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Norma Jean Wright - I Like Love [1978].mp3 
2009-06-28 - extension: mp3 - size: 5 MB
Norma Jean Wright - I Like Love [1978].mp3
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Norma Jean Wright - Hold Me Lonely Boy. (A CHIC Org Song.)
(A Chic Organisation song.) Vocalist Norma Jean Wright, a native of Elyria, Ohio, was named the (More) (A Chic Organisation song.) Vocalist Norma Jean Wright, a native of Elyria, Ohio, was named the Top New Vocalist of 1977 by Billboard Magazine for the talent she brought to the popular band Chic. The Chic song "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" reached into the top 10 of both the Pop and R&B Billboard charts in early 1978. Norma left Chic in late-1977 in order to pursue a solo career. While her album "Norma Jean", released in July 1978 by Bearsville Records, was not a big commercial success, it did produce two important singles, "Saturday" and "Sorcerer". "Saturday" was named by Newsweek as the song that represented the disco lifestyle. The 1979 songs "Hold Me Lonely Boy" and "High Society" were intended to be part of a second full Norma Jean album, but this album never materialized. Three Norma Jean Wright singles were released in the 1980s. These were "Love Attack" (Mirage, 1983), "Shot in the Dark" (MCA Records, 1984), and "Every Bit of This Love" (MCA Records, 1985). Norma was a background singer on many other important and groundbreaking albums of the 1970s and 1980s. She sang in Sister Sledge's 1979 multi-platinum disco album "We Are Family", which included famous songs like "He's the Greatest Dancer", "One More Time", "Thinking of You", and "We Are Family". In 1980, Norma provided background vocals for the group Fantasy on the song "You're Too Late", which topped the disco charts in January and February of 1981. Then she sang on Luther Vandross's 1981 debut solo album "Never Too Much", which sold over 2 million copies and topped the R&B charts with the superb song "Never Too Much". She joined Luther again on his next album, "Forever, For Always, For Love" (1982). She was also a vocalist on 1982's synth-dance record "Jump to It" by Aretha Franklin, which Luther produced. Another 1982 pop/dance album on which Norma sang was "Sex and Material Possessions" by Fantasy, released by Pavillion Records. A year later, she sang on Madonna's dance album "Madonna", released in 1983. This album included the hit single "Holiday". You can also find Norma singing background vocals on the 1986 album "Abstract Emotions" by Randy Crawford. Other performers on the "Norma Jean" album: Nile Rodgers (rhythm guitar), Bernard Edwards (bass), Tony Thompson (drums), Raymond Jones (piano), Sammy Figueroa (percussion), David Friedman (vibes), Jon Faddis (trumpet), Alex Foster (tenor saxophone), Barry Rodgers (trombone), Robb Sabino (acoustic piano), Gene Orloff (string contractor), Luther Vandross (background vocals), Alfa Anderson (background vocals), David Lesley (background vocals), Diva Gray (background vocals) (Less)
Bobby Bare
Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music (More) Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit City."-----------------------------Early career Bare had many failed attempts to sell his songs in the 1950s.[citation needed] He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success.[citation needed] Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."--------------------------------------Career at RCA (1962-1970) Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label, "Shame On Me," sold nearly a million copies in 1962.[citation needed] His second RCA release, "Detroit City," won him a Grammy Award for the best song of the year in 1963.[citation needed] Then a surge of hits followed, including "500 Miles Away From Home" (his only Pop Top 10) and Ian Tyson's "Four Strong Winds." He also recorded two successful albums with Skeeter Davis[citation needed]. Additionally, he had a major hit in 1966 as part of a trio with Norma Jean (singer) and Liz Anderson, "The Game of Triangles". In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "Margie's At The Lincoln Park Inn."---------------------------------------Career at Mercury (1970-1972) Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "That's How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1970) and "Please Don't Tell Me How The Story Ends," (1971)[citation needed]. He also scored a #12 hit in 1972 with a version of Dr. Hook and the Medicine Show's Pop hit Sylvia's Mother written by Shel Silverstein.---------------------------------Second Career at RCA (1973-1977) After a couple of years at Mercury, Bobby returned to RCA Records in 1973 and immediately scored with Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10. Bobby Bare is a versatile singer, and in the 1970s, he started to release novelty songs recorded live with selected audiences. One such song, "Marie Lavaux," reached the number one position on the country chart in 1974; it was his only number one (and final top ten) hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975. Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. Surprisingly, these two songs would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself.[citation needed] He continued to record critically acclaimed albums and singles. His biggest hits during this time were "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus" (1976 (The world's only Christian football waltz). He also recorded a duet with his wife Jeannie in 1977 called "Vegas". He later took chances in recording controversial material, such as "Dropkick Me Jesus (Through The Goalposts Of Life)" (a 1976 Grammy nominee), and the expletive-driven "Redneck Hippie Romance." Concept albums were nothing new for Bobby, In 1967, Bare came up with a concept album called "Bird Named Yesterday," which was very successful.[citation needed] His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.-------------------------------------------Career at Columbia Records (1978-1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Whereever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern Rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980's. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".-------------------------------------Film Career Bobby Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet[citation needed], and a few episodes of the TV series, No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.-------------------------------Later career in country music and today From 1983 to 1988, Bobby hosted "Bobby Bare and Friends" on The Nashville Network which featured Bobby interviewing songwriters with the songwriters singing their hit songs on the show. In 1985, Bobby signed with EMI America Records where he scored 3 charted singles but none of these reached the upper regions of the charts. In 1998, he formed the band, Old Dogs, with his friends Jerry Reed, Mel Tillis and Waylon Jennings. In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.[citation needed] In 2006, he recorded a new album after over 20 years, called "The Moon Was Blue," produced by his son Bobby Bare, Jr., who is also a musician. (Less)
