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Graffiti Verite' 7 RANDOM URBAN STATIC - Part 1
5 Minute Promo Teaser (non-broadcast) of the 7th Installment of the Multi Award-Winning Series (More) 5 Minute Promo Teaser (non-broadcast) of the 7th Installment of the Multi Award-Winning Series Produced & Directed by Bob Bryan. Documentary Running Time 2 hours. www.graffitiverite.com GV7 RANDOM URBAN STATIC: The Iridescent Equations of SPOKEN WORD is the 7th instalment in the multi award-winning Graffiti Verite' Documentary Series directed by Bob Bryan. For more info on the series go to: www.graffitiverite.com BWP PRESS, Los Angeles, CA.....Filmmaker Bob Bryan has proudly unveiled his seventh powerful installment in his multi award-winning Graffiti Verite' Documentary Series entitled GV7 RANDOM URBAN STATIC: The Iridescent Equations of SPOKEN WORD. He is releasing two (2) versions: An Unofficially Rated " G " Version for General Audiences, Schools and Libraries and the Original Unedited Version for those who do not mind some "raw street vernacular." Both versions will have a Running time of two (2) hours. Released under his BRYAN WORLD PRODUCTIONS, LLC. indie label, GV7 returns to the enigmatic world of Poetry. This time around he retrieves the perspectives of fifteen (15) uniquely talented poets involved in the world of SPOKEN WORD. From Grand-Slam Champions to Open-Mic Veterans, GV7 crosses all philosophical, racial, and social lines becoming the quintinessial SPOKEN WORD documentary. Bob Bryans' last documentary GV6 THE ODYSSEY explored the point of views of 31 contemporary Literary Page Poets and de facto became AMERICA'S Number # 1 Indie Produced Poetry Documentary. Bob is very, very confident that poetic magic will strike again with GV7 his brand new feature-length foray into the uncompromising world of SPOKEN WORD. "GV6 THE ODYSSEY deals with those Poets who write words for the page, while GV7 RANDOM URBAN STATIC probes the reality of those Poets that write for the stage. SPOKEN WORD has really connected with todays' youth, principally because the poetric artform speaks intimately to their love for performance art, suppressed passions, subjective psycho / social issues and the cultural attitudes concerning the world in which they live. Poetry is an invaluable tool that helps them to unravel, clarify, articulate & document their experiences. Of course Hip-hop has allot to do with the flavoring of this SPOKEN WORD communication paradigm." "I was thrilled to be able to get the Poets to decode and discuss their intimate hopes & desires, as well as their deeply personal disappointments and frustrations with the current state of hip-hop. Not all the poets shared a deep abiding love for hip-hop in its current incarnation. Many of the Poets feel that Hip-hop has within it's grasp the potential to be a positive catalyst for massive personal & social change. They feel unfortunately that its potential has been severely underdeveloped and in some cases perversely denigrated by some of its commercial practitioners." "But at the same time other poets in GV7 openly discuss issues of date-rape, the courage to be an artist, the psychological repression of women, How Hip-hop can help or Hurt, HIV-AIDS & homosexuality, image vs. reality, obsessions, race-consciousness, anorexia, self-love, the high-jacking of black mens' masculinity & vunerability, disappointment with God, insanity, self-loathing, inspiration and salvation. Noone can say these poets tread lightly or try to avoid issues that we all, in some way or another grapple with. It's what makes this expression so relative, " says Filmmaker Bob Bryan. Sure, the dialogue can be ruff, confrontational and passionate; but their intentions are real. These artists are desperate to get through to you! "Your voice is your power; don't ever let anyone take away your voice." --Two Time Grand Slam Champion Bridget Gray "If you don't cut deep...you don't make a difference." --Mollie Angelheart, Co - Los Angeles Slam Champion "What you say, may just save my life." --Two Time Grand Slam Champion Poet Sekou (tha misfit) SPOKEN WORD POETRY is a commitment movement with vast transformational possibilities between the poet, the audience and the unrealized future. "Black men's strength & redemption lies in their vulnerability." --Tim'm. T. West, Poet, Author, Educator ARTISTS FEATURED IN GV7: Vejea Jennings, Eric Haber, Bridget Gray, Sekou Tha Misfit, GaKnew, J. Walker, Nick Lopez, Natalie Patterson, Poetri, Jessica Healy, Molly Angelheart, Tim'm, Rachel Kann, Hunter Lee Hughes, Common Ground (Molly Angelheart & Natalie Patterson), & Lindsay Halladay Email the director: bryworld@aol.com (Less)
Real Controllable Goldfish
