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Brazil's cane cutters: The muscle moving sugarcane ethanol This audio slideshow puts you face to face with the men and women considered to be the muscle that (More) This audio slideshow puts you face to face with the men and women considered to be the muscle that moves Brazil´s ethanol industry -- seasonal migrants who cut cane in the fields. Brazilian farms still overwhelmingly rely on handworkers like them, men and women facing few job options in many poor Brazilian states who travel south for the cane harvest. Some are treated well by employers, making more in this grunt-work profession than they ever could in poor northeastern Brazil. Some are robbed by middlemen hired to help them find jobs. Some bring savings home to their families. Some die from heat exhaustion.
Reporting and narration was provided by myself (while with The Daily Advertiser of Lafayette, La.), with photos by Marcelo Min of Agencia Fotogarrafa in São Paulo. (Less)
BellyDance - part 2 Many experts say belly dancing is the oldest form of dance, having roots in all ancient cultures (More) Many experts say belly dancing is the oldest form of dance, having roots in all ancient cultures from the orient to India to the mid-East. Probably the greatest misconception about belly dancing is that it is intended to entertain men. Throughout history, this ritualized expression has usually been performed for other women–generally during fertility rites or parties preparing a young woman for marriage. In most cases, the presence of men is not permitted. Belly dancing is natural to a woman’s bone and muscle structure with movements emanating from the torso rather than in the legs and feet. The dance often focuses upon isolating different parts of the body, moving them independently in sensuous patterns, weaving together the entire feminine form. Belly dancing is generally performed barefoot, thought by many to emphasize the intimate physical connection between the dancer, her expression, and Mother Earth. Belly dancing costumes are often colorful, flowing garments, accented with flowing scarves and veils. Finger cymbals (made of brass and known as zills) are common, dating back to 200 B. C. as well as exotic jewelry, including intricate belts made of coins that, in earlier days, comprised the family’s wealth so that it might be portable in the event the woman needed to move quickly or flee. Other interesting accessories used during the dance are swords, snakes, large vessels, and even huge candelabras, complete with flaming candles. (Less)
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