Results for: sounds of the 80 s 1982
Disc 20 
2009-12-18 - extension: rar - parts: 2 - size: 95 MB
Disc 20
Hosted on: rapidshare.com
Video results for: sounds of the 80 s 1982More results from video 
The Making of CREEPSHOW with Rare BEHIND-THE-SCENES footage! For George Romero Completists & CREEPSHOW fans!
I'm a big fan of CREEPSHOW, the first (More) For George Romero Completists & CREEPSHOW fans!
I'm a big fan of CREEPSHOW, the first collaboration between George A. Romero and Stephen King, and was thrilled to find this behind-the-scenes footage from 1982. Warner Bros. has yet to release a special edition of this film, so far all I know there's a wealth of "making-of" footage floating around out there, but this is the first and only I've ever seen so I figured I should share it here with my fellow YouTubers.
Note: I've been told there is a tape floating around that contains much of Tom Savini's home video of the filming of the FX sequences from the flick, and it definitely sounds like it would be worth tracking down, but I haven't seen it yet. CREEPSHOW fans will also want to check out the extended and deleted scenes from the workprint of the film posted right here on YouTube at:
http://www.youtube.com/watch?v=dXVOUbONuBE
So, where did this footage come from? Well, I was house-sitting for a friend around 1993 and was bored out of my mind digging through his closet full of VHS cassettes when I found this odd "compilation" tape. On it was several hours of varied recordings including MONTY PYTHON AND THE HOLY GRAIL, a couple 80's TV variety shows, a long show on Stephen Spielberg and the release/making of E.T. and POLTERGEIST (which included some interesting behind-the-scenes footage on that Tobe Hooper directed film), and then this: PM MAGAZINE's Halloween Special from 1982 that included among other things, a look at the making of CREEPSHOW.
On-set interviews include Romero, King, Savini, Adrienne Barbeau, Hal Holbrook, E.G. Marshall and the movie's bug wranglers! In fact, much of the footage was shot during the filming of the THEY'RE CREEPING UP ON YOU segment. Film and horror buffs will enjoy noting the use of music from a few other movies including THE OMEN and THE STUNTMAN as well as the inclusion of a few seconds of footage from DOCUMENT OF THE DEAD. I was shocked to see the DOCUMENT footage as I would've figured that in 1982 it was still a completely buried "thing of legend", but the PM people got their hands on it somehow. The piece also includes clips from NIGHT OF THE LIVING DEAD, DAWN OF THE DEAD and MARTIN!
Do know going in that the picture quality isn't very good as it's struck from a 25-year-old VHS tape recorded in the worst quality SLP mode, but if you're a Romero completist, like myself, or a big fan of CREEPSHOW, I think you'll dig it!
If you get a chance, please check out our other videos here on YouTube including a trailer and clips from my own Romero inspired horror movie DARKNESS: THE VAMPIRE VERSION now available on Limited Edition 2-Disc DVD.