The fish can be controlled by the user. This experiment was started in 1998 in the Knowledge Media (More) The fish can be controlled by the user. This experiment was started in 1998 in the Knowledge Media Design Institute and Department of Computer Science. Dr. A.M. Muis and Dr. G.H. Venom of the Department of Electrical Computer Engineer have created the signal-inplationer. In short, the signal-inplationer sends waveform data (converted mididata) to a CEC-7. The electric signals control the brainwaves of the fish. This allows you as the user to control the direction in which the fish swims. The fish is now almost for three months online. You can give it a try, using the keys. Note: the signals cause the fish no pain or other harmful consequences. The system works totally callous for the fish. Technically Speaking: The objective of the fish-project is to use EEG signals as an alternative means of control with computers. We have recognised two states from on-line EEG signals by means of neural networks, which are associated to simple commands. For instance, to select an direction from a computer it suffices 2 states; the chosen direction will send a signal (left or right). The light indicates the incoming signals of the user(s). There is a limited number of 5 users possible, otherwise the data-flow of the CEC-7 will get a overload. In the CEC-7 is also a timer indispensable, a attendant problem for the user is that it makes his interaction unclear. The CEC-7 works as the converter between the signal sensor and the main computer. The output-connection is a normal 1,5 cable. The scheme displays the regulator-part of the CEC which also transmit the fission of the computer-data (waveform converted mididata). A special developed program (Windows-based), in cooperation with José del R. Millãn of the Joint Research Centre in Italy, is made to translate the user action ultimate to CEC-7 code based data -WCM protocol-. In a separate study, we have identified the set of relevant EEG features that best differentiate spontaneous motor-related mental tasks from the goldfish (i.e., imagined right vs. left movements). For all the considered subjects, classifiers induced by the feature selection method achieve significantly better performances than classifiers that use all the features (average relative improvement over 30%). Furthermore, the number of selected features is less than 10% of the total (i.e., 138 spectral components). The figure shows the relevant features selected for the CEC-7. This figure demonstrates empirically that the set of relevant features is above the metronome sensor. Moreover, we could have hardly selected these sets of features manually. Previous neuropsychological findings seem to indicate that, for imagination of movements, the most relevant features are contra lateral event-related desynchronizations (ERD) in the alpha band over the motor cortical areas (channels C3 and C4). It turns out that no feature in the alpha band of channel C4 is selected for any of the subjects, and only a few features in the alpha band of channel C3 are chosen for three of the subjects. Why such a discrepancy? We put forward that the reason is the use of a different experimental framework. While the above-mentioned findings have been obtained in a classical event-related paradigm, ours is closer to real life as subjects are not passive but make decisions spontaneously and self-paced. EEG patterns learned also enables the operation of physical devices, such as a fish that closely mimics the operation of a mobile robot. In this case, the user gives high-level commands (i.e., move forward, stop, turn left, turn right). In the research project there are yet possibility's to translate all this information-data into signals. The t-66(R), the signal-sensor, is in this case the problem. For instance the alpha band of channel C4 converted to the t-66(R) has a reach of more than 18 amplified electrodes components! The development of the new t-77(RT) which has the reach about 1,2 µ, will be expected end May '02. Contact: Dr. A.M. Muis Knowledge Media Design Institute and Department of Computer Science University of Toronto Toronto, ON d00p Institute Interactive Electronic Publications Techinal Institute KLB Rotterdam, The Netherlands Media spaces are environments that incorporate computer and communication technologies, typically including the Internet, to allow distributed groups of individuals to interact in real-time. We focus particularly on new forms of research in brain-examination in this case in combination with webcasting as an extra interesting special case of a media space that has excellent potential for scalability across a wide variety of users. Most of the plans of KLB's ePresence Lab, sponsored by the University Laboratories, is to create a new vision that allows interaction, for instance in webcast events, in technological projects specialize in neural and brain processes. Muis is also the founder of FRR a firm specializing in techological, visual and interactive, designed to research users in a neurological point of view and other complex technology. He was previously the founder, CEO, and Chairman of HCR Corporation, a Toronto-based UNIX contract R&D and technology development, sold in 1990 to a U.S. competitor. (Less)
