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Anita O'Day - A Nightingale Sang In Berkeley… Anita O'Day singing "A Nightingale Sang In (More) Anita O'Day singing "A Nightingale Sang In Berkeley Square" during a concert in Sweden in 1963. The song was made popular by Vera Lynn in Britain during the second world war.
"A Nightingale Sang in Berkeley Square" is a romantic British popular song written in 1939 with lyrics by Eric Maschwitz and music by Manning Sherwin. It was published in 1940, early in World War II, when it was first performed in the London review New Faces by Judy Campbell. In the same year it was also performed by both Ray Noble and then by Vera Lynn. The tune is a recurring theme in the Fritz Lang film Man Hunt (1941). Berkeley Square is a large leafy square in Mayfair, an expensive part of London England. The Ritz Hotel referred to is also in Mayfair. With its sweet, wistful song the European Robin is a likely source of the legendary Nightingale, as birds, stimulated by the street lights, can often be heard singing in cities during the night.
Anita O'Day (Oct. 18, 1919 -- Nov. 23, 2006) was an American jazz singer. Born Anita Belle Colton, O'Day was admired for her sense of rhythm and dynamics, and her early big band appearances shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough," slang for money. O'Day, along with Mel Tormé, is often grouped with the West Coast cool school of jazz. Like Tormé, O'Day had some training in jazz drums (courtesy of her first husband Don Carter); her longest musical collaboration was with jazz drummer John Poole. While maintaining a central core of hard swing, O'Day's skills in improvisation of rhythm and melody put her squarely among the pioneers of bebop.
O'Day cited Martha Raye as the primary influence on her vocal style, although she also expressed admiration for Mildred Bailey, Ella Fitzgerald, and Billie Holiday. O'Day always maintained that the accidental excision of her uvula during a childhood tonsillectomy left her incapable of vibrato, and unable to maintain long phrases. That botched operation, she claimed, forced her to develop a more percussive style based on short notes and rhythmic drive. However, when she was in good voice she could stretch long notes with strong crescendos and a telescoping vibrato, e.g. her live version of "Sweet Georgia Brown" at the 1958 Newport Jazz Festival, captured in Bert Stern's film Jazz on a Summer's Day. O'Day's backbeat-based singing style was strongly influential on many other female singers of the late swing and bebop eras, including June Christy, Chris Connor and Doris Day. O'Day's long-term problems with heroin addiction and alcoholism and her often erratic behavior related to those problems earned her the nickname "The Jezebel of Jazz."
A feature-length documentary, Anita O'Day: The Life of a Jazz Singer, directed by Robbie Cavolina and Ian McCrudden, premiered at the Tribeca Film Festival on April 30, 2007. (Less)
Anita O'Day - Sweet Georgia Brown (1963) Live in… Anita O'Day singing "Sweet Georgia Brown" during a (More) Anita O'Day singing "Sweet Georgia Brown" during a live concert in Sweden in 1963.
"Sweet Georgia Brown" is a jazz standard and pop tune written in 1925 by Ben Bernie and Maceo Pinkard (music) and Kenneth Casey (lyrics).
The tune was first recorded on March 19, 1925 by bandleader Ben Bernie, resulting in a five-week No. 1 for Ben Bernie and his Hotel Roosevelt Orchestra. As Bernie's then nationally famous orchestra featuring the number did much to popularize the number, Pinkard cut Bernie in for a share of the tune's royalties by giving him a co-writer credit to the song
Anita O'Day (Oct. 18, 1919 -- Nov. 23, 2006) was an American jazz singer. Born Anita Belle Colton, O'Day was admired for her sense of rhythm and dynamics, and her early big band appearances shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough," slang for money. O'Day, along with Mel Tormé, is often grouped with the West Coast cool school of jazz. Like Tormé, O'Day had some training in jazz drums (courtesy of her first husband Don Carter); her longest musical collaboration was with jazz drummer John Poole. While maintaining a central core of hard swing, O'Day's skills in improvisation of rhythm and melody put her squarely among the pioneers of bebop.
O'Day cited Martha Raye as the primary influence on her vocal style, although she also expressed admiration for Mildred Bailey, Ella Fitzgerald, and Billie Holiday. O'Day always maintained that the accidental excision of her uvula during a childhood tonsillectomy left her incapable of vibrato, and unable to maintain long phrases. That botched operation, she claimed, forced her to develop a more percussive style based on short notes and rhythmic drive. However, when she was in good voice she could stretch long notes with strong crescendos and a telescoping vibrato, e.g. her live version of "Sweet Georgia Brown" at the 1958 Newport Jazz Festival, captured in Bert Stern's film Jazz on a Summer's Day. O'Day's backbeat-based singing style was strongly influential on many other female singers of the late swing and bebop eras, including June Christy, Chris Connor and Doris Day. O'Day's long-term problems with heroin addiction and alcoholism and her often erratic behavior related to those problems earned her the nickname "The Jezebel of Jazz."
A feature-length documentary, Anita O'Day: The Life of a Jazz Singer, directed by Robbie Cavolina and Ian McCrudden, premiered at the Tribeca Film Festival on April 30, 2007. (Less)
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