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more... Pink Floyd - Works (Compil) - 1983 
2009-12-21 - extension: rar - size: 38 MB
Pink Floyd - Works (Compil) - 1983
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Video results for: pink floyd works compilationMore results from video
RD Mauzy: 101
Hello. I am RD, and this is my music. This collection of videos represents the current status of a (More) Hello. I am RD, and this is my music. This collection of videos represents the current status of a record I've been working on over the past few years. (btw... the demos are done, and mp3z are at rdmauzy.com) The working title is "What If We See a Carebear," but theoretically, that will change. Songwriting for the record stretches back to 1995, though the bulk of it was penned within the last three years. After the end of my Boston band, a Sonic Youth/Pink Floyd hybrid named Lakeside Project, in 2002, I took a much needed hiatus from music and songwriting. But clearly, life had other plans, and here I am again, armed with an arsenal of music and the naivety or guts to believe it's really awesome. It was my dear friend Joe, who came to visit me holed-up in the ass-crack of Alaska in the summer of '04; he was there planting the seeds for my "Carebear" garden, liberally germinating the idea that I didn't have to hide behind a bass guitar in a noise/experimental band to say the things I longed to say, or have to keep a lid on the things I hold dear to me. Plus he wanted to know when everybody would be hearing "Honeycut" all over the radio ... my first glimpse at non-hyper-obsessive-noise-rock, and a more earnest-yet-delighted observation on things. "Honeycut" was the song that would lay the foundation for the rest of the material headed for "Carebear," a song I originally panned for being too whimsical and nothing like its Lakeside Project contemporaries. But it was the first Lakeside song to instantly and without hesitation win over my main Lakeside collaborator, who phoned me after a practice to say "I listened to your tape with Honeycut four times on the way home." Sadly, it remained just an apartment-demo as we closed shop before the release of our full-length record. That is unless you count the 2-CD+record box set "In The Somersault Room," I put out posthumously. But a string of unrelated coincidences, including a life-changing run-in with the best friend of the subject of "Honeycut," a documentary about singer/songwriter Townes van Zandt, and Madonna at Coachella all turned on the "dream out loud" machine, and "Honeycut" saw its release as a single this year on Big Spoon Records, backed by a rousing rendition of "Burning Up," by the aforementioned Mrs. Ritchie. Recording "Burning Up" also afforded me the opportunity to record with Jason Nunez, the man who turned my world upside down by blasting Sonic Youth's "Confusion Is Sex" through a pair of headphones he strapped to my head during a trip through Joshua Tree back in 1995. Since then I've been pining to have him in my band, and I'm still not sure why it took us this long to finally make it happen. The result was fantastic, and the explosive artwork he created to wrap it all up was the icing on the cake. Within a few months we were re-united in my parent's living room-made-recording-studio in the sticks of East County San Diego, recording two minute rock numbers destined for the album I've spent all these years daydreaming about, contemplating on, tasting, cooking, drinking and smoking up into a giant cloud that floats anywhere you want to go. Jason Nunez is an incredible drummer. These songs have a lot of excited emotion behind them. I am not sure if these recordings do either of those things justice as I have 0 recording knowledge. This is just one step in many that will lead us to the great carebear in the sky. I find it works best when I merge the things that come easiest to me, and what's here is an example of that mixed in with some dumb luck. I'm trying to be patient, and go where the music takes me. The Lakeside Project, for me, was about trying to take the music places. I wrestle every day with how much of that is still a part of what I do. I wrestle with how much of this is a cry of desperation. I wrestle with how much of this I really want to communicate. But then I hear (any one of my favorite rockers') voice say (any line from any one of my favorite songs), and I just smile, relax and keep rockin'. == This video here is a compilation of pictures and videos from my folder of private delights. Look for cameos by the Castro Theater, Madonna, Jason Nunez, Christopia, a chinese baby, Phil Hartman, the Naked Jumpies, and other curios. The song is called "Exordia" and was recorded live at the Velo Rouge Cafe in San Francisco with myself and Alec Chumbley on guitars and Kate Ming on accordion. (Less)
