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more... Secrets Of Speed Seduction 
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Secrets of speed SeductionThe Travellers Rest
Secrets Of Speed Seduction
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Secrets of speed SeductionThe Travellers Rest
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Mystique Lingerie - Secret Ar
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The Order of Skull & Bones, Nazi & Bohemian Grove
When Saddam Hussein talked of 'the devil Bush' he may not have been so far from the truth. (More) When Saddam Hussein talked of 'the devil Bush' he may not have been so far from the truth. U.S. president George W. Bush, his father and grandfather are proven initiates of this multi-generational occult lodge. George W. was tapped (initiated) in 1968 at the group's Yale University HQ, a mausoleum known as 'the tomb'. When undergraduates broke in they found that the 'holy of holies' inner sanctum has red velvet walls and carpet, with a large pentagram emblazoned on the wall.Adolf Hitler was obsessed with the occult, in his case the Thule Society, closely inter-connected with German Theosophists. The jolly roger, skull and cross bones, "der Totenkopf" was an emblem worn by Hitler's SS soldiers and was emblazoned on SS armoured cars and tanks (see images on this page). The SS was a religious cult of sworn Hitler/German ancestor worship. If the Nazis' occult lodges had been exposed then shut down, not treated as a taboo, millions of lives could have been saved. A small price to pay for insane racism and the blood of millions of people. The second world war need never have happened. Unless you want the occult fuelling a totalitarian West's Third World War 'on terror' and their 'New World Order' - please - do your bit to expose George W. Bush, the bonesmen and other interconnected lodges round the world. Heinrich Himmler, whose arrest as a traitor Hitler had ordered on 28 April 1945 for negotiating with the Allies, was captured by a British patrol on 23 May. A few hours later he killed himself with cyanide, and, dying as Reichsführer-S.S., set his final seal upon the destruction of the world's most sinister order, which the Third Reich's military defeat had already inflicted. Hitler had sown seeds of the deepest hatred between Nazis and Communists in his teaching and in the cruelty and mass murder he had launched in Russia. Now it was the turn of the Soviets. Nazism reached its end in a Berlin turned into a battleground of unparalleled violence, fire and brutality as the Soviet forces dealt blows of destruc-tion and revenge. It was as if the Satanic essence of Nazism shone through the flames and the ruins.George W Bush was/is a member of the "skull and bones" society. There's even a movie about it. And no, this isn't just another harmless Greek fraternity. It's a secretive, satanic cult for the jaded and self-appointed elites at Yale University. The upper crust of the upper crust -- with only 15 new initiates selected from each graduating class. Bush wrote in his autobiography it was, "so secret, I can't say anything more." But I can: We know that initiates undergo torture, kiss a scull, press a human femur bone to the initiates backside, act out a throat slashing ritual murder, and they pledge allegiance to a figure dressed up as Satan. They are also compelled to relate their entire sexual history while masturbating in a coffin. Bush had the name "Magog" , because he had the most extensive illicit sexual background of all the new initiates. And of course, Gog and "Magog" are names directly connected with Satan and the Antichrist in Revelation (20:8). The following is a short clip from a video taken by investigative journalist Ron Rosenbaum on April 14, 2001: Scull&Bones Clip The words and imagery of the cult are heavily centered on death, as they repeat the same mantra over and over, till it is burned into their conciseness: THE HANGMAN EQUALS DEATH! THE DEVIL EQUALS DEATH! DEATH EQUALS DEATH!' Initiates are instructed to "die to the barbarian world" so that they can be reborn in the "The Order," a brotherhood of Satan. In a new and more recent twist, in addition to being cross examined by Satan, initiates are also being cross-examined by a member dressed up as George W Bush, aka "Magog", who hurls vulgar profanities and says thing like "I'm gonna kill you like I killed Al Gore." Some may want to dismiss all this as somewhere on the extremely poor-taste edge of college hijinks, but it's much more serious than that. Such a darkly obscene and prolonged ritual cannot help but have a lasting impact on the souls of young initiates. Oaths to the devil taken in jest are nevertheless taken in fact. It's also important to point out that scull and bones cult members do not resign after graduation - like born again Christians they consider themselves to be born again into "the order" forever- only they're reborn in Satan, and not the Holy Spirit. They even have their own hideout called Deer Island, where former Bones members bring their families for summer reunions. A secluded hideaway is located in the St. Lawrence River, and owned by the Deer Island Club Corporation, a shell company operated by Skull and Bones members. The Scull and Bones Satanist Elites maintain their cultic relationships their entire lives - mostly by helping each other gain positions of influence and world power, in order to make more money. A satanic mafia for the super-well-connected. Though Bush kept going bust in the oil business, his comrades from scull and bones helped bail him out, and it was they who would later give him his start in politics. Bush was also involved in torture at Delta Kappa Epsilon, at a time when he was President of the fraternity. One pledge recalled how this "compassionate conservative" took great pleasure in branding him with a red hot iron, leaving him with scars which he carries to this day. When the hazing scandal broke in the campus newspaper in the late '60s, Bush tried to defend the illegal torture as a "harmless prank", but the fraternity was fined and the branding practice halted. It's little wonder that he still considers illegal torture a 'harmless prank': When he was a boy he also used to sadistically insert firecrackers into frogs and blow them up for kicks. Little wonder that under his leadership, for the first time Americans are engaging in the shameful and counter-productive practice of torturing prisoners in places like Abu Ghraib Prision.Then there's the Bush family alliance with the greatest evil in history - Adolph Hitler. Bush's grandfather Prescott Bush, also a 'scull and bones' man, got rich first by helping the Nazis come to power, then helping Hitler build the war machine that would decimate the world, and then even benefiting from Nazi slave labor and the extermination of millions of Jews. Auschwitz was built near coal deposits so that slave labor could be used in one of Prescott Bush's holdings, the Silesian American Corporation. Even after the US declared war on Germany, Prescott Bush continued violating the Trading With the Enemy Act, until the government finally shut him down late in 1942 - but not before making him rich, and establishing the Bush family as a power in American politics.Sometime in the early 1830s, a Yale student named William H. Russell—the future valedictorian of the class of 1833- traveled to Germany to study for a year. Russell came from an inordinately wealthy family that ran one of America's most despicable business organizations of the nineteenth century: Russell and Company, an opium empire. Russell would later become a member of the Connecticut state legislature, a general in the Connecticut National Guard, and the founder of the Collegiate and Commercial Institute in New Haven. While in Germany, Russell befriended the leader of an insidious German secret society that hailed the death's head as its logo. Russell soon became caught up in this group, itself a sinister outgrowth of the notorious eighteenth-century society the Illuminati. When Russell returned to the United States, he found an atmosphere so Anti-Masonic that even his beloved Phi Beta Kappa, the honor society, had been unceremoniously stripped of its secrecy. Incensed, Russell rounded up a group of the most promising students in his class-including Alphonso Taft, the future secretary of war, attorney general, minister to Austria, ambassador to Russia, and father of future president William Howard Taft-and out of vengeance constructed the most powerful secret society the United States has ever known.The men called their organization the Brotherhood of Death, or, more informally, the Order of Skull and Bones. They adopted the numerological symbol 322 because their group was the second chapter of the German organization and founded in 1832. They worshiped the goddess Eulogia, celebrated pirates, and plotted an underground conspiracy to dominate the world. Fast-forward 170 years. Skull and Bones has curled its tentacles into every corner of American society. This tiny club has set up networks that have thrust three members into the most powerful political position in the world. And the group's influence is only increasing-the 2004 presidential election might showcase the first time each ticket has been led by a Bonesman. The secret society is now, as one historian admonishes, " 'an international mafia'. . . unregulated and all but unknown." In its quest to create a New World Order that restricts individual freedoms and places ultimate power solely in the hands of a small cult of wealthy, prominent families, Skull and Bones has already succeeded in infiltrating nearly every major research, policy, financial, media, and government institution in the country. Skull and Bones, in fact, has been running the United States for years.Skull and Bones cultivates its talent by selecting members from the junior class at Yale University, a school known for its strange, Gothic elitism and its rigid devotion to the past. The society screens its candidates carefully, favoring Protestants and, now, white Catholics, with special affection for the children of wealthy East Coast Skull and Bones members. Skull and Bones has been dominated by about two dozen of the country's most prominent families—Bush, Bundy, Harriman, Lord, Phelps, Rockefeller, Taft, and Whitney among them—who are encouraged by the society to intermarry so that its power is consolidated. In fact, Skull and Bones forces members to confess their entire sexual histories so that the club, as a eugenics overlord, can determine whether a new Bonesman will be fit to mingle with the bloodlines of the powerful Skull and Bones dynasties. A rebel will not make Skull and Bones; nor will anyone whose background in any way indicates that he will not sacrifice for the greater good of the larger organization.As soon as initiates are allowed into the "tomb," a dark, windowless crypt in New Haven with a roof that serves as a landing pad for the society's private helicopter, they are sworn to silence and told they must forever deny that they are members of this organization. During initiation, which involves ritualistic psychological conditioning, the juniors wrestle in mud and are physically beaten—this stage of the ceremony represents their "death" to the world as they have known it. They then lie naked in coffins, masturbate, and reveal to the society their innermost sexual secrets. After this cleansing, the Bonesmen give the initiates robes to represent their new identities as individuals with a higher purpose. The society anoints the initiate with a new name, symbolizing his rebirth and rechristening as Knight X, a member of the Order. It is during this initiation that the new members are introduced to the artifacts in the tomb, among them Nazi memorabilia—including a set of Hitler's silverware-dozens of skulls, and an assortment of decorative tchotchkes: coffins, skeletons, and innards. They are also introduced to "the Bones whore," the tomb's only full-time resident, who helps to ensure that the Bonesmen leave the tomb more mature than when they entered. Members of Skull and Bones must make some sacrifices to the society—and they are threatened with blackmail so that they remain loyal—but they are remunerated with honors and rewards, including a graduation gift of $15,000 and a wedding gift of a tall grandfather clock. Though they must tithe their estates to the society, each member is guaranteed financial security for life; in this way, Bones can ensure that no member will feel the need to sell the secrets of the society in order to make a living. And it works: No one has publicly breathed a word about his Skull and Bones membership, ever. Bonesmen are automatically offered jobs at the many investment banks and law firms dominated by their secret society brothers. They are also given exclusive access to the Skull and Bones island, a lush retreat built for millionaires, with a lavish mansion and a bevy of women at the members' disposal. The influence of the cabal begins at Yale, where Skull and Bones has appropriated university funds for its own use, leaving the school virtually impoverished. Skull and Bones' corporate shell, the Russell Trust Association, owns nearly all of the university's real estate, as well as most of the land in Connecticut. Skull and Bones has controlled Yale's faculty and campus publications so that students cannot speak openly about it. "Year by year," the campus's only anti-society publication stated during its brief tenure in 1873, "the deadly evil is growing."The year in the tomb at Yale instills within members an unwavering loyalty to Skull and Bones. Members have been known to stab their Skull and Bones pins into their skin to keep them in place during swimming or bathing. The knights (as the student members are called) learn quickly that their allegiance to the society must supersede all else: family, friendships, country, God. They are taught that once they get out into the world, they are expected to reach positions of prominence so that they can further elevate the society's status and help promote the standing of their fellow Bonesmen. This purpose has driven Bonesmen to ascend to the top levels of so many fields that, as one historian observes, "at any one time The Order can call on members in any area of American society to do what has to be done." Several Bonesmen have been senators, congressmen, Supreme Court justices, and Cabinet officials. There is a Bones cell in the CIA, which uses the society as a recruiting ground because the members are so obviously adept at keeping secrets. Society members dominate financial institutions such as J. P. Morgan, Morgan Stanley Dean Witter, and Brown Brothers Harriman, where at one time more than a third of the partners were Bonesmen. Through these companies, Skull and Bones provided financial backing to Adolf Hitler because the society then followed a Nazi-and now follows a neo-Nazi—doctrine. At least a dozen Bonesmen have been linked to the Federal Reserve, including the first chairman of the New York Federal Reserve. Skull and Bones members control the wealth of the Rockefeller, Carnegie, and Ford families.Skull and Bones has also taken steps to control the American media.Two of its members founded the law firm that represents the New York Times. Plans for both Time and Newsweek magazines were hatched in the Skull and Bones tomb. The society has controlled publishing houses such as Farrar, Straus & Giroux. In the 1880s, Skull and Bones created the American Historical Association, the American Psychological Association, and the American Economic Association so that the society could ensure that history would be written under its terms and promote its objectives. The society then installed its own members as the presidents of these associations. Under the society's direction, Bonesmen developed and dropped the nuclear bomb and choreographed the Bay of Pigs invasion. Skull and Bones members had ties to Watergate and the Kennedy assassination. They control the Council on Foreign Relations and the Trilateral Commission so that they can push their own political agenda. Skull and Bones government officials have used the number 322 as codes for highly classified diplomatic assignments. The society discriminates against minorities and fought for slavery; indeed eight out of twelve of Yale's residential colleges are named for slave owners while none are named for abolitionists. The society encourages misogyny: it did not admit women until the 1990s because members did not believe women were capable of handling the Skull and Bones experience and because they said they feared incidents of date rape. This society also encourages grave robbing: deep within the bowels of the tomb are the stolen skulls of the Apache chief Geronimo, Pancho Villa, and former president Martin Van Buren.Finally, the society has taken measures to ensure that the secrets of Skull and Bones slip ungraspable like sand through open fingers. Journalist Ron Rosenbaum, who wrote a long but not probing article about the society in the 1970s, claimed that a source warned him not to get too close."What bank do you have your checking account at?" this party asked me in the middle of a discussion of the Mithraic aspects of the Bones ritual.I named the bank. "Aha," said the party. "There are three Bonesmen on the board. You'll never have a line of credit again. They'll tap your phone. They'll. . . ". . .The source continued: "The alumni still care. Don't laugh. They don't like people tampering and prying. The power of Bones is incredible. They've got their hands on every lever of power in the country. You'll see—it's like trying to look into the Mafia."In the 1980s, a man known only as Steve had contracts to write two books on the society, using documents and photographs he had acquired from the Bones crypt. But Skull and Bones found out about Steve. Society members broke into his apartment, stole the documents, harassed the would-be author, and scared him into hiding, where he has remained ever since. The books were never completed. In Universal Pictures' thriller The Skulls (2000), an aspiring journalist is writing a profile of the society for the New York Times. When he sneaks into the tomb, the Skulls murder him. The real Skull and Bones tomb displays a bloody knife in a glass case. It is said that when a Bonesman stole documents and threatened to publish society secrets if the members did not pay him a determined amount of money, they used that knife to kill him. This, then, is the legend of Skull and Bones.It is astonishing that so many people continue to believe, even in twenty-first-century America, that a tiny college club wields such an enormous amount of influence on the world's only superpower. The breadth of clout ascribed to this organization is practically as wide-ranging as the leverage of the satirical secret society the Stonecutters introduced in an episode of The Simpsons. The Stonecutters theme song included the lyrics:Who controls the British crown? Who keeps the metric system down? We do! We do. . .Who holds back the electric car? Who makes Steve Guttenberg a star? We do! We do.Certainly, Skull and Bones does cross boundaries in order to attempt to stay out of the public spotlight. When I wrote an article about the society for the Atlantic Monthly in May 2000, an older Bonesman said to me, "If it's not portrayed positively, I'm sending a couple of my friends after you." After the article was published, I received a telephone call at my office from a fellow journalist, who is a member of Skull and Bones.He scolded me for writing the article—"writing that article was not an ethical or honorable way to make a decent living in journalism," he condescended —and then asked me how much I had been paid for the story. When I refused to answer, he hung up. Fifteen minutes later, he called back."I