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Amy Raasch "52 Songs in 52 Weeks" #14 "Rooftops of Babylon" This is a first draft of a song I didn't mean to write. It just happened. Three things you (More) This is a first draft of a song I didn't mean to write. It just happened. Three things you should know:
1. My best friend, who is half Iraqi, half American, wrote a hit one-woman play, "Nine Parts of Desire" (which you should go see this week if you're in Chicago). One of the characters is a 13 year-old Iraqi girl who talks about how they used to sleep on their rooftop at night, to escape the heat. They can't do that anymore.
2. "Exposure," the New Yorker article about American soldier Sabrina Harman, "the woman behind the camera at Abu Ghraib." We were all horrified by those images, so I was struck by the article's account of her kindness to the Iraqi people at Al Hillah (before she was sent to Abu Ghraib) -- particularly the children. They would run to her and crawl on her lap, and she did everything she could to make them smile. The article described a kind of naivete that she maintained, which rides the line of insanity. (P.S. - She is not to be confused with Lynndie England. Google them both for more info.)
3. Homeless - I live in Venice, CA, and the homeless are part of my daily life. Unfathomable sadness, addiction, mental illness -- I often wonder what their stories are, why they ended up on the street. Many of them are veterans. I thought about my uncle, a Vietnam vet who to this day won't talk about it. Then I imagined someone like Sabrina Harman after the war, after prison, after all of the press, having to go back to "normal" life, and failing. Her shield of insidious naivete ultimately collapses in on itself.
THE ROOFTOPS OF BABYLON
Copyright 2008 Amy Raasch
Stand outside the old drugstore
In a tattered green coat
I kept from the war
Lean my bike against the glass
Forget why I came
There's no one to ask
They loved me at Al Hillah
Old men brought me tea
Kids gave the thumbs up
Told me how they used to sleep
On rooftops at night
To deal with the heat
Where do I belong?
Home seems strange and far
They told us to stay strong
So these kids could see the stars
Shining on the roofs of Babylon
You'd have thought the crumbling streets
To look at their smiles
Were miles of beach
Asked me, could they see my gun?
I snapped a quick picture
Someone called me "Mom"
Speakers blared the call to prayer
I rested my eyes
My mind white as air
Once we got to Abu Ghraib
It was mortar o'clock
While in mosques they were praying
Where do I belong?
This time it's gone too far
The nights are black and long
Explosions block the stars
From shining on the roofs of Babylon
Let me take your picture so I can recall
Your stories in the sky
We'll pretend it's safe to lie on our backs
Like Eden never died
Stand outside the old drugstore
The sign flips to "CLOSED"
The man locks the door
Someone whispers, "She's a freak.
It's people like her
Make our country weak."
Where do I belong?
My heart throbs like a scar
How could it go so wrong
We just tried to free the stars
To shine on
To shine on
To shine on the roofs of Babylon (Less)
Lions, Dragons and Masons - http://ihuman.tv http://ihuman.tv Synchronistic look at Wizard of Oz, Stargate and Fantasia
Curious how lions and (More) http://ihuman.tv Synchronistic look at Wizard of Oz, Stargate and Fantasia
Curious how lions and dragons are associated with each other in myths because many peoples worldwide claim to be descendants of Dragons. The mixing of the two emblems can even be seen on the coat of arms of the British Royal Family.
Leo is the sign ruled by the Sun. Thus, MGM studios can be seen associated with many occultic films of the Solar Cult.
Related links regarding Illuminati Symbolism in the Wizard of Oz:
http://www.apfn.org/apfn/oz.htm
More info on the links between Crowley, Parsons, Dee, Babylon Working and the accident at Chernobyl:
http://www.ensemble.va.com.au/tableau/suzy/TT_ResearchProjects/Hexen2039/MGM/mgm.html
Enochian Speculations
An interview with Donald Tyson by Akhenseti
Enochian and Kabbalistic cosmologies
Q: In your books, particularly ÎTetragrammatonâ and ÎEnochian Magic for
Beginnersâ, elements of the Enochian system and cosmology are compared with
paths and sephiroth on the kabbalistic Tree of Life. Do you feel that
Enochian and kabbalistic cosmology could be successfully combined? After
all, if they both are maps of the different levels of reality and their
relations with human consciousness they should at least be comparable.
A: The Enochian system and the Kabbalistic system can be compared with each
other because they both attempt to describe the same thing -- the greater
universe and its levels of reality. In some ways the aethyrs are similar to
the sephiroth. Each embodies a specific condition that is self-limited. The
sephiroth are stages in the emanation of being from non-being, with
associated hierarchies of spiritual creatures. The aethyrs are astral zones
inhabited by types of spirits, and represent intermediary levels between God
and the world. Both are, or can be, concentric in arrangement -- the Tree
arrangement of the Sephiroth is only one arrangement, but the Sephiroth are
also sometimes presented as a set of nesting circles or spheres. Both may be
likened to the spiritual levels of the Gnostics, although each system is
also unique in its own right.
When attempting to integrate the two systems, problems arise due to the
different numbers involved. There are ten Sephiroth, or eleven if Daath is
included. The number of the channels between them is usually said to be
twenty-two, but many other systems of pathways between the spheres on the
Tree exist. Let us say for the sake of argument that the Sephiroth are ten
in number, and the channels between them twenty-two. The aethyrs of the
Enochian system number thirty, or if you include the Keys, forty-eight, or
maybe forty-nine if the unrevealed primary Key is included. How are these
numbers to be related to the numbers of the Kabbalah?
In linking the Tarot to the Kabbalah, the task was somewhat easier. There
are twenty-two trumps in the Tarot, and twenty-two letters in the Hebrew
alphabet, corresponding to the twenty-two paths that are defined in
Athanasius Kircher's version of the Tree of the Sephiroth -- the arrangement
of the Tree we use today. The cards of the Lesser Arcana divide naturally
into four and ten. There are ten number cards in each of the four suits, and
four court cards in each suit. This accords very nicely with the ten spheres
on the Tree, and with the four worlds of the Kabbalah. The Tarot and the
Tree of the Sephiroth are a natural fit.
In the Enochian alphabet, there are only twenty-one letters, not twenty-two.
The letters cannot be assigned directly to the paths, which is unfortunate
since individual letters are themselves spiritual beings on the Enochian
Watchtowers. We do find four Watchtowers, which can be made to align with
the four worlds of the Kabbalah, although how to align them is not clear.
Perhaps a link can be made through the points of the compass. We can
associate the Watchtowers with the four directions, and the four directions
with the four worlds. Again, this cannot be done automatically, since
opinions would differ as to which direction should be linked with which
Kabbalistic world. (Less)
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