Results for: opus it s my life mix
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Overclocked Remix: "Travelling" Animal Crossing Overclocked Remix: "Travelling" Animal Crossing
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http://www.ocremix.org/remix/OCR01684/
^ Link to External Site, ocremix music ^
Animal Crossing
by Kenta Nagata, Shinobu Tanaka, Toru Minegishi
'Traveling'
by Kaijin
2008-02-15
Old school scene mixer Tim Sheehy returns! His last mix was way back in '04, but now he's back in action with our first Animal Crossing ReMix, which joins Harmony's F-Zero opus as our second comeback mix of 2008. Tim writes:
"The arrangement was done in 2004/2005. Some instruments were re-sampled and it was re-recorded with slight changes to the mix, specifically with OCR in mind. The faces are different, the attitudes are different and it's time I showed some love. Let's hope it stays that way."
In the paraphrased words of 80's rockers The Outfield, we don't wanna lose your love... tonight. Good to see Kaijin back on OCR, with an arrangement that takes more liberties than some of his older stuff, but still has the same polished instrumentalism and sweet production he earned his reputation for around these parts. Shariq says it well:
"Chorused piano makes it sound like a pop version of "Walt Disney Pictures Presents: Animal Crossing: The Movie." I'm waiting for Peabo Bryson to start singing. This is a good thing. High strings sound a little shrill when coming in, but it all fits with the style and they settle into the soundscape nicely as the song progresses. Nice texture throughout, really laid back. Great harmonica stuff near the end!"
Definitely rocking out the 80's era DX7 FM pure tine EP on that intro; Mr. Sword was on the money with the Disney refs, as my brain literally sang to itself, "I can show you the world..." during the intro. Deep kick and R+B style drums pair up well with softer, balladesque timbres. I see DS's note about the strings, but they make sense, and the harmonica stuff indeed brings the heat. It's basically everything you'd love about Kaijin's arrangements, but with a little more modern sheen and expansive arrangement, which means good things. Vinnie did an arrangement breakdown in the judges decision thread that you should read, and capped his decision off with the following:
"As far as the arrangement, I definitely got the early 90's ballad vibe. Aladdin and Vanessa Williams. You did a great job recreating the sound, and there's a lot of detail in the parts. I love the little counter-melodies and trills, and the closing harmonica, while clearly fake, suited the song well. They did that sort of thing in the 90's. Production was lush and clear, and the instruments have nice tones. The programming of the instruments was quite human. All in all, it was very slick work and it deserves to be heard."
And heard it shall be. I imagine there were more than a couple folks out there waiting for an AC ReMix, and this sugary-sweet rendition makes for an excellent resurrection for Kaijin, who captures a specific sound and era rather perfectly. We missed posting this on Valentine's Day (my bad), but if you've got Vday-related weekend plans, work this mix in for when you dim the lights, pour the wine, and whisper sweet nothings. Pretty.
― djpretzel
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Overclocked Remix ocremix oc remix overclocked animal crossing travelling music song mp3 kaijin kenta nagata shinobu tanaka toru minegishi nintendo gamecube population growing gcn gc acpg surreal slice of life laid back relax good old school retro classic unofficial video game arrangement community どうぶつの森 aplus dreamhost ocrmirror download external link (Less)
Studio LRPLI Promotional Video - 2003 Warning: I was quite stupid in my older days and put up a bunch of flashing colors and lights. If (More) Warning: I was quite stupid in my older days and put up a bunch of flashing colors and lights. If you get seizures by watching lots of flashy bright things, step AWAY from the computer and don't watch this. Trust me, you're not missing much.
I also do not own this song. It is the first ending theme song to Angelic Layer, my favorite song around this period in time, and still a great song.
I am actually quite embarrassed to put this up.
A lot of people are putting up their old videos, and I've actually contemplated putting this up for a while. So, here it is: one of the ONLY fragments left of the thing once called Studio Little Rabbit Power & Light International. For those of you who don't know, Studio LRPLI was the predecessor to SOSI and HyperSong. It existed for eleven years before suddenly disappearing into a cloud of nothing (I'm not lying). I wasn't known as Stardust Flash back then; I was known as Little Rabbit. (If you look up Studio LRPLI on Google, I'm sure you'll find a few assorted things.)
This video was made probably during the summer of 2003, with my old video maker. Yep. This video is FIVE YEARS OLD. It was made on a WINDOWS. Fooh, boy, this is old. I've had my first Mac for the past four years, if that gives you any idea.
Anyway. Studio LRPLI had a TON of stories, and this video focuses on four of them. In order now:
--Caliar Time Travelers. If I could sell an idea to a big animation company and somehow get the SOSI name on it, Caliar would be it. It's in basically this perfect package to go. Featured here are a lot of the animations I made in the 2002-2003 fiscal year for Caliar. This is long in the days before Photoshop, barely in the days of scanners...yes, those are CRAYONS you see, embarrassingly enough.
--Feline Endeavors, the one with the pictures you probably can't see because of YouTube's quality, which was co-owned with my friend known as Little Kitten. After the LRPLI's demise, she continued creating stories and still goes by Little Kitten. She could take the FE rights and do something with it, and in fact, SOSI might be able to publish it and I might be able to help with some small-term things...but she would have to be in charge.
After the flashing lights of doom (seriously, LR, what were you thinking?) we go to
--Cerulea Voyagers. I was smart and outlined the pics in Sharpie, so you can see these ones! Just a few pictures and logos and such; I knew how to write in Japanese back then as well. Even back then, everything had a Japanese and an English logo. Cerulea Voyagers was actually one of the stories that got finished; after the LRPLI died, it was tossed out with about 97% of the other records. At least six years of work and stories and pictures and animations got thrown away in the trash. And I watched the trashman take it all away. It was a good day. I actually have it on film somewhere.
--Crystal Celadon, the newest story as of when this video was made. The pictures are kind of fuzzy in this one, too, and it's the only one with humans, although some of them are aliens (and I obviously can't do aliens very well anymore). Back then, the story was just designed on its own; later on, it would join up with an entire arc in the Studio LRPLI plotline.
The LRPLI logo you see in the video is one of the oldest: it was updated a few times and then finally went to Studio LRPLI, in Skia typing. You would recognize Skia as the typeset that is used in all HyperSong and SOSI logos today. When this video was made, even, it was not known as a studio -- it was simply the LRPLI.
So, you're thinking, why would all this just disappear? Why would you throw it all away? That's not an easy question to answer. I worked on these things in the LRPLI for six years, some even more than that. Six years is a LONG TIME. That's longer than you go to high school for. HyperSong has only existed for almost three years now (three years in July). It's like there's a gap in my life...years of normal living, of starting to mix things and manipulate the environment around me to create new things, then a six year gap where the LRPLI used to be. And then SOSI and HyperSong and the manipulation I use to this day.
I guess all I can say is...count yourselves lucky? I got the LRPLI taken away from me. It's both a sad and a happy thing all at the same time. I'm happy, because I'm in a better place, and I'm a much better person. But the LRPLI was my life, my 'magnum opus,' and I wanted to see it succeed.
I never will.
If people want to know more about this Studio LRPLI and why it was taken from me, let me know. I could put up more information on my website.
Good bye, Studio LRPLI. We don't miss you.
8-16-05 (Less)
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