Norma Jean Wright - Hold Me Lonely Boy. (A CHIC Org Song.) (A Chic Organisation song.) Vocalist Norma Jean Wright, a native of Elyria, Ohio, was named the (More) (A Chic Organisation song.) Vocalist Norma Jean Wright, a native of Elyria, Ohio, was named the Top New Vocalist of 1977 by Billboard Magazine for the talent she brought to the popular band Chic. The Chic song "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" reached into the top 10 of both the Pop and R&B Billboard charts in early 1978. Norma left Chic in late-1977 in order to pursue a solo career. While her album "Norma Jean", released in July 1978 by Bearsville Records, was not a big commercial success, it did produce two important singles, "Saturday" and "Sorcerer". "Saturday" was named by Newsweek as the song that represented the disco lifestyle. The 1979 songs "Hold Me Lonely Boy" and "High Society" were intended to be part of a second full Norma Jean album, but this album never materialized. Three Norma Jean Wright singles were released in the 1980s. These were "Love Attack" (Mirage, 1983), "Shot in the Dark" (MCA Records, 1984), and "Every Bit of This Love" (MCA Records, 1985). Norma was a background singer on many other important and groundbreaking albums of the 1970s and 1980s. She sang in Sister Sledge's 1979 multi-platinum disco album "We Are Family", which included famous songs like "He's the Greatest Dancer", "One More Time", "Thinking of You", and "We Are Family". In 1980, Norma provided background vocals for the group Fantasy on the song "You're Too Late", which topped the disco charts in January and February of 1981. Then she sang on Luther Vandross's 1981 debut solo album "Never Too Much", which sold over 2 million copies and topped the R&B charts with the superb song "Never Too Much". She joined Luther again on his next album, "Forever, For Always, For Love" (1982). She was also a vocalist on 1982's synth-dance record "Jump to It" by Aretha Franklin, which Luther produced. Another 1982 pop/dance album on which Norma sang was "Sex and Material Possessions" by Fantasy, released by Pavillion Records. A year later, she sang on Madonna's dance album "Madonna", released in 1983. This album included the hit single "Holiday". You can also find Norma singing background vocals on the 1986 album "Abstract Emotions" by Randy Crawford. Other performers on the "Norma Jean" album: Nile Rodgers (rhythm guitar), Bernard Edwards (bass), Tony Thompson (drums), Raymond Jones (piano), Sammy Figueroa (percussion), David Friedman (vibes), Jon Faddis (trumpet), Alex Foster (tenor saxophone), Barry Rodgers (trombone), Robb Sabino (acoustic piano), Gene Orloff (string contractor), Luther Vandross (background vocals), Alfa Anderson (background vocals), David Lesley (background vocals), Diva Gray (background vocals) (Less)
Bobby Bare Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music (More) Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit City."-----------------------------Early career Bare had many failed attempts to sell his songs in the 1950s.[citation needed] He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success.[citation needed] Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."--------------------------------------Career at RCA (1962-1970) Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label, "Shame On Me," sold nearly a million copies in 1962.[citation needed] His second RCA release, "Detroit City," won him a Grammy Award for the best song of the year in 1963.[citation needed] Then a surge of hits followed, including "500 Miles Away From Home" (his only Pop Top 10) and Ian Tyson's "Four Strong Winds." He also recorded two successful albums with Skeeter Davis[citation needed]. Additionally, he had a major hit in 1966 as part of a trio with Norma Jean (singer) and Liz Anderson, "The Game of Triangles". In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "Margie's At The Lincoln Park Inn."---------------------------------------Career at Mercury (1970-1972) Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "That's How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1970) and "Please Don't Tell Me How The Story Ends," (1971)[citation needed]. He also scored a #12 hit in 1972 with a version of Dr. Hook and the Medicine Show's Pop hit Sylvia's Mother written by Shel Silverstein.---------------------------------Second Career at RCA (1973-1977) After a couple of years at Mercury, Bobby returned to RCA Records in 1973 and immediately scored with Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10. Bobby Bare is a versatile singer, and in the 1970s, he started to release novelty songs recorded live with selected audiences. One such song, "Marie Lavaux," reached the number one position on the country chart in 1974; it was his only number one (and final top ten) hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975. Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. Surprisingly, these two songs would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself.[citation needed] He continued to record critically acclaimed albums and singles. His biggest hits during this time were "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus" (1976 (The world's only Christian football waltz). He also recorded a duet with his wife Jeannie in 1977 called "Vegas". He later took chances in recording controversial material, such as "Dropkick Me Jesus (Through The Goalposts Of Life)" (a 1976 Grammy nominee), and the expletive-driven "Redneck Hippie Romance." Concept albums were nothing new for Bobby, In 1967, Bare came up with a concept album called "Bird Named Yesterday," which was very successful.[citation needed] His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.-------------------------------------------Career at Columbia Records (1978-1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Whereever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern Rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980's. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".-------------------------------------Film Career Bobby Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet[citation needed], and a few episodes of the TV series, No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.-------------------------------Later career in country music and today From 1983 to 1988, Bobby hosted "Bobby Bare and Friends" on The Nashville Network which featured Bobby interviewing songwriters with the songwriters singing their hit songs on the show. In 1985, Bobby signed with EMI America Records where he scored 3 charted singles but none of these reached the upper regions of the charts. In 1998, he formed the band, Old Dogs, with his friends Jerry Reed, Mel Tillis and Waylon Jennings. In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.[citation needed] In 2006, he recorded a new album after over 20 years, called "The Moon Was Blue," produced by his son Bobby Bare, Jr., who is also a musician. (Less)
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