have just gotten off the phone with our people." "Your people?" I snickered."Yes. Our people." He told me that the society demanded to know where I got my information."I've never been in the tomb and I did nothing illegal in the process of reporting this article," I replied."Then you must have gotten something from one of us. Tell me whom you spoke to. We just want to talk to them," he wheedled. "I don't reveal my sources."Then he got angry. He screamed at me for a while about how dishonorable I was for writing the article. "A lot of people are very despondent over this!" he yelled. "Fifteen Yale juniors are very, very upset!" I thanked him for telling me his concerns."There are a lot of us at newspapers and at political journalism institutions," he coldly hissed. "Good luck with your career"—and he slammed down the phone.Skull and Bones, particularly in recent years, has managed to pervade both popular and political culture. In the 1992 race for the Republican presidential nomination, Pat Buchanan accused President George Bush of running "a Skull and Bones presidency." In 1993, during Jeb Bush's Florida gubernatorial campaign, one of his constituents asked him, "You're familiar with the Skull and Crossbones Society?" When Bush responded, "Yeah, I've heard about it," the constituent persisted, "Well, can you tell the people here what your family membership in that is? Isn't your aim to take control of the United States?" In January 2001, New York Times columnist Maureen Dowd used Skull and Bones in a simile: "When W. met the press with his choice for attorney general, John Ashcroft, before Christmas, he vividly showed how important it is to him that his White House be as leak-proof as the Skull & Bones 'tomb.'"That was less than a year after the Universal Pictures film introduced the secret society to a new demographic perhaps uninitiated into the doctrines of modern-day conspiracy theory. Not long before the movie was previewed in theaters—and perhaps in anticipation of the election of George W. Bush—a letter was distributed to members from Skull and Bones headquarters. "In view of the political happenings in the barbarian world," the memo read, "I feel compelled to remind all of the tradition of privacy and confidentiality essential to the well-being of our Order and strongly urge stout resistance to the seductions and blandishments of the Fourth Estate." This vow of silence remains the society's most important rule. Bonesmen have been exceedingly careful not to break this code of secrecy, and have kept specific details about the organization out of the press. Indeed, given the unusual, strict written reminder to stay silent, members of Skull and Bones may well refuse to speak to any member of the media ever again.But they have already spoken to me. When? Over the past three years. Why? Perhaps because I am a member of one of Skull and Bones' kindred Yale secret societies. Perhaps because some of them are tired of the Skull and Bones legend, of the claims of conspiracy theorists and some of their fellow Bonesmen. What follows, then, is the truth about Skull and Bones. And if this truth does not contain all of the conspiratorial elements that the Skull and Bones legend projects, it is perhaps all the more interesting for that fact. The story of Skull and Bones is not just the story of a remarkable secret society, but a remarkable society of secrets, some with basis in truth, some nothing but fog. Much of the way we understand the world of power involves myriad assumptions of connection and control, of cause and effect, and of coincidence that surely cannot be coincidence.Most of the speculative lore about the Skull and Bones ritual has centered on its death fixation. Beyond the obvious skull-and-crossbones insignia, of course, the most persistent story is that initiates spend their senior year in the basement crypt of the Bones Tomb taking turns lying in a coffin and, in two long, intense, psycho-drama autobiographical sessions in said coffins, recount their personal and sexual history to the other 14 chosen ones. The better to bond for life with those they know best and prepare for their destiny as stewards of the ruling class. The death-centered imagery, the injunction to initiates that they must "die to the barbarian world" and be reborn in the Elysian company of the elect of "The Order," as they call it, is what makes Skull and Bones as radically different from a college fraternity as the Gambino family is from the "hunting and fishing club" that was their nominal headquarters. The hangman equals death. The devil equals death. Death equals death .... What the hell is going on there? Is it a puzzle in logic, like "All men are mortal. Socrates is mortal ..."? Does it solve out to "The hangman equals the devil?" Could one detect a capital-punishment theme here--the hangman as executioner presaging George W.'s prolific execution rate as Texas governor? "George W. equals death," you might say. And what about the devil? (Well, the figure dressed like the devil.) Is that the secret they've been covering up ever since the society was founded in 1832, the offshoot of a German secret society: devil worship? A fulfillment of the paranoid fantasies of the fundamentalist right, who believe the Eastern establishment is a front for Satanic conspiracy. Probably not, but it made me more eager to participate in this year's caper: the attempt to see as well as hear it, to capture it all on video--for educational, historical and journalistic purposes to document a defining rite of passage of the American ruling class. Oh, yes--before we get to the night-vision videotape, there was one more thing, the embarrassing part of the audiotape, the OOGA-BOOGA part. Part of the ceremony on the tape involved an initiation master ordering the neophytes to fetch bones and uttering the (I guess) fake Tarzan-movie "native" chant "OOGA BOOGA." It left me feeling embarrassed for Skull and Bones. Hard to ever take seriously again anyone whose defining life-mission moment includes an OOGA BOOGA. But as it turned out, "OOGA BOOGA" was not evident in this year's ceremony, as far as we were able to tell. Perhaps it was an improvisation, like this year's impersonation of George W. ("I'll ream you like I reamed Al Gore") was. The Observer Mission Impossible Force met to plot strategy an hour before sunset on initiation night, Saturday, April 12. It is not widely known, but Tap Night, which occurs on Thursday, is not generally the same as initiation night. The good stuff happens on Saturday night, and already limos are cruising the quiet streets that crisscross the Yale campus, conveying initiates of other secret societies to their rituals. Bones initiates come on foot, knock on the massive triple-locked wooden door of the Tomb and are conveyed to the first stage of the ritual. But we are getting ahead of ourselves. Let me just mention how much I admired the intrepid Yale members of the Observer Bones Task Force for displaying the kind of curiosity, initiative and heretical, skeptical impulse apparently absent on most Ivy campuses, if you believe David Brooks' recent Atlantic Monthly cover story on get-along-go-along premature careerists. The guys on my team will make more of a real contribution than any of the smug secret-society types. First on the agenda was a quick examination of the Bones income-tax filings, which an outside consultant to the team had obtained through Freedom of Information Act requests. He and Peggy Adler pointed out to me a couple of dubious assertions on the Form 990's (Return of Organization Exempt from Income Tax), which called into question certain of the grounds for charitable exemption. In particular, there was the assertion in the 1997 RTA Incorporated filing (Part VI, line 80b) that the organization was not "related ... through common membership, governing bodies, trustees, officers etc. to any other exempt or non-exempt organization." Contradicting that assertion is information on the filing of the Deer Island Club Corporation. Deer Island is the private island of the Skull and Bones Society, located in the St. Lawrence River. It is the place where Bones members bring their families for summer get-togethers. It is wholly owned and run by Skull and Bones members, apparently contradicting Bones' claim of "no relationship" to another exempt organization, and appearing to contradict the strictly educational and charitable mission for which RTA gets its exemption for Skull and Bones. The consultant argues in a memo that the purpose of the 80b question on the Bones deduction claim form "is to prevent tax exempt charities from undertaking non-charitable activities by hiding them in another corporation. This is of course precisely what RTA Inc. is accomplishing through the Deer Island Club Corporation. In order to conceal this arrangement however RTA Inc. denies its connection to the DICC." In fact, he goes on, "RTA and the DICC are so closely linked that for all intents and purposes RTA Inc. does own Deer Island despite its claims to the contrary." I'm not going to go into the whole tax issue here. Perhaps the Bones shell corporation has a good and valid reason for claiming that it has no connection to the Bones private-island country club.** Perhaps this sort of thing goes on all the time among the private charities of the privileged. I don't think Deer Island will become George W. Bush's Whitewater. But one might think that a scrupulous White House counsel would want to look at the kind of tax information George W.'s secret society is filing on his behalf. Particularly since he's promising enormous windfalls for the privileged, the tax breaks his secret society takes should be utterly beyond suspicion. Does the President, I'd like to know, claim his Skull and Bones dues as a charitable deduction, when the only charity seems to be providing a club house and country house for the privileged? The RTA filing claims Skull and Bones exists "for the benefit of Yale University." But Yale--which celebrates three centuries of luminous atainments this weekend--ought to question what "benefit" it gets from chants of "lick my bumhole" and the mockery of Abner Louima. Anyway, as night came falling and we choreographed the evening's caper, I felt that we were carrying on an old-fashioned, longstanding tradition: the natural reaction of the democratic (small D) tradition to elitist power that conceals itself within the cloak of privilege and secrecy. And for me, it was a culmination of my own quarter-century quest, one that had become personalized lately by the fact that our Skull and Bones President had been a classmate of mine at Yale. 'Run, Neophyte, Run!' At last, zero hour approached. For two centuries, the outside world had wondered and fantasized about what was about to happen, what actually went on in the fabled Skull and Bones initiation. There's a long tradition of Yale secret societies (including Bones) raiding other secret societies to capture their ritual artifacts. In the 1970's, an all-woman break-in team published photographs of the Bone's Tomb's interior. But tonight, for the first time ever, we would attempt to capture the actual secret initiation ritual and bring it to light for anthropological study. Our team's equipment included three night-vision-capable digital-video cameras, one tape recorder, a stepladder and two walkie-talkies. (I could never get mine to work.) Because of a recent injury which limits my mobility, I was stationed at a listening post with my tape recorder while the video-cam team proceeded to their more perilous perch at the forward base (as those of us in special ops call it). We planned to rendezvous afterward for me to view the tape. We split up just as the whoops and groans, the screams and moans began to emanate from inside the Tomb and the masters of the Skull and Bones initiation began establishing the posts they'd man for the occult psycho-drama to come. From my post, I could see through an open window shadowy figures walking very close above my head. Later I'll put my audio impressions together with the video-cam record the other team obtained for a more complete picture, but first let me transcribe some of the notes I made from listening in. Fragmentary as they are, they capture some of the strangeness, and perhaps the kind of disorientation the initiates themselves experienced there in the courtyard of Skull and Bones. First, there was the guy posing as George W. He seemed to be a bit disgruntled at being given this role--a feeling he expressed by calling out in his George W. drawl to another "Patriarch" (as they're called): "I got the power to bomb the crap out of China and they give me this station." Then someone--one of the initiates?--called out "Uncle Toby!" (Many Bone ritual personae are taken from Laurence Sterne's Tristram Shandy-- you gotta give them credit there for good taste.) "Uncle Toby!" the cry repeated. "Shut up, neophyte." "Take that plunger out of my ass, Uncle Toby." Presumably, this mocking Louima reference was a ploy to scare initiates into thinking Uncle Toby was going to give them the plunger treatment. That cheerful rectal theme was followed up by: "I'm gonna ream you like I reamed Al Gore!" from the George W. imitator. Followed by "Help me! It's the devil!" And then "George W." really getting into it: "I'm gonna kill you like I killed Al Gore." Silence. Then a door opened. Voices--half of them, it seemed, women--were screaming: "Run! Neophyte! Run, neophyte!" (The neophytes are, of course, the new initiates.) From my post, I could only see hooded figures racing about in the darkness above my head, accompanied by cries of: "Run, neophyte!" "Find the femur!" And (again): "Take that plunger out of my ass, Uncle Toby!" Then silence for awhile. The neophyte seemed to have gone back inside the Tomb. After which one of the Patriarchs complained, "We ought to get better blood than this fuckin' syrup, man." It was only later that I learned what the blood was for: the whole throat-slitting "barbarian" tableau after the skull-kissing."Find the femur, neophyte!" Along with the occasional "Lick my bumhole!" "Remove the plunger!"—type outcries. The devil figure pulled them into a white tent in the courtyard where, we think, they found their femurs and emerged with what looked like a thigh bone, although it was impossible to tell whether it once belonged to a human or not. When they reemerged from the tent, they were led to the centerpiece of this part of the ritual. They were forced face-to-face with a shocking tableau: a guy holding what seemed like a butcher knife, wearing a kind of animal-skin "barbarian" look, stood over what seemed to be a woman covered in fake blood and not much else. The neophyte then approached a skull a few feet away from the knife-wielder-and-victim tableau. The neophyte knelt and kissed the skull, at which point the guy with the knife knelt and cut the throat of the prone figure. (Well, pretended to cut the throat.) I'm not sure what it all means. I've yet to decode the mystical significance of this, although I do love to think of former President George Bush kissing the skull. Obviously, it has something to do with subservience. Kiss the skull of power. Bow down to The Order. But what about the "barbarian" cutting the throat of his victim? Does it mean "One dies to the barbarian world"? Does it mean "Death to the barbarians"? Does it endorse cutthroat tactics? Is that how they enforce silence and secrecy? I plan to continue my relentless study of the hermeneutics of the Bones rituals, myths and symbolism based on these new revelations, and perhaps with the help of a Bones graduate who feels the time has come to lift the veil on the silly (and no longer even secret) symbolism of their society. (Contact me privately c/o The Edgy Alliance, 577 Second Avenue, Box 105, N.Y., N.Y. 10016.) All that death imagery, though: Maybe it's meant to be a first ritualistic confrontation with Mortality, the skull as a memento mori designed to instill in the "neophyte" a sense of the gravity of one's mission in life. In that regard, consider the direct relevance of at least one aspect of the ritual to George W. That recurrent phrase: "Run, neophyte, run!" Think about it. When George W. was first considering the fairly serious shift from baseball-team owner (whose major achievement was trading away Sammy Sosa) to governor of Texas, or when he was considering the shift from one-term governor of Texas to President of the United States, what decided him--what made him think he could pull it off, despite years as a semi-permanent neophyte? Could it be that what he heard, echoing in his brain, down the corridors of the years, was the injunction from that long-ago April night when he was a Skull and Bones initiate? When he bent down to kiss the skull and heard, resounding in his ears, the command: "Run, neophyte, run!"Those on the inside know it as The Order. Others have known it for more than 150 years as Chapter 322 of a German secret society. More formally, for legal purposes, The Order was incorporated as The Russell Trust in 1856. It was also once known as the "Brotherhood of Death". In America it is called the 'Skull & Bones' club, The American chapter of this German order was founded in 1833 at Yale University by General William Huntington Russell and Alphonso Taft who, in 1876, became Secretary of War in the Grant ministration. Alphonso Taft was the father of William Howard Taft, the only man to be both President and Chief Justice of the United States. It is a senior year society which exists only at Yale. Members are chosen in their junior year and spend only one year on campus, the senior year, with Skull & Bones. In other words, the organization is oriented to the graduate outside world. The Order meets annually - patriarchies only - on Deer Island in the St. Lawrence River. Senior societies are unique to Yale. There are two other senior societies at Yale, but none elsewhere. Scroll & Key and Wolf's Head are supposedly competitive societies founded in the mid-19th century. We believe these to be part of the same network. Rosenbaum commented in his "Esquire" article, very accurately, that anyone in the Eastern Liberal Establishment who is not a member of Skull & Bones group is almost certainly a member of either the Scroll and Key or the Wolf's Head . The selection procedure for new members of The Order has not changed since 1832. Each year 15, and only 15, never fewer, are selected. In the past 150 years about 2500 Yale graduates have been initiated into The Order. At any time about 500-600 are alive and active. Roughly about one- quarter of these take an active role in furthering the objectives of The Order. The others either lose interest or just change their minds. The most likely potential member is from a Bones family, who is energetic, resourceful, political and probably an amoral team player. ... Honours and financial rewards are guaranteed by the power of The Order,but the price of these honours and rewards is sacrifice to the common goal of The Order.Some have not been willing to pay this price. The Old Line American families and their descendants involved in the Skull & Bones are names such as the following:Whitney,Perkins, Stimson, Harriman, Rockefeller, Lord, Brown, Bundy, Bush and Phelps. The order is not just another Greek letter fraternal society with passwords and handgrips common to most campuses. Chapter 322 is a secret society whose members are sworn to silence. It has rules and ceremonial rites. It is not at all happy with prying, probing citizens - known among initiates as 'outsiders' or 'vandals'. Its members always deny membership. An interesting point is whether the many members in various Administrations or who hold government positions have declared their members in the biographical data supplied for FBI 'background checks'. We doult this fact as test cases along with freemason membership