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satie Emanuel Satie Stay On The Move.mp3 4shared.com ext: .mp3 7 MB date: 2013-05-24
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Emanuel Satie & ManooZ Be Who I Be.mp3 4shared.com ext: .mp3 4 MB date: 2013-05-24
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Erik Satie Gnossienne 1 by Alessio Nanni Alessio Nanni plays the first Gnossienne by Erik (More) Alessio Nanni plays the first Gnossienne by Erik Satie. Satie's coining of the word "gnossienne" was one of the rare occasions when a composer used a new term to indicate a new "type" of composition. Satie had and would use many novel names for his compositions ("vexations", "croquis et agaceries" and so on). "Ogive," for example, had been the name of an architectural element until Satie used it as the name for a composition, the Ogives. "Gnossienne," however, was a word that did not exist before Satie used it as a title for a composition. The word appears to be derived from "gnosis"; Satie was involved in gnostic sects and movements at the time that he began to compose the Gnossiennes.[citation needed] However, some published versions claim[citation needed] that the word derives from Cretan "knossos" or "gnossus" and link the Gnossiennes to Theseus, Ariadne and the Minotaur myth. Studio recording at ©WHITE NOISE FACTORY. Piano: Steinway & Sons. November 23rd, 2009. (Less)
Erik Satie "Trois Gymnopédies" The Gymnopédies, published in Paris starting in (More) The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality. Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them. (Less)
emanuel satie right and up above (original mix).mp3 4shared.com ext: .mp3 6 MB date: 2013-05-24
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Emanuel Satie Over.mp3 4shared.com ext: .mp3 6 MB date: 2013-05-24
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Emanuel Satie One Blood.mp3 4shared.com ext: .mp3 1 MB date: 2013-05-24
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Emanuel Satie Locked Down.mp3 4shared.com ext: .mp3 1 MB date: 2013-05-24
Source title: music - 4shared.com - search and download music, video, photo, files, for free - 2
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