Graffiti Verite' 7 RANDOM URBAN STATIC - Part 1 5 Minute Promo Teaser (non-broadcast) of the 7th Installment of the Multi Award-Winning Series (More) 5 Minute Promo Teaser (non-broadcast) of the 7th Installment of the Multi Award-Winning Series Produced & Directed by Bob Bryan. Documentary Running Time 2 hours. www.graffitiverite.com GV7 RANDOM URBAN STATIC: The Iridescent Equations of SPOKEN WORD is the 7th instalment in the multi award-winning Graffiti Verite' Documentary Series directed by Bob Bryan. For more info on the series go to: www.graffitiverite.com BWP PRESS, Los Angeles, CA.....Filmmaker Bob Bryan has proudly unveiled his seventh powerful installment in his multi award-winning Graffiti Verite' Documentary Series entitled GV7 RANDOM URBAN STATIC: The Iridescent Equations of SPOKEN WORD. He is releasing two (2) versions: An Unofficially Rated " G " Version for General Audiences, Schools and Libraries and the Original Unedited Version for those who do not mind some "raw street vernacular." Both versions will have a Running time of two (2) hours. Released under his BRYAN WORLD PRODUCTIONS, LLC. indie label, GV7 returns to the enigmatic world of Poetry. This time around he retrieves the perspectives of fifteen (15) uniquely talented poets involved in the world of SPOKEN WORD. From Grand-Slam Champions to Open-Mic Veterans, GV7 crosses all philosophical, racial, and social lines becoming the quintinessial SPOKEN WORD documentary. Bob Bryans' last documentary GV6 THE ODYSSEY explored the point of views of 31 contemporary Literary Page Poets and de facto became AMERICA'S Number # 1 Indie Produced Poetry Documentary. Bob is very, very confident that poetic magic will strike again with GV7 his brand new feature-length foray into the uncompromising world of SPOKEN WORD. "GV6 THE ODYSSEY deals with those Poets who write words for the page, while GV7 RANDOM URBAN STATIC probes the reality of those Poets that write for the stage. SPOKEN WORD has really connected with todays' youth, principally because the poetric artform speaks intimately to their love for performance art, suppressed passions, subjective psycho / social issues and the cultural attitudes concerning the world in which they live. Poetry is an invaluable tool that helps them to unravel, clarify, articulate & document their experiences. Of course Hip-hop has allot to do with the flavoring of this SPOKEN WORD communication paradigm." "I was thrilled to be able to get the Poets to decode and discuss their intimate hopes & desires, as well as their deeply personal disappointments and frustrations with the current state of hip-hop. Not all the poets shared a deep abiding love for hip-hop in its current incarnation. Many of the Poets feel that Hip-hop has within it's grasp the potential to be a positive catalyst for massive personal & social change. They feel unfortunately that its potential has been severely underdeveloped and in some cases perversely denigrated by some of its commercial practitioners." "But at the same time other poets in GV7 openly discuss issues of date-rape, the courage to be an artist, the psychological repression of women, How Hip-hop can help or Hurt, HIV-AIDS & homosexuality, image vs. reality, obsessions, race-consciousness, anorexia, self-love, the high-jacking of black mens' masculinity & vunerability, disappointment with God, insanity, self-loathing, inspiration and salvation. Noone can say these poets tread lightly or try to avoid issues that we all, in some way or another grapple with. It's what makes this expression so relative, " says Filmmaker Bob Bryan. Sure, the dialogue can be ruff, confrontational and passionate; but their intentions are real. These artists are desperate to get through to you! "Your voice is your power; don't ever let anyone take away your voice." --Two Time Grand Slam Champion Bridget Gray "If you don't cut deep...you don't make a difference." --Mollie Angelheart, Co - Los Angeles Slam Champion "What you say, may just save my life." --Two Time Grand Slam Champion Poet Sekou (tha misfit) SPOKEN WORD POETRY is a commitment movement with vast transformational possibilities between the poet, the audience and the unrealized future. "Black men's strength & redemption lies in their vulnerability." --Tim'm. T. West, Poet, Author, Educator ARTISTS FEATURED IN GV7: Vejea Jennings, Eric Haber, Bridget Gray, Sekou Tha Misfit, GaKnew, J. Walker, Nick Lopez, Natalie Patterson, Poetri, Jessica Healy, Molly Angelheart, Tim'm, Rachel Kann, Hunter Lee Hughes, Common Ground (Molly Angelheart & Natalie Patterson), & Lindsay Halladay Email the director: bryworld@aol.com (Less)