often goes unrecorded.Pressure is now being placed to correct this.Between 1983-1986, the British-born conspiracy theorist Antony Sutton wrote a series of pamphlets about the Order of Skull & Bones. According to informed sources, Sutton was one of several historians who were provided with a large file of the Order's internal documents, including minutes of some meetings, descriptions of rituals, and what would appear to be a rather complete list of its members from its founding through to the early 1980s. The short pamphlets were compiled into one volume and published as a book in 1986.For someone closely following the just-concluded Persian Gulf War and attempting to gain some insight into George Bush's performance during that largely orchestrated affair, one recurring theme in the Sutton volume stands out like a sore thumb: the New World Order.According to the Skull & Bones documents used by Sutton in his somewhat flawed profile of the Order, the creation of a New World Order is a primary goal of the Bonesmen and has been for decades. For the initiates into the Order, the term New World Order has a very specific meaning.It is a world dominated by American military power and American control over all strategic raw materials. Just as the Greek city-state of Sparta provided the Skull & Bones with the image of a WASP warrior caste, the Persian Empire, with its system of coalitions of satrap armies, provides the model for the Bonesmen's New World Order. The image of Secretary of State James A. Baker III traveling from foreign capital to foreign capital demanding military legions or chests of gold to finance the war for a New World Order is an image straight out of the chronicles of the Persian Empire.According to the recent biography of Henry Stimson, the man who inspired President Bush was firmly convinced that it was essential for America to go to war once every generation or so. It was, for Stimson, a spiritually cleansing process which enables the nation to rally behind a cause and overcome its weaknesses and shortcomings in one grand burst of military fervor. The romantic mystique of the purgative powers of combat is key to understanding the political philosophy of Skull & Bones.Although America's Vietnam debacle remains a bitter memory of the Bonesmen's failure in war, the recent Persian Gulf conflict, with its massive overkill and the use of highly advanced weapons and technologies, is now the new glorious symbol of the WASP warrior caste's reincarnation. When President Bush vowed that the Gulf War would not be another Vietnam, he was speaking first and foremost to his fellow Bonesmen -- not to the American people. If such thinking smacks of dangerous fantasy on the part of a major world power in the modern era, it is indeed.On a more practical political level, the Gulf War was a gambit to save the Bush presidency from a mounting pile of domestic financial woes, not the least of which was the savings and loan (S&L) crisis and a pending series of failures of major commercial banks. In the months preceding the Gulf showdown, the president's own son, Neil Bush, came under intense media scrutiny for his role in the failure of a large S&L in Colorado. Neil's photograph, testifying under oath before a congressional committee probing fraud among top S & L managers, became a familiar front-page feature in every major newspaper in America, threatening dangerous popular disillusion with the Yale Bonesman in the White House. With a U.S. federal government deficit projected at nearly a half a trillion dollars for Fiscal Year 1991, in large part because of the S&L crisis and a shrinking business tax base, the Democratic Party majority in the U.S. Congress was pressing for deep cutbacks in defense spending now that the Cold War had ended.On the international stage, the reunification of Germany, clearly the most dramatic event of 1990, posed new challenges to the Bush team. Germany was about to emerge as the dominant power in continental Europe by virtue of its advanced industrial infrastructure and its long tradition of independent political dealings with Moscow. Just months before the outbreak of the Gulf crisis, Germany's Chancellor Helmut Kohl had met with Soviet President Mikhail Gorbachev and signed a long term economic assistance pact. As a result, Gorbachev dropped all remaining objections to the immediate reunification of Germany.At that point, the Bush administration changed its tactics. Previously, in sharp contrast to the Thatcher government in Great Britain, it had been nominally in favor of German reunification. But at the Houston economic summit of the Group of Seven Industrialized Countries in the summer of 1990, the United States blocked (with Britain) Germany's plan of unconditional economic aid to the Soviet Union. President Bush took the position that the Soviet Union must submit to International Monetary Fund requisites as a precondition for any substantive economic assistance.In the Far East, Japan's continuing growth in manufacturing also posed a threat to Washington's desire to retain superpower status. If President Bush and his Bonesmen coterie were unaware of a stunning historical analogy, their British "cousins" were quick to pick up on the parallels between the global strategic situation in July 1990 and the identical international situation that existed 100 years earlier.In the 1890s, France, under the brilliant political leadership of Foreign Minister Gabriel Hanataux, was attempting to forge a Eurasian alliance with Germany, Russia and Meiji Japan. The idea was to link continental Europe with Japan and China through a series of large overland infrastructure projects, beginning with the Trans-Siberian Railroad. Through treaties covering key areas of economic and security matters, Hanataux hoped to create a zone of prosperity, built on a foundation of rapid economic growth and extensive trade.Such a political-economic common interest alliance threatened the imperial hegemony of Great Britain. At the turn of the 20th century, Britain looked to the United States (as its English-speaking ally) to join in sabotaging the Hanataux plan. Through the Spanish-American War of 1898 and the Russo-Japanese War of 1905, Britain and her American junior partner (by then led by Henry Stimson's old mentor Teddy Roosevelt) managed to disrupt the French-German-Russian-Japanese economic axis. Two world wars and the Great Depression were the consequences of that interference.THE PERSIAN GULF WARIt was against this historical backdrop that President Bush, invoking the World War II imagery of his Skull & Bones idol Henry Stimson, went to war against Iraq. There is even speculation that President Bush was personally instrumental in luring Saddam Hussein into invading Kuwait, thereby provoking the American-led military response. Many news accounts have emphasized that a two-hour private meeting between the president and Margaret Thatcher in the Aspen, Colorado vacation chalet of U.S. Ambassador Henry Catto on August 2, 1990 helped finalize Bush's decision to immediately deploy military force.Recently, an astute Japanese analyst drew a disturbing parallel between Bush and FDR, who was greatly influenced by Stimson. According to the writer, FDR lured Japan into World War II through an intricate series of economic warfare maneuvers which left Japan with little choice but to strike-back. In much the same way, said the analyst, Bush had lured Saddam Hussein into Kuwait in order to launch a new Gulf War that would have consequences reaching far beyond Iraq and the Middle East.As a result of the military victory over Iraq, the United States is in the process of establishing a string of permanent military bases throughout the Persian Gulf and Near East. The oil sheikdoms of the region, led by Saudi Arabia, are now thoroughly dependent on the American military presence to ensure the survival of their regimes. The Organization of Petroleum Exporting Countries (OPEC) is effectively captured by Washington. American bankers aided by U.S. gunboats now are setting world oil prices. Thus, one consequence of the Persian Gulf War is that the United States now has an oil weapon -- pointed principally at Germany and Japan. Ironically, America's two chief economic rivals have paid out a total of $27 billion to date to help finance a Bush administration military adventure which put the oil weapon in Washington's hand.Another telling example of how the Order's man in the Oval Office intends to administer a crumbling U.S. domestic economy while imposing the New World Order on the rest of the world is to be found in the recent buyout of the majority of stock in Citicorp, the largest U.S. commercial bank, by Saudi Prince Talal bin Abdul Aziz. Citicorp is one of the major American commercial banks on the verge of collapse, but which is considered by the Bush administration and the Federal Reserve System to be "too big to fall." The stock purchase amounted to a Saudi Royal Family bail-out of Citicorp, using the increased profits being enjoyed by the House of Saud as a result of the massive jump in Saudi oil production since the beginning of the Gulf crisis in August 1990.There points up a striking difference between the role of the United States in World War II and the Bush administration's handling to date of the Middle East crisis. During World War II, the United States went through a genuine economic revival. Skull & Bones historian Samuel Huntington described it as a "neo Hamiltonian" policy, a reference to the first United States Secretary of the Treasury Alexander Hamilton. (Less)
Anton Szandor LaVey: (1930-1997): crime scene photographer: organist: 666atinist
ATTACHMENT #B: PROPERTY OF ANTON LaVEY - APRIL 10, 1985 1. Household furnishings consisting (More) ATTACHMENT #B: PROPERTY OF ANTON LaVEY - APRIL 10, 1985 1. Household furnishings consisting of a bed, dresser, small couch, sling chairs, hall table, step stool. 2. Personal library. 3. Rolaflex camera. 4. Miscellaneous darkroom equipment. 5. Firearm. 6. Stool with horn legs. 7. Antique silver teapot. 8. Egyptian canopic jar. 9. Egyptian antique skull. 10. Byzantine phallus. 11. Antique marble topstand and pitcher. 12. Wall mirror. 13. Hotpoint stove, 14. Wooden bookcase. 15. Stuffed jaguar. 16. "Equality" painting. 17. Personal paintings. 18. Antique water pipe. 19. Antique Crowley pipe. 20. Stuffed wolf. 21. _Encyclopaedia Brittanica_, 9th & 11th Editions. ATTACHMENT #C: PROPERTY OF DIANE HEGARTY AND ANTON S. LaVEY - APRIL 10, 1985 Real Property: 1. Residence commonly known as 6114 California Street, San Francisco, California and legally described in a Joint Tenancy Grant Deed to Anton S. LaVey and Diane E. LaVey, recorded in Book _____, Page _____ in the office of the County Recorder of San Francisco, County of California. Personal Property: 1. Three 4-drawer metal file cabinets. 2. IBM Executive typewriter. 3. Work table. 4. Shelves over table and desk. 5. 2 industrial-type metal supply shelves. 6. 1 simulated woodgrain metal shelves. 7. 1 small formica-topped shelves. 8. 1 wooden bookcase (painted blue). 9. Infant wardrobe. 10. Wall mirror. 11. Assorted office supplies. 12. 2 telephone answering machines: 1 Message Minder, 1 Record-a- Call. 13. Panasonic table model radio. 14. Salon-type hair dryer. 15. Black cube with drawers. 16. Bentwood coat rack. 17. Collapsable bookshelves composed of six plastic crates & 4 boards. 18. Bunk beds. 19. Maple dresser. 20. Wardrobe. 21. Metal (simulated woodgrain) shelves. 22. Brown upholstered chair. 23. Cabinet with storable table. 24. Pink shelves. 25. Pink corner hamper. 26. Cohn theatre-type organ and 2 Leslie speakers. 27. Vinyl love seat. 28. Round antique chair (from Hellfire Club). 29. Russian sleigh chair. 30. Antique leopard chair. 31. Gold upholstered chair. 32. William Mortenson print (shrouded figure with girl). 33. Phoenix wall hanging. 34. Large silver ball (approximately 7" diameter). 35. Chrome & glass coffee table. 36. 15" Sony color TV. 37. RCA video recorder. 38. RCA color video camera. 39. Brass bowl (approximately 7" diameter). 40. Brass peacock. 41. Professional quality brass gong. 42. Flacon with "nightmare" heads. 43. Tall (crossed) medieval implements. 44. Bed of nails. 45. Thoreson music box. 46. Mechanical bird music box. 47. Victrola. 48. Enamel triptych. 49. Antique mantel. 50. Candle holders. 51. Crystal sword and stone letter opener. 52. Black Madonna sculpture. 53. Custom-made carpet, 5' diameter, with pentagram. 54. Art Deco custom carpet, 9'x12'. 55. Classic wood coffin. 56. Reproduction of outer sarcophagus of Tutankhamun. 57. 16mm sound projector. 58. Professional quality screen. 59. Table. 60. Coat rack. 61. Painting of skull in field. 62. Naugahide couch. 63. Antique Victrola cabinet. 64. Naugahide recliner chair. 65. Tombstone coffeetable. 66. "The Great Books" and case for them. 67. Yuggothian metal sculpture. 68. Wood and fabric chair. 69. Antique examination table and stool. 70. Antique diathermy machine. 71. Glass "brain". 72. Ball. 73. Magic mirror (carved mirror with neon optical effect). 74. Rose painting. 75. Bandicoot. 76. Stereo. 77. Video cameras: 1 Sony black/white, 1 Sony color. 78. 5" Toshiba color TV. 79. Crystal ball. 80. Assorted collector's movie posters. 81. Devil bust. 82. Rose painting. 83. Tree painting. 84. Crystal ram. 85. Kenmore frost-free refrigerator. 86. G.E. dishwasher. 87. Glass-top table and director's chairs. 88. Juno 60 synthesizer. 89. Prophet 5 synthesizer. 90. Crumar Orchestrator (synthesizer). 91. Professional rack (to hold synthesizers). 92. Electronic portable piano. 93. Toscan 244 Portastudio. 94. Sanyo cassette player and copier. 95. Korg EPS1. 96. Moog-Tauruspace II. 97. Roland Drumatix. 98. Keyboard Roland amplifier. 99. Superscope cassette recorder. 100. Kaypro 10 business computer. 101. Okidata printer. 102. Brother printer. 103. G.E. toaster oven. 104. Small 3-shelf case. 105. Woman/haunted house painting. 106. Antique orange drink sign. 107. Posters. 108. Fruit ripener bowl. 109. Wooden magazine rack. 110. TV trays. 111. 4 director's chairs. 112. Assorted dishes, pots & pans, and miscellaneous kitchenware. 113. Lion candy dish. 114. Silver ice bucket. 115. Stereo. 116. Records and tapes. 117. Antique bat plate. 118. Antique cast iron full-head horned mask & brank from French Inquisition. 119. Shrunken head (Arthur Cort). 120. Paper-mache animal heads: cat, pig, goat, ram, dog, elephant, hawk, Devil. 121. White antique table with drawers. 122. Wicker peacock chair. 123. Black recliner chair. 124. Black hide-a-bed. 125. 3-drawer chest. 126. 7 medieval torture implements. 127. Wooden bookcase. 128. Elevated bed. 129. Oval mirror. 130. Red custom sculptured rug. 131. 2 crossbows. 132. 7 knives/daggers. 133. Fake machine gun. 134. Antique red pitcher. 135. Antique marble & brass Devil ash tray. 136. Antique red Devil ash tray. 137. Antique magic mirror (like crystal ball). 138. 3 Robert Barbour Johnson paintings. 139. Unitech CX1212D radio/cassette. 140. Panasonic stereo. 141. Garrard turntable. 142. Large brass candle holders. 143. Tesla coil. 144. Casio 1,000P keyboard. 145. 2 wood & naugahide chairs. 146. 19" G.E. black & white televisions. 147. 1768 _Encyclopaedia Brittanica_ and case. 148. Antique wooden hexagon table. 149. Red table lamp. 150. Black carved primitive figure. 151. White chalky cup with figures around outside. 152. Mayfair cassette player. 153. Antique oriental head. 154. 3 pinball machines: 1 Satin "Doll", 1 Gottlieb "Play Ball", 1 Exhibit "Chico". 155. Lord Prayer machine. 156. Original crystal skull (artwork by Saetty). 157. Mounted _Nosferatu_ poster. 158. Black studio couch. 159. Oriental wall hanging. 160. 2 small speakers. 161. 5" Sony black & white television. 162. Hitachi VCR. 163. Hammond organ & Leslie speaker. 164. Antique Rockola jukebox. 165. Bar & 8 vintage cast-iron bar stools. 166. 6 contemporary bar stools. 167. 2 vintage heavy formica-type top tables. 168. Exercise bike. 169. Microphone. 170. Wave sound machine. 171. Combination safe. 172. Drum set with extra Zilgin cymbal & sizzle cymbal. 173. Mauser .38 automatic. 174. Stoger Luger. 175. Bauer .25 automatic. 176. Whitney Wolverine. 177. Colt .25 automatic. 178. Smith & Wesson snub-nose revolver. 179. Beretta. 180. Czechoslovakian automatic. 181. Fake machine gun. 182. Luger. 183. 2 air pistols. 184. 1 air rifle. 185. 1 collapsable rifle with floatable handle. 186. Olympus camera. 187. Pentax camera. 188. Polaroid camera. 189. Reference library. ATTACHMENT #D: BUSINESS PROPERTY OF DIANE HEGARTY AND ANTON S. LAVEY - APRIL 10, 1985 1. Hammond organ. 2. Video camera. Anton Szandor LaVey (1930-1997), along with Charles Manson, Timothy Leary, and other messianic pop gurus, was a notorious figure of the 1960s' subculture of social experiment. As the flamboyant High Priest of the Church of Satan and the author of the Satanic Bible, he served as an ideal bogeyman for the sensation-seeking American media of that tumultuous period. His curious celebrity was based largely on a self-created legend. This carefully-orchestrated legend may, in the final analysis, be LaVey's most enduring legacy. LaVey disseminated his legend through interviews with journalists, personal discussion with his disciples, and two LaVey-approved [auto]biographies (apparently ghostwritten by LaVey himself). The first of these, 1974's The Devil's Avenger (credited to LaVey associate Burton Wolfe), embellished on the fabrications Wolfe had already sketched in his introduction to the Satanic Bible. The second, 1990's Secret Life of a Satanist (credited to Blanche Barton, LaVey's live-in secretary and mother of his son), contradicted many of LaVey's own claims in the earlier volume, while putting forth new legends for public consumption. As social historians and scholars of occult movements begin to study LaVey's life and times in an objective historical context, a wealth of information concerning the man beneath the Devil horns has come to light. This brief checklist is a concise guide to separating the deliberate prevarications from the human, all-too-human facts. For brevity's sake, only the most well-known aspects of the legend will be clarified here. LEGEND: Claimed that "Anton Szandor LaVey" was his genuine birth name. REALITY: Born "Howard Stanton Levey". SOURCES: Birth certificate 4/11/1930, Cook County, Illinois. Confirmed by relatives. LEGEND: Claimed his parents were Joseph and Augusta LaVey. REALITY: Parents were Michael and Gertrude Levey. SOURCES: Birth certificate 4/11/1930, Cook County, Illinois. Confirmed by ASL's daughter Zeena and daughter Karla according to her entry on ASL's death certificate. LEGEND: Claimed he was introduced to the Dark Side by his Transylvanian Gypsy grandmother, who regaled him as a child with supernatural folklore and tales of vampires and werewolves. REALITY: ASL's grandmother was not Transylvanian nor of Gypsy stock. She was a Ukrainian named Cecile Luba Primokov-Coulton ("Coulton" was Anglicized from "Koltonoff"). Despite his frequent claims, ASL had no Gypsy ancestry. SOURCES: Relatives, including ASL's parents. LEGEND: In 1945 the 15-year-old ASL was brought to the ruins of postwar Germany by his uncle, a U.S. Coast Guard officer. There the teenaged ASL was shown top-secret films inspired by Satanic cult lodges and their rituals. ASL claimed that the "German" rituals in his 1972 book The Satanic Rituals were actual transcripts of the filmed rituals he saw as a youth. REALITY: Young Howard spent the entirety of 1945 in suburban northern California, and never visited Germany at any time in his life. The uncle who he claimed brought him to Germany was incarcerated at McNeill Island Penitentiary for involvement with Al Capone-related criminal activity during 1945, and was never in the armed forces. Allied martial law forbade U.S. citizens from visiting postwar Germany. The "German" rituals in the Satanic Rituals are