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The Yuri & Friends Full Color 3 Esp

2009-04-08 - extension: cbr - size: 13 MB

The Yuri & Friends Full Color 3 Esp

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| Source: http://frikydescargas.blogspot.com/2009/04/yuri-friends-full-color-03.html

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Softarchive net Yuri And Friends Full Color Vol3

2009-06-22 - extension: rar - size: 11 MB

Softarchive net Yuri And Friends Full Color Vol3

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| Source: http://dzcenter.blogspot.com/2009/06/yuri-and-friends-vol-3-uncensored.html

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Softarchive net Yuri And Friends Full Color Vol1

2009-06-22 - extension: rar - size: 10 MB

Softarchive net Yuri And Friends Full Color Vol1

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| Source: http://dzcenter.blogspot.com/2009/06/yuri-and-friends-vol-1-uncensored.html

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Documentary on Aleksandr Ptushko
Aleksandr Lukich Ptushko (Александр Лукич Птушко; April 19 [O.S. April 6] 1900 (More) Aleksandr Lukich Ptushko (Александр Лукич Птушко; April 19 [O.S. April 6] 1900 in Lugansk, currently Ukraine--March 6, 1973 in Moscow, Russia) is a Soviet animation and fantasy film director. Ptushko is frequently (and somewhat misleadingly) referred to as "the Soviet Walt Disney," due to his prominent early role in animation in the Soviet Union, though a more accurate comparison would be to Willis O'Brien or Ray Harryhausen. He began his film career as a director and animator of stop-motion short films, and became a director of feature length films combining live-action, stop-motion, creative special effects, and Russian mythology. Along the way he would be responsible for a number of firsts in Russian film history (including the first feature-length animated film, and the first film in color), and would make several extremely popular and internationally praised films full of visual flair and spectacle. Aleksandr Ptushko began his film career in 1927 by gaining employment with Moscow's Mosfilm studio. He began as a maker of puppets for stop-motion animated short films made by other directors, and rapidly became a director of his own series of silent puppet films featuring a character called Bratishkin. From 1928 to 1932, Ptushko designed and directed several of these "Bratishkin shorts." During these years, Ptushko experimented with various animation techniques, including the combination of puppets and live action in the same frame, and became well known for his skills in cinematic effects work. Virtually all of these short films are now lost. In 1933, Ptushko, along with the animation crew he had assembled over the years, began work on his first feature film entitled The New Gulliver. Written and directed by Ptushko, The New Gulliver was one of the world's first feature length animated films, and was also one of the first feature length film to combine stop-motion animation with live-action footage. (Many claim that it was the first to do this, but Willis O'Brien had made The Lost World in 1925 and King Kong in 1933. The New Gulliver was, however, far more complex, as it featured 3,000 different puppets.) The story, a Communist re-telling of Gulliver's Travels, is about a young boy who dreams of himself as a version of Gulliver who has landed in Lilliput suffering under capitalist inequality and exploitation. The New Gulliver was released in 1935 to widespread acclaim and earned Ptushko a special prize at the International Cinema Festival in Milan. After the success of The New Gulliver, Ptushko was allowed by Mosfilm to set up his own department, which became known as "the Ptushko Collective," for the making of stop-motion animated films. This group of filmmakers would produce another fourteen animated shorts from 1936 to 1938. The direction of these shorts was rarely handled by Ptushko, though he would always act as the artistic supervisor for the group. These shorts were also frequently based on folktales and fairy-tales, a genre which was to become the source of Ptushko's greatest success. In 1938, Ptushko began work on The Golden Key, another feature length film combining stop-motion animation with live action. An adaptation of the Pinocchio story, and one which predated the Disney version by two years, this film was also highly successful in the Soviet Union, although it was never released outside of the country. Despite its success, The Golden Key was to be Ptushko's last foray into animation. During World War II, most of Moscow's film community, including Aleksandr Ptushko, were evacuated to Alma-Ata in Kazakhstan. He continued working in special effects, but would not direct another film until the end of the war. (Less)