what do you want to do first?
lex and allison: laser tag [they both run over to the laser tag booth]
joe: huess, we are playing laser tag
kevin: guess so. [they follow the girls over]
[with nick and jen, this is all happening at the same time as the joe and lex thing, so it is around 7:00]
jen: so we are going to an amusement park?
nick: yeah.
jen: and explain to me again how you know this girl...
nick: well, a while ago me joe and kevin did like a win a date with the jonas brothers for popstar magazine, and she was the winner to be my date, and joe and kevin didnt really like theirs, but i thought cara was really cool, she is nice and fun to talk to, and she has diabetes, and so we have a lot in common, and i told her that when i got home i promised i would take her to the amusment park so i guess she remebered cause i didnt, i think you will like her, all i know is she is a dancer.
jen: hmm, she sounds facinating [curious]
nick: ok, well we better go, i told her we would be there @ 7:30
jen: ok, should i bring my purse? am i coming back here?
nick: no, you dont need to, i got tonight, just bring your phone if you want to.
jen: im ok, come on
[they leave, and go to get cara, they get to the amusment park, and nick is surprised on how much jen is getting along with cara, it seems like jen really likes her so they get out and go to the ticket booth]
nick: three braclets please.
jen: what are the braclets for.
nick: oh-[cuts off]
cara: so we can ride every single ride as much as we want..
jen: hmm, fun
nick: you do like roller coasters dont you?
jen: love em' [smiles]
nick: ok come one then
[they all run up to the first roller coaster in sight it is a mechanical one and it does lots of flips and turns, they get to the tope of the building and are next in line, there are three to a row so it worked perfect, so they all ran up to get in the line for the first row]
jen: nick i have to sit by you.
nick: you'll be fine
cara: jen why dont you be in the middle of us.
jen: ok
[they all get on and jen is already locking arms with nick gripping for life, and she quickly turns around, and sees someone she thinks she knows]
jen: nick is that-[cuts off]
nick: uh oh...
[the roller coaster starts to go]
all three: AHHHHHHHHH (Less)
Mills Brothers--How 'm I Doin',Hey-Hey An astonishing vocal group that grew into one of the longest-lasting oldies acts in American popular (More) An astonishing vocal group that grew into one of the longest-lasting oldies acts in American popular music, the Mills Brothers quickly moved from novelty wonders to pop successes and continued amazing audiences for decades. Originally billed as "Four Boys and a Guitar," the group's early records came complete with a note assuring listeners that the only musical instrument they were hearing was a guitar. The caution was understandable, since the Mills Brothers were so proficient at recreating trumpets, trombones, and saxophones with only their voices that early singles like "Tiger Rag" and "St. Louis Blues" sounded closer to a hot Dixieland combo than a vocal group. And even after the novelty wore off, the group's intricate harmonies continued charming audiences for decades.
The four brothers were all born in Piqua, Ohio -- John, Jr. in 1910, Herbert in 1912, Harry in 1913, and Donald in 1915. Their father owned a barber shop and founded a barbershop quartet as well, called the Four Kings of Harmony. His sons obviously learned their close harmonies first-hand, and began performing around the area. At one show, Harry Mills forgot his kazoo -- the group's usual accompaniment -- and ended up trying to emulate the instrument by cupping his hand over his mouth. The brothers were surprised to hear the sound of a trumpet proceeding from Harry's mouth, so they began to work the novelty into their act, with John taking tuba, Donald trombone, and Herbert a second trumpet. The act was perfect for vaudeville, and the Mills Brothers also began broadcasting over a Cincinnati radio station during the late '20s.
After moving to New York, the group became a sensation and hit it big during 1931 and early 1932 with the singles "Tiger Rag" and "Dinah" (the latter a duet with Bing Crosby). Dumb-founded listeners hardly believed the notice accompanying the records: "No musical instruments or mechanical devices used on this recording other than one guitar." Though the primitive audio of the era lent them a bit of latitude, the Mills Brothers indeed sounded exactly like they'd been backed by a small studio band. (It was, in essence, the flip side of early material by Duke Ellington's Orchestra, on which the plunger mutes of Bubber Miley and Tricky Sam Nanton resulted in horns sounding exactly like voices.)
The exposure continued during 1932, with appearances in the film The Big Broadcast and more hits including "St. Louis Blues" and "Bugle Call Rag." John, Jr.'s sudden death in 1936 was a huge blow to the group, but father John, Sr. took over as bass singer and Bernard Addison became the group's guitarist. Still, the novelty appeared to wear off by the late '30s; despite duets with Ella Fitzgerald ("Dedicated to You") and Louis Armstrong ("Darling Nelly Gray"), the Mills Brothers' records weren't performing as well as they had earlier in the decade. All that changed in 1943 with the release of "Paper Doll," a sweet, intimate ballad that became one of the biggest hits of the decade -- twelve weeks on the top of the charts, and six million records sold (plus sheet music). The group made appearances in several movies during the early '40s, and hit number one again in 1944 with "You'll Always Hurt the One You Love."
The influence of middle-of-the-road pop slowly crept into their material from the 1940s; by the end of the decade the Mills Brothers began recording with traditional orchestras (usually conducted by Sy Oliver, Hal McIntyre or Sonny Burke). In 1952, "The Glow Worm" became their last number one hit. The group soldiered on during the '50s, though John, Sr. semi-permanently retired from the group in 1956. A move from Decca to Dot brought a moderate 1958 hit, a cover of the Silhouettes' "Get a Job" that made explicit the considerable influence on doo-wop exerted by early Mills Brothers records. As a trio, Herbert, Harry and Donald continued performing on the oldies circuit until Harry's death in 1982, and Herbert's in 1988. The last surviving sibling, Donald, began performing with the third generation of the family -- his son, John II -- until his own death in 1999. ~ John Bush, All Music Guide (Less)
Mechanical Brothers - Maybe Tomorrow 320.mp3 
2009-09-04 - extension: mp3 - size: 18 MB
Mechanical Brothers - Maybe Tomorrow 320
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