RD Mauzy: 101
Hello. I am RD, and this is my music. This collection of videos represents the current status of (More) Hello. I am RD, and this is my music. This collection of videos represents the current status of a record I've been working on over the past few years. (btw... the demos are done, and mp3z are at rdmauzy.com) The working title is "What If We See a Carebear," but theoretically, that will change. Songwriting for the record stretches back to 1995, though the bulk of it was penned within the last three years. After the end of my Boston band, a Sonic Youth/Pink Floyd hybrid named Lakeside Project, in 2002, I took a much needed hiatus from music and songwriting. But clearly, life had other plans, and here I am again, armed with an arsenal of music and the naivety or guts to believe it's really awesome. It was my dear friend Joe, who came to visit me holed-up in the ass-crack of Alaska in the summer of '04; he was there planting the seeds for my "Carebear" garden, liberally germinating the idea that I didn't have to hide behind a bass guitar in a noise/experimental band to say the things I longed to say, or have to keep a lid on the things I hold dear to me. Plus he wanted to know when everybody would be hearing "Honeycut" all over the radio ... my first glimpse at non-hyper-obsessive-noise-rock, and a more earnest-yet-delighted observation on things. "Honeycut" was the song that would lay the foundation for the rest of the material headed for "Carebear," a song I originally panned for being too whimsical and nothing like its Lakeside Project contemporaries. But it was the first Lakeside song to instantly and without hesitation win over my main Lakeside collaborator, who phoned me after a practice to say "I listened to your tape with Honeycut four times on the way home." Sadly, it remained just an apartment-demo as we closed shop before the release of our full-length record. That is unless you count the 2-CD+record box set "In The Somersault Room," I put out posthumously. But a string of unrelated coincidences, including a life-changing run-in with the best friend of the subject of "Honeycut," a documentary about singer/songwriter Townes van Zandt, and Madonna at Coachella all turned on the "dream out loud" machine, and "Honeycut" saw its release as a single this year on Big Spoon Records, backed by a rousing rendition of "Burning Up," by the aforementioned Mrs. Ritchie. Recording "Burning Up" also afforded me the opportunity to record with Jason Nunez, the man who turned my world upside down by blasting Sonic Youth's "Confusion Is Sex" through a pair of headphones he strapped to my head during a trip through Joshua Tree back in 1995. Since then I've been pining to have him in my band, and I'm still not sure why it took us this long to finally make it happen. The result was fantastic, and the explosive artwork he created to wrap it all up was the icing on the cake. Within a few months we were re-united in my parent's living room-made-recording-studio in the sticks of East County San Diego, recording two minute rock numbers destined for the album I've spent all these years daydreaming about, contemplating on, tasting, cooking, drinking and smoking up into a giant cloud that floats anywhere you want to go. Jason Nunez is an incredible drummer. These songs have a lot of excited emotion behind them. I am not sure if these recordings do either of those things justice as I have 0 recording knowledge. This is just one step in many that will lead us to the great carebear in the sky. I find it works best when I merge the things that come easiest to me, and what's here is an example of that mixed in with some dumb luck. I'm trying to be patient, and go where the music takes me. The Lakeside Project, for me, was about trying to take the music places. I wrestle every day with how much of that is still a part of what I do. I wrestle with how much of this is a cry of desperation. I wrestle with how much of this I really want to communicate. But then I hear (any one of my favorite rockers') voice say (any line from any one of my favorite songs), and I just smile, relax and keep rockin'. == This video here is a compilation of pictures and videos from my folder of private delights. Look for cameos by the Castro Theater, Madonna, Jason Nunez, Christopia, a chinese baby, Phil Hartman, the Naked Jumpies, and other curios. The song is called "Exordia" and was recorded live at the Velo Rouge Cafe in San Francisco with myself and Alec Chumbley on guitars and Kate Ming on accordion. (Less)