written in extremely poor, Anglicized German. They are clearly uncredited adaptations of the short story The Hounds of Tindalos by Frank Belknap Long and H.G. Wells' famous novel The Island of Dr. Moreau. SOURCES: ASL relatives, former wife Diane LaVey, The Hounds of Tindalos, The Island of Dr. Moreau, The Satanic Rituals, Church of Satan member Rosalind Herkommer (who translated ASL's rituals into German). LEGEND: The 15-year-old ASL played second oboe with the San Francisco Ballet Orchestra, making him the youngest musician ever to play with that prestigious institution. REALITY: There was no "San Francisco Ballet Orchestra" in 1945. The San Francisco Ballet was accompanied by a local orchestra, whose records show that none of its three oboists was named "Levey" or "LaVey". SOURCES: San Francisco Performing Arts Library & Museum, San Francisco, California. LEGEND: In 1947 ASL ran away from home and joined the Clyde Beatty Circus. The Circus employed the 17-year-old as a lion tamer. He then replaced the Circus calliope player, accompanying such famous Beatty acts as the Concellos, Harold Alanza, and the Cristianis. REALITY: The voluminous Beatty archives show no record of a "Levey" or "LaVey" as lion tamer or musician. The Concellos, Alanza, and Cristianis were never Beatty performers; they worked exclusively for the Ringling Brothers Circus. SOURCES: Beatty 1947 Route Books, Circus World Museum, Baraboo, Wisconsin (Wright, "SD", page 67); ASL relatives. LEGEND: In 1948 the 18-year-old ASL was engaged to play organ at the Mayan burlesque theater in Los Angeles. There he met a young stripper named Marilyn Monroe, with whom he had a passionate love affair in the period before her rise to film stardom. According to ASL, Monroe had resorted to stripping to pay her rent. As proof of his relationship with Monroe, ASL later showed visitors a copy of Monroe's famous nude calendar inscribed "Dear Tony, How many times have you seen this! Love, Marilyn". REALITY: ASL never knew Monroe. Monroe intimate Robert Slatzer and Harry Lipton, Monroe's agent in 1948, have exposed and discredited this tale. Lipton paid Monroe's expenses, including her rent. Paul Valentine, director of the Mayan Theater, has stated that the Mayan was never a burlesque theater, and that neither Monroe nor ASL ever worked for the Mayan in any capacity. Diane LaVey, ASL's former wife, has admitted that she forged the "Monroe" inscription on the calendar. ASL's former publicist Edward Webber claims ASL admitted he never knew Monroe. SOURCES: Diane LaVey, Paul Valentine (Wright, "SD", page #68), Harry Lipton (Aquino-Lipton conversation 12/1/82), Robert Slatzer (letter to Aquino 11/27/82), Edward Webber (interview by Aquino 6/2/91). LEGEND: ASL was exposed to the savagery of human nature during his stint as a San Francisco Police photographer in the early 1950s. REALITY: San Francisco Police Department past employment records include no "Howard Levey" nor "Anton LaVey". Frank Moser, who was a SFPD photographer in the early 1950s, said that ASL never worked for the Department. SOURCES: SFPD records, Frank Moser (Wright, "SD", page 68). LEGEND: ASL studied criminology at San Francisco City College during the Korean War. REALITY: SFCC has no record of ASL's enrollment at any time. SOURCES: SFCC records (Wright, "SD", page 68). LEGEND: ASL purchased the house at 6114 California Street (which would later become the headquarters of the Church of Satan - the infamous "Black House") because he discovered on first inspection that it was the former brothel of Barbary Coast madam Mammy Pleasant. The house was honeycombed with trapdoors and secret passageways, built by Pleasant to elude police raids. REALITY: 6114 was ASL's parents' home. It was never a brothel, nor did Mammy Pleasant ever live or work there. ASL's parents first allowed ASL and his first wife Carole to live in the house, then transferred ownership of it to ASL and his second wife Diane in 1971. Such secret passages and hidden rooms that exist were constructed by ASL. SOURCES: Relatives, San Francisco property records (Michael & Gertrude Levey, Joint Tenancy Grant Deed, July 9, 1971). LEGEND: In the 1950s ASL traveled to Nice, France, where he recorded an album of organ music under the pseudonym of "Georges Montalba". REALITY: ASL's first and only trip to France was in the mid-1970s, when his Dutch disciple Maarten Lamers, Amsterdam sex club owner, financed his voyage. The "ASL=Montalba" story appeared in 1989, when a gullible Church of Satan member found a Montalba album and suggested that it was similar to ASL's own music. ASL, never pleased by competition, responded with the preposterous "pseudonym" claim - which is still ardently supported by his posthumous followers. SOURCES: Diane LaVey, Zeena LaVey. LEGEND: ASL was the official city organist for San Francisco until 1966, playing for gala events such as government banquets and political meetings. REALITY: San Francisco has never had an "official city organist". According to ASL's first wife Carole, his only income of $29.91/week was generated by his regular engagement at the "Lost Weekend" nightclub, where he was the house Wurlitzer organist. SOURCE: Julie Burford, Civic Auditorium, San Francisco, California (Wright, "SD", page 68). Carole LaVey's divorce proceeding records (Wright, "SD", page 68). LEGEND: On the night of April 30, 1966 (the German Satanic festival of Walpurgisnacht), ASL in a "blinding flash" declared himself the High Priest of Satan, proclaimed that the Age of Satan had begun, and founded the Church of Satan as a religious institution. REALITY: In 1966 ASL supplemented his income by presenting weekend lectures on exotic and occult topics, and by conducting "Witches' Workshops". He charged $2 a head, filling his living room with the curious and establishing a local reputation as an eccentric. Professional publicist Edward Webber suggested to ASL that he "would never make any money by lecturing on Friday nights for donations ... it would be better to form some sort of church and get a charter from the State of California ... I told Anton at the time that the press was going to flip out over all this and that we would get a lot of notoriety". In the summer of 1966, long after the fictional founding-date invented later, a newspaper article about ASL's lectures offhandedly referred to him as "priest of the Devil's church". This mixture of Webber's idea and the newspaper's characterization resulted in the creation of the Church of Satan as a business and publicity vehicle. Jack Webb, a San Francisco Police investigator who knew ASL from the "Lost Weekend" nightclub, also suggested that he should form a church of some kind to exploit his recondite knowledge. SOURCES: Edward Webber (interview by Aquino 6/2/91), Jack Webb, Diane LaVey. LEGEND: ASL's trademark shaved head was the result of a ceremonial head-shaving on April 30, 1966, to formalize his role as High Priest of Satan. This ritual was performed in the tradition of the Yezidi devil-worshipping tribes of Iraq, who were said to have carried out a similar ceremony. REALITY: ASL shaved his head in the summer of 1966 due to a light-hearted dare from his wife. The "LaVey look" had nothing to do with the Church of Satan founding nor any mystical meaning attached to it later. Nor do Yezidi qawwals (religious teachers) shave their heads. SOURCES: Diane LaVey; Ethel S. Drower, Peacock Angel, 1941; C.J. Edmonds, A Pilgrimage to Lalish, Royal Asiatic Society, 1967. LEGEND: In 1966 ASL personally designed the Baphomet emblem of the Church of Satan. He owns the right to this design, claiming it cannot be reproduced without obtaining licensing rights from the Church of Satan. REALITY: The Baphomet emblem used by the Church of Satan was neither original to it nor created by ASL, hence cannot be trademarked. The original Baphomet dates at least as far back as the medieval Knights Templar. The artwork for the current emblem's goat/pentagram first appears in a 1931 book by Oswald Wirth. The complete emblem with the added circles and "LVYThN" Hebrew letters appears on the cover of a book by Maurice Bessy two years before the creation of the Church of Satan. Early photos of Church activities often show ASL or his disciples using the Bessy book as a photo-prop because of its prominent cover-Baphomet, and he included that book in his Compleat Witch bibliography. The Baphomet, including this rendition of it, is clearly in the public domain. SOURCES: Oswald Wirth, La fran-maconnerie rendue intelligible a ces adeptes - II, "Le compagnon", Paris: Derry-Livres, 1931, page #60; Maurice Bessy, A Pictorial History of Magic and the Supernatural, London: Spring Books, 1964 [the original edition of this work - Histoire en 1000 images de la magie - was published in 1961 by Editions du Pont Royal]; Thomas H. Hilton, Sex and the Occult, Vol. I, Los Angeles: Centurion Press, 1974;Church of Satan members, The Black Flame (a 1980s Church of Satan magazine). LEGEND: One of ASL's most widely-accepted falsehoods is his claim that he served as technical advisor for the 1968 Roman Polanski film Rosemary's Baby. ASL also claimed to have played the curiously-uncredited part of the Devil in that film. REALITY: ASL had no involvement with Rosemary's Baby. Polanski's close friend Gene Gutowski (original producer of the film) stated that there was no technical advisor, nor did ASL ever even meet Polanski. Producer William Castle, who details all aspects of the film's production in his autobiography, never mentions ASL. He does describe Polanski's diligence in basing the film exactly on the Ira Levin novel from which it was adapted, eliminating any need for technical advice. The father of the actress who played Mia Farrow's body-double in the Devil scene recalled that a young, very slender professional dancer played the part, dressed in a small rubber suit. In 1971 this suit was acquired by Studio One Productions in Louisville, Kentucky, for use in a low-budget horror film Asylum of Satan. Michael Aquino, technical advisor for that film, examined the suit and concluded that the 200-pound, 6-foot ASL could not possibly have worn it. [The suit was worn by a girl in the Asylum film.] Not a single member of the cast or crew of Rosemary's Baby has ever mentioned ASL's involvement. In 1968 a San Francisco theater did ask ASL to make an appearance at the film's local opening as a promotional event. This appears to have been ASL's only connection with the film that engendered the 1960s' popular interest in Satanism. SOURCES: Gene Gutowski; William Castle, Step Right Up! I'm Gonna Scare the Pants off America, New York: Pharos Books, 1992; Diane LaVey, Michael A. Aquino (COS, page #17). LEGEND: Jayne Mansfield, Hollywood sex symbol and actress, was a card-carrying Satanist and had an affair with ASL. REALITY: Publicity agent Tony Kent, an associate of Ed Webber, arranged the meeting between Mansfield and ASL as a publicity stunt. ASL was smitten with the actress. Mansfield, who made no secret of her many affairs, denied knowing ASL intimately, and no associate of hers has ever confirmed any supposed romance with ASL. In a 1967 interview she said, "He had fallen in love with me and wanted to join my life with his. It was a laugh." According to ASL's publicist Edward Webber, Mansfield would ridicule her Satanic suitor by calling from her Los Angeles home and seductively teasing him while her friends listened in on the conversation. ASL's public claims that he had an affair with Mansfield began only after Mansfield's death in an automobile accident, which he also claimed was the result of a curse he had placed on her lover Sam Brody. SOURCES: Edward Webber (interview by Aquino 6/2/91); interview with Mansfield quoted in Jayne Mansfield by May Mann, Pocket Books, 1974. LEGEND: ASL wrote the Satanic Bible, his principal work, to fulfill his congregation's need for a scriptural guide. REALITY: The Satanic Bible was conceived as a commercial vehicle by paperback publisher Avon Books. Avon approached ASL for some kind of Satanic work to cash in on the Satanism & witchcraft fad of the late 1960s. Pressed for material to meet Avon's deadline, ASL resorted to plagiarism, assembling extracts from an obscure 1896 tract - Might is Right by Ragnar Redbeard into a "Book of Satan" for the SB, and claiming its authorship by himself. [Ironically these MiR passages are the ones most frequently quoted by ASL disciples.] Another third of the SB consists of John Dee's "Enochian Keys", taken directly but again without attribution from Aleister Crowley's Equinox. The SB's "Nine Satanic Statements", one of the Church of Satan's central doctrines, is a paraphrase, again unacknowledged, of passages from Ayn Rand's Atlas Shrugged. The last words in the SB - "Yankee Rose" - have been puzzled over for years by readers. "YR" is actually the name of an old popular tune in ASL's nightclub repertoire. SOURCES: ASL, The Satanic Bible; Ragnar Redbeard, Might is Right, Port Townsend: Loompanics (reprint), 1896; Ayn Rand, Atlas Shrugged (Galt's speech, ca. pages #936-993); "Yankee Rose" by Sidney Holden & Abe Frankl (Irving Berlin Music, 1926). LEGEND: ASL claimed that at the height of the Church of Satan's popularity there were hundreds of thousands of formal members. REALITY: Diane LaVey (who administered the Church as High Priestess 1966-1984), Michael A. Aquino (senior Magister of the Church and Editor of its Cloven Hoof newsletter 1971-1975), and Zeena LaVey (High Priestess of the Church 1985-1990) have all affirmed that the figures claimed by ASL were grossly exaggerated. The membership of the Church of Satan never exceeded 300 individuals, several of whom were nonmember subscribers to the newsletter or ASL friends receiving complimentary mailings. SOURCES: Diane LaVey, Michael A. Aquino, Zeena LaVey. LEGEND: ASL claimed to be a multimillionaire, owning three homes in northern California, a convent in Italy, a chateau in France, a fleet of luxury automobiles, a 185-foot yacht, three salvage ships, and other property. REALITY: During Diane [LaVey] Hegarty's 1988-91 lawsuit against ASL, and ASL's subsequent 1991 filing for bankruptcy, ASL stipulated under oath that he owned nothing more than 50% of the house his parents had given jointly to him and Diane, along with the personal items he kept therein. ASL's final years were subsidized by California state aid. Assessors declared the house to be in such poor repair as to be nearly worthless on the real estate market. Family members have attested to the fact that by the mid-1970s the LaVeys lived in near-poverty, frequently having to rely upon ASL's father's generosity. According to other LaVey relatives, ASL continued to rely on handouts from friends and relatives until the end of his life. SOURCES: Hegarty v. LaVey (San Francisco Superior Court Case #891863), Anton LaVey Bankruptcy, Chapter 7 (U.S. Bankruptcy Court, Northern California, Case #91-34251), Zeena LaVey, other relatives. LEGEND: ASL was a close friend of Sammy Davis, Jr. and inducted him into the Church of Satan. REALITY: Sammy Davis, Jr. was invited to accept an honorary membership in the Church of Satan by Michael Aquino. After Davis sent Aquino his acceptance on March 17, 1973, he was presented with the honorary membership on April 13, 1973 by Aquino and Karla LaVey alone. ASL did not meet Davis until August 1973. SOURCES: Davis letter to Aquino 3/17/73; Church of Satan Priesthood Bulletin 4/30/73; Aquino, COS, Chapter 23; Sammy Davis, Hollywood in a Suitcase (pre-publication text, printed in Daily News, New York, 9/11/80), Karla LaVey. LEGEND: ASL presented himself as a loving family man. REALITY: ASL violently beat his wife Diane throughout their marriage. In 1984 a police report was made describing Diane being strangled into unconsciousness by ASL, who was in such a murderous rage that his daughter Karla had to pull him off Diane and drag her outside the house to save her life. ASL routinely physically beat and abused those of his female disciples with whom he had sex, forcing them into prostitution as part of his "Satanic counseling" and collecting their earnings. In 1986 ASL was a passive witness to the sexual molestation of his own grandson by a longtime friend who was later convicted of sex crimes with minors. In 1990 ASL informed a mentally-ill stalker of his daughter Zeena of her whereabouts and the time & location of a public appearance she was scheduled to make, deliberately endangering her life. SOURCES: San Francisco Police records of ASL attack on Diane LaVey, Zeena LaVey, Diane LaVey, Stanton LaVey. LEGEND: ASL had a deeply affectionate relationship with Togare, his pet lion. REALITY: While ASL was always careful to portray himself to the public as an animal lover, in private he was cruel to and neglectful of his pets. When he was given Togare as a cub in 1964, he was ill-equipped to deal with such an exotic, wild animal despite his pretensions as a circus lion-tamer. As Togare became larger and more unruly, ASL frequently used an electric cattle prod to hurt and frighten him into submission. Many animal-rights proponents, including Togare's final owner Tippi Hedren, agree that it is detrimental to a wild animal's development to be raised in a domestic environment. ASL was arrested due to Togare's unruly behavior, and ASL was ordered to donate him to the San Francisco Zoo. After complying, ASL made only two visits to Togare. Due to the trauma of his early life, Togare needed special care at the Zoo and at every animal-care facility in which he subsequently lived. SOURCES: Jack Castor (Lion Keeper, San Francisco Zoo), Diane LaVey, Zeena LaVey, Tippi Hedren (The Cats of Shamballa, McGraw-Hill, 1985). LEGEND: ASL had a deeply affectionate relationship with his other pets. REALITY: In the late 1960s ASL acquired a Doberman Pinscher (Loki) as an accent to his "sinister" image. ASL never took the time to housebreak or train Loki, and relegated him to the overgrown and unkempt backyard of the house, regardless of weather. If Loki ever tried to slip into the house for shelter, ASL routinely used Togare's cattle-prod on him to terrify him back outside. In his old age Loki developed such severe arthritis that he could not climb the stairs to the back door to eat, and began wasting away from malnutrition. ASL then gave him to one of his prostitute "students", who at least saw that Loki had a warm, inside home until he died a few months later. During her young childhood ASL's daughter Zeena once awoke late at night to hear slamming sounds and the shrieking of her German Shepherd puppy. Running downstairs, she saw ASL savagely beating the cowering, cornered dog with a wooden plank. When Zeena begged ASL to stop and asked him what the dog had done to deserve such treatment, ASL screamed, "She won't listen to me! I'm going to force her to obey me!" ASL continued beating the dog until her face was covered with her blood, then dropped the plank and left the dog quivering in the hallway, so injured and frightened that she wouldn't let even Zeena come near her. This incident left the dog traumatized for a long time afterwards. SOURCES: Diane LaVey, Zeena LaVey. LEGEND: On ASL's original death certificate the date of his demise was recorded as October 31, 1997 (Halloween). REALITY: An official investigation by the City of San Francisco determined that ASL's actual date of death was October 29, 1997 and that the "Halloween" date had been illegally written on the document. SOURCES: Death Certificate #380278667, San Francisco Department of Public Health; Dr. Giles Miller (attending physician at ASL's death), Physician's Amendment to Death Certificate, 11/26/97. ____________________ RESEARCH REFERENCES: Wright, Lawrence, "Sympathy for the Devil", Rolling Stone #612, September 5, 1991, Saints and Sinners. New York: Alfred A. Knopf, 1993. Aquino, Michael A., The Church of Satan. San Francisco: Temple of Set, 1983. We extend our thanks to ASL's relatives and associates who contributed their memories. (Less)
