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Altan Uul (Mongolian, Bronze Medal) - Two Sturdy… English lyrics translated from Mongolian (More) English lyrics translated from Mongolian lyrics:
A sturdy horse with golden manes run up to the northern hillside.
It felt distressed because the girl dressing in golden and silvery finery would get married to a faraway place.
A sturdy horse with mixed colors run up to the southern hillside.
It felt distressed because the girl dressing in silk would get married to a faraway place.
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About Altan Uul:
Altan Uul is an ethnic Mogolian Chinese singer. Currently he is a contracted singer of the Song & Opera Ensemble of Political Department of Chinese Navy. Before he went to Beijing, he had a stable job in Inner Mongolia province of China. When he decided to give up his stable job and went to Beijing to pursue his dreams, his mother tried hard to persuade him not to do so. However, he drove his motorcycle out of the grand prairie in a determined manner without looking back. He said he could imagine that his mother must be staring at his back sadly at that time. So when he thought about it, he felt very sad and very sorry to his mother.
His mother is a very famous local singer. All his songs were taught by his mother. Altan Uul said that all his success should owe to his mother. When he was asked whether he was the best singer among Mongolians. He shaked his head and said many Mongolian singers were better than he was. However, they did not have bravery to leave their hometown while he had. So he was just lucky.
Actually Altan Uul's road to win the bronze medal was very bumpy. He was ranked the 9th in the first and the second round. Then his ranking jumped to the 6th in the third round and the forth round. Altan Uul said he did not expect to win any medal in the 12th National Youth Singing Contest because there were too many excellent singers. So he felt that he was just like a lucky "dark horse" in the contest.
When he was asked what his dream was. He said he wanted to become a singer as good as Dedema, a prestigious ethnic Mongolian Chinese singer. He also wanted to bring his Mogolian songs to the whole world.
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About this song:
Altan Uul used a typical Mongolian singing technique, Long Song, in his performance. The Long Song, a part of Chinese and Mongolian culture, was classified as a Masterpiece of the Oral and Intangible Cultural Heritage of Humanity in 2005 by the United Nations Educational. The main feature of the long song is the prolonged, tenuto notes with deeply modulated vibrato on the vowels. These majestic vibrating notes called shuranhai give the song profound philosophical, meditational character and they often depict the spacious mountain valleys and the tranquility of the Mongolian soul.
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阿拉腾乌拉 - 两匹骏马
十二届CCTV青年歌手电视大奖赛
阿拉騰烏拉 - 兩匹駿馬
十二屆CCTV青年歌手電視大獎賽
Alateng Wula - Liang Pi Jun Ma
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Introduction to Long Song:
http://en.wikipedia.org/wiki/Long_song
Introduction to Inner Mongolia:
http://en.wikipedia.org/wiki/Inner_Mongolia (Less)
Pádraig Ó Cearbhaill: Plassy's Pleasant Shore Plassy's Pleasant Shore
Oh come you back you (More) Plassy's Pleasant Shore
Oh come you back you lads and lassies
To where stream and river flow.
Where cliffs on high greet the morning sky
And guard the falls below.
Where birds above sing loud in love
With music sweet and sure.
Where flood and stream to me they seem
To wash Plassy's pleasant shore.
The banks J walked by day and night
And watched the salmon leap.
Mike Madden's up to Groody bridge
Those memories I will keep.
The sunken barge that looked so large -
Yes me it tried to lure: -
In punt or cot that was my lot
By Plassy's pleasant shore.
The stream that runs between the isles
Brings music to my ears.
The wind that wafts the leaves about
Blows away my fears.
From Mulcair's mouth to Roselawn
Way down to Tanaí Mhór,
I oft did float in many a boat
By Plassy's pleasant shore.
Beneath the bridge and towards the fall,
On right the garrison wall,
With eyes alert and pole in hand
We push and battle the fall.
O'er the rapids we slowly move -
We're gaining more and more -
And with paddle in hand towards the lough so grand
By Plassy's pleasant shore.
Come you back you lads and lassies
To this haven before you go.
The falls are there and islands too
Where rushing waters flow;
Where birds still sing and evenings still
Hold memories go leor.
Oh we'll still talk and ever walk
By Plassy's pleasant shore.
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This fine song was composed by Martin Burke from Limerick. Martin's music and singing, including this composition, can be heard on a CD entitiled 'Amhráin M'Athar/My Father's Songs' (2003), which also features Martin's sons Ronan and Torlogh.The following note accompanies this song:
'Another of Martin's compositions written in the sean-nós style almost 20 years ago, which praises the beamy around the fisherman's paradise of Plassey, also known as Sraoilleán, along the River Shannon, stretching from Castleconnell towards the city.'
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Diarmuid Breathnach writes:
Pádraig Ó Cearbhaill brings to his singing not only good presence and a sweet voice but also a scholarly approach to the wording and meaning of songs and a fondness and deep respect his his masters, Labhrás Ó Cadhla, Nioclás Taibín, Seán Ó Donnaíle and Con Greaney, not to mention poets and composers whom none of us knew personally. one thinks of Uilliam English and Pádraig's contribution, as Assistant Editor and as a singer to Ûna Nic Éinrí's Canfar an Dán:Uilliam English agus a Chairde, 2003. onethinks also of Pádraig Ó Miléadh of Sliabh gCua whose great song of exile about his native countryside inspired Ó Cadhla to compose that remarkable matching air. Perhaps Labhrás fell asleep one night with the words ringing in his ears and that by morning he had the air in his head. I have it on good authority that this is exactly how Pádraig Ó Cearbhaill himself came to compose the air he puts here to Aogán Ó Rathaille's great poem. As sung on this CD it brings home to a wider audience, and more effectively, perhaps, than any reciting of the poem, how bitterly disappointed the poet was after his humiliation by Sir Valentine Browne.
Bearing that wider public in mind again, this CD will introduce for the first time the lovely song 'Do bhéarfainn comhairle d'fhearaibh óga', which Pádraig learnt from the singing of Seán Ó Donnaíle.
Pádraig's grandfather, Seán Ó Cearbhaill, native Irish speaker and notable Gaelic League organiser a century ago, hailed from Déise country in South Tipperary. To some degree Pádraig's recent groundbreaking work on Tipperary's place names is an acknowledgement of his Tipperary background. But he is essentially a Limerick man and declares his allegiance here with the songs 'Plassy's pleasant shore' and 'West Limerick Hills'. As a place names scholar he obviously takes delight in the ballad-makers' fondness for recalling the townlands of their parishes. In a wider context such compositions will remain a valued part of our heritage, saved as they are from that more recent tonnbhriseadh ('tidal wave'), the increasing urbanisation of rural life.
There is much to savour and experience in all of the songs on this CD and indeed in the fine translations provided. Hartnett, Kinsella, Pádraig J. Daly are among the English-language poets/translators but many will be delighted in particular by Liam Mac Con lomaire's insightful but faithful versions. Liam brings to them not only his lived experience of Gaelic tradition and his lifetime acquaintance with song and singers, but also his own qualities as a singer.
Yes, the whole production is a collaboration of singers, scholars and poets, living and dead. What more can be said only an untypical 'Wow!' (Less)
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