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Twilight Circus - Brother Culture 'Foundation… From 2004
Twilight Circus Production
Brother (More) From 2004
Twilight Circus Production
Brother Culture 'Foundation Rockers' - Vocal 00:00
Brother Culture 'Foundation Rockers' - Dub 03:20
Brother Culture 'Foundation Rockers' - Acapella 06:30
Brother Culture 'Foundation Rockers' - Disciples Remix 09:20
Brother Culture 'Foundation Rockers' - Disciples Dub 12:57
Brother Culture 'Foundation Rockers' - Disciples Dub II 17:19
After the clutch of strong 12"'s from Luciano and Big Youth, Twilight Circus now return with an excellent album compiling the talents of Mykal Rose, Ranking Joe and Manasseh mic man, Brother Culture.
It's a powerful album, and is probably the most "orthodox" offering so far from Ryan Twilight. His earlier releases, though being strictly dubwise roots music, had edges of influence from diverse sources such as Eno and Can. This release though, whilst still retaining Ryan's distinctive edge, has far more of an old school JA mood to the entire proceedings.
The contributions from Bammie Rose and Eddie Tan Tan on this album are impressive, showing what true masters of their craft they are. (Why hasn't a compilation of their finest moments been compiled yet, one has to wonder?) At times they veer into old school Pharoah Sanders, Archie Shepp and Miles Davis territory and that has to be the highest accolades one could confer on these sensitive and meditative hornsmen. Ryan Twilight's dedication to his dub vocation is clear, and his mixes of these great hornsmen are huge affairs, featuring his characteristic cavernous bass and avalanche drum sounds. "Blue Motion" and "Alpha Skank" are strong tracks, featuring at times, recognisable echoes of early ONU Sound style and technique.
Brother Culture puts in an entrancing apocalyptic performance over a deep and inspiring rhythm track, all exploding snares and spiralling metallic percussion. Ranking Joe's "World in Trouble" is an equally dark and intense performance.
Mykal Rose, with his fiercely unique and rich tones, offers up a more sedate vocal than we are used too with a meditation on the eternal. Ryan's rhythm track works its linear magic under the introspective chant. Mykal Rose has a thoughtful and compelling tone which has lost none of its power over the years.
The next track, "Blue Motion", has a Joe Gibbs crisp Rockers edge to it with a psychedelic guitar vibe, sounding similar to Uhuru's explosive 7" dub of "Sun Is Shining" on the Channel One label released in the early 80's. The drum explosions sound eerily like someone inhaling and exhaling.
This is a fine album, which shows Ryan Twilight apparently getting better and better with each entry into his studio. It's good to see him working with legendary roots figures too. For those of you that love spiritual vocals and landscape dubs it is doubtful that this cerebral work will disappoint.
Long may Ryan Twilight practice his dub art. Watch out for Smith and Mighty/ More Rockers collaborations coming early next year.
Reviewed by Greg Whitfield
http://www.twilightcircus.com/
http://www.facebook.com/twilightcircusdub?sk=wall (Less)
Jean Goldkette and His Orchestra, Ray Maerer vocal… John Jean Goldkette (March 18,1893 - March (More) John Jean Goldkette (March 18,1893 - March 24,1962) was a jazz pianist and bandleader born in Patras, Greece. Goldkette spent his childhood in Greece and Russia, and emigrated to the United States in 1911. He led many jazz and dance bands, of which the best known was his Victor Recording Orchestra of 1924 -- 1929, which included, at various times, Bix Beiderbecke, Hoagy Carmichael, Chauncey Morehouse, Jimmy Dorsey, Tommy Dorsey, Bill Rank, Eddie Lang, Frankie Trumbauer, Pee Wee Russell, Steve Brown and Joe Venuti, among others. Vocalists included the Keller Sisters and Lynch. In his Jazz Masters of the Thirties, Rex Stewart, a member of Fletcher Henderson's band at the time, writes that the Goldkette band's innovative arrangements and strong rhythm made it the best dance band of its day and "the first original white swing band in jazz history". Jean Goldkette was also the Music Director for the Detroit Athletic Club for over 20 years, and co-owned the legendary Graystone Ballroom with Charles Horvath, who also performed with the Goldkette Victor Band in its early years. He owned his own entertainment company, 'Jean Goldkette's Orchestras and Attractions, working out of the still-standing Book-Cadillac Hotel in Detroit. In 1927, Paul Whiteman, the controversially self-proclaimed "King of Jazz," hired away most of Goldkette's better players due to Goldkette not being able to meet the payroll for his top-notch musicians. Goldkette later helped organize McKinney's Cotton <b>...</b> (Less)
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