Enjoy! 13thDream
13th Dream on YouTube:
http://www.youtube.com/profile?user=13thDream
13th Dream MySpace News/Blog:
http://blog.myspace.com/13thdream_entertainment
13th Dream Official Website News/Blog
http://www.13thdream.com/news.html
Tags: making of creepshow george a. romero stephen king tom savini horror gore splatter anthology document the dead zombies (Less)
Latinsizer/live at Sunrise(Trisine+303 jam)nortec collective playing live at sunrise, Rosarito beach, Mexico. Pepe Mogt playing the song TRISINE followed by a (More) playing live at sunrise, Rosarito beach, Mexico. Pepe Mogt playing the song TRISINE followed by a jam with 303 bass lines and linndrum beats(more info about 303 and linn below). Latinsizer Pepe Mogt( nortec Collective, fussible ) In this project Pepe works with a very synthetic and basic set of musical tools to create a quirky approach to electronic music exemplified by "Ritmo 55", the first track released by Latinsizer which appeared on the Nortec Experimental CD. This approach could be described as a combination of the melodic work of early synth Pop classics such as Eno-era Roxy Music and Switched on Bach, modular synth based artists like Tangerine Dream and the grit of urban Tijuana, Latinsizer "live at MUtek.mx CD" has a more noise dance oriented aproach without loosing his analog roots Latinsizer becomes an alternate project to Nortec, and particularly, to Fussible, recently playing at experimental and dance music festivals like Mutek or Decibel, currently is working on his new album and EP, Celofán is a video of his latest works. The TB-303 is THE sound of acid and techno house music! It's a monophonic analog bass synthesizer married to a pattern-based step sequencer released in 1982. It features a single analog oscillator with two waveforms (ramp or square) and has a simple but excellent VCF filter with resonance, cut-off, and envelope controls. There are also knobs to adjust tuning, envelope decay, tempo and accent amount. How does it work? Well, it's not a performance synthesizer because you have to program a pattern of notes and timing info into it (sort of like a drum machine). Patterns can then be linked into songs. It was originally made to accompany a drum machine, the TR-606 specifically, and provide bass-line accompaniment to guitarists, keyboard players, etc. It was not a successful product in its time. As a result, creative DJs and aspiring electronic musicians found them for next to no money and began using them for techno and acid music. Usually a single pattern is continuously played while the performer tweaks the knobs creating an exciting and expressive musical event. The TB-303 has become one of the most sought after vintage synths ever! It has helped develop and stylize many forms of electronic music including House, Acid, Trance and Ambient. If ever there was a need for a repetitive bassline/groove or an extremely resonant and bubbly sound, the 303 is KING. Truly a unique machine with a very identifiable sound! It has spun off several imitators as well: Novation BassStation, ReBirth, Doepfer MS-404, MAM MB-33, Syntecno TeeBee, and more (see Related & Alternative Gear sidebar). Ironically, these days it's become trendy to dislike the 303 again, now because of over-use. But I don't and you shouldn't either because it is one-of-a-kind and it's just got that sound that everyone loves! Fatboy Slim says it best in his song "Everybody Needs A 303". The LinnDrum was the second machine from Linn Electronics. It's basically an upgraded version of the original LM-1 with added crash and ride cymbals to the kit. The LinnDrum uses samples of acoustic drum sounds. At the time, they sounded great and much more realistic and they were a fresh alternative to the analog drum sounds of the '80's drum machines. The LinnDrum also had a handy upgrade option, a well designed layout and interface, and live drum trigger inputs. The LinnDrum had beefed up the sampled sounds from 28 to a 35kHz sample rate. It features 15 sounds including bass, snare, rimshot, hihat, crash, ride, three toms, cabasa, tambourine, high and low congas, cowbell, and clap. Up to 12 sounds are available simultaneously. Individual controls are available to tune, pan, and mix each drum sound via dedicated knobs and sliders. An Accent is available for the kick, snare and hats. The handy upgrade options involve inserting new chips containing new sets of sampled drum sounds created by many session drummers of the time. The sequencer had some innovative features (for the time) such as swing, quantizing and memory storage! Two-bar patterns can be recorded in real or step time, with or without quantizing. There are 56 user patterns for storing your drum patterns. There are also 42 preset drum patterns. Patterns can be arranged into Songs for which there are 49 memory locations. Old songs and patterns can be off-loaded to cassette tape for storage. Designed for the studio, there are 15 individual outputs for each sound around the back as well as external sync and trigger but no MIDI (unless modified by a 3rd party). The LinnDrum's features made it the most professional drum machine of its time. It was widely used throughout the 1980s and there are about 5,000 of them which have been used by professionals (such as Sting, Prince, Jean-Michel Jarre, Sheila E., Todd Rundgren, Jimmy Edgar, Jan Hammer, Peter Gabriel), hobbyists, and educators alike! (Less)
Groups results for: sounds of the 80 s 1982 Bookmark FilesTube
Link to FilesTube
Show your support by placing a link to filestube.com on your website and favorite forums.
