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2009-08-25 12:02:31 - 6 MB

Sasha Grey - BS

2009-07-03 - extension: avi - size: 158 MB

Sasha Grey - BS

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TAtWPP

2009-09-13 - extension: rar - size: 68 MB

TAtWPP

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332 St Cloud - www.332StCloud.com
332 St. Cloud Road, Bel Air Never before has there been a residential property of this exceptional (More) 332 St. Cloud Road, Bel Air Never before has there been a residential property of this exceptional quality, magnitude and provenance offered in Southern California there may never be again. The perfect apex between the prestigious Bel-Air Country Club and renowned Hotel Bel-Air, architect Michael C.F. Chan, interior designer Bebe Winkler, and their discriminating clients, designed and crafted one of the worlds most important and palatial residential propertiesa rare and perfect jewel shimmering in the coveted crown of Bel-Air. The ensuing collaboration resulted in a passionate and lyrical expression of refined luxury rarely experienced since Americas affluent golden era. The vision was formidable—to fuse the classic and dramatic elements of Versailles and opulent periods of Louis XV and XVI, with the poetic and intimate scale of Paris Musée Rodin. The setting priceless—among the most coveted in the world—a raised private knoll of sculpted gardens, towering trees, sweeping vistas and secret seclusion responding perfectly to the harmony of its natural setting. The residence itself—an imposing yet quietly elegant nine bedroom, twenty-one bath masterpiece of Texas limestone, priceless marble, twenty-two carat gold leaf detail, carved paneling and elaborately crafted iron and gilt bronze fittings—is divided into east and west wings, reflecting the importance of symmetry and proportion in classical design. The unparalleled beauty of the elliptical marble and limestone three-story entrance hall, illuminated by oval windows extends to a serene conservatory, opulent formal and junior dining rooms, breathtaking two-story paneled library, expansive family room/office, and lavish formal Grand Salon—a fitting title given its sumptuous scale. The lavish master wing, bathed in hues of champagne and bois de rose, is a study in restrained elegance and serenity. Created as a private refuge, it offers double sitting rooms, silk wall coverings, two sumptuous bath suites richly appointed in marble, expansive limestone terraces and intimate baconies overlooking the gardens and lush landscape beyond. A lower level, itself a complete residence, contains a luxurious screening room, double powder rooms, billiard room, catering kitchen, art-filled galleria, three staff bedrooms, health spa/gymnasium, beauty salon and extraordinary state-of-the-art wine room with storage for nearly 5000 bottles. And the grounds brilliantly conceived by landscape architect John Wong, include a swimmers pool with fountains and spa, pool pavilion with full kitchen and double marble baths, lighted north/south tennis court, security gatehouse, subterranean 10-car parking garage, and gated granite motor court. Shown by appointment only to pre-qualified clients. 9 bedrooms, 21 bathrooms Offered at: $53,000,000 (Less)

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La Perla
www.watcha3.com - The early Nineties saw a significant shift in the style of the La Perla image. (More) www.watcha3.com - The early Nineties saw a significant shift in the style of the La Perla image. This change came as a response to emerging trends: lingerie began to speak the same language as outerwear, the focus was placed firmly on fashion values, and a more stagy, dynamic female type emerged. The result was a glamorous woman who carried her seductive powers with ease and self-assurance. Models looked straight at the camera, wore accessories associated more with outerwear, struck confident poses and were shown in new, less intimate surroundings, becoming subjects - not objects - of desire. 1994 In the space of just a few years the hedonism of the Reagan era had faded to a distant memory. The overriding emphasis on appearance of the 1980\'s was replaced by the \"be yourself\" imperative of the 1990\'s. There was a return to simplicity in fashion and lingerie alike: the emphasis was now laid on solid values and more restrained forms of style and elegance. The quintessential embodiment of this new self-awareness was Sculpture-, the bra launched by La Perla in 1994 which revolutionised underwear. A natural style, purity of form and harmonious proportions were the key attributes which made Sculpture a fashion phenomenon. The symbol of a whole new style philosophy, Sculpture turned the very notion of underwear on its head, ushering in the idea of underwear as clothing to be worn up front and shown off. A cult in its own right, Sculpture is a creation that brilliantly epitomises the world of La Perla and is a must for all women keen to combine a personal style with all-important contemporary values. 1997 The decision to take a step forward and highlight the relationship between women and the language of lingerie is a very recent one. La Perla\'s new communication strategy seeks to reflect the dreams and emotions of women who are free to choose, who no longer want to enter the man\'s fantasy world but to create and share it, living their lives and relationships exactly as they decide. With the help of Marino Parisotto Vay, in 1997 La Perla launched not so much a new image as a new world of the imagination. For the first time men played a part in scenes in which women were both the stars and the directors, and where for the first time they showed off their skill at the art of transgression. This high impact, contemporary image led to a ground-breaking communication project which debuted with Senso, a book of photographs projecting an elegant form of female eroticism in a heady mix of dream and transgression. This journey through the realms of seduction has continued with the images for Spring/Summer 1998 and the beachwear collection as depicted in La Perla\'s new book, Tropico. (Less)

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