Real Controllable Goldfish The fish can be controlled by the user. This experiment was started in 1998 in the Knowledge Media (More) The fish can be controlled by the user. This experiment was started in 1998 in the Knowledge Media Design Institute and Department of Computer Science. Dr. A.M. Muis and Dr. G.H. Venom of the Department of Electrical Computer Engineer have created the signal-inplationer. In short, the signal-inplationer sends waveform data (converted mididata) to a CEC-7. The electric signals control the brainwaves of the fish. This allows you as the user to control the direction in which the fish swims. The fish is now almost for three months online. You can give it a try, using the keys. Note: the signals cause the fish no pain or other harmful consequences. The system works totally callous for the fish. Technically Speaking: The objective of the fish-project is to use EEG signals as an alternative means of control with computers. We have recognised two states from on-line EEG signals by means of neural networks, which are associated to simple commands. For instance, to select an direction from a computer it suffices 2 states; the chosen direction will send a signal (left or right). The light indicates the incoming signals of the user(s). There is a limited number of 5 users possible, otherwise the data-flow of the CEC-7 will get a overload. In the CEC-7 is also a timer indispensable, a attendant problem for the user is that it makes his interaction unclear. The CEC-7 works as the converter between the signal sensor and the main computer. The output-connection is a normal 1,5 cable. The scheme displays the regulator-part of the CEC which also transmit the fission of the computer-data (waveform converted mididata). A special developed program (Windows-based), in cooperation with José del R. Millãn of the Joint Research Centre in Italy, is made to translate the user action ultimate to CEC-7 code based data -WCM protocol-. In a separate study, we have identified the set of relevant EEG features that best differentiate spontaneous motor-related mental tasks from the goldfish (i.e., imagined right vs. left movements). For all the considered subjects, classifiers induced by the feature selection method achieve significantly better performances than classifiers that use all the features (average relative improvement over 30%). Furthermore, the number of selected features is less than 10% of the total (i.e., 138 spectral components). The figure shows the relevant features selected for the CEC-7. This figure demonstrates empirically that the set of relevant features is above the metronome sensor. Moreover, we could have hardly selected these sets of features manually. Previous neuropsychological findings seem to indicate that, for imagination of movements, the most relevant features are contra lateral event-related desynchronizations (ERD) in the alpha band over the motor cortical areas (channels C3 and C4). It turns out that no feature in the alpha band of channel C4 is selected for any of the subjects, and only a few features in the alpha band of channel C3 are chosen for three of the subjects. Why such a discrepancy? We put forward that the reason is the use of a different experimental framework. While the above-mentioned findings have been obtained in a classical event-related paradigm, ours is closer to real life as subjects are not passive but make decisions spontaneously and self-paced. EEG patterns learned also enables the operation of physical devices, such as a fish that closely mimics the operation of a mobile robot. In this case, the user gives high-level commands (i.e., move forward, stop, turn left, turn right). In the research project there are yet possibility's to translate all this information-data into signals. The t-66(R), the signal-sensor, is in this case the problem. For instance the alpha band of channel C4 converted to the t-66(R) has a reach of more than 18 amplified electrodes components! The development of the new t-77(RT) which has the reach about 1,2 µ, will be expected end May '02. Contact: Dr. A.M. Muis Knowledge Media Design Institute and Department of Computer Science University of Toronto Toronto, ON d00p Institute Interactive Electronic Publications Techinal Institute KLB Rotterdam, The Netherlands Media spaces are environments that incorporate computer and communication technologies, typically including the Internet, to allow distributed groups of individuals to interact in real-time. We focus particularly on new forms of research in brain-examination in this case in combination with webcasting as an extra interesting special case of a media space that has excellent potential for scalability across a wide variety of users. Most of the plans of KLB's ePresence Lab, sponsored by the University Laboratories, is to create a new vision that allows interaction, for instance in webcast events, in technological projects specialize in neural and brain processes. Muis is also the founder of FRR a firm specializing in techological, visual and interactive, designed to research users in a neurological point of view and other complex technology. He was previously the founder, CEO, and Chairman of HCR Corporation, a Toronto-based UNIX contract R&D and technology development, sold in 1990 to a U.S. competitor. (Less)
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