Mystique Lingerie - Secret Ar The Order of Skull & Bones, Nazi & Bohemian Grove When Saddam Hussein talked of 'the devil Bush' he may not have been so far from the truth. (More) When Saddam Hussein talked of 'the devil Bush' he may not have been so far from the truth. U.S. president George W. Bush, his father and grandfather are proven initiates of this multi-generational occult lodge. George W. was tapped (initiated) in 1968 at the group's Yale University HQ, a mausoleum known as 'the tomb'. When undergraduates broke in they found that the 'holy of holies' inner sanctum has red velvet walls and carpet, with a large pentagram emblazoned on the wall.Adolf Hitler was obsessed with the occult, in his case the Thule Society, closely inter-connected with German Theosophists. The jolly roger, skull and cross bones, "der Totenkopf" was an emblem worn by Hitler's SS soldiers and was emblazoned on SS armoured cars and tanks (see images on this page). The SS was a religious cult of sworn Hitler/German ancestor worship. If the Nazis' occult lodges had been exposed then shut down, not treated as a taboo, millions of lives could have been saved. A small price to pay for insane racism and the blood of millions of people. The second world war need never have happened. Unless you want the occult fuelling a totalitarian West's Third World War 'on terror' and their 'New World Order' - please - do your bit to expose George W. Bush, the bonesmen and other interconnected lodges round the world. Heinrich Himmler, whose arrest as a traitor Hitler had ordered on 28 April 1945 for negotiating with the Allies, was captured by a British patrol on 23 May. A few hours later he killed himself with cyanide, and, dying as Reichsführer-S.S., set his final seal upon the destruction of the world's most sinister order, which the Third Reich's military defeat had already inflicted. Hitler had sown seeds of the deepest hatred between Nazis and Communists in his teaching and in the cruelty and mass murder he had launched in Russia. Now it was the turn of the Soviets. Nazism reached its end in a Berlin turned into a battleground of unparalleled violence, fire and brutality as the Soviet forces dealt blows of destruc-tion and revenge. It was as if the Satanic essence of Nazism shone through the flames and the ruins.George W Bush was/is a member of the "skull and bones" society. There's even a movie about it. And no, this isn't just another harmless Greek fraternity. It's a secretive, satanic cult for the jaded and self-appointed elites at Yale University. The upper crust of the upper crust -- with only 15 new initiates selected from each graduating class. Bush wrote in his autobiography it was, "so secret, I can't say anything more." But I can: We know that initiates undergo torture, kiss a scull, press a human femur bone to the initiates backside, act out a throat slashing ritual murder, and they pledge allegiance to a figure dressed up as Satan. They are also compelled to relate their entire sexual history while masturbating in a coffin. Bush had the name "Magog" , because he had the most extensive illicit sexual background of all the new initiates. And of course, Gog and "Magog" are names directly connected with Satan and the Antichrist in Revelation (20:8). The following is a short clip from a video taken by investigative journalist Ron Rosenbaum on April 14, 2001: Scull&Bones Clip The words and imagery of the cult are heavily centered on death, as they repeat the same mantra over and over, till it is burned into their conciseness: THE HANGMAN EQUALS DEATH! THE DEVIL EQUALS DEATH! DEATH EQUALS DEATH!' Initiates are instructed to "die to the barbarian world" so that they can be reborn in the "The Order," a brotherhood of Satan. In a new and more recent twist, in addition to being cross examined by Satan, initiates are also being cross-examined by a member dressed up as George W Bush, aka "Magog", who hurls vulgar profanities and says thing like "I'm gonna kill you like I killed Al Gore." Some may want to dismiss all this as somewhere on the extremely poor-taste edge of college hijinks, but it's much more serious than that. Such a darkly obscene and prolonged ritual cannot help but have a lasting impact on the souls of young initiates. Oaths to the devil taken in jest are nevertheless taken in fact. It's also important to point out that scull and bones cult members do not resign after graduation - like born again Christians they consider themselves to be born again into "the order" forever- only they're reborn in Satan, and not the Holy Spirit. They even have their own hideout called Deer Island, where former Bones members bring their families for summer reunions. A secluded hideaway is located in the St. Lawrence River, and owned by the Deer Island Club Corporation, a shell company operated by Skull and Bones members. The Scull and Bones Satanist Elites maintain their cultic relationships their entire lives - mostly by helping each other gain positions of influence and world power, in order to make more money. A satanic mafia for the super-well-connected. Though Bush kept going bust in the oil business, his comrades from scull and bones helped bail him out, and it was they who would later give him his start in politics. Bush was also involved in torture at Delta Kappa Epsilon, at a time when he was President of the fraternity. One pledge recalled how this "compassionate conservative" took great pleasure in branding him with a red hot iron, leaving him with scars which he carries to this day. When the hazing scandal broke in the campus newspaper in the late '60s, Bush tried to defend the illegal torture as a "harmless prank", but the fraternity was fined and the branding practice halted. It's little wonder that he still considers illegal torture a 'harmless prank': When he was a boy he also used to sadistically insert firecrackers into frogs and blow them up for kicks. Little wonder that under his leadership, for the first time Americans are engaging in the shameful and counter-productive practice of torturing prisoners in places like Abu Ghraib Prision.Then there's the Bush family alliance with the greatest evil in history - Adolph Hitler. Bush's grandfather Prescott Bush, also a 'scull and bones' man, got rich first by helping the Nazis come to power, then helping Hitler build the war machine that would decimate the world, and then even benefiting from Nazi slave labor and the extermination of millions of Jews. Auschwitz was built near coal deposits so that slave labor could be used in one of Prescott Bush's holdings, the Silesian American Corporation. Even after the US declared war on Germany, Prescott Bush continued violating the Trading With the Enemy Act, until the government finally shut him down late in 1942 - but not before making him rich, and establishing the Bush family as a power in American politics.Sometime in the early 1830s, a Yale student named William H. Russell—the future valedictorian of the class of 1833- traveled to Germany to study for a year. Russell came from an inordinately wealthy family that ran one of America's most despicable business organizations of the nineteenth century: Russell and Company, an opium empire. Russell would later become a member of the Connecticut state legislature, a general in the Connecticut National Guard, and the founder of the Collegiate and Commercial Institute in New Haven. While in Germany, Russell befriended the leader of an insidious German secret society that hailed the death's head as its logo. Russell soon became caught up in this group, itself a sinister outgrowth of the notorious eighteenth-century society the Illuminati. When Russell returned to the United States, he found an atmosphere so Anti-Masonic that even his beloved Phi Beta Kappa, the honor society, had been unceremoniously stripped of its secrecy. Incensed, Russell rounded up a group of the most promising students in his class-including Alphonso Taft, the future secretary of war, attorney general, minister to Austria, ambassador to Russia, and father of future president William Howard Taft-and out of vengeance constructed the most powerful secret society the United States has ever known.The men called their organization the Brotherhood of Death, or, more informally, the Order of Skull and Bones. They adopted the numerological symbol 322 because their group was the second chapter of the German organization and founded in 1832. They worshiped the goddess Eulogia, celebrated pirates, and plotted an underground conspiracy to dominate the world. Fast-forward 170 years. Skull and Bones has curled its tentacles into every corner of American society. This tiny club has set up networks that have thrust three members into the most powerful political position in the world. And the group's influence is only increasing-the 2004 presidential election might showcase the first time each ticket has been led by a Bonesman. The secret society is now, as one historian admonishes, " 'an international mafia'. . . unregulated and all but unknown." In its quest to create a New World Order that restricts individual freedoms and places ultimate power solely in the hands of a small cult of wealthy, prominent families, Skull and Bones has already succeeded in infiltrating nearly every major research, policy, financial, media, and government institution in the country. Skull and Bones, in fact, has been running the United States for years.Skull and Bones cultivates its talent by selecting members from the junior class at Yale University, a school known for its strange, Gothic elitism and its rigid devotion to the past. The society screens its candidates carefully, favoring Protestants and, now, white Catholics, with special affection for the children of wealthy East Coast Skull and Bones members. Skull and Bones has been dominated by about two dozen of the country's most prominent families—Bush, Bundy, Harriman, Lord, Phelps, Rockefeller, Taft, and Whitney among them—who are encouraged by the society to intermarry so that its power is consolidated. In fact, Skull and Bones forces members to confess their entire sexual histories so that the club, as a eugenics overlord, can determine whether a new Bonesman will be fit to mingle with the bloodlines of the powerful Skull and Bones dynasties. A rebel will not make Skull and Bones; nor will anyone whose background in any way indicates that he will not sacrifice for the greater good of the larger organization.As soon as initiates are allowed into the "tomb," a dark, windowless crypt in New Haven with a roof that serves as a landing pad for the society's private helicopter, they are sworn to silence and told they must forever deny that they are members of this organization. During initiation, which involves ritualistic psychological conditioning, the juniors wrestle in mud and are physically beaten—this stage of the ceremony represents their "death" to the world as they have known it. They then lie naked in coffins, masturbate, and reveal to the society their innermost sexual secrets. After this cleansing, the Bonesmen give the initiates robes to represent their new identities as individuals with a higher purpose. The society anoints the initiate with a new name, symbolizing his rebirth and rechristening as Knight X, a member of the Order. It is during this initiation that the new members are introduced to the artifacts in the tomb, among them Nazi memorabilia—including a set of Hitler's silverware-dozens of skulls, and an assortment of decorative tchotchkes: coffins, skeletons, and innards. They are also introduced to "the Bones whore," the tomb's only full-time resident, who helps to ensure that the Bonesmen leave the tomb more mature than when they entered. Members of Skull and Bones must make some sacrifices to the society—and they are threatened with blackmail so that they remain loyal—but they are remunerated with honors and rewards, including a graduation gift of $15,000 and a wedding gift of a tall grandfather clock. Though they must tithe their estates to the society, each member is guaranteed financial security for life; in this way, Bones can ensure that no member will feel the need to sell the secrets of the society in order to make a living. And it works: No one has publicly breathed a word about his Skull and Bones membership, ever. Bonesmen are automatically offered jobs at the many investment banks and law firms dominated by their secret society brothers. They are also given exclusive access to the Skull and Bones island, a lush retreat built for millionaires, with a lavish mansion and a bevy of women at the members' disposal. The influence of the cabal begins at Yale, where Skull and Bones has appropriated university funds for its own use, leaving the school virtually impoverished. Skull and Bones' corporate shell, the Russell Trust Association, owns nearly all of the university's real estate, as well as most of the land in Connecticut. Skull and Bones has controlled Yale's faculty and campus publications so that students cannot speak openly about it. "Year by year," the campus's only anti-society publication stated during its brief tenure in 1873, "the deadly evil is growing."The year in the tomb at Yale instills within members an unwavering loyalty to Skull and Bones. Members have been known to stab their Skull and Bones pins into their skin to keep them in place during swimming or bathing. The knights (as the student members are called) learn quickly that their allegiance to the society must supersede all else: family, friendships, country, God. They are taught that once they get out into the world, they are expected to reach positions of prominence so that they can further elevate the society's status and help promote the standing of their fellow Bonesmen. This purpose has driven Bonesmen to ascend to the top levels of so many fields that, as one historian observes, "at any one time The Order can call on members in any area of American society to do what has to be done." Several Bonesmen have been senators, congressmen, Supreme Court justices, and Cabinet officials. There is a Bones cell in the CIA, which uses the society as a recruiting ground because the members are so obviously adept at keeping secrets. Society members dominate financial institutions such as J. P. Morgan, Morgan Stanley Dean Witter, and Brown Brothers Harriman, where at one time more than a third of the partners were Bonesmen. Through these companies, Skull and Bones provided financial backing to Adolf Hitler because the society then followed a Nazi-and now follows a neo-Nazi—doctrine. At least a dozen Bonesmen have been linked to the Federal Reserve, including the first chairman of the New York Federal Reserve. Skull and Bones members control the wealth of the Rockefeller, Carnegie, and Ford families.Skull and Bones has also taken steps to control the American media.Two of its members founded the law firm that represents the New York Times. Plans for both Time and Newsweek magazines were hatched in the Skull and Bones tomb. The society has controlled publishing houses such as Farrar, Straus & Giroux. In the 1880s, Skull and Bones created the American Historical Association, the American Psychological Association, and the American Economic Association so that the society could ensure that history would be written under its terms and promote its objectives. The society then installed its own members as the presidents of these associations. Under the society's direction, Bonesmen developed and dropped the nuclear bomb and choreographed the Bay of Pigs invasion. Skull and Bones members had ties to Watergate and the Kennedy assassination. They control the Council on Foreign Relations and the Trilateral Commission so that they can push their own political agenda. Skull and Bones government officials have used the number 322 as codes for highly classified diplomatic assignments. The society discriminates against minorities and fought for slavery; indeed eight out of twelve of Yale's residential colleges are named for slave owners while none are named for abolitionists. The society encourages misogyny: it did not admit women until the 1990s because members did not believe women were capable of handling the Skull and Bones experience and because they said they feared incidents of date rape. This society also encourages grave robbing: deep within the bowels of the tomb are the stolen skulls of the Apache chief Geronimo, Pancho Villa, and former president Martin Van Buren.Finally, the society has taken measures to ensure that the secrets of Skull and Bones slip ungraspable like sand through open fingers. Journalist Ron Rosenbaum, who wrote a long but not probing article about the society in the 1970s, claimed that a source warned him not to get too close."What bank do you have your checking account at?" this party asked me in the middle of a discussion of the Mithraic aspects of the Bones ritual.I named the bank. "Aha," said the party. "There are three Bonesmen on the board. You'll never have a line of credit again. They'll tap your phone. They'll. . . ". . .The source continued: "The alumni still care. Don't laugh. They don't like people tampering and prying. The power of Bones is incredible. They've got their hands on every lever of power in the country. You'll see—it's like trying to look into the Mafia."In the 1980s, a man known only as Steve had contracts to write two books on the society, using documents and photographs he had acquired from the Bones crypt. But Skull and Bones found out about Steve. Society members broke into his apartment, stole the documents, harassed the would-be author, and scared him into hiding, where he has remained ever since. The books were never completed. In Universal Pictures' thriller The Skulls (2000), an aspiring journalist is writing a profile of the society for the New York Times. When he sneaks into the tomb, the Skulls murder him. The real Skull and Bones tomb displays a bloody knife in a glass case. It is said that when a Bonesman stole documents and threatened to publish society secrets if the members did not pay him a determined amount of money, they used that knife to kill him. This, then, is the legend of Skull and Bones.It is astonishing that so many people continue to believe, even in twenty-first-century America, that a tiny college club wields such an enormous amount of influence on the world's only superpower. The breadth of clout ascribed to this organization is practically as wide-ranging as the leverage of the satirical secret society the Stonecutters introduced in an episode of The Simpsons. The Stonecutters theme song included the lyrics:Who controls the British crown? Who keeps the metric system down? We do! We do. . .Who holds back the electric car? Who makes Steve Guttenberg a star? We do! We do.Certainly, Skull and Bones does cross boundaries in order to attempt to stay out of the public spotlight. When I wrote an article about the society for the Atlantic Monthly in May 2000, an older Bonesman said to me, "If it's not portrayed positively, I'm sending a couple of my friends after you." After the article was published, I received a telephone call at my office from a fellow journalist, who is a member of Skull and Bones.He scolded me for writing the article—"writing that article was not an ethical or honorable way to make a decent living in journalism," he condescended —and then asked me how much I had been paid for the story. When I refused to answer, he hung up. Fifteen minutes later, he called back."I have just gotten off the phone with our people." "Your people?" I snickered."Yes. Our people." He told me that the society demanded to know where I got my information."I've never been in the tomb and I did nothing illegal in the process of reporting this article," I replied."Then you must have gotten something from one of us. Tell