Results for: the dead don t lie
Dead To Me Don t Lie.mp3 
2007-10-03 - extension: mp3 - size: 2 MB
Dead To Me Don t Lie.mp3
Hosted on: http://new.fatwreck.com
Dead To Me Don t Lie.mp3 2007-10-03 - extension: mp3 - size: 2 MB
Dead To Me Don t Lie.mp3
Hosted on: http://www.fatwreck.com
Video results for: the dead don t lieMore results from video 
Brian Eno - Dead finks don't talk - Here come the warm jets This is a Brian Eno video i made for a special internet friend named Dana.
The video then touches (More) This is a Brian Eno video i made for a special internet friend named Dana.
The video then touches on the unanswered questions about 9-11.
http://nuoviso.com/movieDetail_911falseflag.htm
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Here Come the Warm Jets is the first solo album by Brian Eno
The album's musical styles range from aggressive garage rock ("Blank Frank") to serene Beach Boys-style reverie ("On Some Faraway Beach"). Eno enlisted a large number of guest musicians to play on the album, including three members of Roxy Music, guitarist Robert Fripp and bassist John Wetton of King Crimson and members of Hawkwind and the Pink Fairies. One of the most notable performances from these guests is the cacophonous three-minute-long guitar solo by Fripp on the song "Baby's On Fire".
"Warm jets" is used by Eno to describe the distorted guitar in the title track, which evokes the sound of a jet engine. Eno himself claims that he often chooses words for their sound.
The album provided Eno with modest success in the UK album charts, and would in fact be his only album to chart for the remainder of the 1970s apart from 1978's Music for Airports.
In 2003, the album was ranked number 436 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Here Come the Warm Jets was recorded at Majestic Studios, London during September, 1973 by Derek Chandler. It was mixed at Air and Olympic Studios by Brian Eno and Chris Thomas. Album cover photography was by Lorenz Zatecky with design supervision by Carol McNicoll and artwork by C.C.S. Associates. 2004 Original Masters re-design by Andrew Day of The Red Room/EMI. Mastered at DSD by Simon Heyworth at Super Audio Mastering. Ampex ATR 2Ch Tape playback with ARIA electronics by David Hill.
Nick Kool & the Koolaids -- keyboards (track 7)
Nick Judd -- keyboards (track 4, 8)
Andy Mackay (of Roxy Music) -- keyboards (track 6, 9), saxophone septet (track 9)
Robert Fripp (of King Crimson) -- guitar (track 3, 5, 7)
Phil Manzanera (of Roxy Music) -- guitar (track 1, 2, 4)
Paul Rudolph (of the Pink Fairies and Hawkwind) -- guitar (track 3, 10), bass guitar (track 3, 5, 10)
Chris Spedding -- guitar (track 1, 2)
Busta Cherry Jones -- bass guitar (track 2, 4, 6, 8)
Bill Macormick -- bass guitar (track 1, 7)
John Wetton (of King Crimson) -- bass guitar (track 3, 5)
Simon King (of Hawkwind) -- percussion (track 1, 3, 5, 6, 7, 10)
Marty Simon -- percussion (track 2, 3, 4)
Paul Thompson (of Roxy Music) -- percussion (track 8)
Lloyd Watson -- slide guitar (track 9)
Sweetfeed -- backing vocals (track 6, 7)
Chris Thomas -- extra bass guitar (track 2)
Brian Eno -- vocals, simplistic keyboards, "snake" guitar, "electric larynx", synthesizer
lyrics
Oh cheeky cheeky
Oh naughty sneaky
You're so perceptive
And I wonder how you knew.
But dead finks don't walk too well (oh no)
A bad sense of direction (oh no)
And so they stumble round in threes (oh no)
Such a strange collection.
Oh, you headless chicken
Can those poor teeth take so much kicking?
You're always so charming
As you make your way up here.
And dead finks don't dress too well
No discrimination
To be a zombie all the time
Requires such dedication.
"Oh please sir, will you let it go by,
'Cos I failed both tests with my legs both tied
In my place the stuff is all there
I've been ever so sad for a very long time.
My my, they wanted the works:
Can you this? and that? I never got a letter back
More fool me, bless my soul
More fool me, bless my soul."
Oh perfect masters
They thrive on disasters
They all look so harmless
Till they find their way up here.
But dead finks don't talk too well
They've got a shaky sense of diction
It's not so much a living hell
It's just a dying fiction.
songlist on the album
1 "Needles in the Camel's Eye" -- 3:11
2 "The Paw Paw Negro Blowtorch" -- 3:04
3 "Baby's on Fire" -- 5:19
4 "Cindy Tells Me" -- 3:25
5 "Driving Me Backwards" -- 5:12
6 "On Some Faraway Beach" -- 4:36
7 "Blank Frank" -- 3:37
8 "Dead Finks Don't Talk" -- 4:19
9 "Some of Them Are Old" -- 5:11
10 "Here Come the Warm Jets" -- 4:04
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DON'T OPEN THE WINDON (1974) TV spot for the US release of LET SLEEPING CORPSES LIE This is a TV spot for Jorge Grau's DON'T OPEN THE WINDOW - aka LET SLEEPING CORPSES LIE. (More) This is a TV spot for Jorge Grau's DON'T OPEN THE WINDOW - aka LET SLEEPING CORPSES LIE. Be sure to visit our website at www.revok.com to check out more rare and hard-to-find dvds and movie memorabilia. Any questions or comments? contact us direct at revok@revok.com A cop chases two young people visiting the English countryside, suspecting them of a local murder; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by radiation being used ... (Less)
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