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Harmonics as the Gift of LOVE Harmonics as the Gift of LOVE
My Beloveds,
First there is a gentle touch, then an (More) Harmonics as the Gift of LOVE
My Beloveds,
First there is a gentle touch, then an embrace,
next a re-membering, and another, and another, and other re-membering
until we fully awaken into compassion, humility, hope, joy, patience,
and understanding, embraced by Divine Grace & Love.
This is the dance, and the gift of love that each being has to share.
Perhaps then, for each of us, the true miracle lies in our willingness
to allow, appreciate, and honor the uniqueness, and freedom
of each sentient being to sing the song of their heart.
And these songs, so glorious, simple, and profound
create a new Harmonic Rhythm of Divine Grace
which gives us a pathway HOME.
Home is Heaven On Mother Earth.
Home allows us the gift of respecting the gardens of others,
admiring ALL soul vibrations; and creating our own melodies
which complement all others including
the pitter-patter of raindrops falling,
the whistling leaves as the wind flows through,
the bubbling brook, birds singing
dolphins, whales and sea lions calling
dogs barking, cats, cheetahs, cougars mewling, wolves howling
bears, camels, giraffes and horses chuffing, huffing and neighing.
frogs croaking, fish swishing.
Every sentient being has a sound
that contributes to the Harmonics of Love into Infinity.
Silence too is a sound.
The beats of the Sun, the Moon and the Ocean
create the symphonic movements of Time.
The wind speaks through a gentle breeze that calms and soothes,
as well as through tornadoes, and hurricanes that join with rain
to announce Mother Earth's hurt and anger at our disregard for our Oneness.
Is it possible that we desire to journey into the pathway of the Uni-Verse?
When will we collectively awaken into attention
with a willingness to heal, to dance, to sing,
to receive, and give the gift of LOVE?
The Conductor is waiting, the time to join the orchestra is NOW.
With Appreciation, and Hope,
Miss Mellie Rainbow
2 October, 2007 (Less)
The Searchers The Searchers are a British rock act who emerged as part of the 1960s merseybeat scene along with (More) The Searchers are a British rock act who emerged as part of the 1960s merseybeat scene along with The Beatles, The Swinging Blue Jeans, and Gerry and the Pacemakers. The band's hits included "Sweets for My Sweet," "Sugar and Spice," "Needles and Pins," and "Don't Throw Your Love Away", as well as a cover of The Clovers' "Love Potion No. 9". They were, in fact, the second group from Liverpool after the Beatles to have a hit in America when "Needles and Pins" charted during the first week of March, 1964.+++++++++++++++++++++++Band history Originally founded as a skiffle group in Liverpool in 1959 by John McNally (born 30 August 1941, at Walton General Hospital, 107 Rice Lane, Walton, Liverpool, Lancashire) and Mike Pender (born Michael John Prendergast, 3 March 1942, in Kirkdale, Liverpool, Lancashire), the band took their name from the classic 1956 John Wayne western The Searchers. Prendergast claims that the name was his idea, but McNally ascribes it to 'Big Ron' Woodbridge (born Ronald Woodbridge, 1938, in Liverpool, Lancashire), their first lead singer. The genesis remains unresolved. The band grew out of an earlier skiffle group formed by McNally, with his friends Brian Dolan (guitar) and Tony West (bass). When the other two members lost interest McNally was joined by his guitarist neighbour Mike Prendergast. They soon recruited Tony Jackson (born Anthony Paul Jackson, 16 July 1938, in The Dingle, Liverpool, Lancashire, died 18 August 2003, in Nottingham, Nottinghamshire) with his home-made bass guitar and amplifier and styled themselves Tony and the Searchers with Joe Kelly on drums. Kelly soon left to be replaced by Norman McGarry (born 1 March 1942, in Liverpool, Lancashire),and it is this line-upMcNally, Pender (as he soon became known), Jackson and McGarrythat is usually cited as the original foursome. McGarry did not stay long, however, and in 1960 his place was taken by Chris Crummey (who later changed his name to Curtis). Later that year Big Ron had a successful audition with Mecca and became a ballroom singer. He was replaced by Billy Beck, who changed his name to Johnny Sandon. The band had regular bookings at Liverpool's Iron Door Club as Johnny Sandon and the Searchers. Sandon left the band in late 1961[1] to join The Remo Four in February 1962[2]. The group settled into a quartet sharing the vocal lead and billed simply as The Searchers. They continued to play at the Iron Door, The Cavern, and other Liverpool clubs. Like many similar acts they would do as many as three shows at different venues in one night. They negotiated a contract with the Star-Club in the St. Pauli district Hamburg for 128 days, with three one-hour performances a night, starting in July 1962.[3] The band returned to a residency at the Iron Door Club and it was there that they tape-recorded the sessions that led to a recording contract with Pye Records with Tony Hatch as producer. A deal was later arranged with U.S. based Kapp Records to distribute their records in America. Hatch played piano on some recordings and wrote "Sugar and Spice"the bands second number one recordunder the pseudonym Fred Nightingale; a secret he kept from the band at the time. After scoring their monumental hit "Needles and Pins", bassist Tony Jackson went solo and was replaced by Hamburg pal Frank Allen of Cliff Bennett and the Rebel Rousers. Chris Curtis left the band in 1966 and was replaced by the Keith Moon-influenced John Blunt, who in turn was replaced by Billy Adamson in 1970. In 1967, Curtis formed a new band called Roundabout with keyboard player Jon Lord and guitarist Ritchie Blackmore. Although Curtis's involvement in the project was short-lived, Roundabout would eventually evolve into Deep Purple the following year. As musical styles evolved, the Searchers could not keep up and as a result, the hits ran out. While they continued to record for Liberty Records and RCA Records, they ended up on the British "Chicken in a Basket" circuit, although they did score a minor US hit in 1971 with "Desdemona". The group continued to tour through the 1970s and were rewarded in 1979 when Sire Records signed the band to a multi-record deal. Two albums were released: The Searchers and Play for Today (retitled Love's Melodies outside the UK). Both records garnered critical acclaim but did not break into the charts. They did, however, revive the group's career. According to John McNally, the band were ready to head into the studio to record a third album for Sire when they were informed that due to label reorganization, their contract had been dropped. In 1981, the band signed to PRT Records (formerly Pye, their original label) and began recording an album. But only one single, "I Don't Want To Be The One"[4] backed with "Hollywood", ended up being released. The rest of the tracks would be included as part of 2004's 40th Anniversary collection. Soon after the PRT release, Mike Pender left the group amidst great acrimony and now tours as Mike Pender's Searchers. McNally and Allan recruited former First Class vocalist Spencer James to fill Pender's shoes. In 1988, Coconut Records signed The Searchers and the album Hungry Hearts was the result. It featured updated remakes of "Needles and Pins" and "Sweets For My Sweets" plus live favorite "Somebody Told Me You Were Crying". While the album was not a major hit, it did keep the group in the public eye. The band continues to tour with Eddie Rothe replacing Adamson on drums and is considered to be one of the most popular 1960s bands on the UK concert circuit. The Searchers incorporate full band electric performances with an acoustic set as well. Creating ample amounts of confusion, former Searchers lead singer Mike Pender also tours, but with his new full band electric outfit Mike Pender's Searchers, as they perform hits of the Searchers and some new material of their own. (Less)
The Moon & The Melodies 
2009-05-03 - extension: zip - size: 33 MB
The Moon & The Melodies
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