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Brian Eno - Dead finks don't talk - Here come the warm jets This is a Brian Eno video i made for a special internet friend named Dana.
The video then touches (More) This is a Brian Eno video i made for a special internet friend named Dana.
The video then touches on the unanswered questions about 9-11.
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Here Come the Warm Jets is the first solo album by Brian Eno
The album's musical styles range from aggressive garage rock ("Blank Frank") to serene Beach Boys-style reverie ("On Some Faraway Beach"). Eno enlisted a large number of guest musicians to play on the album, including three members of Roxy Music, guitarist Robert Fripp and bassist John Wetton of King Crimson and members of Hawkwind and the Pink Fairies. One of the most notable performances from these guests is the cacophonous three-minute-long guitar solo by Fripp on the song "Baby's On Fire".
"Warm jets" is used by Eno to describe the distorted guitar in the title track, which evokes the sound of a jet engine. Eno himself claims that he often chooses words for their sound.
The album provided Eno with modest success in the UK album charts, and would in fact be his only album to chart for the remainder of the 1970s apart from 1978's Music for Airports.
In 2003, the album was ranked number 436 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Here Come the Warm Jets was recorded at Majestic Studios, London during September, 1973 by Derek Chandler. It was mixed at Air and Olympic Studios by Brian Eno and Chris Thomas. Album cover photography was by Lorenz Zatecky with design supervision by Carol McNicoll and artwork by C.C.S. Associates. 2004 Original Masters re-design by Andrew Day of The Red Room/EMI. Mastered at DSD by Simon Heyworth at Super Audio Mastering. Ampex ATR 2Ch Tape playback with ARIA electronics by David Hill.
Nick Kool & the Koolaids -- keyboards (track 7)
Nick Judd -- keyboards (track 4, 8)
Andy Mackay (of Roxy Music) -- keyboards (track 6, 9), saxophone septet (track 9)
Robert Fripp (of King Crimson) -- guitar (track 3, 5, 7)
Phil Manzanera (of Roxy Music) -- guitar (track 1, 2, 4)
Paul Rudolph (of the Pink Fairies and Hawkwind) -- guitar (track 3, 10), bass guitar (track 3, 5, 10)
Chris Spedding -- guitar (track 1, 2)
Busta Cherry Jones -- bass guitar (track 2, 4, 6, 8)
Bill Macormick -- bass guitar (track 1, 7)
John Wetton (of King Crimson) -- bass guitar (track 3, 5)
Simon King (of Hawkwind) -- percussion (track 1, 3, 5, 6, 7, 10)
Marty Simon -- percussion (track 2, 3, 4)
Paul Thompson (of Roxy Music) -- percussion (track 8)
Lloyd Watson -- slide guitar (track 9)
Sweetfeed -- backing vocals (track 6, 7)
Chris Thomas -- extra bass guitar (track 2)
Brian Eno -- vocals, simplistic keyboards, "snake" guitar, "electric larynx", synthesizer
lyrics
Oh cheeky cheeky
Oh naughty sneaky
You're so perceptive
And I wonder how you knew.
But dead finks don't walk too well (oh no)
A bad sense of direction (oh no)
And so they stumble round in threes (oh no)
Such a strange collection.
Oh, you headless chicken
Can those poor teeth take so much kicking?
You're always so charming
As you make your way up here.
And dead finks don't dress too well
No discrimination
To be a zombie all the time
Requires such dedication.
"Oh please sir, will you let it go by,
'Cos I failed both tests with my legs both tied
In my place the stuff is all there
I've been ever so sad for a very long time.
My my, they wanted the works:
Can you this? and that? I never got a letter back
More fool me, bless my soul
More fool me, bless my soul."
Oh perfect masters
They thrive on disasters
They all look so harmless
Till they find their way up here.
But dead finks don't talk too well
They've got a shaky sense of diction
It's not so much a living hell
It's just a dying fiction.
songlist on the album
1 "Needles in the Camel's Eye" -- 3:11
2 "The Paw Paw Negro Blowtorch" -- 3:04
3 "Baby's on Fire" -- 5:19
4 "Cindy Tells Me" -- 3:25
5 "Driving Me Backwards" -- 5:12
6 "On Some Faraway Beach" -- 4:36
7 "Blank Frank" -- 3:37
8 "Dead Finks Don't Talk" -- 4:19
9 "Some of Them Are Old" -- 5:11
10 "Here Come the Warm Jets" -- 4:04
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"The business of the journalists is to destroy the truth, to lie outright, to pervert, to vilify, to fawn at the feet of mammon, and to sell his country and his race for his daily bread. You know it and I know it, and what folly is this toasting an independent press? We are the tools and vassals of rich men behind the scenes. We are the jumping jacks, they pull the strings and we dance. Our talents, our possibilities and our lives are all the property of other men. We are intellectual prostitutes." ~ John Swinton (Less)
Shiva Darsan "Shiva Darsan" is as much a video poem, as it is an experimental ethnographic documentary (More) "Shiva Darsan" is as much a video poem, as it is an experimental ethnographic documentary on Hinduism, holy men, spirituality and transcendence. Shiva is the Hindu lord of procreation and death. Darsan is sacred perception. Darsan is as much to see, as it is to be seen by that of the worshipper and the deity, holy person or sacred place. It is as much the spiritual that yields to be grasped, known, touched and experienced, as it is the worshipper who is there to receive the divine.