Groups results for: pink floyd works compilation RD Mauzy: 101 Hello. I am RD, and this is my music. This collection of videos represents the current status of a (More) Hello. I am RD, and this is my music. This collection of videos represents the current status of a record I've been working on over the past few years. (btw... the demos are done, and mp3z are at rdmauzy.com) The working title is "What If We See a Carebear," but theoretically, that will change. Songwriting for the record stretches back to 1995, though the bulk of it was penned within the last three years. After the end of my Boston band, a Sonic Youth/Pink Floyd hybrid named Lakeside Project, in 2002, I took a much needed hiatus from music and songwriting. But clearly, life had other plans, and here I am again, armed with an arsenal of music and the naivety or guts to believe it's really awesome. It was my dear friend Joe, who came to visit me holed-up in the ass-crack of Alaska in the summer of '04; he was there planting the seeds for my "Carebear" garden, liberally germinating the idea that I didn't have to hide behind a bass guitar in a noise/experimental band to say the things I longed to say, or have to keep a lid on the things I hold dear to me. Plus he wanted to know when everybody would be hearing "Honeycut" all over the radio ... my first glimpse at non-hyper-obsessive-noise-rock, and a more earnest-yet-delighted observation on things. "Honeycut" was the song that would lay the foundation for the rest of the material headed for "Carebear," a song I originally panned for being too whimsical and nothing like its Lakeside Project contemporaries. But it was the first Lakeside song to instantly and without hesitation win over my main Lakeside collaborator, who phoned me after a practice to say "I listened to your tape with Honeycut four times on the way home." Sadly, it remained just an apartment-demo as we closed shop before the release of our full-length record. That is unless you count the 2-CD+record box set "In The Somersault Room," I put out posthumously. But a string of unrelated coincidences, including a life-changing run-in with the best friend of the subject of "Honeycut," a documentary about singer/songwriter Townes van Zandt, and Madonna at Coachella all turned on the "dream out loud" machine, and "Honeycut" saw its release as a single this year on Big Spoon Records, backed by a rousing rendition of "Burning Up," by the aforementioned Mrs. Ritchie. Recording "Burning Up" also afforded me the opportunity to record with Jason Nunez, the man who turned my world upside down by blasting Sonic Youth's "Confusion Is Sex" through a pair of headphones he strapped to my head during a trip through Joshua Tree back in 1995. Since then I've been pining to have him in my band, and I'm still not sure why it took us this long to finally make it happen. The result was fantastic, and the explosive artwork he created to wrap it all up was the icing on the cake. Within a few months we were re-united in my parent's living room-made-recording-studio in the sticks of East County San Diego, recording two minute rock numbers destined for the album I've spent all these years daydreaming about, contemplating on, tasting, cooking, drinking and smoking up into a giant cloud that floats anywhere you want to go. Jason Nunez is an incredible drummer. These songs have a lot of excited emotion behind them. I am not sure if these recordings do either of those things justice as I have 0 recording knowledge. This is just one step in many that will lead us to the great carebear in the sky. I find it works best when I merge the things that come easiest to me, and what's here is an example of that mixed in with some dumb luck. I'm trying to be patient, and go where the music takes me. The Lakeside Project, for me, was about trying to take the music places. I wrestle every day with how much of that is still a part of what I do. I wrestle with how much of this is a cry of desperation. I wrestle with how much of this I really want to communicate. But then I hear (any one of my favorite rockers') voice say (any line from any one of my favorite songs), and I just smile, relax and keep rockin'. == This video here is a compilation of pictures and videos from my folder of private delights. Look for cameos by the Castro Theater, Madonna, Jason Nunez, Christopia, a chinese baby, Phil Hartman, the Naked Jumpies, and other curios. The song is called "Exordia" and was recorded live at the Velo Rouge Cafe in San Francisco with myself and Alec Chumbley on guitars and Kate Ming on accordion. (Less)
