Results for: television double exposure
double exposure 
2009-08-20 - extension: rar - size: 84 MB
double exposure
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Scenes from "House" : by Nobuhiko Obayashi Selected scenes from "House" made in 1977 by Nobuhiko Obayashi. Obayashi's debut (More) Selected scenes from "House" made in 1977 by Nobuhiko Obayashi. Obayashi's debut film, 1977's teen horror romp "House" has more wild effects than a ride at Disneyland, more insanity than a night at Bellevue, and more spilled blood than an NHL season. That it's also funny, touching and a little creepy makes it one of the most unique films ever made. Seven teenage girls head out to the countryside to vacation in an old house, which promptly comes alive and eats them all, one by one. But it's not your typical Nightmare on Elm Street or Exorcist. It's way more hallucinogenic than that. Imagine Gone With the Wind as a '70s-era music video invaded by traditional Japanese ghosts, with generous creative input from Jigoku director Nobuo Nakagawa. And lots of blood. Obayashi was previously a television commercial director and he helms House like a man who's waited a long time to get where he is, yet is afraid it's all going to be taken away at any minute. He's got a list of visual effects he wants to use—fish eye lens, strobe edits, stop-motion, garish background mattes, double exposure—so he makes sure he uses them, in rapid succession, even if there's no dramatic call for it. That he keeps up this dizzying pace of visual effects for the entire film rescues it from pretension and elevates it to a kind of art of excess. You can't help but be caught up in Obayashi's giddiness. He's obviously having the time of his life and that pure joy is translated onto the screen. Even the most delirious Bollywood film pales in comparison to House, and that's saying a lot. (Less)
Scenes from "House" : by Nobuhiko Obayashi Selected scenes from "House" made in 1977 by Nobuhiko Obayashi.
Obayashi's debut (More) Selected scenes from "House" made in 1977 by Nobuhiko Obayashi.
Obayashi's debut film, 1977's teen horror romp "House" has more wild effects than a ride at Disneyland, more insanity than a night at Bellevue, and more spilled blood than an NHL season. That it's also funny, touching and a little creepy makes it one of the most unique films ever made.
Seven teenage girls head out to the countryside to vacation in an old house, which promptly comes alive and eats them all, one by one. But it's not your typical Nightmare on Elm Street or Exorcist. It's way more hallucinogenic than that. Imagine Gone With the Wind as a '70s-era music video invaded by traditional Japanese ghosts, with generous creative input from Jigoku director Nobuo Nakagawa. And lots of blood.
Obayashi was previously a television commercial director and he helms House like a man who's waited a long time to get where he is, yet is afraid it's all going to be taken away at any minute. He's got a list of visual effects he wants to use—fish eye lens, strobe edits, stop-motion, garish background mattes, double exposure—so he makes sure he uses them, in rapid succession, even if there's no dramatic call for it. That he keeps up this dizzying pace of visual effects for the entire film rescues it from pretension and elevates it to a kind of art of excess. You can't help but be caught up in Obayashi's giddiness. He's obviously having the time of his life and that pure joy is translated onto the screen. Even the most delirious Bollywood film pales in comparison to House, and that's saying a lot. (Less)
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