me whom you spoke to. We just want to talk to them," he wheedled. "I don't reveal my sources."Then he got angry. He screamed at me for a while about how dishonorable I was for writing the article. "A lot of people are very despondent over this!" he yelled. "Fifteen Yale juniors are very, very upset!" I thanked him for telling me his concerns."There are a lot of us at newspapers and at political journalism institutions," he coldly hissed. "Good luck with your career"—and he slammed down the phone.Skull and Bones, particularly in recent years, has managed to pervade both popular and political culture. In the 1992 race for the Republican presidential nomination, Pat Buchanan accused President George Bush of running "a Skull and Bones presidency." In 1993, during Jeb Bush's Florida gubernatorial campaign, one of his constituents asked him, "You're familiar with the Skull and Crossbones Society?" When Bush responded, "Yeah, I've heard about it," the constituent persisted, "Well, can you tell the people here what your family membership in that is? Isn't your aim to take control of the United States?" In January 2001, New York Times columnist Maureen Dowd used Skull and Bones in a simile: "When W. met the press with his choice for attorney general, John Ashcroft, before Christmas, he vividly showed how important it is to him that his White House be as leak-proof as the Skull & Bones 'tomb.'"That was less than a year after the Universal Pictures film introduced the secret society to a new demographic perhaps uninitiated into the doctrines of modern-day conspiracy theory. Not long before the movie was previewed in theaters—and perhaps in anticipation of the election of George W. Bush—a letter was distributed to members from Skull and Bones headquarters. "In view of the political happenings in the barbarian world," the memo read, "I feel compelled to remind all of the tradition of privacy and confidentiality essential to the well-being of our Order and strongly urge stout resistance to the seductions and blandishments of the Fourth Estate." This vow of silence remains the society's most important rule. Bonesmen have been exceedingly careful not to break this code of secrecy, and have kept specific details about the organization out of the press. Indeed, given the unusual, strict written reminder to stay silent, members of Skull and Bones may well refuse to speak to any member of the media ever again.But they have already spoken to me. When? Over the past three years. Why? Perhaps because I am a member of one of Skull and Bones' kindred Yale secret societies. Perhaps because some of them are tired of the Skull and Bones legend, of the claims of conspiracy theorists and some of their fellow Bonesmen. What follows, then, is the truth about Skull and Bones. And if this truth does not contain all of the conspiratorial elements that the Skull and Bones legend projects, it is perhaps all the more interesting for that fact. The story of Skull and Bones is not just the story of a remarkable secret society, but a remarkable society of secrets, some with basis in truth, some nothing but fog. Much of the way we understand the world of power involves myriad assumptions of connection and control, of cause and effect, and of coincidence that surely cannot be coincidence.Most of the speculative lore about the Skull and Bones ritual has centered on its death fixation. Beyond the obvious skull-and-crossbones insignia, of course, the most persistent story is that initiates spend their senior year in the basement crypt of the Bones Tomb taking turns lying in a coffin and, in two long, intense, psycho-drama autobiographical sessions in said coffins, recount their personal and sexual history to the other 14 chosen ones. The better to bond for life with those they know best and prepare for their destiny as stewards of the ruling class. The death-centered imagery, the injunction to initiates that they must "die to the barbarian world" and be reborn in the Elysian company of the elect of "The Order," as they call it, is what makes Skull and Bones as radically different from a college fraternity as the Gambino family is from the "hunting and fishing club" that was their nominal headquarters. The hangman equals death. The devil equals death. Death equals death .... What the hell is going on there? Is it a puzzle in logic, like "All men are mortal. Socrates is mortal ..."? Does it solve out to "The hangman equals the devil?" Could one detect a capital-punishment theme here--the hangman as executioner presaging George W.'s prolific execution rate as Texas governor? "George W. equals death," you might say. And what about the devil? (Well, the figure dressed like the devil.) Is that the secret they've been covering up ever since the society was founded in 1832, the offshoot of a German secret society: devil worship? A fulfillment of the paranoid fantasies of the fundamentalist right, who believe the Eastern establishment is a front for Satanic conspiracy. Probably not, but it made me more eager to participate in this year's caper: the attempt to see as well as hear it, to capture it all on video--for educational, historical and journalistic purposes to document a defining rite of passage of the American ruling class. Oh, yes--before we get to the night-vision videotape, there was one more thing, the embarrassing part of the audiotape, the OOGA-BOOGA part. Part of the ceremony on the tape involved an initiation master ordering the neophytes to fetch bones and uttering the (I guess) fake Tarzan-movie "native" chant "OOGA BOOGA." It left me feeling embarrassed for Skull and Bones. Hard to ever take seriously again anyone whose defining life-mission moment includes an OOGA BOOGA. But as it turned out, "OOGA BOOGA" was not evident in this year's ceremony, as far as we were able to tell. Perhaps it was an improvisation, like this year's impersonation of George W. ("I'll ream you like I reamed Al Gore") was. The Observer Mission Impossible Force met to plot strategy an hour before sunset on initiation night, Saturday, April 12. It is not widely known, but Tap Night, which occurs on Thursday, is not generally the same as initiation night. The good stuff happens on Saturday night, and already limos are cruising the quiet streets that crisscross the Yale campus, conveying initiates of other secret societies to their rituals. Bones initiates come on foot, knock on the massive triple-locked wooden door of the Tomb and are conveyed to the first stage of the ritual. But we are getting ahead of ourselves. Let me just mention how much I admired the intrepid Yale members of the Observer Bones Task Force for displaying the kind of curiosity, initiative and heretical, skeptical impulse apparently absent on most Ivy campuses, if you believe David Brooks' recent Atlantic Monthly cover story on get-along-go-along premature careerists. The guys on my team will make more of a real contribution than any of the smug secret-society types. First on the agenda was a quick examination of the Bones income-tax filings, which an outside consultant to the team had obtained through Freedom of Information Act requests. He and Peggy Adler pointed out to me a couple of dubious assertions on the Form 990's (Return of Organization Exempt from Income Tax), which called into question certain of the grounds for charitable exemption. In particular, there was the assertion in the 1997 RTA Incorporated filing (Part VI, line 80b) that the organization was not "related ... through common membership, governing bodies, trustees, officers etc. to any other exempt or non-exempt organization." Contradicting that assertion is information on the filing of the Deer Island Club Corporation. Deer Island is the private island of the Skull and Bones Society, located in the St. Lawrence River. It is the place where Bones members bring their families for summer get-togethers. It is wholly owned and run by Skull and Bones members, apparently contradicting Bones' claim of "no relationship" to another exempt organization, and appearing to contradict the strictly educational and charitable mission for which RTA gets its exemption for Skull and Bones. The consultant argues in a memo that the purpose of the 80b question on the Bones deduction claim form "is to prevent tax exempt charities from undertaking non-charitable activities by hiding them in another corporation. This is of course precisely what RTA Inc. is accomplishing through the Deer Island Club Corporation. In order to conceal this arrangement however RTA Inc. denies its connection to the DICC." In fact, he goes on, "RTA and the DICC are so closely linked that for all intents and purposes RTA Inc. does own Deer Island despite its claims to the contrary." I'm not going to go into the whole tax issue here. Perhaps the Bones shell corporation has a good and valid reason for claiming that it has no connection to the Bones private-island country club.** Perhaps this sort of thing goes on all the time among the private charities of the privileged. I don't think Deer Island will become George W. Bush's Whitewater. But one might think that a scrupulous White House counsel would want to look at the kind of tax information George W.'s secret society is filing on his behalf. Particularly since he's promising enormous windfalls for the privileged, the tax breaks his secret society takes should be utterly beyond suspicion. Does the President, I'd like to know, claim his Skull and Bones dues as a charitable deduction, when the only charity seems to be providing a club house and country house for the privileged? The RTA filing claims Skull and Bones exists "for the benefit of Yale University." But Yale--which celebrates three centuries of luminous atainments this weekend--ought to question what "benefit" it gets from chants of "lick my bumhole" and the mockery of Abner Louima. Anyway, as night came falling and we choreographed the evening's caper, I felt that we were carrying on an old-fashioned, longstanding tradition: the natural reaction of the democratic (small D) tradition to elitist power that conceals itself within the cloak of privilege and secrecy. And for me, it was a culmination of my own quarter-century quest, one that had become personalized lately by the fact that our Skull and Bones President had been a classmate of mine at Yale. 'Run, Neophyte, Run!' At last, zero hour approached. For two centuries, the outside world had wondered and fantasized about what was about to happen, what actually went on in the fabled Skull and Bones initiation. There's a long tradition of Yale secret societies (including Bones) raiding other secret societies to capture their ritual artifacts. In the 1970's, an all-woman break-in team published photographs of the Bone's Tomb's interior. But tonight, for the first time ever, we would attempt to capture the actual secret initiation ritual and bring it to light for anthropological study. Our team's equipment included three night-vision-capable digital-video cameras, one tape recorder, a stepladder and two walkie-talkies. (I could never get mine to work.) Because of a recent injury which limits my mobility, I was stationed at a listening post with my tape recorder while the video-cam team proceeded to their more perilous perch at the forward base (as those of us in special ops call it). We planned to rendezvous afterward for me to view the tape. We split up just as the whoops and groans, the screams and moans began to emanate from inside the Tomb and the masters of the Skull and Bones initiation began establishing the posts they'd man for the occult psycho-drama to come. From my post, I could see through an open window shadowy figures walking very close above my head. Later I'll put my audio impressions together with the video-cam record the other team obtained for a more complete picture, but first let me transcribe some of the notes I made from listening in. Fragmentary as they are, they capture some of the strangeness, and perhaps the kind of disorientation the initiates themselves experienced there in the courtyard of Skull and Bones. First, there was the guy posing as George W. He seemed to be a bit disgruntled at being given this role--a feeling he expressed by calling out in his George W. drawl to another "Patriarch" (as they're called): "I got the power to bomb the crap out of China and they give me this station." Then someone--one of the initiates?--called out "Uncle Toby!" (Many Bone ritual personae are taken from Laurence Sterne's Tristram Shandy-- you gotta give them credit there for good taste.) "Uncle Toby!" the cry repeated. "Shut up, neophyte." "Take that plunger out of my ass, Uncle Toby." Presumably, this mocking Louima reference was a ploy to scare initiates into thinking Uncle Toby was going to give them the plunger treatment. That cheerful rectal theme was followed up by: "I'm gonna ream you like I reamed Al Gore!" from the George W. imitator. Followed by "Help me! It's the devil!" And then "George W." really getting into it: "I'm gonna kill you like I killed Al Gore." Silence. Then a door opened. Voices--half of them, it seemed, women--were screaming: "Run! Neophyte! Run, neophyte!" (The neophytes are, of course, the new initiates.) From my post, I could only see hooded figures racing about in the darkness above my head, accompanied by cries of: "Run, neophyte!" "Find the femur!" And (again): "Take that plunger out of my ass, Uncle Toby!" Then silence for awhile. The neophyte seemed to have gone back inside the Tomb. After which one of the Patriarchs complained, "We ought to get better blood than this fuckin' syrup, man." It was only later that I learned what the blood was for: the whole throat-slitting "barbarian" tableau after the skull-kissing."Find the femur, neophyte!" Along with the occasional "Lick my bumhole!" "Remove the plunger!"—type outcries. The devil figure pulled them into a white tent in the courtyard where, we think, they found their femurs and emerged with what looked like a thigh bone, although it was impossible to tell whether it once belonged to a human or not. When they reemerged from the tent, they were led to the centerpiece of this part of the ritual. They were forced face-to-face with a shocking tableau: a guy holding what seemed like a butcher knife, wearing a kind of animal-skin "barbarian" look, stood over what seemed to be a woman covered in fake blood and not much else. The neophyte then approached a skull a few feet away from the knife-wielder-and-victim tableau. The neophyte knelt and kissed the skull, at which point the guy with the knife knelt and cut the throat of the prone figure. (Well, pretended to cut the throat.) I'm not sure what it all means. I've yet to decode the mystical significance of this, although I do love to think of former President George Bush kissing the skull. Obviously, it has something to do with subservience. Kiss the skull of power. Bow down to The Order. But what about the "barbarian" cutting the throat of his victim? Does it mean "One dies to the barbarian world"? Does it mean "Death to the barbarians"? Does it endorse cutthroat tactics? Is that how they enforce silence and secrecy? I plan to continue my relentless study of the hermeneutics of the Bones rituals, myths and symbolism based on these new revelations, and perhaps with the help of a Bones graduate who feels the time has come to lift the veil on the silly (and no longer even secret) symbolism of their society. (Contact me privately c/o The Edgy Alliance, 577 Second Avenue, Box 105, N.Y., N.Y. 10016.) All that death imagery, though: Maybe it's meant to be a first ritualistic confrontation with Mortality, the skull as a memento mori designed to instill in the "neophyte" a sense of the gravity of one's mission in life. In that regard, consider the direct relevance of at least one aspect of the ritual to George W. That recurrent phrase: "Run, neophyte, run!" Think about it. When George W. was first considering the fairly serious shift from baseball-team owner (whose major achievement was trading away Sammy Sosa) to governor of Texas, or when he was considering the shift from one-term governor of Texas to President of the United States, what decided him--what made him think he could pull it off, despite years as a semi-permanent neophyte? Could it be that what he heard, echoing in his brain, down the corridors of the years, was the injunction from that long-ago April night when he was a Skull and Bones initiate? When he bent down to kiss the skull and heard, resounding in his ears, the command: "Run, neophyte, run!"Those on the inside know it as The Order. Others have known it for more than 150 years as Chapter 322 of a German secret society. More formally, for legal purposes, The Order was incorporated as The Russell Trust in 1856. It was also once known as the "Brotherhood of Death". In America it is called the 'Skull & Bones' club, The American chapter of this German order was founded in 1833 at Yale University by General William Huntington Russell and Alphonso Taft who, in 1876, became Secretary of War in the Grant ministration. Alphonso Taft was the father of William Howard Taft, the only man to be both President and Chief Justice of the United States. It is a senior year society which exists only at Yale. Members are chosen in their junior year and spend only one year on campus, the senior year, with Skull & Bones. In other words, the organization is oriented to the graduate outside world. The Order meets annually - patriarchies only - on Deer Island in the St. Lawrence River. Senior societies are unique to Yale. There are two other senior societies at Yale, but none elsewhere. Scroll & Key and Wolf's Head are supposedly competitive societies founded in the mid-19th century. We believe these to be part of the same network. Rosenbaum commented in his "Esquire" article, very accurately, that anyone in the Eastern Liberal Establishment who is not a member of Skull & Bones group is almost certainly a member of either the Scroll and Key or the Wolf's Head . The selection procedure for new members of The Order has not changed since 1832. Each year 15, and only 15, never fewer, are selected. In the past 150 years about 2500 Yale graduates have been initiated into The Order. At any time about 500-600 are alive and active. Roughly about one- quarter of these take an active role in furthering the objectives of The Order. The others either lose interest or just change their minds. The most likely potential member is from a Bones family, who is energetic, resourceful, political and probably an amoral team player. ... Honours and financial rewards are guaranteed by the power of The Order,but the price of these honours and rewards is sacrifice to the common goal of The Order.Some have not been willing to pay this price. The Old Line American families and their descendants involved in the Skull & Bones are names such as the following:Whitney,Perkins, Stimson, Harriman, Rockefeller, Lord, Brown, Bundy, Bush and Phelps. The order is not just another Greek letter fraternal society with passwords and handgrips common to most campuses. Chapter 322 is a secret society whose members are sworn to silence. It has rules and ceremonial rites. It is not at all happy with prying, probing citizens - known among initiates as 'outsiders' or 'vandals'. Its members always deny membership. An interesting point is whether the many members in various Administrations or who hold government positions have declared their members in the biographical data supplied for FBI 'background checks'. We doult this fact as test cases along with freemason membership often goes unrecorded.Pressure is now being placed to correct this.Between 1983-1986, the British-born conspiracy theorist Antony Sutton wrote a series of pamphlets about the Order of Skull & Bones. According to informed sources, Sutton was one of several historians who were provided with a large file of the Order's internal