This piece is also a personal reflection on the Shivaratri Festival at Pashupatinath Temple in Kathmandu, Nepal, the birthday celebration of Shiva at one of his most important pilgrimage sites in Asia and at the most sacred of Nepalese shrines. It is here that Shiva's birthday celebration is most spectacular with tens of thousands of Hindu pilgrims from throughout India and Nepal in attendance annually. Prior to entering Pashupatinath Temple, the pilgrims ritually purify themselves in the sacred Bagmati River. On the shores of the river, Brahman priests perform cremation ceremonies with the deceased's family members. While devotees of Shiva completely covered in cremation ash perform puja, or ritualized offerings to their lord.
"Shiva Darsan" is the first tape produced for "In Celebration of Life.... In Celebration of Death...", a series of experimental ethnographic tapes tapes shot during my fourteen month sabbatical abroad in Asia and the Mid-East while in intensive research and videotape production. This series reveals the religious, cultural and philosophical beliefs of indigenous people from various cultures by exploring their rituals, dance, music and daily activities that revolve around life and death. From birth to death, special rites and celebrations mark the important events of one's existence, assuring a symbiosis of body and soul with the divine. This deep relationship between the people and their gods are reaffirmed through daily activity. At times, the person symbolically becomes god, strengthening their own sense of sacredness and self-respect.
Completed: (c) 1994, Barbara Sykes-Dietze, Twelve minutes in length
Funded by: Chicago Artists Abroad
Columbia College, Chicago, Television Department
Awards with Screenings:
CINE Golden Eagle Award, Arts Category, Council on International Nontheatrical Events, Washington, DC, 3/31/-3/3/95
1st Place, Faculty Production Award, Mixed Category, Broadcast Education Association, Las Vegas, NV, 4/7-4/10/95
1st Place, Documentary Category, La Crosse Video Festival, La Crosse, Wisconsin, May 11, 1995
Certificate for Creative Excellence, Religion Category, 28th US International Film & Video Festival, Chicago, 5/31-6/1/95
Bronze Apple Award, Domestic & International Concerns, National Educational Media Network, CA, 5/24-5/28/95
CERTIFICATE OF MERIT, Shiva Darsan, Long Island Film & Video Festival, New York
3rd Place, Experimental Category, BACA's 29th Annual Film & Video Festival, Brooklyn, NY, 5/15-5/22/95
Certificate of Merit, Religious& Ethics Category, Intercom'94, Chicago International Film Festival, 10/94
Certificate of Merit, Video Tusculum, Greeneville, TN, 11/94
Additional Exhibitions:
Hawaii, Honolulu Underground Film Festival, November 15-22, 1997
Estonia, Parnu, "10th Parnu International Visual Anthropology Film Festival", July 7-14, 1996
Germany, Hamburg,12th International Hamburg Short Film Festival, June 19-23, 1996
Spain, Madrid, XI International Women's Film Festival, November 10 - November 19, 1995
Manosque, Allee de Provence, Festival International de la creation Video et Cinematographique, November 10-18, 1995
Ohio, Columbus International Film & Video Festival, October 24 & 25, 1995
New York, Albany, 2nd Annual Metroland International Short Film Festival, October 1 - October 10, 1995
Chicago, Festival of Illinois Film and Video Artists, October 1, 1995
Utah, Salt Lake City, Utah Short Film & Video Festival, June 9 - June 17, 1995
Chicago, Image Union, PBS, Broadcast Television, WTTW, April 22 & April 28, 1995
Pennsylvania, Pittsburgh, Three Rivers Arts Festival, June 2 - June 18, 1995
New York, Amherst, VIDEOASIS, The Screening Room, September, 1994
Distributor: CINE
Council on International Nontheatrical Events
1001 Connecticut Ave, Suite 638
Washington, DC, 20036 (202) 785-1136 Fax (202) 785-4114 (Less)
Lobo_-_La_Amenaza_Detras_Del_Lapiz_Mix_
Tape_2007
rar In response to a complaint we received under the US Digital Millennium Copyright Act (DMCA), we have removed this result. 2009-05-12 06:37:07 - 51 MB
MB-MT25b 
2009-08-09 - extension: rar - size: 48 MB
MB-MT25b
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