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Saint Louis Blues - Roman N. Orleans Few Stars - Cotton Club Live at the Cotton Club - Rome, Italy.
Michael Supnick - cornet, trombone
Gianni Sanjust - (More) Live at the Cotton Club - Rome, Italy.
Michael Supnick - cornet, trombone
Gianni Sanjust - clarinet
Michele Pavese - trombone, leader
"Peter" Ricci - banjo
Gianluca Galvani - Sousaphone
http://www.michaelsupnick.com/michelepavese.html http://www.cambiamusica.it
Realization and editing by Antonio Parisi adservice@tiscali.it
"St. Louis Blues" is an American popular song composed by William Christopher Handy in the blues style. It remains a fundamental part of jazz musicians' repertoire. It was also one of the first blues songs to succeed as a pop song; it has been performed by numerous musicians of all styles from Louis Armstrong and Bessie Smith to Glenn Miller and the Boston Pops Orchestra. It has been called "the jazzman's Hamlet". Published in September of 1914 by Handy's own company, it later gained such popularity that it inspired the dance step the "Foxtrot".
The version with Bessie Smith and Louis Armstrong on cornet was inducted in the Grammy Hall of Fame in 1993. The 1929 version by Louis Armstrong & His Orchestra (with Henry "Red" Allen) was inducted there in 2008.
Though the name of the song may imply that it is about events in the city of St. Louis, Missouri, it instead refers to a sophisticated woman from that city who has stolen the affection of the singer's lover.
The opening line, "I hate to see that evenin' sun go down" may be one of the more recognizable lyrics in pop music, and set the tone for many subsequent blues songs.
Handy said he had been inspired by a chance meeting with a black woman on the streets of St. Louis, Missouri distraught over her husband's absence, who lamented: "Ma man's got a heart like a rock cast in de sea", a key line of the song. Details of the story vary but agree on the meeting and the phrase.
The form is unusual in that the verses are the familiar standard twelve bar blues in common time with three lines of lyrics, the first two lines repeated, but it also has a 16-bar bridge written in the habanera rhythm, popularly called the "Spanish Tinge". While many other old blues are simple and repetitive in form, the St. Louis Blues has multiple complementary and contrasting strains, similar to classic ragtime compositions.
Handy said in writing "St. Louis Blues" his objective was "to combine ragtime syncopation with a real melody in the spiritual tradition."
Since the 1910s, the number has enjoyed great popularity not only as a song but also as an instrumental.
Many of jazz's most well known artists in history have given renowned performances of the tune. The following is an incomplete list of the hundreds of musicians of renown who recorded "St. Louis Blues", chosen as examples that are early in their careers and in the era of its greatest popularity.
* 1920 Marion Harris
* 1921 Original Dixieland Jass Band
* 1922 W. C. Handy
* 1925 Bessie Smith and Louis Armstrong
* 1927 Sylvester Weaver
* 1929 Louis Armstrong & "Red" Allen
* 1930 Rudy Vallee, Cab Calloway, the Mills Brothers, the Boswell Sisters
* 1935 Bob Wills
* 1939 Benny Goodman
* 1940 Earl Hines
* 1943 Glenn Miller
* 1949 Art Tatum
* 1954 Louis Armstrong
* 1957 Louis Prima
* 1970 Jula de Palma "beat version" * 1976 The Flamin' Groovies
* 1985 Doc Watson
* 2001 Dexter Romweber
Other recordings include Artie Shaw, The Esquire Boys, and "The Merri Men" (a spin-off group from Bill Haley & His Comets). It was also recorded on piano rolls.
It also has been used in the Malcolm McLaren song "About Her" from the soundtrack of the motion picture Kill Bill Vol II. The song covers both "St. Louis Blues" and a Zombies song "She's Not There".
http://en.wikipedia.org/wiki/St._Louis_Blues_%28song%29 (Less)
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