documents, including minutes of some meetings, descriptions of rituals, and what would appear to be a rather complete list of its members from its founding through to the early 1980s. The short pamphlets were compiled into one volume and published as a book in 1986.For someone closely following the just-concluded Persian Gulf War and attempting to gain some insight into George Bush's performance during that largely orchestrated affair, one recurring theme in the Sutton volume stands out like a sore thumb: the New World Order.According to the Skull & Bones documents used by Sutton in his somewhat flawed profile of the Order, the creation of a New World Order is a primary goal of the Bonesmen and has been for decades. For the initiates into the Order, the term New World Order has a very specific meaning.It is a world dominated by American military power and American control over all strategic raw materials. Just as the Greek city-state of Sparta provided the Skull & Bones with the image of a WASP warrior caste, the Persian Empire, with its system of coalitions of satrap armies, provides the model for the Bonesmen's New World Order. The image of Secretary of State James A. Baker III traveling from foreign capital to foreign capital demanding military legions or chests of gold to finance the war for a New World Order is an image straight out of the chronicles of the Persian Empire.According to the recent biography of Henry Stimson, the man who inspired President Bush was firmly convinced that it was essential for America to go to war once every generation or so. It was, for Stimson, a spiritually cleansing process which enables the nation to rally behind a cause and overcome its weaknesses and shortcomings in one grand burst of military fervor. The romantic mystique of the purgative powers of combat is key to understanding the political philosophy of Skull & Bones.Although America's Vietnam debacle remains a bitter memory of the Bonesmen's failure in war, the recent Persian Gulf conflict, with its massive overkill and the use of highly advanced weapons and technologies, is now the new glorious symbol of the WASP warrior caste's reincarnation. When President Bush vowed that the Gulf War would not be another Vietnam, he was speaking first and foremost to his fellow Bonesmen -- not to the American people. If such thinking smacks of dangerous fantasy on the part of a major world power in the modern era, it is indeed.On a more practical political level, the Gulf War was a gambit to save the Bush presidency from a mounting pile of domestic financial woes, not the least of which was the savings and loan (S&L) crisis and a pending series of failures of major commercial banks. In the months preceding the Gulf showdown, the president's own son, Neil Bush, came under intense media scrutiny for his role in the failure of a large S&L in Colorado. Neil's photograph, testifying under oath before a congressional committee probing fraud among top S & L managers, became a familiar front-page feature in every major newspaper in America, threatening dangerous popular disillusion with the Yale Bonesman in the White House. With a U.S. federal government deficit projected at nearly a half a trillion dollars for Fiscal Year 1991, in large part because of the S&L crisis and a shrinking business tax base, the Democratic Party majority in the U.S. Congress was pressing for deep cutbacks in defense spending now that the Cold War had ended.On the international stage, the reunification of Germany, clearly the most dramatic event of 1990, posed new challenges to the Bush team. Germany was about to emerge as the dominant power in continental Europe by virtue of its advanced industrial infrastructure and its long tradition of independent political dealings with Moscow. Just months before the outbreak of the Gulf crisis, Germany's Chancellor Helmut Kohl had met with Soviet President Mikhail Gorbachev and signed a long term economic assistance pact. As a result, Gorbachev dropped all remaining objections to the immediate reunification of Germany.At that point, the Bush administration changed its tactics. Previously, in sharp contrast to the Thatcher government in Great Britain, it had been nominally in favor of German reunification. But at the Houston economic summit of the Group of Seven Industrialized Countries in the summer of 1990, the United States blocked (with Britain) Germany's plan of unconditional economic aid to the Soviet Union. President Bush took the position that the Soviet Union must submit to International Monetary Fund requisites as a precondition for any substantive economic assistance.In the Far East, Japan's continuing growth in manufacturing also posed a threat to Washington's desire to retain superpower status. If President Bush and his Bonesmen coterie were unaware of a stunning historical analogy, their British "cousins" were quick to pick up on the parallels between the global strategic situation in July 1990 and the identical international situation that existed 100 years earlier.In the 1890s, France, under the brilliant political leadership of Foreign Minister Gabriel Hanataux, was attempting to forge a Eurasian alliance with Germany, Russia and Meiji Japan. The idea was to link continental Europe with Japan and China through a series of large overland infrastructure projects, beginning with the Trans-Siberian Railroad. Through treaties covering key areas of economic and security matters, Hanataux hoped to create a zone of prosperity, built on a foundation of rapid economic growth and extensive trade.Such a political-economic common interest alliance threatened the imperial hegemony of Great Britain. At the turn of the 20th century, Britain looked to the United States (as its English-speaking ally) to join in sabotaging the Hanataux plan. Through the Spanish-American War of 1898 and the Russo-Japanese War of 1905, Britain and her American junior partner (by then led by Henry Stimson's old mentor Teddy Roosevelt) managed to disrupt the French-German-Russian-Japanese economic axis. Two world wars and the Great Depression were the consequences of that interference.THE PERSIAN GULF WARIt was against this historical backdrop that President Bush, invoking the World War II imagery of his Skull & Bones idol Henry Stimson, went to war against Iraq. There is even speculation that President Bush was personally instrumental in luring Saddam Hussein into invading Kuwait, thereby provoking the American-led military response. Many news accounts have emphasized that a two-hour private meeting between the president and Margaret Thatcher in the Aspen, Colorado vacation chalet of U.S. Ambassador Henry Catto on August 2, 1990 helped finalize Bush's decision to immediately deploy military force.Recently, an astute Japanese analyst drew a disturbing parallel between Bush and FDR, who was greatly influenced by Stimson. According to the writer, FDR lured Japan into World War II through an intricate series of economic warfare maneuvers which left Japan with little choice but to strike-back. In much the same way, said the analyst, Bush had lured Saddam Hussein into Kuwait in order to launch a new Gulf War that would have consequences reaching far beyond Iraq and the Middle East.As a result of the military victory over Iraq, the United States is in the process of establishing a string of permanent military bases throughout the Persian Gulf and Near East. The oil sheikdoms of the region, led by Saudi Arabia, are now thoroughly dependent on the American military presence to ensure the survival of their regimes. The Organization of Petroleum Exporting Countries (OPEC) is effectively captured by Washington. American bankers aided by U.S. gunboats now are setting world oil prices. Thus, one consequence of the Persian Gulf War is that the United States now has an oil weapon -- pointed principally at Germany and Japan. Ironically, America's two chief economic rivals have paid out a total of $27 billion to date to help finance a Bush administration military adventure which put the oil weapon in Washington's hand.Another telling example of how the Order's man in the Oval Office intends to administer a crumbling U.S. domestic economy while imposing the New World Order on the rest of the world is to be found in the recent buyout of the majority of stock in Citicorp, the largest U.S. commercial bank, by Saudi Prince Talal bin Abdul Aziz. Citicorp is one of the major American commercial banks on the verge of collapse, but which is considered by the Bush administration and the Federal Reserve System to be "too big to fall." The stock purchase amounted to a Saudi Royal Family bail-out of Citicorp, using the increased profits being enjoyed by the House of Saud as a result of the massive jump in Saudi oil production since the beginning of the Gulf crisis in August 1990.There points up a striking difference between the role of the United States in World War II and the Bush administration's handling to date of the Middle East crisis. During World War II, the United States went through a genuine economic revival. Skull & Bones historian Samuel Huntington described it as a "neo Hamiltonian" policy, a reference to the first United States Secretary of the Treasury Alexander Hamilton. (Less)
Anton Szandor LaVey: (1930-1997): crime scene photographer: organist: 666atinist ATTACHMENT #B: PROPERTY OF ANTON LaVEY - APRIL 10, 1985 1. Household furnishings consisting (More) ATTACHMENT #B: PROPERTY OF ANTON LaVEY - APRIL 10, 1985 1. Household furnishings consisting of a bed, dresser, small couch, sling chairs, hall table, step stool. 2. Personal library. 3. Rolaflex camera. 4. Miscellaneous darkroom equipment. 5. Firearm. 6. Stool with horn legs. 7. Antique silver teapot. 8. Egyptian canopic jar. 9. Egyptian antique skull. 10. Byzantine phallus. 11. Antique marble topstand and pitcher. 12. Wall mirror. 13. Hotpoint stove, 14. Wooden bookcase. 15. Stuffed jaguar. 16. "Equality" painting. 17. Personal paintings. 18. Antique water pipe. 19. Antique Crowley pipe. 20. Stuffed wolf. 21. _Encyclopaedia Brittanica_, 9th & 11th Editions. ATTACHMENT #C: PROPERTY OF DIANE HEGARTY AND ANTON S. LaVEY - APRIL 10, 1985 Real Property: 1. Residence commonly known as 6114 California Street, San Francisco, California and legally described in a Joint Tenancy Grant Deed to Anton S. LaVey and Diane E. LaVey, recorded in Book _____, Page _____ in the office of the County Recorder of San Francisco, County of California. Personal Property: 1. Three 4-drawer metal file cabinets. 2. IBM Executive typewriter. 3. Work table. 4. Shelves over table and desk. 5. 2 industrial-type metal supply shelves. 6. 1 simulated woodgrain metal shelves. 7. 1 small formica-topped shelves. 8. 1 wooden bookcase (painted blue). 9. Infant wardrobe. 10. Wall mirror. 11. Assorted office supplies. 12. 2 telephone answering machines: 1 Message Minder, 1 Record-a- Call. 13. Panasonic table model radio. 14. Salon-type hair dryer. 15. Black cube with drawers. 16. Bentwood coat rack. 17. Collapsable bookshelves composed of six plastic crates & 4 boards. 18. Bunk beds. 19. Maple dresser. 20. Wardrobe. 21. Metal (simulated woodgrain) shelves. 22. Brown upholstered chair. 23. Cabinet with storable table. 24. Pink shelves. 25. Pink corner hamper. 26. Cohn theatre-type organ and 2 Leslie speakers. 27. Vinyl love seat. 28. Round antique chair (from Hellfire Club). 29. Russian sleigh chair. 30. Antique leopard chair. 31. Gold upholstered chair. 32. William Mortenson print (shrouded figure with girl). 33. Phoenix wall hanging. 34. Large silver ball (approximately 7" diameter). 35. Chrome & glass coffee table. 36. 15" Sony color TV. 37. RCA video recorder. 38. RCA color video camera. 39. Brass bowl (approximately 7" diameter). 40. Brass peacock. 41. Professional quality brass gong. 42. Flacon with "nightmare" heads. 43. Tall (crossed) medieval implements. 44. Bed of nails. 45. Thoreson music box. 46. Mechanical bird music box. 47. Victrola. 48. Enamel triptych. 49. Antique mantel. 50. Candle holders. 51. Crystal sword and stone letter opener. 52. Black Madonna sculpture. 53. Custom-made carpet, 5' diameter, with pentagram. 54. Art Deco custom carpet, 9'x12'. 55. Classic wood coffin. 56. Reproduction of outer sarcophagus of Tutankhamun. 57. 16mm sound projector. 58. Professional quality screen. 59. Table. 60. Coat rack. 61. Painting of skull in field. 62. Naugahide couch. 63. Antique Victrola cabinet. 64. Naugahide recliner chair. 65. Tombstone coffeetable. 66. "The Great Books" and case for them. 67. Yuggothian metal sculpture. 68. Wood and fabric chair. 69. Antique examination table and stool. 70. Antique diathermy machine. 71. Glass "brain". 72. Ball. 73. Magic mirror (carved mirror with neon optical effect). 74. Rose painting. 75. Bandicoot. 76. Stereo. 77. Video cameras: 1 Sony black/white, 1 Sony color. 78. 5" Toshiba color TV. 79. Crystal ball. 80. Assorted collector's movie posters. 81. Devil bust. 82. Rose painting. 83. Tree painting. 84. Crystal ram. 85. Kenmore frost-free refrigerator. 86. G.E. dishwasher. 87. Glass-top table and director's chairs. 88. Juno 60 synthesizer. 89. Prophet 5 synthesizer. 90. Crumar Orchestrator (synthesizer). 91. Professional rack (to hold synthesizers). 92. Electronic portable piano. 93. Toscan 244 Portastudio. 94. Sanyo cassette player and copier. 95. Korg EPS1. 96. Moog-Tauruspace II. 97. Roland Drumatix. 98. Keyboard Roland amplifier. 99. Superscope cassette recorder. 100. Kaypro 10 business computer. 101. Okidata printer. 102. Brother printer. 103. G.E. toaster oven. 104. Small 3-shelf case. 105. Woman/haunted house painting. 106. Antique orange drink sign. 107. Posters. 108. Fruit ripener bowl. 109. Wooden magazine rack. 110. TV trays. 111. 4 director's chairs. 112. Assorted dishes, pots & pans, and miscellaneous kitchenware. 113. Lion candy dish. 114. Silver ice bucket. 115. Stereo. 116. Records and tapes. 117. Antique bat plate. 118. Antique cast iron full-head horned mask & brank from French Inquisition. 119. Shrunken head (Arthur Cort). 120. Paper-mache animal heads: cat, pig, goat, ram, dog, elephant, hawk, Devil. 121. White antique table with drawers. 122. Wicker peacock chair. 123. Black recliner chair. 124. Black hide-a-bed. 125. 3-drawer chest. 126. 7 medieval torture implements. 127. Wooden bookcase. 128. Elevated bed. 129. Oval mirror. 130. Red custom sculptured rug. 131. 2 crossbows. 132. 7 knives/daggers. 133. Fake machine gun. 134. Antique red pitcher. 135. Antique marble & brass Devil ash tray. 136. Antique red Devil ash tray. 137. Antique magic mirror (like crystal ball). 138. 3 Robert Barbour Johnson paintings. 139. Unitech CX1212D radio/cassette. 140. Panasonic stereo. 141. Garrard turntable. 142. Large brass candle holders. 143. Tesla coil. 144. Casio 1,000P keyboard. 145. 2 wood & naugahide chairs. 146. 19" G.E. black & white televisions. 147. 1768 _Encyclopaedia Brittanica_ and case. 148. Antique wooden hexagon table. 149. Red table lamp. 150. Black carved primitive figure. 151. White chalky cup with figures around outside. 152. Mayfair cassette player. 153. Antique oriental head. 154. 3 pinball machines: 1 Satin "Doll", 1 Gottlieb "Play Ball", 1 Exhibit "Chico". 155. Lord Prayer machine. 156. Original crystal skull (artwork by Saetty). 157. Mounted _Nosferatu_ poster. 158. Black studio couch. 159. Oriental wall hanging. 160. 2 small speakers. 161. 5" Sony black & white television. 162. Hitachi VCR. 163. Hammond organ & Leslie speaker. 164. Antique Rockola jukebox. 165. Bar & 8 vintage cast-iron bar stools. 166. 6 contemporary bar stools. 167. 2 vintage heavy formica-type top tables. 168. Exercise bike. 169. Microphone. 170. Wave sound machine. 171. Combination safe. 172. Drum set with extra Zilgin cymbal & sizzle cymbal. 173. Mauser .38 automatic. 174. Stoger Luger. 175. Bauer .25 automatic. 176. Whitney Wolverine. 177. Colt .25 automatic. 178. Smith & Wesson snub-nose revolver. 179. Beretta. 180. Czechoslovakian automatic. 181. Fake machine gun. 182. Luger. 183. 2 air pistols. 184. 1 air rifle. 185. 1 collapsable rifle with floatable handle. 186. Olympus camera. 187. Pentax camera. 188. Polaroid camera. 189. Reference library. ATTACHMENT #D: BUSINESS PROPERTY OF DIANE HEGARTY AND ANTON S. LAVEY - APRIL 10, 1985 1. Hammond organ. 2. Video camera. Anton Szandor LaVey (1930-1997), along with Charles Manson, Timothy Leary, and other messianic pop gurus, was a notorious figure of the 1960s' subculture of social experiment. As the flamboyant High Priest of the Church of Satan and the author of the Satanic Bible, he served as an ideal bogeyman for the sensation-seeking American media of that tumultuous period. His curious celebrity was based largely on a self-created legend. This carefully-orchestrated legend may, in the final analysis, be LaVey's most enduring legacy. LaVey disseminated his legend through interviews with journalists, personal discussion with his disciples, and two LaVey-approved [auto]biographies (apparently ghostwritten by LaVey himself). The first of these, 1974's The Devil's Avenger (credited to LaVey associate Burton Wolfe), embellished on the fabrications Wolfe had already sketched in his introduction to the Satanic Bible. The second, 1990's Secret Life of a Satanist (credited to Blanche Barton, LaVey's live-in secretary and mother of his son), contradicted many of LaVey's own claims in the earlier volume, while putting forth new legends for public consumption. As social historians and scholars of occult movements begin to study LaVey's life and times in an objective historical context, a wealth of information concerning the man beneath the Devil horns has come to light. This brief checklist is a concise guide to separating the deliberate prevarications from the human, all-too-human facts. For brevity's sake, only the most well-known aspects of the legend will be clarified here. LEGEND: Claimed that "Anton Szandor LaVey" was his genuine birth name. REALITY: Born "Howard Stanton Levey". SOURCES: Birth certificate 4/11/1930, Cook County, Illinois. Confirmed by relatives. LEGEND: Claimed his parents were Joseph and Augusta LaVey. REALITY: Parents were Michael and Gertrude Levey. SOURCES: Birth certificate 4/11/1930, Cook County, Illinois. Confirmed by ASL's daughter Zeena and daughter Karla according to her entry on ASL's death certificate. LEGEND: Claimed he was introduced to the Dark Side by his Transylvanian Gypsy grandmother, who regaled him as a child with supernatural folklore and tales of vampires and werewolves. REALITY: ASL's grandmother was not Transylvanian nor of Gypsy stock. She was a Ukrainian named Cecile Luba Primokov-Coulton ("Coulton" was Anglicized from "Koltonoff"). Despite his frequent claims, ASL had no Gypsy ancestry. SOURCES: Relatives, including ASL's parents. LEGEND: In 1945 the 15-year-old ASL was brought to the ruins of postwar Germany by his uncle, a U.S. Coast Guard officer. There the teenaged ASL was shown top-secret films inspired by Satanic cult lodges and their rituals. ASL claimed that the "German" rituals in his 1972 book The Satanic Rituals were actual transcripts of the filmed rituals he saw as a youth. REALITY: Young Howard spent the entirety of 1945 in suburban northern California, and never visited Germany at any time in his life. The uncle who he claimed brought him to Germany was incarcerated at McNeill Island Penitentiary for involvement with Al Capone-related criminal activity during 1945, and was never in the armed forces. Allied martial law forbade U.S. citizens from visiting postwar Germany. The "German" rituals in the Satanic Rituals are written in extremely poor, Anglicized German. They are clearly uncredited adaptations of the short story The Hounds of Tindalos by Frank Belknap Long and H.G. Wells' famous novel The Island of Dr. Moreau. SOURCES: ASL relatives, former wife Diane LaVey, The Hounds of Tindalos, The Island of Dr. Moreau, The Satanic Rituals, Church