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PJVR 320

2009-11-14 - extension: rar - size: 112 MB

PJVR 320

Philip Jeck - Vinyl Coda IV (2001)

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| Source: http://avaxhome.ws/music/avant_garde/Philip_Jeck_Vinyl_Coda_Four.html

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PJVR Flac

2009-11-14 - extension: rar - size: 200 MB

PJVR Flac

Philip Jeck - Vinyl Coda IV (2001)

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| Source: http://avaxhome.ws/music/avant_garde/Philip_Jeck_Vinyl_Coda_Four.html

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Philip Jeck - 7

2009-03-12 - extension: rar - size: 68 MB

Philip Jeck - 7

Hosted on: mediafire.com

| Source: http://nonotfunnotno.blogspot.com/2008/11/some-shit-by-philip-jeck.html

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Video results for: philip jeckMore results from video

Disinformation at NTT ICC Tokyo
Disinformation DJing for the opening night of the "Phase of Post Music" concert series (1) (More) Disinformation DJing for the opening night of the "Phase of Post Music" concert series (1) at NTT ICC, Opera City Tower, Nishishinjuku, Tokyo, 17 February 2000. Special thanks to Minoru Hatanaka. The tracks heard in this mix are "London's Overthrow" by Evan Parker and Disinformation (from the "Al Jabr" CD), "R&D Track 3" (LORAN-C radionavigation signals), a recording of VLF radio noise from a Dataproducts laserprinter (from the unreleased "Radiate" project), accompanied live by square waves from 2 laboratory tone generators found in a skip (dumpster) outside London's South Bank University. As befits an art gallery sponsored by the Japanese telephone company, the PA for this event was of incredible power and quality (the sub-bass alone was quadraphonic surround sound). The PA signal was recorded direct to video, so the sound here is clean, but barely conveys the true nature of the perceived experience, ie - Brian Duguid wrote in EST magazine that some of the sounds recorded by Disinformation "make you wonder why Merzbow even bother". The video was filmed over the heads of the (seated) audience. According to Minoru, the vibrations rattled glass cabinets all over the museum and brought down ceiling panels in the auditorium. The brand of lager was (I think) Kirin. After the NTT ICC show Philip Jeck, Joe Banks, Mike Harding and saxophonist Rees Archibald performed at The Metro, Kyoto, at the invitation of composer Koji Marutani (of Digital Narcis Records). A very similar performance to the Disinformation vs Evan Parker track was performed at The Dom Moscow (28 Sept 2000) with Mike Walter and Andy Knight on saxophones, and with (bizarrely) YBA artist Gavin Turk and Pete Doherty (of The Libertines and Babyshambles) in the audience. The NTT ICC events also featured work by Marc Behrens, Christoph Charles, Jane Dowe, Max Eastley, Peter Hagdahl, CM von Hausswolff (2), Ryoji Ikeda (3), Phillip Jeck, Brandon LaBelle, Pol Mahlow, Mesmer, Ikue Mori, Carsten Nicolai, Atsushi Sasaki, Minoru Sato, Jio Shimizu, Terre Thaemlitz, David Toop, Toshiya Tsunoda, Satoru Wono and the WrK label. 1. Check out http://www.ntticc.or.jp/Archive/2000/Phase_of_Post_Music/Events/event01.html and http://www.ntticc.or.jp/Archive/2000/Phase_of_Post_Music/Events/event02.html 2. Compare http://www.ne.jp/asahi/saiga/yuji/ + http://www.drawnbyreality.info/hashima.html + http://en.wikipedia.org/wiki/Gunkanjima 3. Compare http://www.spiderbytes.com/ambientrance/c4i-c.htm and http://www.residentadvisor.net/review-view.aspx?id=3691 and http://www.staalplaat.com/search/catalog/9395 (Less)

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Disinformation "Artificial Lightning" 1
"Artificial Lightning" (aka "The Origin of Painting") by Disinformation - (More) "Artificial Lightning" (aka "The Origin of Painting") by Disinformation - electromagnetic sound and shadow wall, autodestructive portraiture and experimental painting installation, live at The Hayward Gallery, London, UK, April to July 2000 (where this installation was set-up directly opposite an exhibit by Brian Eno). Special thanks to Tim and Jamie Register and David Toop. 36,000 people came to see the exhibition, and The Financial Times described Disinformation's exhibit as "actively thrilling". The installation functions as a form of contemporary Vanitas painting, as Sci-Fi author Jeff Noon wrote in The Independent - "peole are fascinated by this work - it brings a shiver, a sudden recognition of death, as though we have seen or heard our own ghost". The Hayward Gallery installation was visited by choreographer Saburo Teshigawara (with dancer Kei Miyata and photographer Ravi Deepres), and inspired the dance producton "Luminous" on which Disinformation worked with Saburo's dance company Karas in Tokyo in 2001. "The Origin of Painting" also inspired a project called "Anti Matter" (exhibited at The Huddersfield Art Gallery, The Mac in Birmingham, Wrexham Arts Centre etc) - a Disinformation video which explores themes suggested by ideas of the physicist Paul Dirac. "Sonic Boom" at The Hayward Gallery featured installations by Disinformation, Christian Marclay, Lee Ranaldo (of Sonic Youth), John Oswald, Brian Eno, Ryoji Ikeda, Mariko Mori, Pan Sonic, Paul Burwell (RIP), Stephan Von Heune, Angela Bulloch, Chico Macmurtrie, Greyworld, Russell Mills, Ian Walton, Philip Jeck, Paul Schutze, Rafael Toral, Robin Rimbaud / Scanner, Joao Paulo Feliciano, Max Eastley, Heri Dono, Thomas Koner, Christina Kubisch and Project DARK. Many of the ideas documented in Disinformation's section of the "Sonic Boom" catalogue reappreared (several years later) in a series of works by Christina Kubisch called "Electrical Walks". Disinformation also contributed to a (separate) CD project called "C4i". Some time later, lawyers acting for "Sonic Boom" contributor Ryoji Ikeda threatened to sue Disinformation for "defamation" for the crime of pointing out (to an employee of London's Barbican Centre) a rather obvious conceptual similarity between the original "C4i" project and Ryoji's later project "C4i" (which was commissioned by Yamaguchi Center for Arts and Media - YCAM, in Japan, with its touring funded by the Japan Foundation). The record company that released the original "C4i" CD - Staalplaat, is the same company that released Ryoji's "Time and Space" and "Mort Aux Vaches" CDs, Ryoji's lawyer argued that the 2 "C4i" projects could not be related however, because Ryoji's title was an acronym for the term "Command, Control, Communications, Computing and Intelligence" - a term which happens to be a direct quote from the front cover of the original "C4i" CD ! http://www.spiderbytes.com/ambientrance/c4i-c.htm http://www.residentadvisor.net/review-view.aspx?id=3691 http://www.staalplaat.com/search/catalog/9395 The 35mm cinema version of a new Disinformation project called "Fire in the Eye", commissioned by Threshold Studios, premieres at The Edinburgh International Film Festival on Saturday 21 June, details from http://www.edfilmfest.org.uk (Less)

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