RD Mauzy: 101 Hello. I am RD, and this is my music. This collection of videos represents the current status of (More) Hello. I am RD, and this is my music. This collection of videos represents the current status of a record I've been working on over the past few years. (btw... the demos are done, and mp3z are at rdmauzy.com) The working title is "What If We See a Carebear," but theoretically, that will change. Songwriting for the record stretches back to 1995, though the bulk of it was penned within the last three years. After the end of my Boston band, a Sonic Youth/Pink Floyd hybrid named Lakeside Project, in 2002, I took a much needed hiatus from music and songwriting. But clearly, life had other plans, and here I am again, armed with an arsenal of music and the naivety or guts to believe it's really awesome. It was my dear friend Joe, who came to visit me holed-up in the ass-crack of Alaska in the summer of '04; he was there planting the seeds for my "Carebear" garden, liberally germinating the idea that I didn't have to hide behind a bass guitar in a noise/experimental band to say the things I longed to say, or have to keep a lid on the things I hold dear to me. Plus he wanted to know when everybody would be hearing "Honeycut" all over the radio ... my first glimpse at non-hyper-obsessive-noise-rock, and a more earnest-yet-delighted observation on things. "Honeycut" was the song that would lay the foundation for the rest of the material headed for "Carebear," a song I originally panned for being too whimsical and nothing like its Lakeside Project contemporaries. But it was the first Lakeside song to instantly and without hesitation win over my main Lakeside collaborator, who phoned me after a practice to say "I listened to your tape with Honeycut four times on the way home." Sadly, it remained just an apartment-demo as we closed shop before the release of our full-length record. That is unless you count the 2-CD+record box set "In The Somersault Room," I put out posthumously. But a string of unrelated coincidences, including a life-changing run-in with the best friend of the subject of "Honeycut," a documentary about singer/songwriter Townes van Zandt, and Madonna at Coachella all turned on the "dream out loud" machine, and "Honeycut" saw its release as a single this year on Big Spoon Records, backed by a rousing rendition of "Burning Up," by the aforementioned Mrs. Ritchie. Recording "Burning Up" also afforded me the opportunity to record with Jason Nunez, the man who turned my world upside down by blasting Sonic Youth's "Confusion Is Sex" through a pair of headphones he strapped to my head during a trip through Joshua Tree back in 1995. Since then I've been pining to have him in my band, and I'm still not sure why it took us this long to finally make it happen. The result was fantastic, and the explosive artwork he created to wrap it all up was the icing on the cake. Within a few months we were re-united in my parent's living room-made-recording-studio in the sticks of East County San Diego, recording two minute rock numbers destined for the album I've spent all these years daydreaming about, contemplating on, tasting, cooking, drinking and smoking up into a giant cloud that floats anywhere you want to go. Jason Nunez is an incredible drummer. These songs have a lot of excited emotion behind them. I am not sure if these recordings do either of those things justice as I have 0 recording knowledge. This is just one step in many that will lead us to the great carebear in the sky. I find it works best when I merge the things that come easiest to me, and what's here is an example of that mixed in with some dumb luck. I'm trying to be patient, and go where the music takes me. The Lakeside Project, for me, was about trying to take the music places. I wrestle every day with how much of that is still a part of what I do. I wrestle with how much of this is a cry of desperation. I wrestle with how much of this I really want to communicate. But then I hear (any one of my favorite rockers') voice say (any line from any one of my favorite songs), and I just smile, relax and keep rockin'. == This video here is a compilation of pictures and videos from my folder of private delights. Look for cameos by the Castro Theater, Madonna, Jason Nunez, Christopia, a chinese baby, Phil Hartman, the Naked Jumpies, and other curios. The song is called "Exordia" and was recorded live at the Velo Rouge Cafe in San Francisco with myself and Alec Chumbley on guitars and Kate Ming on accordion. (Less)
Pink Floyd - Discography (1967-2004)
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