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Alexander Scriabin plays Scriabin - Poeme Op.32… In 1908 Alexander Scriabin sat at a piano in the (More) In 1908 Alexander Scriabin sat at a piano in the studios of Ludwig Hupfeld AG at Leipzig and recorded his Deux Poemes Op 32 on a master roll intended for their 73 note Phonola and DEA reproducing piano systems. He later recorded several of his shorter works for the rival Welte company, but these when released included the first Poeme only. Hupfeld later released Scriabin's recordings on Standard 88 note rolls including the second and third Sonatas and the two Poemes Op.32 along with various Preludes. This may be the first recording, certainly it's the first broadcast of Scriabin's performance of this Poeme, see also Scriabin's performance of Op.32 No. 2. He knew that his performance style was unique if not to say revelatory, and I am sure made these rolls as a record for future generations - I can't imagine they were to any degree a commercial success as they are, and always were very rare so credit must be given to Hupfeld for their far sightedness. It is interesting to compare the performance on this roll to the Welte version to be found elsewhere on YouTube. It has been said that Scriabin's interpretation differed between every performance of the same work, and comparison of these rolls show radical differences . It is interesting to find that the later Welte recording of this piece is markedly different, with the rubato taken to extremes, which perhaps reflects the continuous musical development of his ideas. Apologies for the missing note and the inoperative una <b>...</b> (Less)
Scriabin Preludes Op. 11 No.9 & 10 Op.11 No.9 composed in Moscow November 1895
Op.11 (More) Op.11 No.9 composed in Moscow November 1895
Op.11 No.10 composed in Moscow 1894
From wikipedia.org
Prelude Op.11 No.9 in E major and Prelude Op.11 No.10 in C sharp minor can be played as neo-romantic,impressionistic, and twentieth-century repertoire in a Royal Conservatory of Music grade nine examination.
Alexander Scriabin's Prelude Op.11 No. 10 is in C sharp minor is 20 bars long and takes under a minute and a half to play. It is marked at Andante. It has two sections of mysterious major seventh intervals and tritone harmonies, split up by a lyrical E Major section. Like many of Scriabin's slower pieces, it is played very rubato. The first section is, as mentioned, very mysterious, as Scriabin employs many tritones and seventh intervals which do
not fall into the key of C sharp minor.
The first 8 bars feature modulations to
D sharp minor and F sharp minor. The ninth bar, marked con anima, introduces an E major melody using more conventional harmonies, but the piece only delves yet again deeper into the depths of the mystery four bars later. Here, marked fortississimo, the initial melody comes out in full force using the broad tessitura scope of the piano. At the seventeenth bar, the piece calms to quiet block chords of F sharp minor, C sharp minor-7,and B major-9 (without the bass B), finally resolving to an arpeggiated final C sharp minor chord, reminiscent of the ninth prelude immediately preceding this one. This shows Scriabin's ability to find commonality in his most diverse works. (Less)
01 Scriabin Etude in F sharp minor, Op 8 No 2.mp3 4shared.com ext: .mp3 4 MB date: 2013-05-18
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Lance Scriabin.mp3 4shared.com ext: .mp3 6 MB date: 2013-05-18
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