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GREEN LAMA IS RISEN! http://www.myspace.com/greenlamalives
Jethro Dumont spends 10 years in Tibet studying the secrets (More) http://www.myspace.com/greenlamalives
Jethro Dumont spends 10 years in Tibet studying the secrets of meditation and returns with mystical powers. He now returns to Park Avenue and New York City to combat crime, evil doers and international enemies and with a magical Tibetan chant, he is transformed into the Green Lama.
The Green Lama first appeared in novel form in the pulp fiction magazine Double Detective. Written by Kendell Foster Crossen under the pen name of Richard Foster and published by the Frank A. Munsey Company.
The Green Lama then surfaced in the December, 1940 issue Prize Comics and appeared in 27 issues including art from Mac Raboy. The Green Lama's popularity launched his own comic entitled The Green Lama from Sparks Publications which lasted for 8 more issues.
The Green Lama then made the jump over to his own Radio Show starring Paul Frees and Ben Wright in 1949 which lasted 11 broadcasts.
The Green Lama stories are unusual amongst the pulp fiction of that era in their sympathetic and relatively knowledgeable portrayal of Buddhism, both in the text of the stories and in numerous footnotes.
From Crossen's own comments, however, it is clear that this was not proselytism on his part but simply due to the fact that he wanted to create a Tibetan Buddhist character and then read everything he could find on the subject.
The most frequent reference to Buddhism in the stories is the use of the Sanskrit mantra "Om mani padme hum", which would indeed be used by Tibetan monks.
However, the majority of other references to Buddhism in the stories, while accurate, relate to the Theravada form of Buddhism rather than the Tibetan form, with frequent use of Pali words such as "Magga", "Nibbana" and "Dhamma" which would be unlikely to be used by Tibetan Buddhists.
SHOP SMART! SHOP LAMA-MART!
http://www.zazzle.com/thegreenlama (Less)
Trance Tibetan Chanting aum IOCOB Tibetan Chanting Trance aum IOCOB GOA chill music overtones chant tibet psychedelic meditative (More) Tibetan Chanting Trance aum IOCOB GOA chill music overtones chant tibet psychedelic meditative crystal OM
"One night in 1433 AD, the Tibetan lama Je Tzong Sherab Senge, awoke from a startling dream. He had head a voice in the dream unlike any voice he knew. It was a low voice, unbelievably deep, sounding more like the growl of a wild bull than anything human. Combined with the first voice, there was a second. This voice was high and pure, like the sound of a child singing. These two voices, so totally different, had come from the same source and that source was himself.
In this dream, Je Tzong Sherab Senge had been instructed to take this special voice and use it for a new chanting style that would embody both the masculine and the feminine aspects of the divine energy. It was a tantric voice, a sound that could unite those chanting it in a web of universal consciousness.
The next morning, Je Tzong Sherab Senge began to chant his daily prayers. The sound that came out of him were the sounds he had heard in his dream -- unearthly sounds, tantric sounds -- and he gathered his fellow monks together to tell them of his dream." (Jonathan Goldman, Healing sound)
That year, 1433 AD, more that 500 years ago, the Gyume Tantric Monastery began in Lhasa, Tibet. The monks of this monastery learned to chant in the same voice which Je Tzong Sherab Senge have heard in his dream. It was a voice that enable each monk to chant three notes at the same time, creating the "One Voice Chord". Within that same century, another monastery in Lhasa, the Gyuto Tantric college, was founded.
What is throat singing
In the western world Throat singing is also called overtone singing, harmonic singing, or harmonic chant. The most known Throat singing is the Tibetan and Mongolian chanting but also many other regions in the World are practicing a similar type of singing, that manipulates the harmonics resonance's created as air travels through the human vocal folds and out the lips.
The harmonic frequencies created by the human vocal apparatus are harnessed in throat singing to select overtones by tuning the resonance in the mouth. The result of tuning allows the singer to create more than one pitch at the same time, with the capability of creating six pitches at once. Generally the sounds created by throat singing are low droning hums and high pitched flutelike melodies. (Less)
00. Om Mani Padme Hum - Tibetan Monks - Avalokiteshvara Chenrezi Healing Mantra.wma
2008-11-13 - extension: wma - size: 6 MB
00. Om Mani Padme Hum - Tibetan Monks - Avalokiteshvara Chenrezi Healing Mantra.wma
Vajrayana Prayer, goodly.
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