of Satan member Rosalind Herkommer (who translated ASL's rituals into German). LEGEND: The 15-year-old ASL played second oboe with the San Francisco Ballet Orchestra, making him the youngest musician ever to play with that prestigious institution. REALITY: There was no "San Francisco Ballet Orchestra" in 1945. The San Francisco Ballet was accompanied by a local orchestra, whose records show that none of its three oboists was named "Levey" or "LaVey". SOURCES: San Francisco Performing Arts Library & Museum, San Francisco, California. LEGEND: In 1947 ASL ran away from home and joined the Clyde Beatty Circus. The Circus employed the 17-year-old as a lion tamer. He then replaced the Circus calliope player, accompanying such famous Beatty acts as the Concellos, Harold Alanza, and the Cristianis. REALITY: The voluminous Beatty archives show no record of a "Levey" or "LaVey" as lion tamer or musician. The Concellos, Alanza, and Cristianis were never Beatty performers; they worked exclusively for the Ringling Brothers Circus. SOURCES: Beatty 1947 Route Books, Circus World Museum, Baraboo, Wisconsin (Wright, "SD", page 67); ASL relatives. LEGEND: In 1948 the 18-year-old ASL was engaged to play organ at the Mayan burlesque theater in Los Angeles. There he met a young stripper named Marilyn Monroe, with whom he had a passionate love affair in the period before her rise to film stardom. According to ASL, Monroe had resorted to stripping to pay her rent. As proof of his relationship with Monroe, ASL later showed visitors a copy of Monroe's famous nude calendar inscribed "Dear Tony, How many times have you seen this! Love, Marilyn". REALITY: ASL never knew Monroe. Monroe intimate Robert Slatzer and Harry Lipton, Monroe's agent in 1948, have exposed and discredited this tale. Lipton paid Monroe's expenses, including her rent. Paul Valentine, director of the Mayan Theater, has stated that the Mayan was never a burlesque theater, and that neither Monroe nor ASL ever worked for the Mayan in any capacity. Diane LaVey, ASL's former wife, has admitted that she forged the "Monroe" inscription on the calendar. ASL's former publicist Edward Webber claims ASL admitted he never knew Monroe. SOURCES: Diane LaVey, Paul Valentine (Wright, "SD", page #68), Harry Lipton (Aquino-Lipton conversation 12/1/82), Robert Slatzer (letter to Aquino 11/27/82), Edward Webber (interview by Aquino 6/2/91). LEGEND: ASL was exposed to the savagery of human nature during his stint as a San Francisco Police photographer in the early 1950s. REALITY: San Francisco Police Department past employment records include no "Howard Levey" nor "Anton LaVey". Frank Moser, who was a SFPD photographer in the early 1950s, said that ASL never worked for the Department. SOURCES: SFPD records, Frank Moser (Wright, "SD", page 68). LEGEND: ASL studied criminology at San Francisco City College during the Korean War. REALITY: SFCC has no record of ASL's enrollment at any time. SOURCES: SFCC records (Wright, "SD", page 68). LEGEND: ASL purchased the house at 6114 California Street (which would later become the headquarters of the Church of Satan - the infamous "Black House") because he discovered on first inspection that it was the former brothel of Barbary Coast madam Mammy Pleasant. The house was honeycombed with trapdoors and secret passageways, built by Pleasant to elude police raids. REALITY: 6114 was ASL's parents' home. It was never a brothel, nor did Mammy Pleasant ever live or work there. ASL's parents first allowed ASL and his first wife Carole to live in the house, then transferred ownership of it to ASL and his second wife Diane in 1971. Such secret passages and hidden rooms that exist were constructed by ASL. SOURCES: Relatives, San Francisco property records (Michael & Gertrude Levey, Joint Tenancy Grant Deed, July 9, 1971). LEGEND: In the 1950s ASL traveled to Nice, France, where he recorded an album of organ music under the pseudonym of "Georges Montalba". REALITY: ASL's first and only trip to France was in the mid-1970s, when his Dutch disciple Maarten Lamers, Amsterdam sex club owner, financed his voyage. The "ASL=Montalba" story appeared in 1989, when a gullible Church of Satan member found a Montalba album and suggested that it was similar to ASL's own music. ASL, never pleased by competition, responded with the preposterous "pseudonym" claim - which is still ardently supported by his posthumous followers. SOURCES: Diane LaVey, Zeena LaVey. LEGEND: ASL was the official city organist for San Francisco until 1966, playing for gala events such as government banquets and political meetings. REALITY: San Francisco has never had an "official city organist". According to ASL's first wife Carole, his only income of $29.91/week was generated by his regular engagement at the "Lost Weekend" nightclub, where he was the house Wurlitzer organist. SOURCE: Julie Burford, Civic Auditorium, San Francisco, California (Wright, "SD", page 68). Carole LaVey's divorce proceeding records (Wright, "SD", page 68). LEGEND: On the night of April 30, 1966 (the German Satanic festival of Walpurgisnacht), ASL in a "blinding flash" declared himself the High Priest of Satan, proclaimed that the Age of Satan had begun, and founded the Church of Satan as a religious institution. REALITY: In 1966 ASL supplemented his income by presenting weekend lectures on exotic and occult topics, and by conducting "Witches' Workshops". He charged $2 a head, filling his living room with the curious and establishing a local reputation as an eccentric. Professional publicist Edward Webber suggested to ASL that he "would never make any money by lecturing on Friday nights for donations ... it would be better to form some sort of church and get a charter from the State of California ... I told Anton at the time that the press was going to flip out over all this and that we would get a lot of notoriety". In the summer of 1966, long after the fictional founding-date invented later, a newspaper article about ASL's lectures offhandedly referred to him as "priest of the Devil's church". This mixture of Webber's idea and the newspaper's characterization resulted in the creation of the Church of Satan as a business and publicity vehicle. Jack Webb, a San Francisco Police investigator who knew ASL from the "Lost Weekend" nightclub, also suggested that he should form a church of some kind to exploit his recondite knowledge. SOURCES: Edward Webber (interview by Aquino 6/2/91), Jack Webb, Diane LaVey. LEGEND: ASL's trademark shaved head was the result of a ceremonial head-shaving on April 30, 1966, to formalize his role as High Priest of Satan. This ritual was performed in the tradition of the Yezidi devil-worshipping tribes of Iraq, who were said to have carried out a similar ceremony. REALITY: ASL shaved his head in the summer of 1966 due to a light-hearted dare from his wife. The "LaVey look" had nothing to do with the Church of Satan founding nor any mystical meaning attached to it later. Nor do Yezidi qawwals (religious teachers) shave their heads. SOURCES: Diane LaVey; Ethel S. Drower, Peacock Angel, 1941; C.J. Edmonds, A Pilgrimage to Lalish, Royal Asiatic Society, 1967. LEGEND: In 1966 ASL personally designed the Baphomet emblem of the Church of Satan. He owns the right to this design, claiming it cannot be reproduced without obtaining licensing rights from the Church of Satan. REALITY: The Baphomet emblem used by the Church of Satan was neither original to it nor created by ASL, hence cannot be trademarked. The original Baphomet dates at least as far back as the medieval Knights Templar. The artwork for the current emblem's goat/pentagram first appears in a 1931 book by Oswald Wirth. The complete emblem with the added circles and "LVYThN" Hebrew letters appears on the cover of a book by Maurice Bessy two years before the creation of the Church of Satan. Early photos of Church activities often show ASL or his disciples using the Bessy book as a photo-prop because of its prominent cover-Baphomet, and he included that book in his Compleat Witch bibliography. The Baphomet, including this rendition of it, is clearly in the public domain. SOURCES: Oswald Wirth, La fran-maconnerie rendue intelligible a ces adeptes - II, "Le compagnon", Paris: Derry-Livres, 1931, page #60; Maurice Bessy, A Pictorial History of Magic and the Supernatural, London: Spring Books, 1964 [the original edition of this work - Histoire en 1000 images de la magie - was published in 1961 by Editions du Pont Royal]; Thomas H. Hilton, Sex and the Occult, Vol. I, Los Angeles: Centurion Press, 1974;Church of Satan members, The Black Flame (a 1980s Church of Satan magazine). LEGEND: One of ASL's most widely-accepted falsehoods is his claim that he served as technical advisor for the 1968 Roman Polanski film Rosemary's Baby. ASL also claimed to have played the curiously-uncredited part of the Devil in that film. REALITY: ASL had no involvement with Rosemary's Baby. Polanski's close friend Gene Gutowski (original producer of the film) stated that there was no technical advisor, nor did ASL ever even meet Polanski. Producer William Castle, who details all aspects of the film's production in his autobiography, never mentions ASL. He does describe Polanski's diligence in basing the film exactly on the Ira Levin novel from which it was adapted, eliminating any need for technical advice. The father of the actress who played Mia Farrow's body-double in the Devil scene recalled that a young, very slender professional dancer played the part, dressed in a small rubber suit. In 1971 this suit was acquired by Studio One Productions in Louisville, Kentucky, for use in a low-budget horror film Asylum of Satan. Michael Aquino, technical advisor for that film, examined the suit and concluded that the 200-pound, 6-foot ASL could not possibly have worn it. [The suit was worn by a girl in the Asylum film.] Not a single member of the cast or crew of Rosemary's Baby has ever mentioned ASL's involvement. In 1968 a San Francisco theater did ask ASL to make an appearance at the film's local opening as a promotional event. This appears to have been ASL's only connection with the film that engendered the 1960s' popular interest in Satanism. SOURCES: Gene Gutowski; William Castle, Step Right Up! I'm Gonna Scare the Pants off America, New York: Pharos Books, 1992; Diane LaVey, Michael A. Aquino (COS, page #17). LEGEND: Jayne Mansfield, Hollywood sex symbol and actress, was a card-carrying Satanist and had an affair with ASL. REALITY: Publicity agent Tony Kent, an associate of Ed Webber, arranged the meeting between Mansfield and ASL as a publicity stunt. ASL was smitten with the actress. Mansfield, who made no secret of her many affairs, denied knowing ASL intimately, and no associate of hers has ever confirmed any supposed romance with ASL. In a 1967 interview she said, "He had fallen in love with me and wanted to join my life with his. It was a laugh." According to ASL's publicist Edward Webber, Mansfield would ridicule her Satanic suitor by calling from her Los Angeles home and seductively teasing him while her friends listened in on the conversation. ASL's public claims that he had an affair with Mansfield began only after Mansfield's death in an automobile accident, which he also claimed was the result of a curse he had placed on her lover Sam Brody. SOURCES: Edward Webber (interview by Aquino 6/2/91); interview with Mansfield quoted in Jayne Mansfield by May Mann, Pocket Books, 1974. LEGEND: ASL wrote the Satanic Bible, his principal work, to fulfill his congregation's need for a scriptural guide. REALITY: The Satanic Bible was conceived as a commercial vehicle by paperback publisher Avon Books. Avon approached ASL for some kind of Satanic work to cash in on the Satanism & witchcraft fad of the late 1960s. Pressed for material to meet Avon's deadline, ASL resorted to plagiarism, assembling extracts from an obscure 1896 tract - Might is Right by Ragnar Redbeard into a "Book of Satan" for the SB, and claiming its authorship by himself. [Ironically these MiR passages are the ones most frequently quoted by ASL disciples.] Another third of the SB consists of John Dee's "Enochian Keys", taken directly but again without attribution from Aleister Crowley's Equinox. The SB's "Nine Satanic Statements", one of the Church of Satan's central doctrines, is a paraphrase, again unacknowledged, of passages from Ayn Rand's Atlas Shrugged. The last words in the SB - "Yankee Rose" - have been puzzled over for years by readers. "YR" is actually the name of an old popular tune in ASL's nightclub repertoire. SOURCES: ASL, The Satanic Bible; Ragnar Redbeard, Might is Right, Port Townsend: Loompanics (reprint), 1896; Ayn Rand, Atlas Shrugged (Galt's speech, ca. pages #936-993); "Yankee Rose" by Sidney Holden & Abe Frankl (Irving Berlin Music, 1926). LEGEND: ASL claimed that at the height of the Church of Satan's popularity there were hundreds of thousands of formal members. REALITY: Diane LaVey (who administered the Church as High Priestess 1966-1984), Michael A. Aquino (senior Magister of the Church and Editor of its Cloven Hoof newsletter 1971-1975), and Zeena LaVey (High Priestess of the Church 1985-1990) have all affirmed that the figures claimed by ASL were grossly exaggerated. The membership of the Church of Satan never exceeded 300 individuals, several of whom were nonmember subscribers to the newsletter or ASL friends receiving complimentary mailings. SOURCES: Diane LaVey, Michael A. Aquino, Zeena LaVey. LEGEND: ASL claimed to be a multimillionaire, owning three homes in northern California, a convent in Italy, a chateau in France, a fleet of luxury automobiles, a 185-foot yacht, three salvage ships, and other property. REALITY: During Diane [LaVey] Hegarty's 1988-91 lawsuit against ASL, and ASL's subsequent 1991 filing for bankruptcy, ASL stipulated under oath that he owned nothing more than 50% of the house his parents had given jointly to him and Diane, along with the personal items he kept therein. ASL's final years were subsidized by California state aid. Assessors declared the house to be in such poor repair as to be nearly worthless on the real estate market. Family members have attested to the fact that by the mid-1970s the LaVeys lived in near-poverty, frequently having to rely upon ASL's father's generosity. According to other LaVey relatives, ASL continued to rely on handouts from friends and relatives until the end of his life. SOURCES: Hegarty v. LaVey (San Francisco Superior Court Case #891863), Anton LaVey Bankruptcy, Chapter 7 (U.S. Bankruptcy Court, Northern California, Case #91-34251), Zeena LaVey, other relatives. LEGEND: ASL was a close friend of Sammy Davis, Jr. and inducted him into the Church of Satan. REALITY: Sammy Davis, Jr. was invited to accept an honorary membership in the Church of Satan by Michael Aquino. After Davis sent Aquino his acceptance on March 17, 1973, he was presented with the honorary membership on April 13, 1973 by Aquino and Karla LaVey alone. ASL did not meet Davis until August 1973. SOURCES: Davis letter to Aquino 3/17/73; Church of Satan Priesthood Bulletin 4/30/73; Aquino, COS, Chapter 23; Sammy Davis, Hollywood in a Suitcase (pre-publication text, printed in Daily News, New York, 9/11/80), Karla LaVey. LEGEND: ASL presented himself as a loving family man. REALITY: ASL violently beat his wife Diane throughout their marriage. In 1984 a police report was made describing Diane being strangled into unconsciousness by ASL, who was in such a murderous rage that his daughter Karla had to pull him off Diane and drag her outside the house to save her life. ASL routinely physically beat and abused those of his female disciples with whom he had sex, forcing them into prostitution as part of his "Satanic counseling" and collecting their earnings. In 1986 ASL was a passive witness to the sexual molestation of his own grandson by a longtime friend who was later convicted of sex crimes with minors. In 1990 ASL informed a mentally-ill stalker of his daughter Zeena of her whereabouts and the time & location of a public appearance she was scheduled to make, deliberately endangering her life. SOURCES: San Francisco Police records of ASL attack on Diane LaVey, Zeena LaVey, Diane LaVey, Stanton LaVey. LEGEND: ASL had a deeply affectionate relationship with Togare, his pet lion. REALITY: While ASL was always careful to portray himself to the public as an animal lover, in private he was cruel to and neglectful of his pets. When he was given Togare as a cub in 1964, he was ill-equipped to deal with such an exotic, wild animal despite his pretensions as a circus lion-tamer. As Togare became larger and more unruly, ASL frequently used an electric cattle prod to hurt and frighten him into submission. Many animal-rights proponents, including Togare's final owner Tippi Hedren, agree that it is detrimental to a wild animal's development to be raised in a domestic environment. ASL was arrested due to Togare's unruly behavior, and ASL was ordered to donate him to the San Francisco Zoo. After complying, ASL made only two visits to Togare. Due to the trauma of his early life, Togare needed special care at the Zoo and at every animal-care facility in which he subsequently lived. SOURCES: Jack Castor (Lion Keeper, San Francisco Zoo), Diane LaVey, Zeena LaVey, Tippi Hedren (The Cats of Shamballa, McGraw-Hill, 1985). LEGEND: ASL had a deeply affectionate relationship with his other pets. REALITY: In the late 1960s ASL acquired a Doberman Pinscher (Loki) as an accent to his "sinister" image. ASL never took the time to housebreak or train Loki, and relegated him to the overgrown and unkempt backyard of the house, regardless of weather. If Loki ever tried to slip into the house for shelter, ASL routinely used Togare's cattle-prod on him to terrify him back outside. In his old age Loki developed such severe arthritis that he could not climb the stairs to the back door to eat, and began wasting away from malnutrition. ASL then gave him to one of his prostitute "students", who at least saw that Loki had a warm, inside home until he died a few months later. During her young childhood ASL's daughter Zeena once awoke late at night to hear slamming sounds and the shrieking of her German Shepherd puppy. Running downstairs, she saw ASL savagely beating the cowering, cornered dog with a wooden plank. When Zeena begged ASL to stop and asked him what the dog had done to deserve such treatment, ASL screamed, "She won't listen to me! I'm going to force her to obey me!" ASL continued beating the dog until her face was covered with her blood, then dropped the plank and left the dog quivering in the hallway, so injured and frightened that she wouldn't let even Zeena come near her. This incident left the dog traumatized for a long time afterwards. SOURCES: Diane LaVey, Zeena LaVey. LEGEND: On ASL's original death certificate the date of his demise was recorded as October 31, 1997 (Halloween). REALITY: An official investigation by the City of San Francisco determined that ASL's actual date of death was October 29, 1997 and that the "Halloween" date had been illegally written on the document. SOURCES: Death Certificate #380278667, San Francisco Department of Public Health; Dr. Giles Miller (attending physician at ASL's death), Physician's Amendment to Death Certificate, 11/26/97. ____________________ RESEARCH REFERENCES: Wright, Lawrence, "Sympathy for the Devil", Rolling Stone #612, September 5, 1991, Saints and Sinners. New York: Alfred A. Knopf, 1993. Aquino, Michael A., The Church of Satan. San Francisco: Temple of Set, 1983. We extend our thanks to ASL's relatives and associates who contributed their memories. (Less)
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The Seduction of Dr. Fugazzi
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[RS] V.A. - Erotic Lounge Vol.5 - Secret Affairs
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