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ROCKWELL BLAKE, CAREER PROFILE AND INTERVIEW, PT 2 TENOR ROCKWELL BLAKE, CAREER PROFILE AND INTERVIEW, 1987.
A TRIBUTE TO A GENTLEMEN RESPONSIBLE (More) TENOR ROCKWELL BLAKE, CAREER PROFILE AND INTERVIEW, 1987.
A TRIBUTE TO A GENTLEMEN RESPONSIBLE FOR THE REVIVAL OF SOME OPERAS UNDONE FROM IT'S PREMIERE, MORE THAN 100 YEARS AGO!!! A UNIQUE VOICE THAT COMES ONCE IN A CENTURY! RESPECT THE GREATS OF MUSIC HISTORY! HIS GLORY DIDN'T CAME FROM RECORDING CONTRACTS OR MEDIA, IT CAME FROM HIS WORK!
THIS IS PT 2 OF 2,
PT 1 CAN BE FOUND HERE:
http://www.youtube.com/watch?v=WPZ0KIEtMIA
Blake studied music first at the State University of New York (Fredonia) and then at the Catholic University of America. On leaving Catholic University, he served for three years in the United States Navy as a member of the Sea Chanters male chorus and later as a soloist with the US Navy Band. During that time, he continued his voice training with Renata Carisio Booth, who had been his teacher since his school days in Plattsburgh.
He made his solo opera debut in 1976 at the Kennedy Center in Washington D.C. as Lindoro in Rossini's L'italiana in Algeri, and made his debut at the New York Metropolitan Opera House in 1981 in the same role, with Marilyn Horne as his Isabella. He went on to become one of the leading Rossini singers of his generation, singing regularly at the Rossini Opera Festival in Pesaro since his debut there in 1983. He made his La Scala debut in 1992 as Giacomo in La donna del lago. It was La Scala's first production of the opera in 150 years and was staged to mark the bicentenary of Rossini's birth.
Although several critics have expressed reservations about the intrinsic timbre of his voice, his two-and-a-half octave range and mastery of florid vocal technique (WITH HIS UNCANNY CONTROL TO ARTICULATE 4 SEPARATE NOTES TO A BEAT AT A 142 METRONOME SPEED)have made him a successful interpreter not only of Rossini's tenor roles but also those in operas by Mozart, Donizetti, Bellini and Handel. Within that repertoire, Blake has sung in over 40 operas, including relative rarities such as Rossini's Zelmira, Mozart's' Zaide, Donizetti's Il Furioso all'Isola San Domingo, Haydn's L'Infedelta Delusa and Boieldieu's La Dame blanche. Blake has also been active in the orchestral and oratorio tenor repertoire, performing in works by Bach, Beethoven, Berlioz, Britten, Handel, Haydn, Mendelssohn, Mozart, Rossini, Saint-Saëns, and Stravinsky.
Since 2001 he has increasingly devoted himself to teaching and has given master classes at the Associazione Lirica Concertistica Italiana in Milan, the Conservatoire Nationale de Paris, the Accademia Nazionale di Santa Cecilia in Rome, Duke University in North Carolina, the State University of New York, the Hamburg Staatsoper, and the Chicago Lyric Opera young artists program.
His last appearances on the opera stage were as Uberto in Rossini's La donna del lago (Lisbon, 2005) and as Libenskoff in Rossini's Il viaggio a Reims (Montecarlo, 2005)
Prizes and Distinctions
Richard Tucker Award 1978
Cavaliere Ufficiale, Ordine al Merito della Repubblica Italiana 1994
Diapason d'Or de l'Aneé 1994
Honorary Degree - Doctor of Music, State University of New York
Victoire de la Musique 1997
Chevalier de l'Ordre des Arts et Lettres de la République Française 2000
Grand Prix du Palmares des Palmares 2004 (Less)
ROCKWELL BLAKE, CAREER PROFILE AND INTERVIEW PART 1 TENOR ROCKWELL BLAKE, CAREER PROFILE AND INTERVIEW PART 1, 1987.
A TRIBUTE TO A GENTLEMEN (More) TENOR ROCKWELL BLAKE, CAREER PROFILE AND INTERVIEW PART 1, 1987.
A TRIBUTE TO A GENTLEMEN RESPONSIBLE FOR THE REVIVAL OF SOME OPERAS UNDONE FROM IT'S PREMIERE, MORE THAN 100 YEARS AGO!!! A UNIQUE VOICE THAT COMES ONCE IN A CENTURY! RESPECT THE GREATS OF MUSIC HISTORY! HIS GLORY DIDN'T CAME FROM RECORDING CONTRACTS OR MEDIA, IT CAME FROM HIS WORK!
THIS IS PT 1 OF 2,
PT 2 CAN BE FOUND HERE:
http://www.youtube.com/watch?v=4f-xW0a9GLg
Blake studied music first at the State University of New York (Fredonia) and then at the Catholic University of America. On leaving Catholic University, he served for three years in the United States Navy as a member of the Sea Chanters male chorus and later as a soloist with the US Navy Band. During that time, he continued his voice training with Renata Carisio Booth, who had been his teacher since his school days in Plattsburgh.
He made his solo opera debut in 1976 at the Kennedy Center in Washington D.C. as Lindoro in Rossini's L'italiana in Algeri, and made his debut at the New York Metropolitan Opera House in 1981 in the same role, with Marilyn Horne as his Isabella. He went on to become one of the leading Rossini singers of his generation, singing regularly at the Rossini Opera Festival in Pesaro since his debut there in 1983. He made his La Scala debut in 1992 as Giacomo in La donna del lago. It was La Scala's first production of the opera in 150 years and was staged to mark the bicentenary of Rossini's birth.
Although several critics have expressed reservations about the intrinsic timbre of his voice, his two-and-a-half octave range and mastery of florid vocal technique (WITH HIS UNCANNY CONTROL TO ARTICULATE 4 SEPARATE NOTES TO A BEAT AT A 142 METRONOME SPEED)have made him a successful interpreter not only of Rossini's tenor roles but also those in operas by Mozart, Donizetti, Bellini and Handel. Within that repertoire, Blake has sung in over 40 operas, including relative rarities such as Rossini's Zelmira, Mozart's' Zaide, Donizetti's Il Furioso all'Isola San Domingo, Haydn's L'Infedelta Delusa and Boieldieu's La Dame blanche. Blake has also been active in the orchestral and oratorio tenor repertoire, performing in works by Bach, Beethoven, Berlioz, Britten, Handel, Haydn, Mendelssohn, Mozart, Rossini, Saint-Saëns, and Stravinsky.
Since 2001 he has increasingly devoted himself to teaching and has given master classes at the Associazione Lirica Concertistica Italiana in Milan, the Conservatoire Nationale de Paris, the Accademia Nazionale di Santa Cecilia in Rome, Duke University in North Carolina, the State University of New York, the Hamburg Staatsoper, and the Chicago Lyric Opera young artists program.
His last appearances on the opera stage were as Uberto in Rossini's La donna del lago (Lisbon, 2005) and as Libenskoff in Rossini's Il viaggio a Reims (Montecarlo, 2005)
Prizes and Distinctions
Richard Tucker Award 1978
Cavaliere Ufficiale, Ordine al Merito della Repubblica Italiana 1994
Diapason d'Or de l'Aneé 1994
Honorary Degree - Doctor of Music, State University of New York
Victoire de la Musique 1997
Chevalier de l'Ordre des Arts et Lettres de la République Française 2000
Grand Prix du Palmares des Palmares 2004 (Less)
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