Results for: wieniawski violin concertos
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Michael Rabin - Wieniawski Concerto No.2 Part 1 Violin Concerto No. 2 in D minor, Op. 22
Composed by Henryk Wieniawski
Performed by London (More) Violin Concerto No. 2 in D minor, Op. 22
Composed by Henryk Wieniawski
Performed by London Philharmonia Orchestra
with Michael Rabin
Conducted by Eugene Goossens
Biography
Michael Rabin (May 2, 1936 - January 19, 1972) was an American violinist of Romanian descent.
He began to learn the violin when he was seven. His father George, a violinist in the New York Philharmonic, noticed his talent. A lesson with Jascha Heifetz was arranged and the master advised him to study with Ivan Galamian, who said he had: "no weaknesses, never." His mother Jeanne was a Juilliard-trained and successful pianist. He began studies with Galamian in New York and at Meadowmount and The Juilliard School, and went on to appear with a number of American orchestras before his 29 November 1951 Carnegie Hall debut in the Paganini D major Concerto, with Dimitri Mitropoulos conducting the New York Philharmonic. He first appeared in London on 13 December 1954, playing the Tchaikovsky Concerto at the Royal Albert Hall with the BBC Symphony Orchestra.
Michael Rabin recorded concertos by Mendelssohn, Bruch (Scottish Fantasy), Glazunov, Paganini (no. 1 in D major-2 recordings), Wieniawski (No.1 in f-sharp minor, No. 2 in d-minor), and Tchaikovsky, as well as the Paganini Caprices. He recorded the Bach Sonata in C major for solo violin and the Ysaÿe Third and Fourth Sonatas for solo violin, as well as virtuoso pieces, including an album with the Hollywood Bowl Orchestra.
Rabin played in a Bel Canto style. During a recital in Carnegie Hall, he suddenly fell forward and momentarily lost his balance, and this was the beginning of a neurological condition which was to affect his career adversely. He died prematurely at the age of 35 from a head injury sustained in a fall at his New York apartment.
He performed for many years on the "Kubelik" Guarnerius del Gesu of 1735 (Less)
Michael Rabin - 18th variation - Theme of Paganini Michael Rabin and the
Bell Telephone Houer Orchestra
Conducted by Donald Voorhees
Michael (More) Michael Rabin and the
Bell Telephone Houer Orchestra
Conducted by Donald Voorhees
Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher.
Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman.
Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia Masterworks label, with a set of 11 of Paganini's Caprices for solo violin. The following year came Rabin's Carnegie Hall debut, at age 13, with the Vieuxtemps Concerto No. 5, in a performance that had him hailed in The New York Times as "already an accomplished artist...play[ing] with real grace and beauty of tone." No less a figure than the conductor George Szell declared Rabin the greatest violin talent that had come to his attention in the previous 30 years, and Dimitri Mitropoulos called Rabin "the genius violinist of tomorrow."
In the 1950s, Rabin signed with Capitol-EMI, for which he recorded the most important part of his legacy, including the Paganini Violin Concerto No. 1, the first and second violin concertos of Wieniawski, and the Tchaikovsky, Mendelssohn, and Glazunov concertos. At the end of the 1950s, Rabin suddenly cut short his recording career, for reasons that were never clear. He continued to perform regularly in concerts around the world, and even made broadcast recitals during the 1960s revealed his talents undiminished. There were accounts of his emotional instability, and an unstable personal life -- he had a rough time adjusting to the change from child prodigy to adult virtuoso, though his talent showed no signs of abatement; during the late '60s there were stories of chronic drug use; he also displayed some unusual neuroses, including a fear of falling off the stage, but none of that should have affected his recording career while leaving his concert career intact. In any case, Rabin never entered a recording studio again after 1959, and in 1972, while still in the prime of his life died in a fall when he slipped on a parquet floor and struck his head on a chair (Less)
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